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1
l^-.i- ^■M^ vf^i j
ELLEN
, , ) OR
BY JOSEPH BATTELL
" Gooi/ sense, 7vhich only is the Gift of Heaven,
And, though no science, fairly worth the seven."
SECOND EDITION, REVISED AND ENLARGED
IN TWO VOLUMES.
VOLUME II.
AMERICAN PUBLISHING COMPANY'
MIDDLEBURY, VERMONT
ARTHUR F. BIRD
22 BEDFORD STREET, STRAND
LONDON
1908
,^* tfWOX M«>^
Copyright, 1901, by Joseph BattelL
Copyright, 1908, by Joseph Battell.
Entered at Stationers* Hall.
TO THE
PEOPLE OF AMERICA
THIS BOOK IS DEDICATED
BY THE
AUTHOR
N
CO
00
PREFACE,
IN presenting to the public Volume II. of "Ellen, or Whisper-
ings of an Old Pine," the author would say that while there
have been quite a number of favorable notices of Volume I.
and suggestions that its reasoning is correct, no attempt has
been made anywhere to answer its criticisms of modern
science, although the Rutland Herald, one of the largest and
ablest of Vermont daily papers, says editorially that " *Ellen '
is a series of Platonic dialogues designed to make an all-around
attack upon science as it is taught in the schools. Before its
quick-firing batteries evolution, the undulatory theories of
matter, certain propositions in algebra and geometry, the nature
of the soul, and other philosophic and scientific tenets, long
considered secure, are razed to the ground.'* And adds:
** As two more volumes are promised, we will not here record
our impression of the Battellian theory of creation; but we
will say that in just this way the thoughts of man have been
turned from the ruts of error into truth."
And yet there was no intention, much less desire, in writing
"Ellen," to attack anything or anybody.
After finding that modern science, in certain things, certainly,
VIU PREFACE
was badly in error, an earnest attempt was made, on common
sense lines, to arrive at the truth of the difficult subjects con-
sidered.
It at once became evident that the Universality of Natural
Law, upon which all science rests, was the key with which to
unlock the secrets of nature. For whilst we can have only
opinions, which, as Socrates said, ''are bad, all," of how things
are accomplished which are beyond our perceptions, we know
how we do them, or how they are done by any order of mind
whose methods come within our observation.
But we find that all things made by man, — who has a large
amount of constructive ability, — are made from matter, to
conform to a model in mind. That is, every material thing is
a copy, the thing it is copied from being a spiritual or mental
production ; and therefore the whole conqsption of evolution
by material forces is a palpable humbug.
Again, we find that man in creating things works by special
creation. That is, if he wants a piano he does not make a
violin, or any other material thing, which will evolute into a
piano, but directly, through the operations of mind, he makes
a piano; and this method is universal with him, and with any
other order of mind with which we have acquaintance. And
thus again material evolution is proven to be a humbug.
The evolution takes place, in the line of improvement and
variety, but it is accomplished by mind not matter. Thus
an ordinary railroad car evolutes, in the mind, to a palace
car, and afterwards by the direction of mind the material for
this palace car is gathered and the car built ; but the ordinary
railroad car from which it was designed is still running, not a
PREFACE IX
single particle of its material entering into the improved car.
Similarly in nature are made the different varieties and species
of things.
** Ellen'* also demonstrates that the body is a machine; not
only the material part of the body which we see, and which
remains a limited time after death ; but as well that which we
call the life of the body, the respiration, circulation of the blood,
digestion and assimilation.
Then must the intelligence that runs it be entirely inde-
pendent of it. Of this there can be no possible question. For
the laws of nature are universal ; and when the intelligence which
operates any material thing is found in one case to be entirely dis-
tinct from that thing, we know that it is so in all cases, whether
or not our physical vision is able to detect it. But that they
are thus separate we know to be true in regard to an engine,
and all machinery made by man, and therefore is it true through-
out the universe.
The entirely material character of the body may be seen, in
the nature of its forces, and the various devices used in the dif-
ferent parts of the machinery, such as joints, valves, hinges, etc.,
which are precisely similar to those used for similar purposes
by man ; also, in the fact that we can see the operations
which take place, as completely as we can those of a clock or
factory. In either case intelligence must be at hand to guide
the running, but in either case a certain part is entirely mechani-
cal. It is further demonstrated by the fact that it is impossi-
ble for the will directly to stop the beating of the heart, or
permanently the act of breathing.
For a body, as for an engine, supplies of fuel are needed.
X PREFACE
But all the designs of intelligence are for the use of intelli-
gence. There is no other cause or occasion. And, too, every
design of intelligence must be looked after and operated by
intelligence.
And therefore it is just as necessary that this machine of the
body should have an engineer, — that is, intelligence to look
after and manage it, — as that an engine should. In this case
there is no difference in the order of intelligence which oper-
ates, only in one case it is called an engineer and in the other
a soul. They are one and the same thing. That is, the soul,
clothed with the apparel of the body, which is necessary to its
action in material conditions, becomes the engineer.
This same soul has to supply both the machinery of the
body with fuel, and the engine that it runs. It is dependent
upon the engine for its ability to travel quickly or to draw
freight; and it is dependent upon the body to live among
and operate material things. The two conditions are similar,
and the one not in any way more remarkable than the
other. Both take place in accordance with the laws governing
the construction of the universe. Nor is it possible to conceive
how a universe, or any part of it, could exist without design, or
laws to govern it, nor how any better could be made than those
which operate. But they are all of a practical character and
of universal application.
It follows that a soul must enter a body in connection with,
or soon after its organization, and this in as distinct a manner
as an engineer enters an engine.
Bodies are produced through the processes of generation,
and are made for the use of the soul whilst living or in material
PREFACE XI
conditions, as much so as an engine or any vehicle is for the
use of man.
The soul dwells in a body, and uses the facilities of the body
for its convenience. And so, too, in connection with the body»
it enters a house, a boat, a car, a carriage, a balloon, or indeed
any material thing, which it is able to use for its convenience
or pleasure.
It would appear that it uses bodies in material conditions as^
in connection with the body, it uses boats to travel upon the
water, and in each case for the same reason, because it cannot
live in material conditions, or travel upon the water to advan-
tage, or for any long time, without such aid.
These contrivances of the body are, then, but some of the
innumerable material things which souls use in the various phases
of their existence. For souls are as numerous throughout the
universe as trees in a forest, and as active as fishes in a sea.
They unquestionably constitute a very important part of the uni-
verse, acting under the authority of a Supreme Ruler, and in ac-
cordance with laws made by Him. Like all things, they are indi-
vidual, and the nature of their existence is occupation or
action.
That is what existence means. It must mean something, and
it does mean this.
The innate power of the soul is also demonstrated in '* Ellen,"
which shows beyond any possible question that Locke's
contention that there is no such thing as innate ideas, if in-
terpreted to mean that there is no such thing as a soul, was
not correct, as it would be as utterly impossible for concepts
to arrange themselves into thought, as for numbers or letters
xn PREFACE
upon a blackboard to do so, or for a bottle of ink to write a
novel. There must be something back of the concepts to do
this. This something is the soul. And though it would appear
to have no ideas of material things, until they are brought
within its comprehension, its power to learn is innate ; and also
its power to construct and use. Then must its knowledge be
innate, for it is impossible to conceive how a soul can construct
or use anything without innate knowledge. But innate knowl-
edge means knowledge that has existed perhaps from eternity,
and perhaps that will exist to eternity. That is, the soul is an
immortal substance.
The soul, then, is an entity having the power of thought and
feeling. All of the conditions which lead up to this demonstra-
tion are carefully explained in the first volume of ** Ellen." The
present volume is almost entirely occupied in the discussion
of the last eight books of geometry, — that of the first book
appearing in Volume I., — plane trigonometry and the undu
latory theories, especially that of sound. This last was con-
sidered, in part, in Volume I. of the first edition of " Ellen,*' but
has been carefully revised, and the action of sound in telephone
and graphophone, a very important feature, added. The argu-
ment as it now stands sweeps out forever these theories, and
we believe will be accepted by all intelligent readers. That such
a theory ever took root is most extraordinary, as there isn't a
single one of its essential features that comes within the scope
of possibility.
The statement upon which it starts, that sound is composed
of vibrations, is wiihout any possible basis, as can be proven by
five minutes* experiment with a tuning fork. Sound exists first
PREFACE xni
in the fork, or any vibrating body, before it enters the air. It is
produced by shock — a blow — and, as is proven beyond any
possible doubt in this volume of "Ellen," consists of infinitesi-
mal particles of electrical matter, which, like the light-footed
Aurora that in a moment may span the whole arch of heaven,
returning in another to its northern palaces, have the power of
movement; and although with sound this movement is not
especially rapid it is adapted like all of nature's works, to the pur-
poses for which it is made, and rapid enough, and far extending
enough, to accomplish these both thoroughly and agreeably.
Because of its infinitesimal character sound is able to pervade
every part of the atmosphere, and thus to enter all ears ; and
also because of this, different sounds can pass each other, con-
tinually and without serious difficulty, as people can, or flies.
There is no other way for things to pass, no other possible
way. Motions under certain conditions will go from one body
to another, when these bodies touch, and, being forces, carry
the bodies in which they remain. And motions only pass,
when two bodies meet, because there's room for them to.
The example of a supposedly different method — that of water
waves,— is a delusion, as is fully explained in this volume, and
as should have been perfectly known and explained by all
text-books or teachers of sound. The waves do what the boat
does that rides upon them, go up and then back, whilst with
each excursion a new circle of waves is made through the joint
action of momentum and gravity.
The statement that the slow movement of a tuning fork — not
over about seven feet a second^-or any other similarly vibrating
body, causes particles of air, or anything else, by hitting them,
XIV PREFACE
to move 1040 feet, more or less, a second, — upon which the
undulatory theory of sound rests, — is a monstrous lie, as any
person with any knowledge of the laws of mechanics knows.
The sound, after being formed in the vibrating body by the
shock, is easily and certainly traced in its onward mission.
Vibration moulds it, and throws it into the air, whence it is
most easily distributed in all directions, although it can be car-
ried in greater quantities and far more quickly by a rod of wood
or metal, letting the lower part of the fork touch one end of
the rod, the other end being held in the teeth or placed against
the bones of the chest or head.
Indeed, it was the perception of the inconsistency and absurd-
ity of these undulator>' theories more than any other one thing,
which first influenced us to criticize modern science. It was
too plain a case to be ignored. The absurd statements in the
text-books in regard to the nature of matter and motion were
equally prominent, and soon it was evident that the scientists
had made a bad mess of it generally, one error leading of neces-
sity to others, until the whole structure of modern science is
perforated with them.
Part II. of this volume, which treats of the undulatory theories,
was written in part before the discovery of radium, by which now,
as also by X and Cathode rays, Newton's corpuscular theory of
light is demonstrated experimentally to be correct, and all undu-
latory theories erroneous.
For any suggestion that nature has two methods of produc-
ing light cannot for a moment be entertained ; nor could it
possibly be suggested by any one who, as Newton expresses it,
has in philosophical matters a competent faculty of thinking.
PREFACE XV
In the Appendix of this volume and Preface of Volume I.,
second and third editions, will be found references to several
articles from very prominent physicists, admitting a change of
opinion in regard to these theories ; and indeed we know of no
eminent physicist, and doubt whether there is any, eminent or
not eminent, certainly no intelligent one, who would now under-
take openly to sustain them.
And yet the anomalous condition exists, so far as we know
both in this country and Europe, that they are still taught in
every college and scientific school. Whether in teaching them
the scholars are told additionally that they are utterly erroneous
we do not know, but doubtless most of them have found out
that they are so.
The new lines of demonstration chosen, in geometry, which
appear for the first time in this volume, practically revolutionize
the seience, making it much simpler and plainer.
The object of a book like '* Ellen" is the finding of Truth,
the nature of this endeavor being double, to correct what is
erroneous, and to discover new truth. Certainly in the first the
book has been very successful. Starting out single handed
and looking upon the subject simply from a common sense stand-
point, it demonstrated the absurdity and impossibility of a
large part of the physics as taught in all text-books. It also
demonstrated the impossibility and absurdity of the Darwinian
theory, or any theory of material evolution. It also detected
many errors in other branches of philosophy and science,
and exposed some very blundering and entirely erroneous
statements in mathematics, all of which errors have been hitherto
accepted in all modern text-books, and some for hundreds of
XVI PREFACE
years. No answer has been made to any of these criticisms,
as indeed none is possible, but the more distinguished scientists
of the world have already accepted the more important posi-
tions taken in ** Ellen," which took the lead, and whose ideas were
widely advertised in the newspapers and in the circulation of the
books when the first edition was published, in 1901. And this
means that a large part of the science of the world, as taught
in the text-books and sustained in encyclopaedias, is being
slowly but surely revolutionized.
In this department alone the necessity of such a book as
"Ellen" has been fully vindicated. In the second field, that
of independent discovery, ** Ellen" has been, perhaps, equally
successful, and the numerous discoveries made in the nature
of existence, and the order of the universe, promise to lead to
others even more important.
It is not true that such a book is or can be dry or uninterest-
ing. Many of the truths which it seeks are the most import-
ant and intensely interesting of all ; for they have to do not only
with the affairs of this life, but with its destiny, the life which
we believe to be succeeding this, as surely as day succeeds
the night, or night, day.
For some years a wave of materialism has swept over the
world, permeating all society with its baneful influence. And
this, although nothing can be more certain than that the soul
is a substance, entirely distinct from the body, and must con-«
tinue to exist with all its original powers, when, the life of the
body being spent, it is no longer habitable for a soul.
And from the opposite, death, is the beginning of a new life —
the dawn of another day. For the day comes from the night
PREFACE xvn
and the night from the day. They follow each other in succes-
sion, nor is it possible that they would do otherwise, the great
system of order, in which or by which the universe is con-
structed, forbidding it.
And so life comes from death and death from life ; accord-
ing to the great law of opposites, universal in nature.
And that which follows is controlled by another of nature's
universal laws, that of cause and effect. As Paul expressed it,
** Be not deceived, God is not mocked. For whatsoever a man
soweth, that shall he also reap."
All of this is plain common sense; the fundamental truths
of existence ; the fundamental truths of religion ; the funda-
mental truths of the Bible.
The next thing that the mind seeks is under what laws does
existence continue. Is the spiritual always connected with the
material — mind with matter, or any other substance, acting as
a body? The only suggestion from analogy is that the soul
when it leaves the body enters another body. Paul speaks
of a spiritual body. Can the laws under which continued exist-
ence takes place be discovered by the mind of man? We
believe that they may; that the spiritual part of man, the
mind's eye, will fathom this mystery, so that the whole nature
of that existence, of which we are a part, may become under-
stood. But this will depend upon the highest possible motive —
what is best.
There is indeed in "Ellen" but one more step to be reached,
the first one being the peception that the soul is distinct from the
body, and continues its existence. Christ's remark, "Seek
and ye shall find," always true, points the way. And we know
XViil PREFACE
not why these laws will not become manifest, as others have in
** Ellen*' that seemed equally hidden; as the law of memory,
the law of dreams, the nature of the connection of the soul
with the body, the material character of truth, justice and all
abstract qualities, the operation of light in vision, the nature of
sound, the nature of matter, the nature of motion, and other
most important truths, discovered first in *' Ellen," or redis-
covered, and presented so as to be accepted, the arguments
sustaining them being too strong to be overthrown.
This book is dedicated to the American people because the
great body of the people is the ultimate authority for the
decision of all questions which are world-wide in their scope.
Their attention may not ordinarily be called to questions
looked upon as purely scientific, but when it is they are not
hampered by** knowing so many things that are not so," as
Artemus Ward said of the scientists, but will judge all ques-
tions upon their merits, and do it correctly.
For further criticisms and reviews of ** Ellen" see Appendix.
JOSEPH BATTELL.
Bread Loaf Inn, Ripton, Vt.,
October i, 1907.
ILLUSTRATIONS.
PART 1
FRON-nSPIECE
Bread Loaf Mountain, Ellen's Mountain in Distance,
Bridge Bi-h-n^'een North and Solth Hero, Vt.,
WiNn«:R from Fj-len's Mountain, No. i..
On the Green Mountains near Hancock Pass,
Altitude 2200 feet.
The Oak,
Highway near Starksboro, Vt., .
Adirondacks and Lake Champlaix, No. i.,
Grand Isle CoL7n*\', Vermont,
Green Mouniains from Middlebury, Vt.,
Bread Loaf Park No. i., .
Bread Ix)af Cottages, ....
View in Warren, No. i..
Near Bread Loaf, No. i., .
Ellen's Mountain near the Summit, No. i
Vermoni' Scene, . . . . ,
"I wandered by the Brook-side," ,
The Linden, Warren Woods,
Near Bread Loaf Inn,
WiNiTR on Ellen's Mountain, No. 2.,
I
24
36
47
53
61
72
78
84
94
105
118
132
139
148
i5«
166
173
XX
ILLUSTRATIONS
PART II.
Ellen, 2
Summer, 12
Winter Scene in Vermont, . . .... 25
Mountain Stream, 37
Northwest from Ellen's Mountain, 51
Southwest from Ellen's Mountain, 61
Southeast from Ellen's Mountain, 74
Northeast from Ellen's Mountain, 86
Near Bread Loaf, No. 2, 96
Among the Brakes, 109
Ellen's Mountain from the East, 121
Adirondacks and Lake Champlain, No. 2, . . . . 133
By the Old S'ix>ne Wall, Warren, 144
Bread Ix)af Park, No. 2, 157
View in Warren, No. 2, 168
West from Ellen's Mountain, 182
Autumn, 193
Vermoni Hills, 206
Ice-Bound, 217
A Pastoral Scene, 230
Mountain, Dale and River, 239
Mount Ethan Allen from the East, 253
Morning, 266
" Night's candles are burnt out, and jocund day
Stands tiptoe on the misty mountain tops."
May Among the Mountains, .
Evening,
Winter from Ellen's Mountain, No. 3
The Mountains in Winter, .
A Winter Scene from ihe Mountains,
277
289
303
3U
326
ILLUSTRATIONS xxi
Upon the Rocks, Ellen's Mountain No. 2, ... 335
Mountain Valley, 349
Ellen's Mountain, near the Summit, No. 2., . . .362
A Vermont Meadow, 373
" Far from the madding throng's ignoble strife."
Contemplation, 383
Maple Grove, Warren, 397
A Mountain River, 411
Winter, 423
Edith, 435
Lake Champlain, Grand Isle County, 451
Near Runaway Falls, .... ... 461
Bread Loaf Mountain, Ellen's Mountain in Distance, . 473
WiNOOSKi River, 481
Elm Tree, 495
Rochester, Vt., 514
Green Mountains, Addison Couniy, Vt., No. i., . . 531
View From the Sileni' Cliff, 544
Four-in-hand, 559
Eastern Vermont, 565
The Hickory, 574
White River, Rochester, Vt., 587
Green Mountains, Addison County, Vr., No. 2., . . 600
Brf^d Ia^af Park, No. 3, 612
On the Green Mountains, Fern Lake, . . . .627
Middleijury, Vt., 642
Gathering Applf^^, 655
Lake Champi.ain, 667
The Three Sisters, 676
"She Walks in Beauty like the Nkiht," .... 690
FiNispiECE, 707
CONTENTS.
PART I.
CHAPTER I.
Introduction. Review of geometry continued. Euclid's method of giving defini-
tions. Book II. The Circle and the Measurement of Angles. Definitions.
Discussion of circles. Limits and variables. Not correct to speak of that as
limited which has no limit nor lo call that a limit which can never be reached.
(>ther inaccuracies of modern geometries criticised i
CHAPTER n.
Review of geometry continued. Book III. Similar polygons. Euclid referred
to. Criticism of the manner in which ratio or proportion is treated in modern
geometries, and the same compared with its demonstration in Euclid. Dcmon-
stratioas of this subject in Volume I. of Ellen referred to. Definitions. Dis-
cussion of triangles, and analysis of the relative length of their sides. Quanti-
ties varying between limits include all intermediate values. Projection. Euclid's
demonstration of the square of the sum and difference of two quantities 24
CHAPTER III.
Review of geometry continued. Book IV. Areas of Polygons. Equal and
equivalent figures. Definitions. Areas of triangles, parallelograms and trape-
zoids 47
CHAPTER IV.
Review of geometry continued. Book V. Regular Polygons and Circles.
Definitions. A circle composed of a series of contiguous circumferences de-
creasing uniformly in length. The infinitely small as remarkable and real as
the infinitely large. The ratio of a circumference to its diameter 53
XXIV CONTENTS
CHAPTER V.
Review of geometry continued. Book VI. Planes, Diedral and Polyedral Angles.
Definitions 6i
CHAPTER VI.
Review of geometry continued. Book VII. Polyedrons. Definitions. Volume
equals product of average dimensions 72
CHAPTER VII.
Review of geometry continued. Book VIII. Cylinder, Cone and Sphere.
Definitions. Lune, spherical angles, triangles and polygons. Discussion
of spherical angles pointing out that they are equal to plane angles, not because
their lines have the same direction but because their difference of direction is
the same 84
CHAPTER VIII.
Review of geometry concluded. Book IX. Measurement of Cylinder, Cone and
Sphere. A cylinder may be supposed to consist of a series of contiguous sur-
faces similar to the convex surface, and extending from that to the axis of the
cylinder, each one uniformly shorter than the one preceding. English used in
statement of propositions criticised. Discussion of the cone. Euclid's demon-
stration that a cone is a third part of a cylinder having the same base and alti-
tude. Every body however small has three dimensions. Points, lines and
superficies a basis of measurement. The surface of a sphere equals four great
circles, because the amount of material necessary to cover any surface will be
the same whether used upon a plane surface, or many plane surfaces, whose
aggregate equals this plane surface. Theory of limits considered. The surface
of a circle equal to its mean or average circumference by its radius, and there-
fore the surface of a sphere would be equal to four times this or the circum-
ference by the diameter. Volume of a sphere may be expressed in terms of its
surface used as a standard of measure, and is e(]ual to this surface multiplied
by one third the radius. Average surface of a sphere and average base of a
pyramid, where situated. " On every height there is repose." 105
CHAPTER IX.
Description of the late Autumn^ Plane Trigonometry. Trigonometric functions.
Their mutual interdependence. Variable quantities ^ ... 132
CONTENTS XXV
CHAPTER X.
Relationship between functions. Their values not altogether accurate. Size rela-
tive. Value of cosines of angles in the first quadrant with three orders of
differences. Cavalieri's estimate of lines, surfaces and solids. Newton's con-
ception of the same .* 139
CHAPTER XI.
Solution of right-angled triangles. Solution of oblique-angled triangles. Law of
tangents. Relationship between two sides of a triangle and their projections on
the third side 148
CHAPTER XII.
Trigonometrical Formulae. The methods of teaching largely responsible for the
failure of scholars to learn mathematics easily. Remarks about teaching. The
highest of all motives, doing a thing because it's best. Expression for sine and
cosine of a double arc; for sine and cosine of half a given arc; for the products
of sines and cosines. Other formulae, and expressions for the tangents of
arcs • 158
CHAPTER XIII.
Learning mathematical truths by manipulation of symbols not a desirable method.
All-important that the principles arc learned upon which mathematics rest.
'ITiis illustrated by demonstration of several formuliv by figures or values. Other
principles of mathematics expounded. Explanation of logarithms. End of
Plane Trigonometry 173
CONTENTS.
PART II.
CHAPTER I.
June upon the mountains. The discussion of Undulatory* Theories. Statement
of Ganot in his '* Physics'* that the intimate nature of gravitation, heat, light,
magnetism and electricity is completely unknown. Sound and Light governed
by similar laws. Sound given two distinctly different definitions in the old
theory, which illustrates the looseness of the theory 3
CHAPTER II.
The Copemican system superseding the Ptolemaic. The five senses, touch, taste,
smell, hearing and sight. Discussion of odors by Ferdinand Papillon. Qose
connection between all natural phenomena. The experimental method erects
barriers, which greatly hinder the completing of knowledge. Olfaction,
mechanism of, quite simple. Smell both voluntary and involuntary. Sense of
smell sometimes wanting. Qose connection between smell and taste; four
primitive tastes — sweet, sour, salt and bitter. Emanations from odorous bodies
perceptible to sight. Experiments made by Prevost 1799. Very important
experiments by Legeois. Molecules emitted from odorous substances and
diffused through the atmosphere. Effect of water upon fragrance. Air the
vehicle of dispersing odors. Remarkable diffusibility of certain odorous sub-
stances. Odors affect the olfactory nerves as sounds the auditorj- nerves.
Odors made artificially identical with those in nature 13
CHAPTER III.
Odor considered as a mode of motion by Thomas Hobbs (1588 — 1679) and
other writers. All such writing unmitigated nonsense, but no more so than
CONTENTS XXVii
similar remarks about sound. All undulatory theories assume something to be
got from nothing 24
CHAPTER IV.
Sound produced by collision or shock. Music of the spheres not necessarily a
myth. Definition of vibration. Motion caused by pressure. Discussion of
Motion. Motion and matter inseparable. All motion a part of matter and
any matter in which the principal of motion is unbalanced must move. Motion
progressive; entering into a material thing at rest, until of sufficient quantity to
carry it or cause it to move. No end to nature's circulatory methods. Long
quotation from Dr. Guyot. Inertia of matter an error. Force, moving
matter. Action of one body on another, result of contact 35
CHAPTER V.
Elasticity. Quotations from Lord Kelvin, " Chambers' Encyclopaedia " and Ganot.
Modulus of elasticity. Limit of elasticity. Elasticity of traction. Elasticity of
torsion. Elasticity of flexure. Effect of hardening and annealing. Moment
of the force of torsion. Formulae for the ^peed of sound. Quotations from
Ganot and David Thompson 50
CHAPTER VI.
Elasticity, used indiscriminately by scientists to denote a property, force and
ratio. Elastic force, matter in motion. Sound made in the same manner as all
other material things, and perishes in the same manner. Sound like other
things moves with different speed over or through different bodies. Character
uf the nerves; made to convey sounds and other causes of sensation to the soul.
The causes of all sensations material. Extracts from Buchner's " Force and
Matter" on the Universality of Nature's Laws. Composition of the sun and
other heavenly bodies. Matter supposed to be essentially identical in the
whole universe. Identity of the laws of mind throughout the universe 67
CHAPTER VII.
The undulatory theory of sound impossible. All sensations have a material cause
even to the most minute particular; thus the sensation of a tree or a leaf is in
exact accordance with the material thing by which it is produced ; if a twig is
broken or an indenture occurs in a leaf, this will be produced in the sensation,
and thus, too, it must be with sound; hence any supposed cause of sound
XXVlll CONTENTS
must be capable to produce its sensation; that is, all the marvelous differences
of sound, which are as many and as manifest as any that exist in any of the
phenomena of nature, must be first formed materially. Function of the nerves
again referred to. Communication by symbols possible, but only in accordance
with pre-conceived arrangement. The scientific suggestion of creating sensa-
tions by the slight movement of particles of matter in certain bodies, not in
conformity with nature's laws 87
CHAPTER VIII.
Speed of sound. Hypotheses taught as known principles not justifiable. Proposi-
tions in the " Principia " by Mr. Newton relative to sound, in which he under-
takes to explain the propagation and velocity of sound, saying that the pro-
gressive motion of the pulses arises from the perpetual relaxation of the denser
parts toward the antecedent rare intervals. This explanation which is the only
intelligent one ever made or even attempted, practically disproves the whole
theory of sound, as the conditions necessary to its propagation could not gener-
ally, if ever, take place. Boyle's or Mariotte's Law; not always correct.
Boyle's Law, known to be true only as far as demonstrated by experiment.
Sound impossible under wave theory 97
CHAPTER IX.
Air waves contemplated in the undulatory theory of sound impossible by the laws
governing motion. Newton's explanation of the undulatory theory of sound
again referred to; this has been dropped out of text-books, because seen to
be inapplicable, and no other offered because there is none possible. Quota-
tion from the "New York Sun" concerning the use of a megaphone for
warning in fogs, which says, after describing the experiments, that they com-
pletely upset the pre-conceived ideas of the peculiarity of sound because they
show it is possible to confine a sound, even so powerful as that from a syren,
and to project it into space in a given direction with the same certainty and
accuracy that we can project the rays of a searchlight. Propositions XLIIL,
XLV., XLVL, XLVIL, XLVIIL, on sound, from Newton's "Principia."
Mr. Newton's theoretical velocity of sound incorrect. Quotation from "Cham-
bers' Encyclopaedia " regarding this 112
CHAPTER X.
Newton's propositions concerning sound founded upon hypotheses which have
CONTENTS XXIX
nowhere been proved. Disagreement of undulatory theories with facts further
discussed. Such theories impossible under the kinetic theory of gases. Quota-
tions from Ganot and others concerning the kinetic theory of gases. Newton's
conception of the wave theory of sound shown to be impossible by Herschel,
Lagrange and other eminent physicists. Those who have accepted Newton's
theory of sound consider his theory of light to be utterly without foundation.
Danger of building upon hypotheses 145
CHAPTER XI.
All science should rest upon knowledge, not hypothesis. Mathematics in scien-
tific discovery worse than useless without good sense to use them. Review of
Mr. Tyndall's book "On Sound." A system of waves could not be gathered by
a megaphone; this alone a fatal objection to the airwave theory of sound.
Mr. Tyndall's statements corrected. Elxperiments in a vacuum, in hydrogen
and on mountains. Inte sity of sound depends on the density of the air in
which it is generated, and not on that in which it is heard. Ejcperiment by
Mr. Tyndall incorrectly explained. Sympathetic vibration 169
CHAPTER XH.
Sound of an electrical character. Quotation from M. Oersted. Other quotations
from eminent authorities showing marked similarity between the laws governing
sound and electricity. Ganot, Deschanel and other authorities in regard to the
timbre or quality of sound, admitting that the differences of timbre^ or generally
of sensations, must be produced by, and exactly correspond to, the differences
of that which causes the sensation. Sound composed of particles of matter
which can be scattered or collected. Their collection illustrated by a mega-
phone or ear trumpet, and abo by the sail of a ship 183
CHAFFER Xni.
Sound an entity. A vibrating body cannot make any body move faster than it
moves itself. Further review of Mr. Tyndall's book. Velocity of sound.
Serious errors by scientists. Mr. Faraday upon radiant matter 207
CHAPTER XIV.
Transmission of sound. One medium exists in another. Neither sound or elec-
tricity passes through a vacuum. Intensity of sound diminished in rarefied
air. Superstitions of science 216
XXX CONTENTS
CHAPTER XV.
Theories of Laplace and Poisson on propagation of sound, with criticisms of same
by Prof Potter, Rev. Samuel Eamshaw and Rev. James Challis. 238
CHAPTER XVI.
Article published in the " Quarterly Journal " by Henry Meikle exposing the errors
and fatal defects of the undulatory theory of sound. Mr. Meikle, eminent as a
mathematician, but still more so as a man. He shows the undulatory theory of
sound mathematically and physically impossible. Similar criticisms previously
made by Professor Leslie 252
CHAPTER XVIL
Further review of Mr Tyndall's book, in which he admits that for every sonorous
impression there must be a correlative without — " that all differences in sound
must be purely a mechanical condition of the intervening air.'* This impossible
under the undulatory theory; and as sound is in every part of the air as well as
all the air, could only be done by infinitesimals. Length of air waves. Quota-
tion from Professor Challis concerning the correlative without 270
CHAPTER XVin.
Experiments of sound in iron and in air, with relative speed. If sounds are of
same pitch, rate of vibration is the same. Hydrogen gas not desirable for
the manufacture of sound. Sound variously transmitted by different bodies.
Vibration decides the pitch, but does not make sound ; thus double vibration
changes the pitch, but does not make more sound. Quotation from Baron
Munchausen. Movement of sound. Sympathetic vibration due to channels
in which sound flows. Sound not controlled by gravitation. Statement in Mr.
TyndalPs book concerning resonance not correct. Experiments in resonance.
Interference of sound a delusion 282
CHAITER XIX.
Experiments to test velocity of sound, from Ganot and other sources. Music of a
band shows that musical sounds have same velocity; and as tested by many
other experiments, carefully tried, with same temperature, sound generally has
the same velocity, but is sometimes impeded by a strong wind. Its velocity abo
uniform 302
CONTENTS XXXI
CHAFl'ER XX.
Article on waves from ** Giambers Encyclopaedia." Popular acceptance of undula-
tory theories largely due to comparison wilh water waves. Quotation from
''Circle of Sciences"; also from Tyndall. Full explanation of water waves
showing that Ihey are made by momentum and gravity ; the comparison of sound
with them a delusion or illusion, as the force which make water waves could
not possibly act in air, or the body uf any fluid 318
CHAPTER XXI.
Mechanical effects of Electricity. Quotation from Ganot. Mind able to compre-
hend all material things. Further discussion of motioiL Experiments with
elastic balls showing motion to be transferable. Motion a result of pressure
and pressure a result of contact. Opposite motions destroy each other,
being changed into something else. Destruction of one thing precedes forma-
tion of another. The nature of water waves not explained in text-books
Photography of sound waves claimed, but shown to be a photograph of the dis-
turbance in particles of air caused by an electric spark. Qaim that the speed
of all pulses in a tube is the same, whatever the force making them, and that
they will be transmitted with uniform velocity (upon which the undulatory
theory of sound was founded), proved to be an error 354
CHAPTER XXII.
Air in a tube acts very differently from unconfined air, and hence the sdr wave
theory of sound, founded upon the action of air in a tube, is again shown to be
impossible. Quotation from Jacob Abbott. Force consists of matter.
Thought and the emotions made from matter. All things made by mind.
All science folly which does not recognize the distinction between mind and
matter. All science baseless which does not recognize the universality of
nature's laws. The statements of Ganot and other scientists in regard to ac-
tion of a pulse in a tube shown to be entirely erroneous. Mathematical demon-
stration that rarefactions must go faster than condensations if the undulatory
theory is true. Other very palpable errors in Ganot*s statements of this theory.
Quotation from Prof. Challis of Oxford University, England, showing that
both plane waves and spherical waves are physically impossible. Analysis of
mathematics. Criticism of the inaccuracy of the Calculus. Quotations from
Prof. G. La Conte, University of South Carolina, and James Clark Maxwell,
XXXll CONTENTS
the very eminent Mathematician, pointing out these inaccuracies, and showing
that no deduction from mathematical analysb is of value which does not admit
of a natural physical interpretation capable of being tested by experiment 348
CHAPTER XXIIl.
Very accurate experiments of action of a pulse in a tube, by M. Regnault of Paris,
show, first, that gases are not perfectly elastic; second, that the walls of tubes
exert a notable influence; third, a strong force creates a movement of the par-
ticles of air which increases their velocity ; fourth, the compression of the sdr
made by means of a cannon is very great, but diminishes rapidly; "whence the
results of my experiments often disagree with theory.'' Sound entirely distinct
from a pulse of air 372
CHAPTER XXIV.
Mobility, the characteristic property of fluids. Quotations from Herschel and
Laplace. Remarks about light. Abundance of room in the universe for all its
various things 382
CHAFl ER XXV.
Action of sound in telephone and graphophone. Quotation from Ganot 391
CHAPTER XXVI.
Quotation from article on ** Acoustics " in " Encyclopaedia Britannica;" explanation
of cause of air waves in same is criticised, and shown to be erroneous. Inten-
sity of sound depends upon density of air where sound is produced;^ but varies
inversely as the square of the distance from the source of sound. Sound
produced in water. Sound always made by initial sounding body or bodies,
except in unison vibration. Sympathetic vibration only possible in bodies
having the same normal vibration 401
CHAITER XXVll.
Action of sound in the telephone. Scientific explanation that the sound at the
receiver is caused by the repetition of vibrations, through the action of the elec-
tric current, shown to be erroneous. Action of electric current limited.
Graphophone record not caused by the action of sound upon the diafram of the
recorder, but directly by sound itself making its own impression. Waves not
possible in body of a fluid. If diafram of a receiver repeats sound, diafram at
CONTENTS XXXIll
transmitter must also. Progress of sound successive. Cross-talk on telephone
lines, how caused. Sound carried by the electric current 410
CHAPTER XXVIII.
Electromagnectic and electrostatic induction. Telegraph signals heard on an
adjacent telephone line. Graphophone record, how made. Sound reproduces
itself, in thb respect similar to animals and plants. A make-and-hreak neces-
sary for the production of sound by an electrio current. Sound includes a
power of movement. Sensations produced by the operations of matter.
Reproduction of graphophone record. Matter the correlative of mind 422
CHAPTER XXIX.
Order, Nature's Brst law. Diaframs not made to repeat sounds. Quotation from
Faraday on accepting hypotheses. Diaframs gather and reflect sound as a stove
heat. The principle of the graphophone used for the records of memory.
Electricity a phase of matter. Discovery of the telephone suggested by that
of the telegraph. First electric telephone attempted by Reis, a German, who
failed because employing an interrupted current 434
CHAPTER XXX.
All sounds made by elastic bodies, but nu elastic body can make any sound it was
not made to make. Sound intinitesimal particles of matter thrown off by the
sounding body. Each sensation caused by a combination of matter. Variable
resistance transmitter. Continuous current of electricity essential to a telephone.
The telegraphone. Sound of bells focused by a sail and heard at a distance of
icx) miles. Increased effects come from increased amounts. Prof Silliman on
distance that sound can be heard 450
CHAFFER XXXI.
Length of so called sound waves. Odor, infinitesimal particles of matter, thrown
off by the odoriferous body. Sounding boards. Vibration diminishes as the
sound diminishes. Quotation from Sylvanus P. Thompson 460
CHAFrER XXXII.
Quotation from " The Modern Applications of Electricity " on different kinds of
telephones. Telephones without vibrating plate, membrane, or magnet. Tele-
phone without receiver. Quotation from Huxley regarding hypotheses 472
XXXIV CONTENTS
CHAPTER XXXIII.
Graphophone record, how reproduced. Impossible for any sound-producing in-
strument to produce all sound. Always the same instrument makes the same
sound. Quotation from Newton 480
CHAPTER XXXIV.
String or wire telephone. Action of sound in such demonstrates that sound enteis
the wire of the electric telephone and is carried by the current. Sound always
material, but Intelligence necessary to construct the instruments which make it.
Sound not dependent upon an auditor. Quotation from Gray's Eligy. Early
description of telephone from " Good Words." 494
CHAPTER XXXV.
Membrane of the ear, function of. Reproduction of species an essential part of
creation. Sounds of a graphophone made by the record. Faraday, persever-
ance and honesty of; quotations from life of, by Sylvanus P. Thompson 515
CHAPTER XXXVI.
(Quotations from biography of Philip Reis. Description of mechanical telephone
from " Nature." Very interesting experiments on the transmission of sounds by
wires, from " The Philosophical Magazine," London, 1878. Quotation from
"Practical Telephony" by James Bell, 1898. Quotation from "Problem of
Human Life" by Rev. Mr. Hall 530
CHAPTER XXXVII.
Experiments with microphone transmitter. Transmission of sound by loose elec-
trical contact. Distribution of sound. Experiments by Prof J. Henry of Wash-
ington, D. C, with vibrations of tuning forks. Sound the cause of vibration.
Law of resonance 545
CHAPTER XXXVIII.
Remarkable action of sounding boards; caused by the flow of sounds into them.
Experiment by Mr. Charles Whcatstone. Sounds do not mix chemically with
one another 558
CHAPTER XXXIX.
All things made by machinery; distributed in various ways. Some things made
CONTENTS XXXV
by stationary, others by moving mills. Echoes. Motion a property of matter.
Kinetic theory of gases. Sound the correlative of hearing. Mind affected by
matter < 364
CHAPTER XL.
Quotation from " LittelPs Living Age " on the telephone, with criticisms of same.
A current always necessary for the transmission of sound in a telephone. Inten-
sity dependent upon amplitude of vibration, and pitch upon rate of vibration.
Fundamental and overtones. Timbre or clang 575
CHAPTER XLI.
Other things equal, same cause, same effect. Artificial odors manufactured iden-
tical with natural ones. Reproduction of sound by a graphophone record.
Laws of motion imiversal. Articulate speech complex. Laws governing
telegraphy and the telephone plain and simple 601
CHAPTER XLIL
Quotation from "The Telephone, the Microphone and the Phonograph " by Count
Du Moncel. Demonstrations that the scientific explanations of the telephone
do not explaiiL All known conditions explained by the theory that sound is an
entity carried by the electric current. Sound transmitted through a string tele-
phone by connecting it with different parts of an electric telephone. Electric
telephone without diafram, coil or magnet 613
CHAPTER XUH.
Graphophone records, how reproduced. Quotation from Cowper. Sensations
caused by action of matter upon mind. Graphophone records, how made.
Graphophone records made by sound, the sound separately making its
impression in the paraffin and wax. Principle of the graphophone for the
purposes of memory. Sounds reproduced by the indentures. Sounds of the
world made by elastic bodies. The same body always emits the same sound.
Sensations caused by effect of matter upon spirit. Quotation from Wood-
worth. Acknowledgement of Mr. Edison's persistency and ability. Bodies
only produce such sounds as they were made to produce; that Is, have the
appropriate machinery for producing. Sound-producing instruments always
material, and sound itself material. Sound makes vibration, not vibration sound.
XXXVl
CONTENTS
Very interesting experiment of VtoL Henry of Washington, D, C, with tuning
forks. Suund will flow from the bottom of a tuning Jork through a small stick
to the teeth* thence into the head. Vibration stops proportionately as sound
f^ows away. Sympathetic vibratLon demonstrates that sound makes vibration,
and hence must be an entity. Quotation from Shakespeare. Sensation of
hearing may convey accurate knowledge. UnduUlory theories ended .645
CHAPTER XUV.
Sound electrical, antt consisting of intinitely small particles is able to enter nearly
all bodies, and to travel through them M'ith facility. Enoneous theories, sup-
ported by orgsuiiiation, sometimes last a long time. ..,.,.... 666
CHAPTER XLV.
Sensation, a system of Universal Telegraphy. Mind and matter connected by
the machinery of the body. Sensations caused by the introduction of matter as
light, sound and odor into the body and thus into contact, or the immediate
presence of the soul. Soul always sensitive to contact of matter, as illustrated
by eating and drinking. All creations of the soul in material conditions con-
structed of matter— as thought and Ihe emotions* Helen Keller both deaf and
blind, how instructed. Natural instruction assisted by artificial, thus the child
taught articulate speech or names of things, through which knowledge is con-
veyed to the soul by different signals, the same as in telegraphy; and thus lito,
pictures, formed by light mixing chemically with the visual purple of the eye,
convey knowledge. Soul, essence of, to construct, collect and enjoy. Mcmor)'.
a record, and all knowledge bruught ioto the soul by the Sensations is recorded
in the gray matter of the brain. Material the soul cannot create. Without
mind creation impossible. Mind and matter intimately related. Quotation
from Cuwper, Quotation from Byron. . , . , .,,...,,. 677
CHAFFER XLVI.
History of the different theories of sound. Sound thought to be an entity by
Sir G, S. McKenzie, vice-president of the Ro>^l Society of Edinburgh ini 835.
Subject ably discussed by Rev. A. W. Hall in **Thc Problem of Human Life."
Quotation from J. Goodman on the "Identity of Light, Heat, IJectricity and
Gravitation." Quotation from " Modem Re&lism Examined,"by Mr. Herbert
Quotation from M r. Justice Grove.. , , . . ...... 691
CONTENTS XXXVll
CHAPTER XLVII.
Recapitulation. Undulatory theory of sound shown to be impossible mathemati-
cally and physically; conversely the corpuscular theories sustained by conmion
sense, all experiments, and the universality of natural law. Quotation from Mr.
Huxley in " Lectures on the Origin of Species." Quotation from ** Life and
Letters of Faraday." Quotation from Wm. Crookes, inventor of the Crookes
radiometers, on ** Radiant Matter." The End 699
THFNFW YrFJr I
f'UBLICilrKfKY
i * L ^ a N f . :. k
Liii
OR
WHiSPERIIIGS OF All OLD PIIIE.
I.
T^HE winds of the autumn blew fresh, and its deep colors
•* stretched far and wide over our mountains, when Ellen
came again.
She held her hat in her hand as she emerged from the forest,
and the sunshine seemed to be comparing itself with her soft
hair, to see if there was any difference in their color. Stepping
lightly across the rocks, and addressing me, she said :
"Ellen has come back to continue her review of the Yale
College geometry. The second book treats of circles, and she
is awfully in hopes that it will appear better than the first did ;
and she thinks it will, for it would be almost impossible that
any one in writing one treatise should again wander away so
far from the canons of common sense as this author has in his
definitions of points, lines, and superficies.
"Ellen will make another figure with which to explain the
principles upon which circles are constructed. And again
2 ELLEN OR
will we have illustrated the universality of natural law. For
it would be utterly impossible for us to have a circle except as
it is constructed upon these principles. And therefore when
we understand the principles we will understand all about cir-
cles; can take them apart'and put them together again without
difficulty.
"They will illustrate also the difference in the character of
straight and curved lines, something that the old Pine will want
to make himself entirely familiar with iif he wants to be a great
mathematician.
** Ellen will, too, use largely her own definitions, arranging
them in what she believes the best method for the instruction
of the scholar ; and indeed she will cut loose altogether from
the methods of this book, excepting to quote the propositions
in order, so as to illustrate the science as taught by the most
recent geometries.
" In giving definitions she will follow the system adopted by
Euclid, of giving those used in a book at the beginning of the
book. For this system is unquestionably as a general principle
the best. Modern geometries frequently intersperse them with
the propositions.
BOOK II.
The Circle and the Measurement of Angles,
DEFINITIONS.
" I. A circle is a plane figure terminating with a curved line
called the circumference, every point of which is equally distant
from a point within called the centre.
WHISPERINGS OF AN OLD PINE 3
"2. A radius is any straight line from the centre terminating
with the circumference.
"The old Pine will see that Ellen has revised her own defini-
tions of a circle and circumference.
**3. A diameter measures the circle at its widest part. It is
therefore equal to two radii, and passes through the centre.
All radii and diameters of the same or equal circles are mutually
equal.
"4. An arc is any part of a circumference.
"5. A chord is a straight line connecting the extremities of
an arc ; when passing through the centre it is a diameter.
** Any chord subtends two arcs whose sum equals the cir-
cumference of a circle. When only one arc is mentioned the
shorter is intended.
" 6. A segment is the part of a circle between an arc and its
chord.
** 7. A sector is the part of a circle between two radii and
the intercepted arc.
**8. An inscribed angle is one whose vertex is in the cir-
cumference and whose sides are chords.
"9. An inscribed polygon is one all of whose vertices are in
the circumference, and whose sides are chords; in this case the
circle is circumscribed about the polygon.
** 10. The secant is a straight line drawn from any point with-
out the circle, and which crosses the circle. After crossing, it
may or may not be further extended. Ellen calls the secant
that ends with the circle a limited secant.
"II. A tangent is a straight line which touches the circum-
ference of a circle at one point only, however far it may be
4 ELLEN OR
produced. A tangent may or may not end at the point where
it touches the circle. Ellen calls the tangent which does so end
a limited tangent.
" 12. Two circles are tangent to each other, when they touch
each other at only one point. They may touch internally or
externally.
" 13. A polygon is circumscribed about a circle, when each
of its sides is tangent to the circle ; in this case the circle is
inscribed in the polygon.
" 14. Concentric circles have the same centre.
"15. A degree of angle is one-ninetieth of a right angle.
"16. A degree of arc is the arc intercepted by a degree of
angle at the centre.
"17. The arc intercepted by a right angle at the centre is
called a quadrant.
"Hence a quadrant contains 90 degrees of arc, since a right
angle contams 90 degrees of angle.
**Also, since four right angles at the centre contain 360
degrees of angle, and four such right angles intercept a com-
plete circumference, a circumference contains 360 degrees
of arc.
** Hence a quadrant is one-quarter of a circumference.
"Ellen will take a* little bit of a dot, C, and call it a centre.
Draw the stationary line AC, and upon it place a line of equal
length, BC, and with BC as a radius, fastened upon a pivot at
C, generate the circle BFHL. The line BC in revolving will
occupy the place of every possible radius to this circle, as CD,
CE, CF. CH, CL.
WHISPERINGS OF AN OLD PINE
5
. "Reaching H it forms with AC the straight line AH, twice
the length of AC, and this is a diameter. That is, a diameter
consists of twice a radius, and the old Pine will see there may be
half as many of them as there are radii, and always a radius may
be extended so as to become a diameter, as DI, EK, FL.
For every straight line which passes through the centre and
whose extremities are in the circumference consists of two radii,
F
Figure I.
and no other chord can. And therefore the circle might be
formed by revolving a diameter, as BH about C, as well as by
revolving the radius BC. This might indeed be a more com-
plete illustration of the nature of a circle. And this diameter,
after having completed its circle, might revolve indefinitely in
the same place as a wheel upon its axis. It follows :
"First.— That when the angles BCF andFCH are equal
and the radius FC is perpendicular to AC, as was explained
in Book I., Figure I., the radius BC, or diameter BH, will
have revolved one-half the distance from B to H, or one-
quarter of its whole revolution.
6 ELLEN OR
" Hence BF is called a quadrant and BFH a semi-circum-
ference. And therefore the diameter BH divides the circum-
ference into two semi-circumferences. But any diameter, as
DI or EK or HL, will do the same thing.
"Ellen showed, too, in Book I., Figure I, how, as the radius
BC revolves, it makes all kinds of plane angles with the
line A H, but she wants the old Pine now to remember
that every diameter represents two radii, thrown into one
straight line.
** Second. — ^That every one of those diameters, and there
is an awfully big number of them, is a chord ; for it connects
the extremities of an arc, and indeed of two arcs as BFH and
BLH, or DGI and DKI, which are the complements of
each other; that is, their sum is a circumference. These arcs,
being semi-circumferences, are equal.
** Draw DK, DL, DM. As these lines also connect the
extremities of arcs — the arcs DFK and DLK; DFL and
DML; DFM and DBM — they, too, are chords. But the
old Pine will see that they are shorter than the diameter DI,
because they don't reach as far. Always lines are shorter than
others, if they don't reach as far. And they do not reach as
far because, as we have seen, a diameter is composed of
two radii, and these are not. It is also evident that they do not
reach as far because they connect the extremities of arcs less
or greater than a semi-circumference, whilst the diameter D I
connects those of a semi-circumference.
** And thus a chord may connect the extremities of two
arcs, and the sum of these arcs will always be a circumference
Their extremities, too, may lie on either side of the diameter.
WHISPERINGS OF AN OLD PINE ^
the limits of the arcs being mutually zero and a circumference
or a circumference and zero.
"Third. — That for every diameter there may be a series of
chords drawn parallel, the first contiguous to the diameter and
each following contiguous to the preceding, until the whole
half circle is bridged or covered by these parallel chords ; in
which case each chord, because of the uniform curvature of the
circle, is uniformly diminished in length, the limits beinrr
a diameter and zero; the arcs, too, whose ends it connects
being mutually diminished, or increased, their limits being zero
and a circumference. And therefore in the same or equal circles
equal chords subtend mutually equal arcs, and conversely
mutually equal arcs are subtended by equal chords. And
therefore, again, in the same or equal circles chords are of
equal lengths if at equal distances from the centre, and con-
versely if of equal lengths are at equal distances from the centre.
** Fourth. — ^That as a diameter may connect any two points in a
circumference at the distance of two radii from each other, and
any diameter may revolve around the whole circle, all possible
diameters with all parallel chords include all possible chords.
** Fifth. — ^That a perpendicular to a diameter, bisecting it at
the centre, will bisect every chord parallel to it, and this because
of the uniform shortening of these chords on each side of the
perpendicular caused by the uniform curvature of the circum-
ference.
** For a circumference curves equally in every part, and
curves in such a way that after a certain time it arrives at the
point from which it started, when you may consider that it
stops, or that it repeats its course and thus may continue to
8 ELLEN OR
repeat it indefinitely. And therefore is it that it has no end.
"In a certain sense, as Ellen thinks, it might be said to
always have the same direction, although this direction is en-
tirely different from that of a straight line.
'• Every part of this circumference is equally distant from a
point within called the centre, being in the nature of a resultant
of two forces, one from and the other towards the centre.
"Draw a line NO through F, parallel to BH; it will be tan-
gent to the circle at F, and perpendicular to the radius C F.
** Sixth. — ^The angles formed at F on one side of N O will
consist of two right angles. And therefore the full measure
of angles situated at a point on the circumference, formed by
chords or a chord and a tangent, will be two right angles ; or
one-half as many as of angles formed at the centre of the circle.
For each right angle formed at the centre is measured by a
quarter of the circumference, or a quadrant of the circle, and
four such right angles may be formed at the centre, two on
each side of a diameter. It's awfully funny ! Doesn't the old
Pine think that Ellen has got a dreadfully pretty figure?"
" She has, certainly," I replied.
*'It's almost as fine as the first one. Ellen will now continue
her review of the propositions as given in the Yale College
geometry.
PROPOsrriON I.
* Circles which have equal radii are equal, and if their centres be
made to coincide they will coincide throughout; conversely, equal
circles have equal radii.'
WHISPERINGS OF AN OLD PINE 9
Proposition II.
•The diameter of a circle is greater [longer] than any other chord/
** One hundred and nine words are used to demonstrate these
propositions, both of which Ellen includes in definitions.
PROPOSmON III.
' In the same circle or equal circles, equal angles at the centre inter-
cept equal arcs ; conversely, equal arcs are intercepted by equal angles
al ine centre.*
"Because the divergence of the sides of an angle is uniform.
"Eleven words instead of 79, or 189, including previous
demonstrations referred to , the application of which is often
more difficult to the scholar than the demonstration of the
proposition under consideration ; and the real reason.
Proposition IV.
' In the same circle or equal circles, equal chords subtend [mutually]
equal arcs ; conversely [mutually] equal arcs are subtended by equal
chords.'
" Because of the uniform curvature of a circle."
" But why/' I asked, "does Ellen add the word * mutually' in
the Proposition? "
lO ELLEN OR
*' Because, as Ellen has said, every chord subtends two arcs,
which together make a circumference."
•'Eight words instead of 102, or 500, with previous dem-
onstrations referred to. And again the real reason.
PROPOsmoN V.
*In the same circle or equal circles, if two arcs are unequal and each
is less than a semicircumference, the greater arc is subtended by the
greater chord ; conversely, the greater chord subtends the greater. arc'
" Chords connect the extremities of arcs and therefore so
long as the extremities of a variable arc diverge, its chord is
lengthened ; and conversely if they converge the chord is short-
ened. But a diameter is the longest chord and therefore marks
the limit of this divergence.
"Seventy-two words instead of 150, plus 210, of propositions
quoted, plus 254 more, with references included in these las^.
The old Pine knows all about these principles?"
"Why, certainly," I said. "The old Pine understands that a
circle is such that the distance between any two points on the
circumference connected by a line passing through the centre
is equal to that of any other two points on t'ae circumference so
connected. That hai^ of this line is a radius, the whole of it, or
two radii, a diameter, and that a diameter divides a circle into
WHISPERINGS OF AN OLD PINE
n
two semicircles, and the circumference into two semicircum-
ferences.**
"Then,*' she said, "he can see how self-evident it is that the
diameter is the longest chord, and how unnecessary is any
demonstration. And Ellen is awfully glad that the old Pine
was sensible enough to get the foundation of his geometry well
fixed. For it makes entirely unnecessary the larger part of
geometrical demonstrations.
PROPOsmoN VI.
*The perpendicular bisector of a chord passes through the centre
of the circle.*
" Because of the uniform curvature of the circumference.
See Figure I. (Fourth).
PROPOsmoN VII.
*If two circumferences intersect, the straight line joining their cen-
tres bisects their common chord at right angles.'
** Included in Proposition VI.
12 ELLEN OR
PROPOSmoN VIIL
'In the same circle, or equal circles, equal chords are equally dis*
tant from the centre; conversely, chords equally distant from the
centre are equal.'
" Because of the uniform curvature of a circle. See Figure
page 9.
'*As Ellen has said, all diameters with chords parallel to
them represent all chords. But all diameters pass through the
centre and are equal, and all contiguous parallel chords dimin-
ish equally and uniformly. See Figure I. (Fourth).
PROPOsmoN IX.
' In the same circle or equal circles, the less of two chords is at the
greater distance from the centre ; conversely, the chord at the greater
distance from the centre is the less.'
** Because subtending converging arcs.
"For of necessity with converging arcs the distance between
extremities is diminished. See Figure I. (Third).
"These four propositions Ellen has demonstrated in 66
words, against 231 directly in the book, and 860 in articles re-
ferred to.
PROPOsrriON X.
'A straight line perpendicular to a radius at its extremity is tangent
to the circle ; conversely, the tangent at the extremity of a radius is
perpendicular to that radius.'
"Because of the uniform curvature of the circumference.
"Eight words to 97 in the book, plus 400 more in proposi-
tions referred to.
THI FE^ TORK
PUBLIC LIBRARY
WHISPERINGS OF AN OLD PINE 1 3
"This proposition is all right with the definitions given by
Ellen, but very loosely drawn in connection with those in the
book, or in any modern geometry, consistent only with the
idiotic assumption that a material thing can exist without occu-
pying space. For by the definition of the book a radius
is the distance from the centre of a circle to the circumference,
the circumference being a line. Hence no tangent could
touch the radius. Correctly stated with such definition the
proposition would read :
** A straight line tangent to a circle is perpendicular to the
radius extended to the point of tangency; conversely, a line.
perpendicular to a tangent at the point of tangency, will, if
extended, pass through the centre of the circle.
** Here follow definitions of ratio and commensurable quanti-
ties. Ellen thus far has copied the textbooks in her definitions
of ratio, although saying that she considered Euclid's definition,
* A mutual relation of two magnitudes, of the same kind, to one
another in respect of quantity,' much the best.
** But she would greatly prefer the word proportion to ratio.
Thus : * Proportion is the mutual relation of two magnitudes of
the same kind to one another in respect of quantity.*
**A bushel will contain 32 quarts, and 32 is the relation
or proportion of a bushel to a quart, or ^^^ that of a quart to
a bushel.
14 ELLEN OR
** Ellen certainly considers Proportion by far the best word to
denote the subject referred to."
**Then what would Ellen call an equality of proportions?" I
asked.
" She would call them proportionals,'* she answered.
** Again, the Yale College book illustrates in metres; Ellen
would illustrate in feet. That is, she would use her own lan-
guage.
**The definitions of commensurable quantities show that while
a yard and a rod are not commensurable in a foot they are in an
inch standard. And this Ellen thinks is always true. Two
things may not be commensurable in each other, as the circum-
ference and diameter of a circle ; but doubtless there are quan-
tities which will be contained equally in each.
** Limits are next referred to and the following definitions
given :
* A constant quantity is one that maintains the same value throughout
the same discussion.
*A variable is a quantity which has different successive values during
the same discussion.
'The limit of a variable is a constant from which the variable can be
made to differ by less than any assigned quantity, but to which it can
never be made equal.
? f
-B
Thus, suppose a point P to move over a line from A to B in such a
way that in the first second it passes over half the distance, in the next
second half the remaining distance, in the third half the new remainder,
and so on.
WHISPERINGS OF AN OLD PINE 1 5
'The variable is the distance from A to the moving point. Its suc-
cessive values are AP', AP", AP'", etc. If the length of AB is two
inches, the value of the variable is first i inch, then ij, ij, ij, etc.
* (i) P will never reach B, for there is always half of some distance
remaining.
* (2) P will approach nearer to B than any quantity we may assign.
'Suppose we assign Yi^(ny ^^ ^" ^^^^* ^Y continually bisecting the
remainder we can reduce it to less than xu^nr ^^ ^° ^'^^^^ Hence the
distance from P to A is a variable whose limit is AB, and the distance
from P to B is a variable whose limit is zero.*
"Ellen would say, it is a variable disappearing in infinity.
For she does not think it correct to speak of that as limited,
which has no limit, nor to call that a limit which can never be
reached.
Proposition XL
* In the same circle or equal circles two angles at the centre have the
same proportion as their intercepted arcs.*
** Because the lines (radii), which form the angles and limit
the arcs, are equal and their divergence uniform.
** Eighteen words to 248 in direct demonstration and 300
more in articles referred to in the book.
PROi>osrriON XII.
' An inscribed angle is measured by one-half its intercepted arc'
1 6 ELLEN OR
** This isn't true ; it is measured by its intercepted arc. If the
idea intended here is that an inscribed angle is half as large as
an angle at the centre having the same intercepted arc it should
be so expressed. And this because of the uniform divergence
of the sides of an angle and uniform curvature of a circumfer-
ence.
Ellen will illustrate. The proposition is reasonably self-
evident, but Ellen wants to make the old Pine very familiar
with the essentially plain laws which hold throughout the
construction of the universe.
" Ellen will start with two diameters and two radii, with
which to make inscribed angles, and angles at the centre. Of
course the diameters are twice the length of the radii. And
Ellen will bunch these four together, the two diameters under-
neath and the two radii above, all lying in the same direction.
Thus far Ellen has no angles, but now she will start the
machinery by moving one diameter and one radius contin-
uously to the right, passing through all intermediate distances
between the point of departure and where the diameter
becomes perpendicular to the other diameter, forming with it
two right angles, but only one subtended by the circumfer-
ence; and where the radius is in line with the other radius,
thus making two right angles, both subtended by the circum-
ference.
WHISPERINGS OF AN OLD PINE IJ
" In this illustration one side of the inscribed angle is double
that of the equal angle at the centre, and, of course, because of
the uniform divergence of the sides of all plane angles, will have
done its part in making its subtending arc double. The other
side as cut by the circumference is not double, but the curva-
ture of the circumference supplies the deficiency, and we have
the inscribed angle subtended by double the arc of its equal
angle at the centre."*
•* But how does Ellen know," I asked, ** that the curvature
of the circumference supplies the deficiency ? "
** Ellen will prove it," she said. ** For she will fasten the
end of a radius to a diameter in such a way as not to interfere
with the movement of either, and then revolve them together.
Immediately there are two sweet little angles, but Ellen notices
that the one at the centre is much the larger; she notices,
too, that when one radius is perpendicular to the other,
showing that their angle is a right angle, the diameters which
form the inscribed angles are not more than half that.
'* Ellen continues to revolve these sides, until the radius lies
in line with the other radius, making with it two right angles,
both subtended by the circumference ; and at the same time
she finds the diameters perpendicular to each other, forming
two right angles, one of which is subtended by the circumfer-
ence, the other outside of it.
"That is, the inscribed angle is subtended by double the arc
of its equal angle at the centre.
* Since this was written our attention has been called to the fact that Euclid deBnes
this proposition substantially as corrected in Ellen. Thus, Proposition XX, Book II,
of Euclid reads : " The angle at the center of a circle is double of the angle at the
circumference upon the same base, that is, upon the same part of the circumference."
1 8 ELLEN OR
** And as the angle we are considering passes through all inter-
mediate values from a right angle to zero, using at every change
its proportionate part of the circumference, we have a demon-
stration that always an inscribed angle is subtended by double
the arc of its equal angle at the centre.'*
"As Ellen has said, she has extended her illustration beyond
the necessities of demonstration, as on its face it is perfectly
evident that an inscribed angle is subtended by double the arc
of its equal angle at the centre, because the lines at the centre
cross, making four right angles, two upon each side of a
straight line, whilst it is impossible to make more than two
right angles upon one side of a straight line, and only one side
can be used in making inscribed angles.
Proposition XI IL
'An angle formed by a tangent and a chord is measured by one-half
its intercepted arc [is one-half as large as the angle at the centre having
the same intercepted arc].*
"As Ellen doesn't know what part of an angle thus formed
is subtended, or measured, by the arc intercepted by its chord,
the proposition becomes to her unintelligible.
Proposition XIV.
*The angle between two chords which intersect within the circumfer-
WHISPERINGS OF AN OLD PINE * 1 9
ence is measured by one-half the sum of its intercepted arc and the arc
intercepted by its vertical angle.'
" Here is another attempt to say that one half of the sum of
the arcs subtending any two vertical angles formed by the in-
tersection of two chords within a circumference, is equal to the
arc subtending an equal angle at the centre.
" And this because all mutually vertical angles are equal,
and the divergence of their sides uniform. And therefore, if
at the centre, they will be subtended by equal arcs, their sides
Seing radii ; and if not at the centre one will be subtended by
an arc as much longer, as that subtending the other is shorter,
than the arc subtending each at the centre, — because of the
uniform divergence of their sides.
"Thus the vertical angles ACF and GCB, formed by
chords AB and FG crossing at the centre, are subtended by
the equal arcs FA and BG, because of the equality of their
sides, which are radii, and their uniform divergence.
*• Ellen will illustrate further:
20 ELLEN OR
"Draw DE parallel to AB, intersecting FG at H. The
angles DHF and GHE are equal to ACF and GCB,
their sides extending in the same direction, or opposite
directions; but the arc FD, subtending H, is shorter by
DA than the arc FA, subtending C. Conversely, the arc EG,
subtending H, is longer than the arc B G, subtending C, by EB,
an amount equal to DA, they being arcs of the same circle
included between parallel chords. But we have seen that all
chords are diameters or parallel to diameters, and therefore
one-half of the sum of the arcs of all vertical angles formed
by chords crossing each other will be equal to the arc subtend-
ing an equal angle at the centre.
Proposftion XV.
*The angle between two secants intersecting without the circumfer-
ence, the angles between a tangent and a secant, and the angle between
two tangents, are each measured by one-half the difference of the in-
tercepted arcs.'
WHISPERINGS OF AN OLD PINE
21
•* There is an attempt made here to say that half the differ-
•ence in the arcs intercepted by the sides of these angles equals
the arc intercepted by an equal angle at the centre of the circle.
"And this because of the uniform divergence of the sides of
an angle and the nature of a circle.
" Ellen will draw another pretty nice figure ; from the cen-
ter C the circle ABDEFGHIKN and from the point L above
the circle the tangents LB and LK and the secant LF passing
through the centre C. Ellen will draw also the secant M I par-
allel to the tangent LK and the chord AH, and the radius CG
also parallel to the tangent L K. Then Ellen will draw the chord
AD and the radius CE parallel to the tangent LB. Ellen has
now a beautiful figure illustrating the angle BLK betwe en two
tangents, the angle FLK made by a tangent and a secant, and
22 ELLEN OR
the angle FMI by two secants. Also the inscribed angles
D AH, FAD and FAH, and the angles at the centre FCG.
FCEandECG.
" It will be seen from this figure that the angles B L K
formed by the two tangents, and D A H by the two chords, are
equal, being made by parallel lines, also the angle FLK, made
by secant and tangent, is equal to the inscribed angle FAH,
being made by the same and parallel lines. This inscribed
angle FAH is also equal to the angle FMI, made by two
secants, because by the same and parallel lines.
" From a glance the old Pine can see that half the difference
in the arcs intercepted by the angles FLK, made by secant
and tangent, and FMI, made by two secants, equals the arc F G
intercepted by an equal angle at the centre.
**For the difference of the arcs AK and FK intercepted by
the lines LF and LK is the arc FH, the arcs AK and HK
lying between parallel lines being equal, and the difference
of the arcs AN and FI, intercepted by the lines M I and MF
of the angle at M, is FH.
**But the arc FH is the arc intercepted by the inscribed
angle FAH, and it has been proven that the arc intercepted
by an inscribed angle is equal to double the arc intercepted by
an equal angle at the centre (as FCG). It is also directly
evident that FG, the arc intercepted by FCG the angle at the
centre, equal to the angles FMI'and FAH being made by the
same and parallel lines, is half the difference of the arcs inter-
cepted by the angle at M, and the angle FLK, and also that
E G is half the difference of the arc D H intercepted by the
lines LB and LK of the angle BLK, formed by two tangents.'*
WHISPERINGS OF AN OLD PINE 23
"And what does Ellen mean by the uniform divergence of
the sides of an angle ? "
** Because the sides of a plane angle are straight," she replied,
** and have two directions, their divergence must be uniform for
whatever distance they extend, and theoretically they extend to
infinity. It follows that if their ends are connected at any
point by a straight line the length of that line will be just
double that connecting the sides at one-half the distance from
the apex ; or four times as much as that connecting them at
one-quarter that distance ; and this- ratio must hold at all dis-
tances.
"This is a very important self-evident principle in mathe-
matics, and may be used to great advantage in the demonstra-
tion of many propositions.
24 ELLEN OR
ii.
BOOK III.
^^TPHE first eight pages of Book III. treat of Proportion, in
* as unintelligible a manner as it would be possible to do
it, no attempt being made to familiarize the scholar with the
principles which underlie this subject.
**In this respect it differs radically from the method of
Euclid, who undertook to make all things as rational and sen-
sible as possible, using for such purpose the most practical
illustrations. For Euclid was by far too able a man to neglect
this all-important feature of instruction, a feature that like
Truth is of paramount importance, — more important than all
things else.
" It is true that the book through these methods has been
greatly condensed, a desirable thing when done intelligently,
but inadmissible if not. As a matter of fact, it is accomplished
by the abandonment of all principles, and a resort to what
might be called a Icgerdermain of numbers or letters.
"Ellen and the old Pine greatly condensed this book of
Euclid without abandoning at all the principles upon which it
is founded. And having done this Ellen will omit this part
and begin Book III. with definitions of Similar Figures.
"I. Similar Polygons are those which are mutually equi-
angular, and have their corresponding sides, taken in the same
order, proportional.
■
TBI HEW YORK 1
PUfiUC UBRART
9, ^
^^
1
WHISPERINGS OF AN OLD PINE 25
'* The Yale College definition is : ' Similar polygons are poly-
gons which have the angles of one equal to the angles of the
other, each to each, and the corresponding, or homologous,
sides proportional/ Which is both prolix and inaccurate.
" 2. The corresponding parts of similar polygons arc called
homologous.
** 3. Similar arcs, sectors, or segments, in different circles, are
those which correspond to equal angles at the centre.
" 4. A diagonal of a polygon is a straight line, other than a
side, joining two vertices.
** 5. The perimeter of a polygon is the sum of its sides.
*• 6. The altitude of a triangle is the perpendicular distance
from any vertex to the opposite side, or the opposite side pro-
duced, considered as a base.
"7. The altitude of a parallelogram is the perpendicular dis-
tance between two opposite sides, called the upper and lower
base.
" 8. The altitude of a trapezoid is the perpendicular distance
between its parallel sides, called the upper and lower base.
"9. The area of a surface is the space which it occupies
expressed in some unit of measure, as a square inch, foot, rod,
or acre.
*' 10. Two straight lines are divided proportionally when one
line is to either of its segments as the other to its corresponding
segment.
"II. A line is divided internally when the point of division is
between the extremities of the line.
" A line is divided externally when the point of division is on
the line produced.
26 ELLEN OR
" In each case the segments are the distances from the point
of division to the extremities of the line. The line is the sum
of the internal segments, and the difference of the external seg-
ments.
" A line is divided harmonically when it is divided internally
and externally in the same ratio.
•* 12. A straight line is divided in extreme and mean ratio
when one of its segments is a mean proportional between the
whole line and its other segment.
PROPosmoN L
* A straight line parallel to one side of a triangle divides the other
two sides proportionally.
Proposftion IL
* If a straight line divides two sides of a triangle proportionally, it is
parallel to the third side.*
"These two propositions might as well be expressed in one.
Thus:
Proposition I.
" A straight line parallel to one side of a triangle, cutting the
other two sides, divides them proportionally; conversely, if a
straight line divides two sides of a triangle proportionally, it is
parallel to the third side.
WHISPERINGS OF AN OLD PINE 2^
** Because of the uniform divergence of the sides of an angle.
"Eleven words, to 322 directly and over 1300 indirectly in
the book.
"Corollary. — The parts of the divided sides are pro-
portional to each other, and the sides are proportional to their
parts."
" And is the converse of a mathematical proposition always
true?" I asked.
*' Ellen thinks it is," she replied; "if in each case language
is accurately used and interpreted. It's a poor rule that won't
work both ways.
PROPOSmON III.
* Two triangles which are mutually equiangular are similar.'
" Because their sides are proportional, and this because of
their uniform divergence.
'CoROLiARY I. — If two trianglcs have two angles of the one equal to
two angles of the other, the triangles are similar.'
" Because they arc equiangular, for two angles of a triangle
decide the direction of all its sides as they include the sides of
the third angle.
28 ELLEN OR
'Corollary IL — If two straight lines are cut by a series of parallels^
the corresponding segments of the two lines are proportional.
Proposition IV.
'Two triangles are similar when their homologous sides are propor-
tional.*
"Because mutually equiangular.
"Two sides of any triangle may be mutually proportional to
two sides of any other triangle, but, because of the uniform
divergence of the sides of any angle, the third sides can only
be proportional when all angles are equal.
Proposftion V.
'Two triangles are similar when an angle of the one is equal to an
angle of the other, and the sides including these angles are proportional.'
" Because they must be equiangular, and this because of the
uniform divergence of the sides of an angle.
Proposition VI.
'Two triangles which have their sides parallel each to each, or per-
pendicular each to each, are similar.'
"Because there is the same difference of direction in their
sides, and hence they are equiangular. For sides mutiiaiiJy
WHISPERINGS OF AN OLD PINE
29
parallel have the same difference of direction between them;
and perpendicular sides will become parallel, or else coincide
in direction, if the sides of one triangle are rotated a right angle.
PROPOsmoN VII.
' In two similar triangles, corresponding altitudes are proix)rtional to
the corresponding sides.*
•* Because corresponding sides diverge uniformly from lines
representing corresponding altitudes.
Proposition VIII.
* I f three or more straight lines drawn through a common point inter-
sect two i)arallels, the corresponding segments of the parallels are pro-
j>ortional.'
*• Because of the uniform divergence of the sides of an
an^lc.
A B C Ji
PROPOsrrioN IX.
Two ix)lygons similar to a third are similar to each other.'
30 ELLEN OR
"This is under the principle that things equal to the same
thing are equal to each other, and is entirely self-evident.
Thus, if 2 : 4:14 : 8
and 3 : 6::4 : 8
then 2 : 4::3 : 6
**One thousand and seventy-one words directly, and 6483
indirectly, in propositions referred to, are used in the book to
demonstrate these nine propositions, to 208 words in ** Ellen,"
who always demonstrates directly — 7554 to 208 or 36 to i.
"Ellen wants the, old Pine to remember that the sides of a
polygon of four or more sides may be proportional without its
angles being equal, and conversely its angles may be equal
without its sides being proportional, but this is not so with a
triangle, and for the reason Ellen has given, because the sides
of any two angles of a triangle include the sides of the third.
"There follow several propositions upon polygons radially
situated, ray ratio, etc., with which the book seems to be as
much interested as a boy with a new top, and which, so far as
Ellen can see, are as unimportant as tricks with cards. Then
comes
PROPOsmoN XIV.
* In a right [angle] triangle, if a perpendicular is drawn from the
vertex of the right angle to the hypotenuse :
* I. The triangles on each side of the perpendicular are similar to the
whole triangle and to each other.
* II. The perpendicular is a mean proportional between the seg-
ments of the hypotenuse.
WHISPERINGS OF AN OLD PINE
31
'III. Each side about the right angle is a mean proportional between
the hypotenuse and the adjacent segment.'
" Because, first, the angles of the three triangles are mutually
equal ; and they are equal because each triangle has a right
angle, and the two smaller triangles have each one angle of the
large, which are complements of each other. Thus, in the tri-
angle ABC, right angled at A, if B=6o°, C must equal 30°
for the sum of the angles is 180^. And so in triangles ABD,
and ADC, right angled at D, if B is 60^, and C 30^, for same
reason the angle BAD must be 30°, and DAC, 60°.
*' Second, because of the uniform divergence of the sides of
an angle, the sides opposite equal angles, in similar triangles,
are proportional. That is, BD : AD:: AD : DC.
** Third, also because of the uniform divergence of the sides
of an angle — BC and AB being opposite equal angles (right
angles) of the two triangles ABC and ABD; and AB and
BD opposite equal angles (ACB and BAD) of the same tri-
angles— BC : BA::BA : BD. For the same reasons BC :
AC:: AC : DC in the triangles ABC and ADC
Proposition XV.
*The square of the hypotenuse of a right triangle is equal to the mm
of the squares of the other two sides.*
32 .
ELLEN OR
'•This, as introduced here, is properly a corollary to Propo-
sition XIV.
"Thus, in that proposition,
(AC)2=BCXDC
and (AB)2=BCXBD
Therefore (AC)2 + (AB)2=BC (BD+DC) = (BC)2
*' It can also be illustrated and proven by experiment, thus : "
i 1 — L_
** And why should this be?" I asked.
**The old Pine might as well ask why it should not be," she
answered. '^The sides of all triangles must have a certain fixed
relation to their angles, and hence, also, the squares of these
sides. Evidently this proportion exists because the sum of the
other two angles is equal to a right angle.
' Corollary I. — The square of either side about the right angle is
equal to the difference of the squares of the other two sides.
•Corollary II. — The diagonal of a square is equal to the side multi-
j)Hed by the square root of two.
33
WHISPERINGS OF AN OLD PINE
Proposition XVI.
* If through a fixed point within a circle two chords are drawn, the
product of the two segments of one is equal to the i)rodact of the two
segments of the other.'
"Because of the uniform curvature of the circumference.
** Ellen will illustrate. Let the point be the centre. Then
all chords will be diameters, and all segments radii. Hence,
the segments being equal, their products must be equal.
"If now we move one diameter, as BD, constantly to the
left (B'D', B"D", etc.), it will finally disappear as a chord at
A, and the product of its two segments will vary uniformly
from BCxCD too.
" The products of the other segments, A C X C K, A C' X C E,
AC"X C"E, etc., also vary uniformly and between the same ex-
tremes, the product of the radii and zero. But this being true,
it is also true that the corresponding products of these seg-
ments will constantly equal each other. The same will be true if
the chords are not perpendicular to each other. But, as Ellen
34 ELLEN OR
has shown, with every diameter and its parallel chords, all
chords are included; and therefore where chords cross each
other within a circle, the products of their segments are equal."
**And does Ellen think," I asked, "that always when two
quantities varj' thus between limits, they include every possible
intermediate value?"
**Most certainly they do," she replied, "just as the swinging
pendulum includes every possible position between the limits of
its arc.
"In the problem considered there are three factors — the
diameter, crossing chord, and circumference of the circle.
Starting at zero, the diameter is divided into two segments by
the cutting chord, and as that chord moves, one of these seg-
ments is uniformly lengthened, and the other shortened, until
they become equal. Because of the principle that the product
of two factors, whose sum is constant, is largest when the factors
are equal, and hence such product increases or decreases with
absolute uniformity as the factors approach, or recede from,
equality, the product of these segments of the diameter will
continuously increase until, as radii, the segments are equal.
From this point until they disappear the conditions are ex-
actly reversed.
" So, too, the segments of the other chord, because of the
absolutely even curvature of the circumference, beginning at
zero, gradually and uniformly increase until they reach their
greatest length at the centre, when the conditions arc reversed
until they disappear. And these segments are all the time
equal to each other, their product increasing, like that of the
other segments, until they reach their greatest length, and then
WHISPERINGS OF AN OLD PINE
35
decreasing with the same uniformity until they disappear.
Under such conditions, the products of the segments, starting
equal, must remain equal, according to the universality of nat-
ural law.
Proposition XVII.
* If from a point without a circle a tangent and a secant are drawn,
the tangent is a mean proportional between the whole secant and its
external segment.'
** In the proposition both tangent and secant are limited, the
tangent at the point where it touches the circumference, and
the secant where it touches it the second time.
**The proposition is that such a secant is to such a tangent
as the tangent is to the outside segment of the secant. All the
conditions are controlled and indeed made possible by a circle.
Without it there could be neither secant or tangent."
**And shouldn't Ellen say," I asked, "neither secant nor
tangent?"
** Ellen doesn't prefer it," she replied, '*forto her it is some-
what stilted. We say, it is a man or a boy. Then we may say
it is neither — a man or a boy.
" In the proposition the tangent is constant, the secant vari-
able. Wc will first draw a line coinciding with the tangent.
36 ELLEX OR
then move it to the left lengthening it and afterwards shorten-
ing it so that it will constantly end in the circumference, until
it again becomes a tangent.
" Because of the absolutely uniform curvature of the circle this
secant line will be lengthened within the circle, and shortened
without proportionally, until it passes through the centre of the
circle after which it is lengthened without and shortened within
proportionally until it again becomes a tangent. And therefore
the tangent is a mean proportional between the secant and its
outside segment.
"For the same reason, if two or more straight lines are
drawn from a point outside the circle through the circumfer-
ence of a circle, and extended until they again touch the
circumference, they are reciprocally proportional to their ex-
ternal segments. See Figure, page 19.
'DEFiNmoN. — The projection of a straight line AB upon another
straight line M N, is the portion of M N included between the perpen-
diculars let fall from the extremities of A B upon M N.
Proposition XVIII.
*In any triangle the square of the side opposite an acute angle is
equal to the sum of the squares of the other two sides, minus twice the
product of one of these sides and the projection of the other side
upon it.
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WHISPERINGS OF AN OLD PINE
37
Proposition XIX.
*In an obtuse-angled triangle the square of the side opix)site the
obtuse angle is equal to the sum of the squares of the other two sides,
plus twice the product of one of these sides and the projection of the
other side upon it.*
"These are both readily enough proved from Proposition XV.
On general principles it is very evident, first, that the square
of either side is equal to the square of the other two plus or minus
some quantity ; and second, since the square of the side oppo-
site the right angle is equal to the sum of the squares of the
other two sides, the square of the side opposite an acute angle is
equal to the sum of the squares of the other sides minus some
quantity, and the square of the side opposite an obtuse angle
is equal to the sum of the squares of the other sides plus some
quantity.
<y--.F
**Draw the triangle ABC right angled at C. With AC as a
radius and C as a centre, describe the arc AA'E, and from any
point upon this arc, as A', draw a perpendicular, as A'D, to
BC. Then will (A'R)^ opposite the acute angle at C be equal
to (A'C)2 + (BC)2-2BCXDC.
"For in the right angle triangle BA'D, (A'B)* = (A'D)«
38 ELLEN OR
+ (BD)2. But (A'D)2=(A'C)2-(DC)2, as A'DC is a
right angle triangle. Hence (A'B;^, or the square of the side
opposite the acute angle,=:(A'C)2— (DC)2 + (BD)2. But
BD equals the difference between BC and CD. Hence
(A'B)2 = (A'C)2-(DC)2 + (BC-DC)2
= (A'C)2-(DC)2 + (BC)2-2BCXDC+(DC)^
= (A'C)2 + (BC)2-2BCXDC.
"And this means that it is equal to the squares of the sides
of the original triangle, minus a rectangle equal to twice the
product of the base by the amount that the extremity of the
perpendicular has been rotated to the left in forming the acute
angle.
** Should we revolve CA so as to make the angle at C
obtuse, then the square of the side opposite it will be equal
to the sum of the squares of the other two sides plus twice the
product of the base by CF. For the line BF represents the
sum of the quantities BC and CF, and the square of the sum
equals the square of the first plus the square of the second plus
twice the product of the first by the second.
** This is a demonstration of the proposition, and ingenious
enough, but not a direct and complete explanation of the
principles upon which it depends. It is indeed an improved
version of the usual proof offered by modern geometries.
** Ellen will combine these two propositions and demonstrate
them on entirely independent lines. Thus :
"In any triangle the square of a side opposite any angle
equals the squares of the other sides plus if obtuse, or minus iC
acute, twice the product of one of those sides by the distance
WHISPERINGS OF AN OLD PINE 39
from the projection of the other side upon it. See Def-
inition page 36.
** And this for the only possible reason, because this product
represents the difference, to be subtracted or added, as the case
may be, between the square of the side opposite a right angle
and the square of a side opposite any other angle less than
iSo'^.
** Draw the lines AD and BE perpendicular to each other.
Let FC coincide with AC. With C as a centre and FC as a
radius generate the circle A BDE. Then will AC B be a right
angle. See figure, page 36.
"Connect A B,BD. (AB)2 = (BC)2+(AC)2 ; and (BD)^
= (BC)2 + (CD)2.
*' Revolving FC as on a pivot at C, Ellen will now experi-
ment with all angles at C from zero to 180°.
'*In the first place this is certain, that as an angle, even the
smallest possible, begins to show at C there may be a side
opposite to it. This side Ellen might draw anywhere, but she
will draw at AG, AH and AN.
'*Let it be supposed, then, that such a side constantly sub-
tends an in<:reasing angle at C, thus forming a triangle, the
other two sides remaining constant, this third side must increase
continuously with the angle and will represent every possible
straight distance connecting the other two sides, between the
limits supposed of zero and 180 degrees.
*'Draw the chords GP, HQ, NR parallel to B E cutting
AD in the points I, K and O. Complete the squares AG
UV, AH J J', ABDE, ANST and WXYZ. Connect CG,
CH, CN.
40
ELLEN OR
"Ellen will call the figure she has drawn the figure of the
rectangles, or alphabetical figure. For she has used up in it
all the alphabet, and one letter twice; and she thinks there
was never such a variety of rectangles brought together before
in one figure.
"If the old Pine examines very carefully he will see that
always, as the angle at C increases the revolving side will be-
come the diagonal of a rectangle with lines as G I, G M ; H K,
wfiisrERTxns ov an old \nsE
4t
HI., NO, NL, drawn perpendicular from the end of the
revolving side to ihe diameters A 1) attcl B E,
" It has been proven that the square of the hypoieniise is
equal to the square of the other two sides of a right aiti^le tri-
Mglc. rheref ore ( A B ) « = ( A C ) ^ -f- ( H C ) ^ .
** It is most evident, as Ellen has pointed out, that, in any tri-
angle, the -square of the side opposite an acute anfjlc must be
equal to the square of the other sides minus some quantit\% and
that opposite an obtuse equal to the square of these sides plus
Home quantit)'. It is equally certain that these quantities may
be represented by rectangles ; (or all such quantities may be
represented hy- rectangles.
"It is also certain that they are ciosely related to the con-
stant sides of the triangle. For it is the square of these sides
ihal equals the square of the hypotenuse; and hence, as the
hypotenuse is decreased, these sides must be decreased propor-
tionally in order that their squares should continue tn represent
the square of the third side; and such proportional decrease,
or the rectangles produced by it, must represent the difference
betuxen the square of the hypotenuse and that of the side
opposite any other angle. This difference might be represented
by these sides in several different ways, but it can be done in
no simpler way than to let one of thetii remain constant and
the oihcr to be uniforml)' and constantly diminished or increased
between its full length and zero, or zero and its full length. In
this manner the product of the two would be unifornih' and
constantly proportional to the ever- varying side opposite a
eofistantly and uniformly increasing or decreasing angle.
*'lfi the figure KUen finds that the line which lies between
ft I itilaill" Mfek r
42 ELLEN OR
the foot oi the perpendicular let fall from the end of the
moving side to the base, as HK, GI, etc., and the vertex of
the varying angle, represents a uniform and constant increase
(or decrease) in the perpendicular, between its limits of zero
and full length (radius), or radius and zero; and therefore if
the base, remaining constant, is continuously multiplied by
this constantly increasing or decreasing line, the rectangle
formed will uniformly be proportional to the increasing or de-
creasing difference between the square of the third side and
the square of the other two.
"It only remains to find out what this proportion is, which
can be readily done at the point where the perpendiciil; r
divides the base equally at K. For the sides of the triang e
AHC are equal, HC and AC being radii of the same circle,
and AH and HC opposite equal angles.
''Let the radius be four feet.
"(AH) 2^ which is the square of the side opposite the acute
angle at C, equals (AC)^. But (AC)^ equals the rectangle
AWBC, and this is equal to i(AB)2, (AB)2 being the
square of the hypotenuse of the right angle triangle ACB.
And therefore (AW)^, equal to (AC)^, equals i6 (square
feet), and ACX KC equals 8.
"And therefore twice ACxKC will represent the difference
between the square of the hypotenuse and the square of the
side opposite any other angle between zero and i8o^.
" And therefore, and for no other, no other possible reason,
the square of a side opposite any angle equals the square of
the other two sides, minus if acute, and plus if obtuse, twice
one side by the distance from the angle considered to the foot
WHISPERINGS OF AN OLP PINE
43
of the perpendicular let fall from the opposite angle upon the
base or base produced (projection of one side upon the other)
" And this will be equally true, whatever may be the respec-
tive length of the base and perpendicular.
•* In all such discussions it is always to be remembered, and
therefore enforced in the instruction, that the quantities consid-
ered represent rectangles; are things, and not symbols This
Euclid never omitted to do; all of his demonstrations being of
this character. And in this consists the great value of the
science of geometry as a study. For it is the perception and
comprehension of all these conditions which strengthens and
steadies the intellect, and this geometr>' does, perhaps more
?
A C B
than any other study. But the manipulation of the quantities
as symbols, however ingenious it may be, or convenient in
computation, cannot in the same manner instruct and develop
the mind.
•* luiclid has illustrated beautifully the fact that tiic square of
the sum of two quantities is equal to the square of the first, plus
the square of the second, plus twice the product of the first by
the second. And also that the square of the difference of two
quantities is equal to the square of the first, plus the square of
the second, minus twice the product of the first by the second.
44 ELLEN OR
*'Thus, let the straight line AB be divided into two parts
in C ; the square of A B is equal to the squares of AC, C B, and
twice the rectangle of AC and CB, that is (AB)2 = (AC)2-|-
(CB)2+2ACxCB.
**Upon AB describe the square ABED, and through C
draw CF parallel to AD or BE: take FG equal to BC and
through Gdraw HK parallel to AB or DE. Then will GE be
equal to the square on BC, and AE and AG to the squares on
AB and AC respectively; also DG and BG each equals the
rectangle of AC by BC.
•'Therefore (AB)2 = (AC)*^+2AC XBC + (BC)2.
** In a similar manner it may be demonstrated that the square
of the difference of two quantities equals the square of the first»
plus the square of the second, minus twice the product of the
first by the second. If the quantities are AB and BC, AC is
their difference and (AC)2 = (AB)2— 2 ABxBC + (BC)2.
'* If the old Pine remembers his trigonometry he will see that
these lines, as GM, HL, etc., which represent every possible
line that can be drawn parallel to the radius A C in the quadrant
ABC of a circle, are the sines, in a circle whose radius is unity
of the angles GCB, HCB, etc., which are complements of the
angles at C (ACG, ACH, etc.), which we are considering, and
that the lines upon the radius, as IC, KC, etc., are parallel and
equal to them, and hence vary as they vary; and also that GI,
H K, etc. — representing every possible line which can be drawn
parallel to the radius BC in the same quadrant, — are the sines
of the varying angles at C (ACG, AC H, etc.) ; and therefore
equal and parallel to the cosines of the complements to these
angles.
WmSPEklXGS OF AX OLD PINE
4S
"But these sines of C, GI, H K, etc., are the half chords of
the arcs GP, HQ, etc., and therefore proportional to those
arcs, and also proportional to the halves of those arcs, and their
chords, which last chords are the sides opposite the varying
angles at C, Ellen uses the word proportional in its general
sense.
**It follows that as these sines GI, H K. etc., vsiry with the
angle at C. the sines GM, H-L, etc, of the complement of this
angle, which are parallel and equal to the cosines of C (IC,
KC, etc.), will vary equally. And huncc the relationship or
proportion between them is always the same.
**And as at its limit, when the rcvolvint^ perpendicular B C
(see Figure, page 40) coincides in direction with the base AC,
the difference betw^een them, if any, will be some line as AK,
which will represent the side opposite the acute angle at C.
"Therefore the square of AK (representing the difference
between the two quantities AC and KC, and also representing
the side opposite the acute angle), equals (AC)^ + (KC)' —
2ACXKC.
♦'And this is another and vxry simple demonstration of the
proposition.
"Thus, if the perpendicular and base are both four, we
shall have, when they coincide, o2^(AC)^+(FC)- — 2A Cx
FC^(4)^ + (4)^-8X4=0.
** If the perpendicular is 2 and base 4 wc will have 2^ (side
opposite acute angle)=:4^-l-22 — (4X2)X2=4,
** And whichever or whatever value we give to the base and
perpendicular, the same proportion will verify again at the
angle of 60^, at the right angle, and at the angle of 120^.
46 ELLEN OR
But this is entirely unnecessary; for, as Ellen has shown, this
proportion holds true for all valves. It's dreadfully funny!"
"Ellen is a very busy girl," I replied, "and sports with math-
ematics as the wind tosses (ne foam upon the ocean."
"The old Pine continues to flatter Ellen," she answered;
*' but this Ellen thinks, that mind is able to sport with all math-
ematical principles. For these are comparatively simple.
" By continued study and constant familiarity the mind comes
to consider certain mathematical truths, of the kind that we call
axioms, as self-evident. But, as Ellen thinks, all will become
equally self-evident as the mind continues to study them, how-
ever obscure they may appear at first. Nothing is self-evident
until one has had an opportunity to study and learn it.
PROPOsmoN XX.
* The bisector of an angle of a triangle divides the opposite side into
segments which are proportional to the other two sides.*
"Because of the uniform divergence of the sides of an angle.
''Thus in the triangles ABD and ADC, the side AD is
common and the angles at A equal. Therefore BD and DC,
whose lengths depend upon AB and AC, will be proportional
to ABand AC.
"This Ellen has explained more fully in Proposition XIV.
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THE NEW YORK
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48 ELLEN OR
** Ellen would combine these propositions in one, with two
corollaries as follows :
Proposition I.
"Two rectangles having equal bases and equal altitudes are
equal.
** Because in every respect equal.
"Corollary I. — ^The areas of two rectangles having equal
bases arc to each other as the altitudes.
** Corollary II. — ^The areas of two rectangles having equal
altitudes are to each other as their bases.
PROPOsmoN IV.
' The area of a rectangle is equal to the product of its base and alti-
tude, prtwided the unit of area is a square whose side is the linear unit.'
"The last part is utterly senseless. The area of a rectangle
is equal to the product of its base and altitude under any pos-
sible circumstances.
PROPOsmoN V.
* The area of a parallelogram is equal to the product of its base and
altitude.'
*' Because, this represents the number of times that the base>
as a standard of measure, is contained in the parallelogram.
WHISPERINGS OF AN OLD PINE 49
*CoROLLARV I. — Parallelograms having equal bases and equal alti-
tudes are equivalent.
'Corollary II. — The areas of any two parallelograms are to each
other as the products of their bases and altitudes.
'Corollary III. — The areas of two parallelograms having equal bases
are to each other as their altitudes ; the areas of two parallelograms
having equal altitudes are to each other as their bases.
Proposition VI.
* The area of a triangle is equal to one-half the product of its base
and altitude.*
** Because it is half a rectangle or half a parallelogram having
equal base and altitude.
** Ellen would say: The area of a triangle is equal to the
product of the line drawn parallel to the base and connecting
the middle points of the other two sides, by the altitude.
** Because a triangle may be considered to be composed of a
series of contiguous straight lines, each uniformly shorter than
the preceding, extending from the base to the apex, so that the
mean or average line would be situated at half the altitude.
'Corollary I. — Triangles having equal bases and equal altititudes
are equivalent.
'Corollary II. — ^The areas of any two triangles are to each other is
the product of their bases and altitudes.
'Corollary III.— The areas of two triangles having equal bases are
50 ELLEN OR
to each other as their altitudes ; the areas of two triangles having equal
altitudes are to each other as their bases.
Proposition VIL
' The area of a trapezoid is equal to the product of its altitude and
one half the sum of its bases.*
** Because the non-parallel sides arc straight lines, and there-
fore one-half the sum of the bases represents the average
length of the bases.
'Corollary. — The area of a trapezoid is equal to the product of its
altitude and the line joining the middle points of the non-parallel sides.*
" Because such line represents the average length of the par-
allel sides of the trapezoid.
** Ellen would make the corollary the proposition, and the
proposition the corollary.
** Ellen uses lOO words in demonstration of these seven proposi-
tions; or 143 with double demonstration of the sixth; the
book 617 directly and 7277 in propositions referred to, or in
all 7894.
PROPOsnioN VIII.
'The areas of two triangles which have an angle of one equal to an
angle of the other are to each other as the products of the sides includ-
ing those angles.'
** Because the area of every triangle consists of the space be-
tween two sides, and therefore the areas of two triangles which
have an equal angle will depend upon the length of each of the
sides including the equal angles, and hence is proportional to
^TIISPERINGS OF AN OLD PINE 5 I
the products of these sides. For if a variable depends upon
each of two other variables, it is proportional to their product.
Thus if ten boards have the same length, but different width,
their area will be proportional to the one variable of width ;
but if each board varies in both width and length, its area will
be proportional to the product of the two variables.
pROPOsmoN IX.
'The areas of two similar triangles are to each other as the squares
of any two homologous sides.*
*' Because the areas are to each other as the products of their
altitudes and bases, since they consist of one-half such product ;
and their homologous sides and altitudes are proportional.
PROPOsrrioN X.
'The areas of two similar polygons are to each other as the squares
of any two homologous sides.'
*• Because similar triangles are in such proportion, and similar
polygons may be divided into similar triangles.
Proposftion XI. •
*The square described on the hypotenuse of a right [angle]
triangle is equivalent to the sum of the squares on the other two sides.'
** Because it is. Try it. Let the sides of a right angle tri-
angle be respectively 3, 4 and 5 inches. Construct squares on
these sides. They will consist of 9, 16 and 25 square inches.
See Figure, page 28.
52 ELLEN OR
" If once so, always so, because of the universality of natural
law.
Corollary. — The square on either side about the right angle is
equivalent to the difference of the squares on the hypotenuse and on
the other side.'
" Ellen uses 203 words to demonstrate these four propositions,
to 383 directly and 4905 indirectly in the book.
** In Ellen's discussion of Proposition XIX, Book III, which
showed that the side opposite an acute angle was equal to the
square of the other two sides minus twice a rectangle, and that
opposite an obtuse angle, these squares plus twice a rectangle,
this proposition was fully demonstrated ; it following of neces-
sity that the square of the side opposite a right angle was
exactly equal to the squares of the other two.
TKF VFW yr.-^i:
l.L
WHISPERINGS OF AN OLD TINE 53
IV.
BOOK V.
REGULAR POLYGONS AND CIRCLES.
•* I. A regular polygon is both equilateral and equiangular;
a circle may be circumscribed about it, and also in it.
"2. Similar polygons are polygons which have the angles of
one equal to the angles of the other, each to each, and the cor-
responding or homologous sides proportional.
'•3. The common centre of the circumscribed and inscribed
circles is the point from which the sides and angles of a regular
polygon are equally distant; it is also its centre of gravity, and
is called the centre of a regular polygon.
"4. The angle formed by drawing lines from the centre to
the extremities of any side is called the angle at the centre. It
is equal to four right angles divided by the number of sides
of the polygon.
** 5. The apothem is the .shortest distance from the centre to
-any side.
**6. The apothem is equal to the radius of the inscribed
circle.
" 7. The approximate value of the ratio of a diameter to its
circumference is 3.1 416, and is called tt.
Propositions L, II.
'• Included in definitions.
54 ELLEN OR
Proposition III.
'Two regular polygons of the same number of sides are similar/
" Self evident from definitions.
Proposition IV.
'In two regular polygons of the same number of sides, two corre-
sponding sides are to each other as the radii or as the apothems.'
** Because these sides with their radii and apothems form
triangles which are mutually equiangular, and therefore their
homologous sides proportional.
'Corollary I. — The perimeters of two regular polygons of the same
number of sides are to each other as their radii or as their apothems.*
** Because the homologous sides are in this ratio ; the perim-
eter representing the whole, of which a side is a part.
'Corollary II. — The areas of two regular polygons, of the same num-
ber of sides, are to each other as the squares of their radii or as the
squares of their apothems.'
** Because they are to each other as the product of their
WHISPERINGS OF AN OLD PINE 55
perimeters by their apothems ; and their perimeters are to each
other as their radii or apothems.
PROPOsmoN V.
'The circumference of a circle is greater than the perimeter of an
inscribed polygon.'
" Because the arc of a circle is longer than its chord.
PROPOsmoN VI.
*The circumference of a circle is less than the perimeter of a cir
cumscribed polygon or any enveloping line.'
** Because contained within it.
PROPOsmoN VII.
'I. If one regular inscribed polygon has twice as many sides as
another, its perimeter and area are greater than those of the other.*
•'The perimeter is longer because two sides between any two
points are longer than one ; and the area is greater because
representing more space.
* II. If one regular circumscribed polygon has twice as many sides as
another, its perimeter and area are less than those of the other.*
•* Vvr similar reasons to those given in Case I.
** ICllcn uses 121 words to demonstrate these seven propositions
to 669 directly and 2 161 indirectly in book.
Proihjsition VIII.
' By doubling an indefinite number of times the number of sides ol a
regular f>olygon inscribed in a given circle :
56 ELLEN OR
( * I. The apothem can be made to differ from the radius by less than
any assigned quantity.
' IL The square of the apothem can be made to differ from the square
of the radius by less than any assigned quantity.
{ . '
Proposition IX.
'The circumference of a circle is the limit which the perimeters of
regular inscribed and circumscribed polygons approach when the num-
ber of their sides is doubled an indefinite number of times ; and the
area of the circle is the limit of the area of these polygons.*
** In the demonstration of these two propositions it is stated
that we can make the difference * less than any assigned quan-
tity/ or, *as small as we please.' This might be true if the
quantity assigned was large enough, or if we didn't please to
have something too small. These propositions are entirely un-
intelligible as illustrated by these phrases. Thus if anyone
should undertake to extract the square root of 2, he might
spend an eternity at it without an exact result.
"Let the old Pine consider for a moment what Ellen has
before suggested, that through the pupil of the smallest eye the
whole material universe may be reflected, and he may perhaps
begin to realize that the infinitely small is as remarkable and as
possible as the infinitely large. Nor does Ellen know of any
reason why it should not be ; nor does she know where the prob-
lem of its consideration may end, or in what manner.
Proposition X.
*The ratio of the circumference of a circle to its diameter is the same
for all circles.'
WHISPERINGS OF AN. OLD PINE 57
" Self-evident from the nature of a circle, for the extremities,
of its diameter may generate its circumference.
PROPosmoN XI.
* 'ITic area of a regular polygon is equal to one-half the product of its
apothem and perimeter/
" Because composed of triangles whose altitude is the apo-
them, and the sum of whose bases is the perimeter of the
polygon ; and because the area of a triangle equals one-half the
product of its base and altitude.
••Fifty-four words for two propositions to 175 directly and
3100 indirectly in book.
Proposition XII.
'The area of a circle is equal to one-half the product of its radius
and circumference.*
•' Ellen would say, is equal to the product of its average cir-
cumference by the radius.
'• Because a circle may be considered to be composed of a
series of contiguous circumferences, decreasing uniformly in
length, and therefore whose mean, or average circumference,
will be situated at half the distance between the outside and the
centre.
"Thirty-nine words instead of 2018 in the book, including
58 ELLEN OR
propositions referred to. It has, too, the advantage of being
within the scope of our knowledge, — that is, of being true, —
whilst the usual line of demonstration is not. Furthermore, the
demonstration Ellen gives is the real reason, and the only pos-
sible reason for the fact.
Proposition XIIL
' Given the radius of a circle and the side of a regular inscribed poly-
gon, to find the side of a regular inscribed polygon of twice the number
of sides.*
**With the radius generate a circumference, bisect the arc
subtending the side given, and connect its ends with chords.
These chords will be the required side.
PROPOsmoN' XIV.
* Given the radius of a circle and a side of a regular circumscribed
polygon, to find the side of a regular circumscribed polygon of twice
the number of sides.'
*'With the radius generate a circumference. Complete the
circumscribed polygon. Draw radii to the points of tangency
of the sides of this polygon. Bisect the arcs included between
these points, and at the points of division draw tangents to the
WHISPERINGS OF AN OLD PINE
59
<ircu inference intersecting the sides of the circumscribed
polygon. The polygon thus formed will be the one required.
** Eighty-three words to explain the two propositions, to 178
-directly and 1 349 in propositions referred to. or 1527 in the book.
PROPosmoN XV.
*To compute the ratio of the circumference of a circle to its diameter
approximately.'
•* Divide the circumference of any circle by its diameter.
Eight words to 1624 in book, including propositions referred to.
"The usual modern method of computation condensed is as
follows :
c
"With O as a centre and AO as a radius, describe the circle
AHC. Let AB be a side of a regular inscribed hexagon,
which is equal to the radius. Draw OC perpendicular to AB
cutting it at D; join AC and AO.
Then (AO)2=:(AD)2 + (DO)2.
(DO)2=(AO)2-(AD)2.
DO=V(AOy^-(AD)2
But CD=CO-DO.
And (AC)2=(AD)2 + (CD)2.
Hence AC=x^{AD)'^-f{CDy^.
6o ELLEN OR
"But AC equals the side of a polygon with double the sides-
of length AB. This process of thus doubling the sides of the
enclosed polygon may be indefinitely continued, and if the
radius is known the length of <he circumference of the circle
thus approximately obtained.
THE NEW YORK
PUBLIC LIBRARY
ft X
WHISPERINGS OF AN OLD PINE 6 1
V.
BOOK VI.
Planes, Diedral and Polyedral Angles,
DEFINITIONS.
" I. A plane is a surface which does not change its direction.
" 2. A straight line is perpendicular to a plane, and the plane
to a straight line when the angles formed by them are right
angles.
"3. A straight line is parallel to a plane, and a plane to a
straight line, when they are everywhere equally distant from
each other.
'*4. Two planes are parallel, when if continued indefinitely
they would never meet. Parallel planes are everywhere equally
distant from each other.
**S. A diedral angle is the amount of divergence of two
planes. The line in which the planes meet is called the edge
of the angle, and the planes themselves are called faces of the
angle.
" 6. The measure of a diedral angle is the same as that of a
plane angle formed by two straight lines, one in each face, and
both perpendicular to the edge at the same point. A diedral
angle may be acute, obtuse, or a right angle. In the latter
case, the faces are perpendicular to each other.
" 7. A polyedral angle is the amount of divergence of several
62 ELLEN OR
planes meeting at a common point. This point is called the
vertex of the angle ; the lines in which the planes meet are
called edges of the angle, and the planes lying between the
edges, faces of the angle. See Figure, page 70.
**8. A polyedral angle which has but three faces, is called
a triedral angle.
** Ellen will quote in this book the Propositions as given in
Davies' Legendre.
Proposition I.
' If a straight line has two of its points in a plane, it lies wholly in
that plane.'
"Because neither a straight line or a plane changes its
direction.
** Corollary. — ^Through any point of a plane, a very great
number of straight lines may be drawn which lie in the plane.
" Scholium. — A very great number of planes may be passed
through a given straight line.
Proposftion II.
'Through three points, not in the same straight line, one plane can
be passed, and only one.*
** Because neither a plane nor a straight line changes its direc-
tion ; and therefore if a plane passes through a straight line it
cannot change its direction except to revolve about the line.
Let it revolve until it passes through the third point C. If it
revolves further, it will not contain C, and therefore a straight
WHISPERINGS OF AN OLD PINE
63
line partially determines the position of a plane, and three
points, not in the same straight line, fully determine it.
Proposition III.
'The intersection of two planes is a straight line.'
"Because common to both planes, and neither plane can
change its direction.
PROPOsmoN IV.
'If a straight line is perpendicular to two straight lines at their point
of intersection, it is perpendicular to the plane of those lines.'
** Because the direction of the plane must be the same as that
of the lines. For three points not in the same straight line
determine the direction of a plane.
'Corollary i. — Only one perpendicular can be drawn to a plane
from a point without the plane.
'Corollary 2. — Only one perpendicular can be drawn to a plane
from a point in that plane.'
64
ELLEN OR
"The book has 590 words and 12 propositions referred to, to
demonstrate these self-evident propositions; Ellen, 53 words.
Proposition V.
' If from a point without a plane, a perpendicular is drawn to the
plane, and oblique lines drawn to different points of the plane.
* I. The perpendicular is shorter than any oblique line :
'2. Olique lines which meet the plane at equal distances from the
foot of the perpendicular, are equal :
*3. Of two oblique lines which meet the plane at unequal distances
from the foot of the perpendicular, the one which meets it at the greater
distance is the longer.'
"Because having the same perpendicular distance and a
longer horizontal one.
' Scholium. — The angle A B P is called the inclination of the oblique
line AB to the plane MN. The equal oblique lines A B, AC, AD, are
all equally inclined to the plane M N. The inclination of A D is less
than the inclination of any shorter line A E.
WHISPERINGS OF AN OLD PINE
65
Proposition VI.
'If from the foot of a perpendicular to a plane, a straight line is
drawn at right angles to any straight line of that plane, and the point
of intersection joined with any point ot the perpendicular, the last line
13 perpendicular to the given line of the plane.'
"Because by construction in the same plane as the line
drawn perpendicular to the given line. See remarks under
Proposition XVII.
* Corollary. — ^The given line BC is perpendicular to the plane of
the triangle A P D ; because it is perpendicular to A D and P D, at D.
Proposftion VII.
* If one of two parallels is perpendicular to a plane, the other one is
also perpendicular to the same plane.*
** Because having the same direction.
* Corollary. — If two straight lines are parallel to a third line they
are parallel to each other.
Proposition VIII.
' If a straight line [outside of a plane] is parallel to a line of a plane,
it is parallel to that plane.'
*' Because the plane on which a line is situated has the same
direction as the line.
66 ELLEN OR
Proposition IX.
* If two planes are perpendicular to the same straight line, they are
parallel to each other.'
"Because extending in same direction.
PROPosmoN X.
' If a plane intersects two parallel planes, the lines of intersection are
parallel.'
** Because equally a part of the intersecting plane, and the
parallel planes.
PROPOsmoN XL
' If a straight line is perpendicular to one of two parallel planes, it is
also perpendicular to the other.*
"Because the planes extend in the same direction.
PROPOsmon XII.
* Parallel straight lines included between parallel planes, are equal.*
•* Ellen doesn't understand what is meant by 'included.'
"By definition, parallel planes are everywhere equally distant
from each other. Then will parallel lines terminated by these
be equal.
"Ellen has 50 words to demonstrate these six propositions;
the book, 369 directly, and 800 more or less indirectly. Ellen
gets awfully tired counting them.
' Corollary. — If a straight line is parallel to any plane, then can a
plane be passed through this line parallel to the given plane.
Proposition XIII.
' If two angles, not situated in the same plane, have their sides par-
WHISPERINGS OF AN OLD PINE
67
allely and Ijdng in the same direction, the angles are equal and their
planes parallel.
Proposition XIV.
* If three straight lines, not situated in the same plane, are equal and
parallel, the triangles formed by joining the extremities of these lines
are equal, and their planes are parallel.
IZ^
EMJ
7
Proposition XV.
* If two straight lines are cut by three parallel planes, they are divided
proportionately.
r^3
[^
S
/:^7
'Corollary i. — If two straight lines are cut by any number of parallel
planes, they are divided proportionally.
'Corollary 2. — If any numbered of straight lines are cut by three
parallel planes, they are divided proportionally.'
"Because the parallel planes are everywhere equally distant
from each other.
68 ELLEN OR
** Eleven words, to 78 in the book, and 250 more in proposi-
tions referred to.
PROPOsniON XVL
* If a straight line is perpendicular to a plane, every plane passed
through the line is also perpendicular to that plane.*
** Seventy-eight words are wasted upon this proposition,
which is too puerile to answer. Propositions XIII., XIV. and
XVII. are equally self-evident.
'Corollary. If three lines are perpendicular to each other at a
common point, each line is perpendicular to the plane of the two
others, and the three planes are perpendicular to each other.
Proposition XVII.
* If two planes are perpendicular to each other, a straight line drawn
in one of them, perpendicular to their [line of] intersection, is perpen-
dicular to the other.'
** Because it extends in the same direction as its plane.
PROPOsnioN XVin.
* If two planes cut each other, and are perpendicular to a third plane
their intersection is also perpendicular to that plane.'
WHISPERINGS OF AN OLD PINE
69
" Because it is a part of both planes and therefore must
extend in the direction common to the two.
Proposition XIX.
* The sum of any two of the plane angles formed by the edges of a
triedral angle, is greater than the third.'
** Because of the relativity of sides and angles. The two sides
AC and CB, being two lines, are longer than the straight line
AB between the same points.
Proposition XX.
'The sum of the plane angles formed by the edges of any polyedral
angle is less than four right angles.'
"As has been shown, the sum of all the angles in a plane
formed by straight lines intersecting at a point is four right
angles. As these straight lines are moved out of a plane and
approach each other, as they must, when they form the edges
^o
ELLEN OR
of a polyedral angle, their difference in direction is diminished,
and hence the sum of the angles formed by them will be less
than four right angles.
" Seventy-four words, to 294 in book.
Proposftion XXL
*If the plane angles [ASC, DTP, etc.] formed by the edges of two
triedral angles are equal, each to each, the planes of the equal angles
are equally inclined to each other.*
** For, if the plane angles are equal, there is the same differ-
ence of direction in the lines (AS, CS, BS and DT, FT,
ET), forming them, but these lines are the intersections of the
planes. And therefore the planes forming these intersections
must have the same difference of direction.
** Forty-six words, to 238 in book.
"Corollary. — If two plane angles of two triedral angles
are equal each to each, and the inclination of their faces is the
same, then are the remaining plane angles equal to each other.
WHISPERINGS OF AN OLD PINE
71
*• Because the lines which form the plane angles are the lines
of intersection of the planes.
" Because two plane angles of a triedral angle and the inclina-
tion of their faces decide the third plane angle.
*• Ellen omits scholiums in regard to the coincidence of angles,
as the principles upon which their equality depends are entirely
independent of such coincidence.
72
ELLEN OR
VI.
BOOK VII.
POLYEDRONS.
DEFINITIONS.
** I. A polyedron is a figure bounded by polygons.
"The bounding polygons are the faces of the polyedron;
where these polygons meet, its edges; where the edges meet,
its vertices.
"2. A prism is a polyedron two of whose faces, called the
bases, are equal polygons, having their homologous sides par-
RE(;rijvR
PYRAMID.
FRUSTUM OF
PYRAMID.
allel. The other faces are formed by planes, passing through
the corresponding sides of the bases, and are therefore parallel-
ograms.
"The parallelograms form the lateral or convex surface of
the prism, and their intersections its lateral edges.
w
1
I
I
K
« 1
' ^B
1
WHISPERINGS OF AN OLD I*1NE
73
"3. The altitude of a prism is the pcrpendicylar distance
betxi'een the planes of its bases.
'^4. A right prism is one whose lateral edges are perpendic-
ular to the bases,
•* In this case, any lateral edge is equal to the altitude.
•* 5» An obliqe prism is one whose lateral edges are oblique
to the bases.
"In this case, any lateral edge is greater than its altitude.
•*6, Prisms are named from the number of sides of their
bases; a triangular prism is one whose bases are triangles; a
cntagonal prism is one whose bases are pentagons, etc.
•*7* A parallelopiped is a prism whose bases are parallelo-
grams.
** A right parallelopiped is one whose lateral edges are per-
pendicular to the bases.
**A rectangular parallelopiped is one whose faces are all
:tangles,
•* A cube is a rectangular parallelopiped whose faces are
squares.
•*$• A pyramid is a polyedron whose base is a polygon and
whose other sides are triangles which meet at a point, called
the vertex of the pyramid*
"The triangles form its lateral or convex surface ; their inter-
sections its lateral edges,
"9, Pyramids are named from the number of sides of their
bases, triangular, quadrangular, etc.
" 10. The altitude of a pyramid is the perpendicular distance
from the vertex to the plane of its base.
*'II. A regular pyramid is one whose base is a regular poly-
74 ELLEN OR
gon, and whose perpendicular passes through the centre of the
base.
"This perpendicular is called the axis of the pyramid.
"12. The slant height of a regular pyramid, is the altitude of
its triangular faces drawn from the vertex.
"13. A truncated pyramid is that portion of a pyramid
included between the base and any plane which cuts all the
lateral edges.
"When the cutting plane is parallel to the base, the truncated
pyramid is called a frustum of a pyramid, and the intersection
of the cutting plane with the pyramid is the upper base of the
frustum ; the base of the pyramid its lower base.
" 14. The altitude of a frustum of a pyramid is the perpen-
dicular distance between the planes of its bases.
"15. The slant height of a frustum of a regular pyramid is
the altitude of any lateral face of the frustum.
" 16. The lateral area of a pyramid is the sum of the areas
of its lateral faces.
" 17. Similar polyedrons are those which are bounded by the
same number of similar polygons, similarly placed.
** Parts which are similarly placed, whether faces, edges, or
angles, are called homologous.
"18. A diagonal of a polyedron is a straight line joining the
vertices of two polyedral angles not in the same face.
" 19. The volume of a polyedron is the space which it occu-
pies, and is generally expressed in terms of another solid taken
arbitrarily as the unit of measure ; as a cubic foot, yard, or mile.
" 20. Two figures are equivalent when their volumes are
equal.
WHISPERINGS OF AN OLD PINE 75
"These definitions are very complete, but as the more recent
geometry has endeavored to abbreviate the demonstrations, and
in that respect to make them more sensible, Ellen will again
quote its propositions.
Proposftion I.
'The lateral faces of a prism are parallelograms.'
'* Because they lie between parallel lines. Included in defi-
nitions.
PROPOSmON II.
The sections of a prismatic surface made by two parallel planes cut-
ting its edges are equal polygons.'
" Because mutually equilateral and equiangular.
Proposition III.
*.\ny two opposite faces of a parallelopiped may be taken as its
bases.'
"Because all opposite faces are parallelograms. Included in
definitions.
1e
ELLEN OR
Proposition IV.
'The lateral area of a prism is equal to the product of the perimeter
of a right section and a lateral edge.'
" Because the lateral faces are parallelograms whose areas are
the product of the bases by the altitude. But the perimeter
of a right section represents the altitude of the lateral faces,
and the edges their bases.
Corollary. — ^The lateral area of a right prism is equal to the prod-
uct of the perimeter of its base and its altitude.
Proposition V.
*Two right truncated prisms are equal, if three lateral edges of one are
equal to the three corresponding edges of the other, and the bases to
which they are respectively perpendicular are equal.'
** Because the three lateral edges determine the planes of the
sections which complete the truncated prisms.
Proposition VL
*An oblique prism is equivalent to a right prism whose base is a right
section of the oblique prism, and whose altitude is equal to a lateral
edge of the oblique prism.*
'Because by construction enclosing equal space (having
WHISPERINGS OF AN OLD PINE
77
equal volume). For the two truncated prisms ABCDE-G
and A'B'C D'E'-G' having mutually equal edges and the
lower and upper bases of each being mutually equal and par-
allel, are equal, and the intermediate figure FGNHK-C is
common.
Proposition VII.
'The plane i)asse(l through two diagonally opposite edges of a par-
allelopiped divides it into two equivalent triangular prisms.'
** Because dividing it into prisms having equal bases and
altitudes. Sec figure, page ^6.
** In demonstrating these seven propositions Ellen uses 124
words; the book, 398 directly, and 6492 in propositions re-
ferred to.
Proposition' VIII.
'Two rectangular parallelopipeds having ecpial bases are to each other
as their altitudes.'
*' Because in all other respects they arc equal.
78
ELLEN OR
Proposition IX.
'Two rectangular parallelopipeds which have one dimension in com-
mon are to each other as the products of the two other dimensions.
/;
1-
/
f~ ----,
Proposition X.
* Any two rectangular parallelopipeds are to each other as the products
of their three dimensions.*
** Because the volume of all rectangular parallelopipeds is
equal to the product of their three dimensions.
** Ellen makes these three last propositions self-evident in
24 words. The geometry she quotes has succeeded in using
directly 346, plus over 850 in propositions referred to, or in all
over 1200, or fifty times as many. An entirely unnecessary
performance, and alone a demonstration that the present
method of teaching geometry ought to be and will be super-
seded.
Proposition XI.
*The volume of a rectangular parallelopiped is equal to the product
of its three dimensions, provided the unit of volume is a cube whose
edge is the linear unit.'
^^^^^^^^^^^^^^^^^^^^^^^^^^^r
■
PUBLIC LIBRARY ^^^H
1
BRINGS OF AN
'Omitting the last part» which is superfluous, for always its
volume is the pruduct of the three dimensions, this proposition
is self-evident.
Propositiun XII.
'The volume of any parallelopipcd is equal to the product of its
base and altitude.'
"Ellen considers this self-evident from the definitions of a
parallelopiped and a parallelogram. For the volume of any-
thing is the space which it encloses, and this is as true of
a base as of any other figure,
**In the nature of things the product of its sides represents
the volume contained in the base, and this multiplied by the
altitude of a parallelopiped represents the number of times such
surface or volume, for these terms being applied to the base
arc synonymous, is contained in the larger figure.
"TTicrc is so much of this thmg, space, oneway, and so much
the other, and their product, thickness being regarded as uniu^
must represent the total amount of space included in two
dimensions, that is, included in the base, of a rectangular lit^ore
" Wc sec it illustrated on a larger scale in rows uf bricks. We
111 suppose tlierc are twelve bricks one way in line, and ten the
"other; then there are in the base twelve bricks taken ten times;
that i% twelve added ten times equals 120, or twelve multiplied
by ten equals 120. And therefore the product of two dimen-
sions gives the amount contained in them/*
*^I| gives the amount of brick," I said.
"It gives the amount of anything which occupies space/* she
8o ELLEN OR
answered; "and, if so, it must give the amount of space in
whatever space consists.
"The volume, then, of any figure — that is, of anything — is
measured by the product of its average dimensions.
PROPosmoN Xin.
'The volume of a triangular prism is equal to the product of its base
and altitude.'
"Because this equals the number of times that the base is
contained in the altitude. See Proposition XII.
PROPOsmoN XIV.
* The volume of any prism is equal to the product of its base and
altitude.'
** Because this represents the product of its dimensions.
" Four self-evident corollaries follow.
Proposition XV.
'The lateral edges of a regular pyramid are equal.'
"Because they pass over the same vertical, and equal hori-
zontal distances.
WHISPERINGS OF AN OLD HNE 8 1
*CoROLXARV I. — ^The lateral faces of a regular pyramid are equal
isosceles triangles.
'Corollary II. — ^The altitudes of the lateral faces drawn from a com-
mon vertex are equal.
PROPOsmoN XVI.
'The lateral area of a regular pyramid is equal to one-half the pro-
duct of the perimeter of its base and its slant height.'
"Because one-half the perimeter of its base represents the
average width of the triangles which compose the lateral area,
and the slant height their altitude.
Proposition XVII.
'The lateral faces of a frustum of a regular pyramid are equal trape-
zoids.'
" By construction.
* CoROLL\RV. — The lateral area of a frustum of a regular pyramid is
equal to one-half the product of the sum of the perimeters of its bases
and its slant height.'
'* Because this represents the average width of the trapezoids
by their altitude.
82 ELLEN OR
Proposition XVIII.
* If a pyramid is cut by a plane parallel to its base :
' I. — The lateral edges and the altitude are divided proportionally.
*II. — ^The section is a polygon similar to the base.'
** Because, parallel planes are everywhere equally distant from
each other; and because of the uniform divergence of the sides
of each angle at the vertex.
'Corollary I. — The areas of any sections of a pyramid parallel to its
base are proportional to the squares of their distances from the vertex.
'Corollary II. — If two pyramids having equal altitudes are cut by
planes parallel to their bases at equal distances from their vertices, the
sections thus formed will be proportional to the bases.
* Corollary III. — If two pyramids have equal altitudes and equivalent
bases, sections parallel to their bases and equally distant from their ver-
tices are equivalent.
Proposition XIX.
* The volume of a triangular pyramid is the limit of the sum of the
volumes of a series of inscribed or circumscribed prisms of equal alti-
tude, when their number is indefinitely increased.'
"Useless.
Proposition XX.
'Two triangular pyramids having equal altitudes and equivalent bases
are equivalent.'
** Self-evident.
WHISPERINGS OF AN OLD PINE
Proposition XXI.
83
•The volume of a triangular pyramid is equal to one-third the product
of its base and altitude.'
** Because the volume of a triangular prism is equal to its
base by its altitude, and such prism will contain three triangular
pyramids each equivalent to one having same base and altitude
as the prism.
"Ellen uses 134 words in demonstrating the last nine propo-
sitions, the book 839 directly, and several thousand, more or
less, indirectly.
84 ELLEN OR
VII.
BOOK VIII,
CYLINDER, CONE AND SPHERE.
" I . A curved line is one whose direction constantly changes.
"2. A cylinder is a figure bounded by a circular surface,
called its lateral surface, which terminates in two lateral planes,
and every portion of which is equally distant from a line within
called the axis. The parallel planes are the bases of the cylin-
der, and the distance between them its altitude. A cylinder
may be generated by a rectangle revolving about one of its
sides.
"3. Similar cylinders are those which may be generated
by similar rectangles revolving about homologous sides.
*'4. A prism is inscribed in a cylinder when its bases are
inscribed in the bases of the cylinder. In this case the cylinder
is circumscribed about the prism.
**5. A prism is circumscribed about a cylinder when its
bases are circumscribed about the bases of the cylinder. In
this case the cylinder is inscribed in the prism.
"6. A cone is a solid figure bounded by a surface termi-
nating at one end in a point, called the vertex of the cone, and
at the other in a circle called its base. The perpendicular from
the base, at its centre, to the vetex is called the axis of the cone.
The distance from the vertex to any point in the circumference
cf the base is the slant height, and the perpendicular distance
from the vertex to the base is the altitude of the cone. A cone
WHISihKi:N«o OF AN OLD PINE
85
fnay be generated by a right angle triangle revolving about one
of the sides adjacent to the right angle as an axis.
*'7. A truncated cone is that portion of a cone between the
base and any plane which cuts the convex surface.
•'8* Similar cones are those which may be generated by
similar right angle triangles revolving about homologous sides.
**9» A pyramid is inscribed in a cone when its base is
inscribed in the base of the cone, and when its vertex coincides
^rith that of the cone,
" 10. A pyramid is circumscribed about a cone when its base
is circumscribed about the base of the cone and when its vertex
coincides with that of the cone,
** 1 1. A sphere is a figure bounded by a curved surface, cvtry
part of which is equally distant from a point within called
the centre. A sphere may be generated by a semicircle revolv-
ing about its diameter as an axis.
** 12. A radius of a sphere is a straight line drawn from the
centre to any point of the surface. A diameter is a straight
line through the centre, limited by the surface. All radii and
diameters of a sphere are mutually equal.
**13. A circle whose plane passes through the centre of the
licre is called a great circle ; one whose plane does not so
pass, a small circle.
*• 14. The poles of a circle are the extremities of its axis.
"15. The polar distance of the circle of a sphere is the arc
a great circle from its nearer pole to any point in its circum-
ference.
** 16. A spherical angle is the angle between two intersecting
arcs tA great circles.
86 ELLEN OR
"17. A spherical polygon is apart of a spherical surface
bounded by three or more arcs of great circles.
*' 18. A diagonal of a spherical polygon is an arc of a great
circle joining two vertices not adjacent.
"19. If great circles are described from the vertices of a
spherical triangle as poles, they will divide the spherical sur-
face into eight triangles. One of these is the polar triangle of
the given triangle.
** 20. A lune is a part of a spherical surface bounded by two
semi-circumferences of great circles.
**2i. The spherical excess of a spherical triangle is the
excess of the sum of its angles over two right angles.
"Ellen has given the usual definition of a curved line, but a
circumference is described by a point moving so as to make a
fixed angle with the radius drawn to itself, and in this view
always moves in the same direction, though very different from
that of a straight line.
" The Yale College geometry, in begining this book, intro-
duces definitions which do not appear in Euclid, Davies, or
Loomis, and as Ellen thinks, are entirely undesirable.
"To avoid these, Ellen omits two Propositions, and re-words
a third.
WHISPERINGS OF AN OLD PINE 8/
Proposition III.
" Every section of a cone made by a plane parallel to its
base is a circle whose centre is a part of the axis.
"Because of the uniform convergence of the surface of a
cone from its base to its vertex, or uniform divergence from its
vertex to its base.
PROPosmoN IV.
* Every section of a sphere made by a plane is a circle whose centre
is the foot of the perpendicular from the centre of the sphere to that
plane.'
** Because of the uniform curvature of the surface of the
sphere. For a sphere may be supposed to be composed c;f
parallel circles contiguous to each other, the limits being from
zero to a great circle and from a great circle to zero ; and the
perpendicular to which from the centre is a radius or diameter
of the sphere.
"Six corollaries follow, all self-evident, from Ellen's ex-
planation.
'Corollary VII. — Through any three points on the surface of !*.
sphere one and only one circle can be drawn.
88 ELLEN OR
'Corollary VIII. — ^Through any two points on the surface of a
sphere, not at the extremities of a diameter, one and only one great
circle can be drawn.'
" Because three points decide the position of a plane. In the
last corollary the third point would be the centre of the sphere
Proposition V.
* All points on the circumference of a circle of a sphere are equally
distant from each of its poles.'
** Because of the uniform curvature of the surface of a
sphere; and because equal arcs are subtended by equal chords.
Proposition VL .
* If a point on the surface of a sphere is at a quadrant's distance from
two points on that surface [not at the extremities of a diameter], it is
the pole of the great circle passed through those points.*
" Because two points with the centre decide the direction of
a great circle, excepting when these points are at the ends of a
diameter; and because of the uniform curvature of a sphere.
Proposition VII.
* The angle of two arcs of great circles on a spherical surface is
* I. Equal to the plane angle of the diedral angle formed by their
planes.
' II. Measured by the arc of the great circle described with its vertex
as a pole and included between its sides, produced if necessary.*
** This is a very peculiar proposition, and the demonstration
of it a most extraordinary one, illustrating in a remarkable
hiLSrLRlNUb O
QLIf I'hNi
degree the ignorance or incompetency of the authors. For
the proof given is a definition, and the principles involved,
although special and remarkable are not at all explained,
nor indeed has Ellen seen any explanation m text-books.
Apparently indeed almost certainly the statement that they are
equal is simply quoted from previous books. It is the asser-
tion of ignorance* and absolutely untrue. They are subtended
by the same arc upon the surface of the sphere. And this is
true not because they are equal, but because they are nut
equal; for if they were equal it would be impossible for them
to be subtended by the same arc, being at very different dis-
tances Irom that arc.
«K-
"In the case of the spherical angle the subtending arc is
dways upon the surface of the sphere, either the arc of a great
circle described from the vertex of the angle as a pole, or that
of a small circle parallel to this; whilst the arc subtending the
plane angle of the diedral angle can be made with any radius,
and may or may not be upon the surface of the sphere. That
the spherical angle is measured by the arc of a great circle,
described with its vertex as a pole, is a misleading if not inac-
90 ELLEN OR
curate statement. It is subtended by this arc ; and so it is sub-
tended, or may be, by an infinite number of arcs of small circles
parallel to this great circle ; and it would be as reasonable to say
that it was measured by each and all of these last arcs as that it
was measured by the arc of the great circle. In one sense it is,
but not in the sense in which the text-books use the word.
It has nothing whatever to do with the plane angle of the
diedral angle, belonging to an entirely different order of magni-
tudes.
** Any spherical angle formed upon the surface of a sphere is
governed by its own laws, which, as a whole, are different from
those governing plane angles.
**Thus, the angle of two arcs of great circles on a sphere is
formed by the converging of these arcs together, or their
diverging from each other, and governed by the laws which
control great circles upon a sphere. It would be impossible
for these laws to be the same, as those which govern the action
of straight lines, by which plane angles are formed— -or for
their effects to be the same. This is self-evident, and -ought
to have prevented the text-book makers from making such
blundering propositions.
"Thus, the arcs of great circles always curve, and, curve
uniformly. It follows that the angle formed by them, when
their planes are perpendicular to each other, is less than
a right right angle by the amount of this curvature. For, as
r211en has shown before, the angles made by the lines crossing,
which vary from the perpendicular, are as much less than
four right angles as the lines so vary, the extremes being from
WHISPERINGS OF AN OLD I'lNE
91
four right anglt^s to zero — from an umbrella open to an umbrella
shut.
•*It ts a fact that the planes in which these great circles lie
make the same angle wherever they cross, provided each plane
is bounded by parallel lines. In the case of the great circles
ihcy are not so bounded^* but because of the fact that the angles
would be the same 11 the planes were so bounded, or rather
because the sides of each of the angles, the spherical and the
dicdral, lie in the same planes extended, they mtist at some
point cross each other, and at this point the arc of the great cir-
cle, which on one side subtends the diedral angle at the centre
will, on another side, also subtend the spherical angle, but. as
Ellen has said, at a different distance from the vertex ; and at
a quadrant*s distance, or at the point where the difference be-
tween these great circle arcs is the greatest^ the same arc uf the
sphere will subtend the spherical angle and the diedral angle
made at the centre.
** And this, so far as the spherical angle is concerned, because
of the uniform curvature of the sphere. For here again it is
jfcclf-evident that any two lines which, crossing each other,
ivcrgc evenly and then converge evenly until they cross again,
must be at the greatest distance from each other at the halt-
way station.
**As Ellen has said thrs sanic arc subtends both of these
angles because the sides of both lie in the same planes, and
from the nature of their directions at some point must cross
each otlter. It might subtend an infinity of other plane angles
with sides lying in different planes.
** Ellen then objects to the word 'measures * as misleading
94 ELLEN OR
rays over the universe ; whilst its sides having inaugurated such
a remarkable angle are satisfied to retreat upon themselves and
ever after to continue in a circle.
" The old Pine will remember that the sides of a plane angle
are supposed to extend forever in the same direction, constantly
increasing the space between their sides. Ellen can hardly
imagine how there could be two kinds of angles more distinctly
different than these.
"By the text-book definition the angle of two curves meet-
ing at a common point is the angle formed by the two tangents
drawn in their planes to the curves at that point. But in the
case of the coins the tangents are one and the same straight
line, which can form no angle. And yet the touching circum-
ferences do form an angle.*'
*'And yet/' I said, ** Ellen, the so-called spherical angles
would appear in some respects to resemble plane angles. Thus
certain general principles in regard to angles and their sides are
true of both."
"Yes," she replied, **they are governed by certain laws and
those laws in certain respects are similar to those which govern
plane angles, something very natural as all are angles.
** Thus we have the following propositions with their corol-
laries :
Proposition XIL
* If two angles of a spherical triangle are equal, the opposite sides are
equal.
PpOIH)SITION XIII.
' Any side of a spherical triangle is less than the sum of the two others.
1
■
THE KEW YORK
PUBLIC LIBRARY
i^B
«
WHISPERINGS OF AN OLD PINE
PRoPosnioN XIV^
95
*Two triangles on the same sphere are equal :
•* !• If two sides and the included angle of one are equal respectively
to two sides and the included angle of the other.
*2. If a sitie and the two adjacent angles of one are equal respec-
tively to a side and the two adjacent angles of the other.
*3. If the three sides of one are equal respectively to the three sides
of the other.
' Provided in each case that the parts given equal are arranged in the
same order in both triangles.'
"These propositions show that in respect to the relative size
of sides and angles certain laws governing spherical and plane
angles and triangles arc the same. In other respects, as Ellen
has illustrated, they are wholly dissimilar.
"Instead of the 'Proviso' Ellen would prefer to have the
proposition read * Two triangles on the same sphere arc equal
in area, etc.*
*• Ellen will now explain what arc called polar triangles. And
lo assist she will repeat definitions.
** I. The poles of a circle are the extrcnrities of its axis.
**2. If with the vertices of a spherical triangle as poles, great
circles arc described, these circles will divide the spherical sur-
face into eight triangles. One of these is the polar triangle of
the given triangle.
** Triangles so related that any vertex of either is the pole of
'the side lying opposite it in the other, are called polar tri-
angles.
♦* Ellen will quote again from the Davies" Legendre.
96 ELLEN OR
Proposition V.
' If from the vertices of the angles of a spherical triangle, as poles,
arcs be described forming a second spherical triangle, the vertices of
the angles of this second triangle are respectively poles of the sides of
he first.*
*• Because the arcs described from two vertices of the first
triangle meet at a vertex of the second. Therefore each vertex
of the second must be the pole of an arc containing two vertices
of the first. Thus :
**If from E and F (see Figure, page 97), two vertices of the
first triangle as poles, arcs of great circles are described, they
will intersect at A, a vertex of the second triangle ; therefore,
if from A as a pole an arc of a great circle is described, it will
pass through E and F two vertices of the first triangle.
PROPosmoN VI.
'Any angle in one of two polar triangles, is measured by a semi-
circumference, minus the side lying opposite to it in the other triangle.*
** Ellen will re-word this so as to make it intelligible. Any
angle in one of two polar triangles, is measured by a semi-cir-
cumference, minus the side lying opposite to its corresponding
angle in the other triangle.
**The angle at A is subtended by the arc GH all right, and
so, too, EH and GF are quadrants and hence are together
equal to a semi-circumference.
**But EG being equal to HF, EH and GF are equafto GH
and EF, the last of which is the side lying opposite to D in the
other triangle. And therefore the spherical angle A is sub-
WHISPERINGS OF AN OLD PINE
97
teiided by a semi-circumference minus the side opposite to its
corresponding angle in its polar triangle.
;^9.
•*In like manner it may be shown that any other angle in
either triangle is thus subtended.
**The propositions immediately following are of the relativity
of sides and angles of spherical triangles, which FJlen has
already referred to. Then follows,
pRoposnioN XIV,
'The sum of the angles of a spherical triangle is less than six right
ingles, and greater than two right angles/
•^Because the chords of any three arcs of great circles, how-
ever short, form a triangle that contains the sum of two right
angles* As the arcs diverge more than their chords, the tri-
angle contained by them, although the smallest possible spheri-
cal triangle, will contain a little more than two right angles.
**On the other hand, if these shortest possible arcs are con-
tinuously increased, the triangles made by them will be con-
tinuously enlarged, until they become the circumference of a
..iLii m^sm^
98 ELLEN OR
great circle, when the triangle changes to the surface of a hemi-
sphere. Just before this change the arcs at each vertex ex-
tend in nearly opposite directions thus including nearly two
right angles, or nearly six in the triangle.
'Corollary L — The sum of this three angles of a spherical triangle
is not constant like that of the angles of a plane triangle, but varies
between two right angles and six. Two angles therefore do not ser\'e
to determine the third.
'Corollary II. — A spherical triangle may have two or even three of
its angles right angles ; also two or even three of its angles obtuse.
'Corollary III. — If a triangle, ABC (See Figure, page 97), is
bi-rectangular, that is, has two right angles B and C, the vertex A is the
pole of B C, and A B and A C will be quadrants.
'For since the arcs AB and AC are perpendicular to BC, each must
pass through its pole ; hence their intersection is that pole, and A B
and A C are quadrants.
' If the angle A is also a right angle, the triangle ABC is tri-rectan-
gular ; each of its angles is a right angle, and its sides are quadrants.
Four tri-rectangular triangles make up the surface of a hemisphere.'
" Kllen has given the corollaries as worded in the book. As
we have seen, the four angles formed by two arcs of great circles
intersecting are subtended by the same arcs, but otherwise are
entirely different in their character from four right angles made
by straight lines.
'Scholium. — The [spherical] right angle is taken as the unit of
measure of spherical angles, and is denoted by i.
'The excess of the sum of the angles of a spherical triangle over two
[spherical] right angles, is called the spherical excess. If we denote
this excess by E, and the three angles by A, B, and C, we have
E=A-|-B-f-C— 2 [spherical] right angles.
WHISPERINGS OF AN OLD PINE 99
*The spherical excess of any spherical polygon is equal to the excess
of the sum of its angles over two right angles taken as many times, less
two, as the polygon has sides. If we denote the spherical excess by
E, the sum of the angles by S, and the number of sides by n, we have,
E=S— 2(n— 2) right angles :^S— 2n right angles -f-4 right angles.'
" Ellen has given the corollaries as worded in the book.
Proposition XV.
'Any lune is to the surface of the sphere, as the arc which measures
its angle is to the circumference of a great circle : or, as the angle of
the lune is to four right angles.*
''Because the surface of each hemisphere is included between
the sides of four spherical right angles, and the circumference
of the great circle subtending these angles ; a part of which cir-
cumference subtends (measures) the angle of the lune.
Proi»<3sition X\'I.
'Symmetrical triangles are eciual in area.*
"Ikcause they inclose equal space.
Proposition XVII.
'If the circumferences of two great circles [as MAPand NAQ] in-
tersect on the surface of a hemisphere, the sum of the opposite triangle
25843tt
lOO
ELLEN OR
thus formed Is equal to a lune, whose angle is equal to that formed by
the circles.*
•'Because BMN is equal to PAQ and this because of the
uniform curvature of the surface of a sphere. If equals are
subtracted from or added to equals the results will be equal.
Proposition XVIII.
'The area of a spherical triangle is equal to its spherical excess mul-
tiplied by a tri-rectangular triangle.
' Definitions. — A spherical triangle having two right angles is a
bi-rectangular triangle.
'A spherical triangle having three right angles is a tri-rectangular
triangle.
Proposition XIX.
'The area of a spherical polygon is equal to its spherical excess mul-
tiplied by a tri-rectangular triangle.*
**This is the same as to say that the area of a surface depends
upon the number of times that its unit of measure is contained
in it, it being absolutely impossible for it to depend on anything
else.
WHISPERINGS OF AN OLD PTNE
tOI
*• Ellen thinks that propositions of this character need dem-
onstrations far less than the one which states that a spherical
angle is identical with one made by straight lines, though the
schoolmen use several pages to prove the first, /* e'., that
area is in proportion to extent, but are satisfied to pt&vf the
last by a definition.
"Thus the Yale College Geometry has;
PROPOsmoN VI L
*The angle of two arcs of great circles on a spherical surface is
• I. Equal to the plane angle of the diedral angle formed by their
^bjies.
*». Measured by the arc of the great circle described with its vertex
as a pole and included between its sides, produced If necessary.
•Given AB and AB' two arcs of great circles whose planes form a
diedral angle having the diameter AD for an edge. (See Figure, page
•With A as a pole de£cribe a great circle, cutting AB and AB^, pro-
ciucedp if necessary, in C and C.
•l. To pr&pe the angle BAB' is equal to the plane angle of the die-
<lral angle BADE'.
*Draw AT and AT' tangent to the arcs AB and AB' respectively.
*Thcn, by definition, the angles BAB' and TAT are identical — §75 1/
'• SVc turn to ,^751, and read :
•Dkhkition. — The angle of two curves meeting in a common point
H the angle formed by the two tangents to the curves at that point.*
"And this is given as t\ic proaf.''
*'And why do they not discuss the proposition?** I asked.
I02 ELLEN OR
"Presumably because they know nothing about it"' she re-
plied, ** whether it is so or whether it is not.
"The Yale College Proposition referring to the proportion
existing between a spherical triangle and its spherical excess is
as follows :
Proposition XXIII.
* If the unit angle is the right angle and the unit surfece the tri-rec-
tangular triangle, the area of a spherical triangle is measured by its
spherical excess.' "
"And why is it measured by its spherical excess?** I asked.
" It may be measured by any appropriate standard of meas-
ure," she answered. " A natural measure for the surface of a
sphere is a tri-rectangular triangle. For it is easily shown that
this includes one-eighth of the surface of the sphere, and there-
fore eight of these make the surface of a sphere as much as
four pecks make a bushel.
"And if the old Pine considers he will see, a bi-rectangular
triangle, in order to exist, must have more than two right angles.
The definition, then, is intended to mean that a spherical tri-
angle having two separate right angles is called a bi-rectangular
triangle. As Ellen says, it cannot have these and no more ; to
have these it must have another angle. For it takes three
angles to make a triangle, spherical or otherwise; and, too, the
sides opposite the right angles are equal and are quadrants.
"Well, the old Pine will see that when the two right angles
start, another angle (MAN) starts, and with it — not before —
the occupancy of space upon the surface of the sphere by this
spherical triangle. As the angle MAN increases, this space in-
creases, until the bi-rectangular' triangle becomes a tri-rectangu-
WHISPERINGS OF AN OLD PINE
103
lai triangle, tliat is, a spherical triangle ha\ang three separate
right angles, and occupying one-eighth of the surface of a sphere,
"The old Pine will now see why the measuring process by
the tri-rectangular triangle does not begin except with what is
called the spherical excess. Ellen doesn't think that any of the
modem text book makers ever had any conception in regard
to it- And he will sec, too, that beginning with the smallest
possible third angle this third angle increases gradually, or
may increase gradually, until it equals every possible third angle
between the smallest possible angle, and a right angle, inclusive,
**As this excess is multiplied by the tri-rectangular triangle
representing unity, we shall get all possible dimensions of a
spherical triangle from the smallest to half the surface of the
sphere. And therefore if the sum of the three angles of a
spherical triangle equals three right angles, its surface will be
equal to the tri*rectangular triangle; if the sum is equal to
lour right angles the surface of the triangle will be equal to
two tri-rectangular triangles. If the sum is equal to five right
angles, the surface will be equal to three tri-rectangular tri-
angles. Or, if the sum is equal to two and one-third right
angles, or two and one-thousandth, or any other sum, the sur*
[ace will be equal to one third, or one one-thousandth, or any
other fraction of a tri-rectangular triangle."
'•But why isn't all this explained in the books?** I asked,
•* Presumably because those who made them didn't know
enough to explain it. Ignorance of some kind is always the
cause of stupidity* It may be here the ignorance of a fact, or
of the importance of explaining a fact, or how to explain the
fact» or all/'
I04 ELLEN OR
"Well," I said, "Ellen has made it pretty clear, why, if the
excess of the sum of the angles of a spherical triangle over two
right angles is called its spherical excess, the area of a spherical
triangle is measured by thiS /xcess. But the old Pine has
noticed that the books in the discussion of this subject give the
following proportion :
" If the area of the tri-rectangular triangle be represented by
T, the surface of the sphere will be represented by 8T. Also
if we take the right angle for unity and represent the angle of
the lune by A, we shall have the proportion, AREA OF THE
LUNE : 8T:: A : 4. Hence, the area of the lune is equal to
8 AxT - _,
, or 2 AxT.
4
"This proportion is very evident, but why does it follow that
8 A X T
the area of the lune is equal to . That is, why in such
4
proportion, or in any proportion, is the product of the extremes
equal to that of the means?"
" Because the four magnitudes are proportionals," she replied.
"That is, the first is contained the same number of times in the
•second that the third is in the fourth. This being so, if we
multiply the first by the fourth, that is, take the number of
times that the fourth will contain the first, for in all such cases
multiplication is addition, the product must equal that of the
second by the third. For as many times as the second is
larger than the first, the third is smaller than the fourth. Thus,
if we have 2 : 41:6 : 12, we shall have 2X 12=4x6. That is,
taking 2 twelve times is most evidently the same as taking 4,
which contains 2, twice, 6 or half as many as 12 times.
THl FEW 7CFK
PUBLIC LIBRA Rv
WHISPERINGS OF AN OLD PINE
lOS
\7IL
BOOK IX.
5UREMENT OF CYI-INDER, CONE AND SPHERE.
** Ellen will return to the Yale College geometry.
Proposition L
* If the number of lateral faces of a prism inscribed in or circum-
iibcd about a cylinder be indefinitely increased so that each one
becomes indefinitely small, then
* I , Any right section of the prism approaches a right section of the
cylinder as a limit
' IL The lateral area of the prism approaches the lateral area of the
cylinder as a limit.
*in. The volume of the prism approaches the volume of the cylinder
; a limit/
* Three hundred and thirty-eight words are used directly,
and one thou?»and, more or less, in other pruposittons referred
to, to demonstrate this proposition, which is as phin as to say
that if a part of anything is taken away, the remainder will be
smaller than the original thing. It is noticeable, too, that the
authors, having struck something which they understand, enter
into iU discussion with great zest
I06 ELLEN OR -
Proposition II.
'The convex surface of a cylinder is equal to the circumference of its
base multiplied by its altitude.' — Davies,
"That the convex surface of a cylinder is equal to the
product of its circumference and altitude, may be easily and
accurately proven. For the surface of a sheet of writing paper
is equal to the product of its length and width. But any sheet
of writing paper may make the convex surface of a cylindei, in
whi^h the length of the paper becomes the circumference and
the width the altitude of the cylinder. And therefore the lat-
eral area or convex surface of any cylinder will be equal to the
product of its circumference and altitude.
"The line of proof offered in modern geometries is to inscribe
in a cylinder a prism whose lateral area is equal to its perimeter
multiplied by its lateral edge ; then increasing indefinitely the
lateral faces of the prism, and assuming that it finally equals
the cylinder, or as expressed that it approaches the cylinder as
a limit — which is true — and that therefore the lateral area of the
cylinder equals the product of the perimeter of a right section
and a lateral edge, which, whether true or not, is not true for
the reason given, but instead, so far as our knowledge extends,
is untrue. Ellen would feel very badly if the old Pine should
ever make such statements. Because she can sec but little
difference between saying a thing is so that we know is not, or
saying that a thing is so when we know nothing about it.
Proposition IT I.
'The volume of a cylinder is equal to the product of its base and
altitude.'
WHISrERINGS OF AN OLD I'lNE
107
lusc this represents the product of the three dimensions.
And it is also true that the volume of a cylinder is equal to the
mean or average convex surface multiplied b)- its radius, or its
convex surface multiplied by half its radius.**
'*And what does Elten mean by its mean nv average convex
surface?* I asked.
** A cylinder," she replied, "maybe supposed to consist of
a scries of contiguous surfaces having the same altitude and
thickness as the convex surface, but each shorter proportionally
to Its distance from the axis, the length of the first being the
circumference of the cylinder, and the distance from the axis
tbQ radius of this circumference. Because of this proporliun
the surface half way between the convex surface and the axis
will be the average surface; and therefore this surface multi-
plied by the radius* or the first convex surface multiplied by
half the radius, will equal the volume of the c}^linder.
** Proposition IV\ is simitar to Proposition I,
Prok»situ)N v.
*The lateral area of a cone is equal to one-half the pro<lu€t of the
cifcmnfcrence of its base and its slant height/
•* Because of the uniform convergence of the surface of a cone
from the base to the apex, or divergence from the apex to the
base.
Prop* Ksn ION VL
*The lateral area of the frustum of a cone is equal to one-half the
l%nR of the circumferences of its bases by its slam height/
'• Because half the sum of the circumferences of its bases rep-
resents the average circumference.
io8
ELLEN OR
Proposition VIL
'The volume of a cone is equal to one- third the producut of its base
by its altitude ;
'The volume of a cone is equal to its base multiplied by one-third its
altitude.' — Davids,
** Ellen would say : * The volume of a cone is equal to the area
of its average circumference by its altitude.'
"Ellen will quote at once the remaining five propositions of
this, the last book of the Yale College geometry, as all relate to
the surfaces and volumes of cones and spheres, and therefore
may be considered together.
Proposition VIH.
'The area of the surface generated by a straight line revolving about
an axis in its plane (not crossing the straight line) is equal to the
product of the projection of the line on the axis and the circumference
of the circle whose radius is the perpendicular to the line drawn at its
middle point and terminated in the axis.*
"If used at all Ellen would suggest the re-wording of this
proposition as follows: The curved surface generated by a
bi-rectangular trapezoid, revolving about the f ^'de perpendicular
WHISPERINGS OF AN OLD PINE
109
to the parallel sides, is equal to the product of the side used as
an axis, by the circumference whose radius is a perpendicular to
the oblique side» and drawn from the middle point of this side
Jo the axis.
Proposition IX.
♦The area of a zone is equal to the product of its altitude and the
cifcumference of a great circle.
Proposition X.
•The volume generated by a triangle revolving about an axis, in its
f^lane^ and passing llirough its vertex without crossing its surface, is
equal to the provluct of one- third the altitude and the area generated
by the base.*
"The English of this is execrable, of the kind that is alto-
gether too frequent in our text-books. As Ellen has before
said, it is to want of thoroughness, in those who undertake
to teach that the difficulties of mathematics are largely dut,
the remainder being to errors in principles, and w^ant of more
direct methods in instruction. For there is no reason why
mathematics, the w^hole of them, shouldn't be as plain and as
easily learned as geography or spelling, excepting the inaccu-
rate and entirely unnecessarily stupid way in which they are
taught.
"Ellen will re-write the proposition to make it more under-
standable :
"The irolume generated by a triangle revolving about an axis
tn its planCp which axis passes through a vertex of the triangle
i-ithoul crossing its surface, is equal, etc.
no
ELLEN OR
" In this geometry the determination of the surface of a zone
or sphere, and the volume of a sphere or its segment, is made
to depend upon these propositions ; but Ellen will investigate
questions concerning a sphere upon entirely independent lines.
PROPOsrrroN XL
* The volume of a spherical sector is equal to the product of the area
of the zone which forms its base and one-third the radius of the sphere.
**This is the last proposition of the book.
"It is evident that the convex surface of a cone is composed
of a series of circumferences or edges of circles, solid circles,
Ellen doesn't care how thin you make them, whose limits are
the circle forming the base and that forming the apex. Be
cause of the uniform convergence of the cone from the base
to the apex, the circumference at the centre is a mean circum-
ference ; and therefore, and for no other possible reason, the
convex surface of the cone is equal to this multiplied by the
slant height, or, what would be equivalent, and for same rea-
son, the circumference of its base by one-half its slant height."
**But why," I asked, "is the volume of a cone one-third of
that of a cyHnder of equal base?"
WfflSPERINGS OF AN niD I'lNE
I 1 [
**Tliat is very evident," she replsed. Take a plane surface
that of a cone divided longitudinally through its centre. The
figure would be a triangle. Because of the uniform diver-
gence of its sides A B and A C» the line of average length
connecting them will be parallel to BC, and half way between
A and BC. Let DE represent this line. Then the area of
ABC will beUExAF. For AF represents the number i>r
lines, AS DE, between A and BC inclusive. Because of the
uniform divergence of A B and Ad as we have seen, there will
be the same number of lines between A and DE as between
OE and BC, and in succession these will be exactly as much
shorter on one side as they are longer on the other ; and there-
fore DE will be their average length. And hence, and for no
other reason, the area of this triangle will be DEx;\I\ iti
average base or length, by its altitude."
**But,*' I said, **the statement in geometries is tliat tlie area
is* BC multiplied by half AF/'
"Yes/* she said, "because that represents the same amount,
and for the same reason.
" But whiUt these amounts are the same, as Ellen has said
before, statements in mathematics ought not to be made differ-
ent from the order in which they occur. From doing this has
perhaps come the inconceivably absurd suggestion that things
ha%'C no beginnings or endings. For we may suppose of just
«och h'nes as DEof whatever size that be taken, different in
length, but parallel and otherwise the same, is the surface or are.i
oi any triangle ABC composed ; and of similar lines we may sup-
pose c%'er>* other plane figure to be composed Surely the old
Pine didn't suppose that everything was created simr'^aneotisl)
I 12 ELLEN OR
in all its parts; thus, that a house, — cellar, chimneys, studs,
joice, rafters, boarding, roofing, lath, stairs, doors, windows.
blinds, and the finishing — all went together at the same instant.
And if a house, so everything else from an orange to a sphere.
That is, that there are no such things as beginnings and end-
ings, or, as modern geometricians assert, no such things as
points, lines and superficies?"
'* Oh no, not at all," I said. ''The old Pine knows that every-
thing, so far as he has ever observed, is made on ver}' different
principles; consists of certain parts supplied in order, which
order, perhaps, admits of some variety, but not very much, cer-
tainly not except with much extra effort. He never was at all
disturbed by the folly of those who seemed to assume other-
wise ; — that was their matter, and not his."
'* No, indeed," she continued ; ** there was never a thing made
all at once. The universal law is that all construction, from the
least to the greatest, is a process of time, — a thing of growth.
And therefore again, points, lines, and superficies are both a
fact and a necessity.
'* Ellen thinks now the old Pine can see why, when we have
to do with two dimensions, we take the length at one-half the
height. For all the material in the other half will make the
half taken of uniform length.
*• But when we have three dimensions, thickness as well as
length and height, we cannot do this, for now we have two
dimensions to make uniform from the remaining material.
*'And in a cone, because of the uniform character of its
curved surface, instead of the upper half to make the other
half a parallelogram, as in a triangle, it will require the two
upper thirds to make the lower third a cylinder; an equal
amoant being used for each dimcosion. And therefore the
volume of a cone is equal to one-third that of a cylinder with
the ^mc base and altitude.
"The difference of ratio between things of two dimensions
and those having three may be illustrated in circles and sphcrer
Thus a circle surrounding any point as a center constantly
ificfeases with the length of its radius^ the proportion of increase
being not as the radii but as their squares. If a radius of 2 is
iacreasccl to 4 the proportion of the circles will be as 4 to 16.
That is the larger circle is four times as large as the first* and
not twice as is its radius. This is the law of circles; that is, it
is the taw of similar surfaces; but when volume is considered,
am in spheres, the proportion is as the cubes of the radfi. Thus,
if one sphere has a radius of 2, and another a radius of 4, the
proportion of surface will be as 4 to 16 ; but uf volume as 8 to
64; that is, the second sphere will have 8 times the volume of
the first, although but 4 times the surface."
*• And why is this?** I asked.
"Because of the nature of space; nor can Ellen see how it
atxild be different.
"The surfaces then of circles are as the squares of their
ladii. And so similar surfaces are as the squares, and similar
volumes as the cubes of Ihetr homologous dimensions.
** There might be an infinite number of cylinders with differ-
ent bases and different heights, the volume of each of which
would be equal to the volume of this cone, or whose volume
the volume of the cone would equaL Thus, as we have seen,
the volume of the cone is equivalent to that of a cylinder upon
114 ELLEN OR
the same base, and one third the height of the cone. It is also
equivalent to that of a cylinder two thirds the height of the
cone, and whose base is half that of the cone. And it is equiv-
alent to that of a cylinder of same height, and with base one
third that of the cone.
** Of the old methods of proof, that the volume of a cone is
one third that of a cylinder with same base and altitude, Ellen
much prefers the demonstration given by Euclid, an unusually
brilliant one, if things are to be proven indirectly, as follows :
Proposftion XVIII. (Playfair's Euclid, Book III., Supplement.)
^ If a cone and cylinder have the same base and the same altitude^
the cone is the third part of the cylinder,
'Let the cone A BCD, and the cylinder BFKG have the same base,
viz., the circle BCD, and the same altitude, viz., the perpendicular
from fhe point A upon the plane BCD, the cone A B C D is the third
part of the cylinder BFKG. (See figure, page io8).
*If not, let the cone ABCD be the third part of another cylinder
LMNO, having the same altitude with the cylinder BFKG, but let
the bases BCD and LIM be unequal; and first, let BCD be greater
than LIM.
'Then, because the circle BCD is greater than the circle LIM, a
polygon may be inscribed in BCD, that shall differ from it less than
LIM does (4,1., Supplement), and which, therefore, will be greater
than LIxM. Let this be the polygon BECFD; and upon BECFD
let there be constituted the pyramid A BECFD, and the prism
BCFKIIG.
'Because the polygon BECFD is greater than the circle LIM, the
prism B C F K H G is greater than the cylinder LMNO, for they have
the same altitude, but the prism has the greater base. But the p)rramid
WHISPEKINC.S OK AN uLU MNE
IIS
ABECFD is the ihird part of the prism (15, 3, Supplement) BCFK
HG, therefore it is greater than the third part of the cylinder LM N O.
Now, the cone ABEC FD is, by hypothesis, the third part of the cyl-
io< lex LM NO, therefore the pyramid ABECFDis greater than the
cone A BCD, and it is also less, because it is inscribed in the cone,
which is impossible. Therefore, the cone A B C D is not less than the
ihiril part of the cylinder BFKG : And in the same manner, by cir-
S
'1,1
Ko
^F
]M
k •idHMCribtng a polygon about the circle BCD, it may be shov^ii that the
cone A BCD is not greater than the third part of the cylinder BFKG;
fberefore, it is equal to the third part of that cylinder.*
**Il was a great master that conceived this demonstration of
the volume of a cone. And yet, as Ellen has shown, this may be
demonstrated directly and by simpler principles.
'* We have seen by the experiment with the sheet of paper that
the convex surface of a cylinder equals its circumference by its
altttiidc. And this because this convex surface represents two
dimensions, the length and width, of a rectilinear plane sur-
face. And so any spherical surface is equivalent to the sur-
1 1 6 ELLEN OR
face of some rectilinear plane figure. And so, too, the volume
of every figure is equivalent to that of some rectilinear figure.
And as it is impossible to conceive of matter, — of a single
particle of matter, — which does not consist of the three dimen-
sions, so it is impossible to conceive of any figure which does
not so consist. It is possible to conceive of one of the dimen-
sions of a figure so reduced, in proportion to the others, that
it might be ignored. It is in such cases as these that we speak
of a thing as having one or two dimensions, but accurately
stated the three dimensions arc as one, neither of them being
possible except when united with the other two. That's awfully
funny, too."
"Why, yes," I said, "that's a fundamental principle, cer-
tainly."
**We consider a superficies," she continued, *'and speak of it
as having but two dimensions, though in reality it has three,
just as much as the greatest tower that was ever built. And so
it is with a line or with a point."
'* But", I said, ** Ellen admits that these conditions shade into
the infinite."
*'Ycs," she answered, "from the standpoint that we occupy,
or with the facilities that we have to analyze matter, the particles,
or parts of it, which we use, may become indistinguishable,
and undcfinable."
" What, then, is a point," I asked, " or a line, or superficies?"
"They admit of very great differences," she replied, "but, as
ICUen has said before, a point is any small amount of matter,
according to the measure of our vision. Change the vision
and the point becomes a globe. The same is true of a line or
WHISPERINGS OF AN OLD PINE II /
of a superficies, only a line and superficies would be of a differ-
ent shape from the globe.
"Ellen doesn't know when this division of matter stops. It is
a will-o'-the-wisp that she doesn't propose to spend her time in
chasing ; certainly not at present, when there are so many other
things of more immediate importance to be considered.
"But this is most evident, that points, lines, and super-
ficies are each a basis of measurement adapted to our
vision. They represent the beginnings and the end of every
conceivable figure. They are, too, the usual standards of
measure, which, whether knowingly or not, we always use.
Thus a plane surface consists of matter arranged in more
or less of length and width, but little thickness. That is, it
consists of a superficies, which, as Ellen has observed before,
may be composed of lines, and they of points. This is
the base, and the volume of a cylinder or any rectangular
figure constructed upon it will be the number of times
that this standard of measure, call it what you will — point,
line, base, superficies, or any other possible name, — is con-
tained in the structure, and as with our ability of perception
it would be impossible for us to give this in numbers — ^just as
it would be impossible for us to tell the number of drops in an
ocean, — ^wedoit approximately by measurement, and therefore,
and for no other reason, no other possible reason, we say that
the volume of a cylinder is its base mutiplicd by its altitude ; or
the volume of a sphere the surface multiplied by a third of the
radius.
"In all cases, then, surfaces consist of the product of two
dimensions, and volume of the product of three ; so that the
Il8 ELLEN OR
only question is the dimensions to be used. If a surface or
solid is rectangular its length and breadth, or length, breadth»
and thickness, are the factors to be used ; if of irregular shape
some proportional of these must be taken, but always, and
always in one of these two ways, the surface of anything con-
sists of the product of two of these factors, and the volume of
the three.
"The old Pine never would have thought to fix things up
this way, would he? Ellen thinks that he would never have
got beyond straight lines, but this creation that we have abounds
in curves, and the curved line is the line of beauty.
"The surface, then, or the volume of any rectangular solid is
very easily determined ; or of any solid not rectangular if we
can discover, or as we discover, the relationship which the fig-
ure bears to a rectangle.
** Ellen will now consider the area and volume of a sphere.
5he will start with the figure of a silver dollar.
H
o
B
"Omitting its edges twice the plane surface ABCD will en-
close the dollar.
" Ellen will call attention also to the fact that twice the plane
surface ABCD will enclose the ends of any cylinder, however
long it may be, having the same circumference as the dollar.
WHfS!*ERfNas Of AN OLD m
! 19
And equally in the ^ame directions twice this same surface must
enclose, and therefore be equivalent to the half surface of any
sphere whose circumference is equal to that of the dollar.
"But Ellen thinks the old Pine can see that, if this cylinder is
changed into a sphere having equal circumference, two sur-
faces would cover it in two directions, which we will call east
and west^ and two more equal surfaces in the other two direc-
tions, which we will call north and south. And therefore the
surface of a sphere is equal to that of four ^reat circles of the
sphere."
"The old Pine isn*t quite certain that he understands this/* I
Wild/'
•♦Tlien Ellen will explain it more fully;'* she replied* **by
changing this figure into a sphere ; that is she will make a sphere
having the same circumference, and enclose it in a cylinder.
** It looks awfully pretty. Well, Ellen can see, and the old
Pine will see, that it must take more to cover the sphere than
it did the dollar. Ellen can see, and the old Pine will scei
that it must take just as much to cover this sphere east and
west, or in the direction AC, as it did the dollar, and no more, for
I20 ELLEN OR
this distance is neither increased or lessened. But the figure
has increased. It extends now north and south just as much
as it did east and west; and therefore it will take just as much
to cover it in those directions as it did to cover the dollar, just
as much and no more. And this because of the absolute equal-
ity of its different hemispheies.
"In such a sphere, or such a circle, or in any figure, the
amount of surface in any one direction, north, south, east, west
depends upon the dimensions of the figure in that direction.
Nor will it make any difference in amount where this surface
comes; that is, whether all in a plane surface, or distributed in
different planes. This is true of square surfaces as well aa
spherical surfaces. It is true of all surfaces.
**Thus, take a brick wall 8 feet long, 6 feet high, and 4 inches
thick, built north and south. It will have two surfaces
east and west, though these will both be a part of the same
b»'icks and their extent will be 6 X 8=48 feet each. If the brick
are 2 by 4 by 8 inches, the surface of this wall north and
south will be 4 inches the width of the brick, multiplied by
6 feet, the heij^ht of the wall, multiplied by 2=576 square
inches, or 4 square feet.
"Ellen will widen this wall by making it two bricks thick.
There remains the same surface east and west as before, but
that north and south is doubled. And so indefinitely, if she
extends the width of the wall, or as she extends its width, the
original surfaces east and west will remain the same, whilst
those north and south will be constantly increased.
** Suppose, now, Ellen increases the thickness of a part of the
wall, beginning at the distance of a brick from each end, the
WHISPERINGS tu AN oLI* ViS\L
sSmce of the wall east and west will remain the same, though
extended irregularly, that is, no longer a plain surface; but
llic other surfaces north and south will be again increased by
the width of a brick, although extended irregularly, that is.
although they, too, are no longer plain surfaces. And if we
continue the structure in this manner^ dropping two bricks in
Tfi^h at each additional layer unt"! we reach ibc limit of one
'l>rick, the same principles will hold trite. There will still be
just as "much and no more surface east and west, whilst that
north and south has been constantly increased,
•*In other words the aggregate surfaces parallel to any given
surface, and representing all the parts of that surface, are equal
to it, no more, no less; no matter what their number may be,
or at what distance they may be placed from the given surface.
**Thus, the bases of a cylinder will be the same whether the
length of it 13 increased or shortened.
•* Every sphere may be divided into eastern and western or
northern and southern hemispheres, but no sphere can exist
without extending in four directions, north, south, cast and
west. The covering or surface east and west, as we have seen,
will require two great circles, and so, too, with its extension
north and south; and this is all. And, as Ellen has said, it
makes no difference whether these coverings north and south
or cast and west are made at on.'^e in plane surfaces, as in a great
circle, or distributed over the distance of two radii, when such
great circle is changed to a sphere. In this last the old Pine
will see that it will require four great circles to effect the cover-
ing; two for that part of the sphere which extends east and
west, and two for that part which extends north and south.
122 KLLEN OR
"The old Pine cannot help but see that these principles muse
hold equally true with curved figures or surfaces, the only dif-
ference being in the frequency of the changes of the plane sur-
faces of the wall.
**And he will see, too, that in a sphere we will come to our
limits in both directions, when there will be precisely as much
surface north and south as east and west, that is in both hemi-
spheres, the last of which has been created by extending two
plane surfaces, but the first of which has been neither increased or
diminished a particle, although differently placed. That is, it is
no longer a plane surface, but distributed over a spherical one.
*'Thus in the plane figure A BCD, [page 1 19] in which is in-
scribed the great circle of a sphere, should the sides of the square
which enclose the circle be continually doubled, they would
approach nearer and nearer to the circumference of the sphere,
and finally to our apprehensions equal it, or become merged
in it.
*'The combination of the two makes the apparently curved
lines, and that's all there is in the surface of a sphere. And
therefore they make or equal the surface.
** And therefore the surface of a sphere equals that of four
great circles.
"The demonstration is complete, first, that the material in the
surfaces of four great circles, if distributed over innumerable
parallel planes, is sufficient to cover the surface of a sphere of
which they are the circles ; and second, that they do do it."
"Then," I said, "Ellen admits that the constant division of
a straight line will produce a curved line."
"She admits nothing of the kind," she answered. "The
nilSPEklM.s ul- AN OLD PINE
, she will admit is that it practically operates in that manner.
As Ellen has said before, what she especially objects to in this
method of demonstration is the stupid, blundering manner in
which the proposition is stated i first, that such a limit 'S some-
thing which can always be approached, but ne/er reached ; and
second, that by constant division the approaching straight line
finally becomes identical with the limit Certainly if it does, it
is not true that the limit can never be reached. The principle
for all practical purposes, or at least for all ordinary, practical
purposes, Ellen accepts; but it doesn't at all follow that a differ-
<mce doesn't exist because we cannot perceiv^e it. And so,
^galn. such imperceptible difference to us, in its own order of
differences, might be of infinite moment. Thus, a crack almost
or quite imperceptible to us, might be, to certain animals, a
ravine impossible to be crossed ; for the microscope demon-
strates that such orders of animals exist, Ellen recognizes the
infinite in every direction. She recognizes that there ma}' be,
and indeed thinks must be, innumerable vistas of existence, and
therefore of knowledge, of which we have no perception what-
ever,**
"But. how would Ellen explain this apparent forming of
cttrved lines or spherical surfaces by the constant division of
straight lines?"
** She thinks that the whole operation is delusive. That is,
that it*s a mere effect of vision. No such combination is made;
but by the limitation of vision — in the limitation of vision —
such appearances take place."
**Thcn Ellen thinks that the limits of the straight lines are
Mtreached?'*
124 ELLEN OR
•** Ellen thinks that they have no limits. Thus we suppose
blood, all of blood, to be red ; but when the limits of our vision
are extended by a microscope we see that only a minimum part
of the blood is red, — small particles, whilst the greater part of it
is colorless. But Ellen thinks that the straight lines thus com-
bined include the necessary material to cover the surface of the
sphere.
"And therefore the surface of a sphere is equal to that of
four of its great circles.
" And as the surface of a circle is equal to its mean circum-
ference by its radius, the surface of the sphere will be equal to
four times this, which would be the mean circumference by two
diameters; or, as usually stated in geometries — ^because the
mean circumference is at half the radius, and for no other rea-
on, no other possible reason, — the circumference by the
diameter.
**A11 that Ellen lacks now, in the consideration of these
spherical figures, is the direct principle for obtaining the vol-
ume of a sphere, and this she thinks the hobble bush will find
out, for he is awfully pretty and gave Ellen once a beautiful
leaf to eat her strawberries on."
"The hobble bush is a very sprawling and disagreeable kind
of a bush," I said.
** He never gave the old Pine a leaf to eat his strawberries
on," she answered. " Ellen thinks he is lovely, has the most
beautiful, oval leaves and the prettiest of red berries. The old
Pine is jealous of him."
•*The old Pine doesn't like him at all," I answered; and if
he doesn't mind his business he will throw him over the moun-
WHISPERINGS OF AN OLD PINE
125
tain down in the valley with the sheep and the cows, who will
eat him up/*
'*Thc old Pine will have quite a job/* she replied^ **for Ellen
knows more than ten thousand hobble bushes on these moun-
tains. They are in all the woods, in every shaded dell, and all
the sunshine they get is that which falls down among them
from between the trees.
••And Ellen thinks ever>'thing of them, because with their
white flowers, big sober leaves, shy mannersi and pretty berries,
they ornament the woods from the earliest spring to the latest
autumn.
•• But if the old Pine is so jealous, Ellen will find out for her-
self about the sphere,
"The volume of a sphere consists of the surface multiplied
by the number of times it is taken, this number of times being
expressed in terms of the radius,
"In the great circle of a sphere, which is composed of two
dimensions and which may be supposed to be formed of con-
tiguous circumferences from the outside to the centre each
uniformly shorter than the preceding, the surface is equal to
the average circumference by the radius, or the outside circum-
ference by half the radius. For, at the middle point, the
interior half will supplement the exterior half of the circum-
ferences, so as to make them all of equal length, when their
thickness or altitude can be measured by the radius.
•*But in the sphere we will have three dimensions. And it
requires as much to extend the sphere north and south as east
and wesL And therefore instead of half and half as in a circle
or in a cylinder, which, similarly to a circle, may be considered
125 ELLEN OR
to be composed of a series of convex surfaces each shorter than
the preceding, as Ellen has before illustrated, we will want two-
thirds to complete one-third, one-third for each dimension as in
the cone ; and therefore the volume of a sphere will equal its
surface by one-third its radius.
*' That is to say, it will take its surface the thickness of one-
third the radius to make the volume of the sphere."
"But cannot Ellen demonstrate this in any other way?" I asked
**She thinks she can," she answered.
**The surface is equal to that of four great circles of the
sphere. Ellen will take one great circle and place it upon the
ground. But the next surface to the first, or second surface, —
for we can suppose the sphere, every sphere, to be composed of
a series of surfaces enclosed within each other, — will also equal
four great circles of the sphere of which it is the surface, whose
diameter, and therefore whose surface and volume, is just the
least little tiny bit smaller than the previous, or first surface.
Ellen will take this great circle and lay it very carefully upon
the first one. And then she will take the third surface, which
will be the surface of the third sphere just the least tiny little
bit smaller than the surface of the second sphere and which
surface will also be equal to four of its great circles, and she
will place one of these circles just the least little tiny bit smaller
than the second, which was just such another little tiny bit
smaller than the first, upon the second. And Ellen will keep
awfully busy and continue to gather the circles together of each
succeeding sphere, every one of them just the least little bit
smaller than the one preceding until she comes to the last one
which will represent zero, or be dreadfully near it.
WHISPERINGS OF AN OLD PINE
127
"And the old Pine will see that she will have a cone. ABC
t>E, — a prett>'' flat kind of a cone with a right angle at A, but
^il the more substantial, it would be almost impossible to blow
it over, — whose volume represents one-fourth of the volume of
the sphere, a great circle of which is the base of the cone, and
its radius the altitude of the cone.
5f-r --\- 1^
•*But the volume of a cone, as w^e have seen, is its base by
one^third its altitude. And therefore, the v^olume of a sphere
IS its surface multiplied by one-third of its radius."
•* And where will what Ellen calls the average surface come?'*
I asked. **VVill that be at one-third the radius?"
'* No it will not»" she answered, "for in the double division of
material this material is too much mixed up. Where there are
but two dimensionsi it is plainly evident where such average is
situated. But where another dimension is added, this is not
thus self-evident; but it can be found by computation.
'•Construct the pyramid O — A BCD; and, from its apex, draw
OH perpendicular to the base. Also at one-third the distance
OH from the apex make a new base abed parallel to A BCD.
** Because of the uniform divergence of the sides of each angle
ttO wc will have O a : OA ;: Ob : OB ::Oc : OC : Od :
OD::ab : AB::bc : BC::cd : CD::da: DA: Oh: OH
::ah; AH::bh : BH::ch : CH::hd ; HD.
128 ELLEN OR
" But if certain distances as 2 and 4 are proportionals with
other distances as 3 and 6 their squares will be proportionals."
" And why is that," I asked.
** Because in such case each proportion is made proportion-
ally larger.
"And therefore AB^ : ab^ :: 0H2 : Oh^. That is, the area
of the base AB CD : area of base abcdirOH^ : Oh^.
"Suppose the base of a pyramid OABCD to be 3x6=
18 feet. The apex will be zero. And because of the uniform
divergence of a pyramid from the apex to the base, at one-
third from the apex the dimensions will be 1X2=2 feet, and
at two-thirds from the vertex, or one-third from the base,
2X4=8 feet. At half the distance from the apex it will be
i^X3=4j feet. But the average base will be 6 feet, and
therefore lies between one-third and one half from the base to
the apex.
" In the case of the pyramid, the base is to the average base
as the square of the altitude of the pyramid is to the square of
WHISPERINGS OF AS OLD PINE
129
the distance of the average base from the apex of the pyramid*
And as the average base by hypothesis is one-third the base, the
proportion of the square of the altitude and the square of the
distance from the average base to the apex must be one-third.
**Thus: If the base of the pyramid O— A BCD is 3 by 6
and the altitude 12, we will have the base 18 is to 6, the average
base, as 144, the square of the altitude of the pyramid, is to the
square of the ahitudc of the pyramid, O— a bed. Or 18 : 6 ::
144 : to tlie square of the altitude sought. This is a simple
example in the rule of three, and the answer is 48, the square
root ol which is 6.9282 +; and hence, the average base will
be 6*9282 +feet from the apex.
•• In the same way will we get the proportions of the surfaces
of spheres, their altitudes being expressed by the radius. Thus,
the surface is to the average surface, as the square of the
radius to the square of the distance from the average surface to
the centre of the sphere.
** But as by hypothesis the surface of the given sphere is three
times the average surface, the square of the radius must be three
times the square of the radius of the sphere having the average
surface.
*' Ellen thus hastily has outlined to the old Pine a new geom-
etry* If put into a text-book it will want to be more thoroughly
illustrated, and in places somewhat more fully explained, but
this is easily done, and then the science will be taught in at
least one-third the space or time — and Ellen thinks in much
less than that — and far more intelligently.
**For EUen*s geometry is based on principles and not on
specifications. Thus taught, the w^hole nature of construction
I30 ELLEN OR
becomes familiar to both scholar and teacher, and a great
advance will be made in knowledge. Nor is it possible to make
this in any other way."
She arose, as if to go.
The sun still reigned supreme in the heavens. . "Surely/* I
said, ** Ellen will not return in the heat of the day."
**Thcn," she said, *'she will take a good sleep, and the old
Pine must watch over her and call her when it is time for her
to start."
She threw herself again under my branches and soon was
quietly sleeping. When she awoke the day had passed through
its changing cycles as the years do, and as the centuries, carry-
ing us, too, in their onward course.
** Didn't the old Pine think it was time for Ellen to go home? "
she asked.
"The old Pine was just going to wake Ellen," I said
"although the sun is yet over an hour high, and he knows that
Ellen can reach the meadow in half that time."
" But Ellen didn't want to hurry to-day," she answered
"She has done quite a little bit of thinking to teach the old
Pine a sound geometry, and wants rest."
"The old Pine thought of that," I said, "and whilst Ellen has
been so sweetly sleeping he has recognized full well that she
both needed and had earned the rest. For accomplishment is
always preceded by effort, and this is equally true morally and
intellectually, as physically. Repose follows as naturally as
night follows day."
"Yes," she said, "and this is another most wonderful illus-
tration of the intimate connection, which seems to amount to
WHtSI^ERlNGS OF AN OLD TINE
I si
lenttcy, between the physical, intellectual, and moral. For
repObc is of a similar character whether from physical, or moral,
or intellectual action; but this is very easily explained, as Ellen
thinks, for whatever the action nia\' have been, whether ph}'S-
fcal or intellectual, it is the spirit which has performed it ; and
it is the spiritual — the soul — which experiences the rest.
" But Ellen now must bid all her friends upon the mountain
good-bye. For, as she has said, she does not want lo hurry,
but walking leisurely reach her home before the last rays of the
setting sun disappear."
Something over an hour after, Ellen, and the beautiful
shadows of the night, which apparently had flocked to her in
the woods, emerged together upon the meadow, and continued
together lo the cottage upon the hilL
•* It*s a weird company that she's gathered to her now," I
said, •* nor can she well get rid of them until the morning
light* But when the morning breaks, Ellen will arise with fresh
strength to seek other triumphs; to renew the pleasures ^vhich
come from achievement, and the joys which follow duties
accomplished*
'On every height there is reijose,***
132 ELLEN OR THE
IX.
IT was in the late autumn; the leaves were largely fallen from
* the trees and the sighing winds wandered over hill and
meadow, whistling amidst the dried grasses, and creeping into
ever>' dell and along each brookside. Upon the mountains the
gray of winter began to appear, whilst still more demonstrative
in the higher heavens vast armies of clouds were gathered :
" In ranks and squadrons and right form of war."
At such a time, when the northern blasts were prospecting
for their winter homes, and all the country proclaimed the
transformation of the seasons, Ellen made her next visit upon
our mountain.
** Ellen has come," she said, "to teach the old Pine Trigo-
nometry."
"But the winds are cold," I said, "and the clouds are dark."
• "And Ellen cares but little for the cold winds and not at all
for the dark clouds. Eor the sun is her friend, and he is still
high in the heavens, l^ut she is anxious to conclude with the
old Pine the study of mathematics, so that from that higher
plane of knowledge they can make further discovery into the
laws which govern the universe, for, as Ellen thinks, all of these,
spiritual or material, may be understood.
**But the old Pine must remember that only those things
are sure, which are accomplished ; and therefore obey Christ's
command to * Work whilst it is yet day.'
1
■
THB HBW YORK
FQBUC UBRART
VIUIM routtitAiiatth
K >•
^W
WHISPERINGS OF AN OLD PINE 1 33
"The text-books, generally, so far as Ellen has seen, begin
Trigonometry with a discussion of logarithms; but Ellen prefers
to give that later. For logarithms are not absolutely necessary
to the science, although, with sufficient practice a decided help ;
the help being in the use of work already done, by which
we are enabled to employ addition and subtraction, instead of
multiplication and division. The old Pine will find tables
enough in Trigonometry aside from those of logarithms, and
very valuable ones they are, of the natural sines and tangents,
cosines and cotangents, secants and cosecants, and others,
giving the lengths of those lines for different angles in a circle
whose radius is unity, which may be adapted to a circle of any
radius by multiplying these values by the new radius.
"Ellen will begin with
PLANE TRIGONOMETRY.
" Trigonometry shows how to find the remaining parts of a
triangle when certain parts are given.
"Plane Trigonometry treats of plane triangles; Spherical
Trigonometry of spherical triangles.
"The circumference of every circle is supposed to consist of
360 equal parts called degrees ; each degree of 60 minutes, and
each minute of 60 seconds.
"Considering an angle at the centre of a circle to be measured
by the arc intercepted by its sides, a right angle is measured by
90^, two right angles by 180^ and four by 360^.
"The complement of an arc is 90^ minus the arc. Thus the
arc CF is the complement of BF; the complement of 20^ 30'
is 69^ 30', or of 100° is— 10°. In a right angle triangle the
134
ELLEN OR THE
two acute angles are equal to a right angle and therefore com-
plements of each other.
"The supplement of an arc is i8o^ minus the arc. Thus the
arc DCF is the supplement of BF. The supplement of 25^
15' is 154^ 45'. In general, if we represent any arc by A, its
supplement is 180— A. Hence if an arc is greater than 180^
its supplement must be negative. Thus the supplement of
200° is— 20^. In any plane triangle the sum of the angles is
180° and therefore each angle is the supplement of the sum of
the other two.
" The sine of an arc is a line drawn perpendicular from one
extremity, to the diameter passing through the other extrem-
ity. Thus FG is the sine of the arc BF or of the angle
BAF. Every sine is half the chord of double the arc.
•*The cosine of an arc is that part of the diameter which lies
between the foot of the sine and the centre of the circle. It is
also equal to the sine of the complement of the arc. Thus
AG is the cosine of the arc BF or of the angle BAF and
equals FK, the sine of CF.
WHISPERINGS OF AN OLD PINE 1 35
"The tangent of an arc is the line which touches it at one
extremity and is terminated by a line drawn from the centre
through the other extremity. Thus BI is the tangent of the
arc BF or of the angle BAF.
** The cotangent of an arc is the tangent of the complement
of that arc. Thus CL is the tangent of the arc CF or the
cotangent of the arc B F.
"The secant of an arc is the line drawn from the centre of
the circle through one extremity of the arc and is limited by
the tangent drawn to the other extremity. Thus A I is the
secant of the arc BF or the angle BAF. The cosecant of an
arc is the secant of the complement of that arc. Thus AL is
the secant of C F or cosecant of B F.
**The versed sine of an arc is that part of the diameter which
lies between the foot of the sine and the arc. The coversed
sine of an arc is the versed sine of the complement of that arc.
Thus BG is the versed sine of the arc BF or the coversed
sine of the arc CF. The versed sine of the acute angle BAF
is the radius minus the cosine AG, and of the obtuse angle
DAF the radius plus the cosine AG.
" Since the acute angles in a right angle triangle are comple-
ments of each other, the sine, tangent and secant of one are the
cosine, cotangent and cosecant of the other.
" The sine, tangent and secant of one arc are equal to the
sine, tangent and secant of its supplement. Thus F G is the sine
of BF or of its supplement DC F. Also BI the tangent of
BF is equal to DM the tangent of DCF. And A I, the
secant of BF is equal to A M, the secant of DCF.
"The relations of the sine, cosine, etc., to each other may be
136 ELLEN OR THE
obtained from the principle of the uniform divergence of the
sides of angles. Thus in the mutually equiangular right angle
triangles AGF and ABI, AG : GF:: AB : BI; or,— repre-
senting the arc BF by A and the radius, assumed to be unity,
by R, — cos. A : sine A :: R : tan. A.
R sine A
Whence tangent A= -r-
COS. J\
FG:AG::AC:CL; or sine A : cos. A :: R : cot. A
„„ . Rcos. A
Whence cotangent A = — ; r—
** sme A
AG : AF:: AB : AI; or cos. A : R::R : secant A.
R2
Whence secant A= x
COS. A
FG : AF:: AC : AL; or sine A : R:: R : cosec. A
Whence cosecant A=-. ^
sme A
BI : BA::AC : CL; or tan. A : R:: R : cot. A
R2 R2
Whence tane^ent A= — — -«- or cot. A^=i r*
^ cot. A tan. A
"Also in the right-angled triangle A GF,(GF)2-t- (A G)2 =
(AF)2, or sine 2 A -f-cos.^ Az=R2 ; that is the square of the
sine of an arc plus the square of its cosine equals the square of
the radius.
Whence sine A=dt\/^^~'Cos.2 A
And cosine A = db\/^^~sinc2 A
"And as the old Pine and Ellen proceed they will want to
become familar with all of these functions of the circle to know:
First, that it is impossible for one of them to change without
their all changing; second, that of necessity if the movement of
one is continuous the movement of all will be continuous ; third,
WHISPERINGS OF AN OLD PINE ^ 1 37
the change of each is a fixed quantity, so that any change in
any angle will always produce a particular change in each
function ; fourth, in arriving at any point from any other point,
when the movement is continuous, all intermediate distances
must be passed through ; and hence, there is between every line,
and also between its different parts, a fixed relationship ; the
last being just as true as the first, and of equal importance in
the consideration of this subject.
"Thus let the sine, tangent or secant increase continuously,
and it is impossible for one of them to increase without the
others increasing correspondingly, the cosine, cotangent and
cosecant will decrease continuously; the limits being between
zero and one, with the sine, and one and zero with the cosine;
zero and infinity and infinity and zero, with tangent and cotan-
gent; and one and infinity or infinity and one, with secant
and cosecant. In every case it being true, that, in passing con-
tinuously from either extreme to the other, or from any point
to another point, all intermediate values must be passed
through. The old Pine must see that everything here is abso-
lutely fixed so that always if one of these functions is changed
the others are changed correspondingly. And that means that
at any intermediate value they always have the same relative
positions. And therefore if four of these functions, including
radius, arc proportionals for two consecutive values, they will
continue to be proportionals throughout their" existence."
"But why two,'* I asked; "why if they are proportionals at
one value will they not continue to be proportionals?"
*' Because it is possible for them to become proportionals at
a single point when crossing the line of equality.
138
ELLEN OR* THE
Thus, in the angle of 45° :
Cosine (.707107) : tang. (i)::sine (.707107) :: R (i) ;
but this proportion does not hold at 44^ or 46^.
"It's an accidental proportion which the four proportionals
had been approaching from their start, and recede from in their
continued course.
"At the angle
of 44''
Cosine
= .719340
Tangent
Sine
= .965689
= .694658
Radius
= 1
And at 46°
Cosine •
= .694658
Tangent
= 1.03553
Sine
= .719340
Radius
= 1.
X.
**The old Pine aad Ellen will now further examine the relation-
ship which exists between these different functions; and first
between the sine and cosine, beginning at the angle of i^/'
*'This will be at the point where the circle is nearest to a
straight line?" I said,
••Not at all/* she replied. "The curvature of the same or
eqti^ circles is the same at all points. And therefore the
assumption that anywhere it can make angles the same or simi-
htt, whether with another curve or with a straight line, to those
made by two straight lines, is impossible.
•^Ellcn is vtry sorry that these tables of sines, cosines, etc.,
~ not accurate^ The ones that she uses are carried out to
decimals. They have been carried out several more deci-
mals, but it would appear to be impossible that any can be
accurate. The inaccuracy is with those of the smaller arcs,
but AS the others are based upon these, it is carried on through
the whole. Thus it is assumed that the sine of any arc less than
iric^ but little from its arc, and in our usual estimate
ui valties this may be true, but, as Ellen has said before,
all size is relative to the beholder as w^ll as the thing beholden.
Il is also relative to the position of the thing beholden as well as
to the thing, for as things are removed from us they grow small,
so that even the largest, as a sphere, will decrease, until it dis-
^^^j^
I40 ELLEN OR THE
appears. This should be a complete lesson to us that size is
relative to the beholder, or that real size and apparent size are
different, this difference being affected largely by location, and
also affected by other causes as the clearness of the atmosphere ;
but Ellen does not know, as she has said before, why all of
these different causes are not relative to, or concerned with, the
nature of vision, rather than with the object seen.
'*And indeed it is certain that all perception or vision has
to do with the thing which perceives rather than with the thing
perceived."
"Could it not have to do equally with each ?" I asked.
"Possibly it might," she replied, "but the perception of the
beauty or fragrance of a sweet pea is by spirit, that is, it is the
effect of the sweet pea upon spiritual existence."
"And yet," I said, "the sweet pea exists, must exist, in-
dependent of any particular spiritual existence, unless it is the*
highest, that which has made it. Then certainly the old Pine
thinks it has a defined existence, otherwise it could not affect
different spiritual existences in the same manner and at differ-
ent times, as we know that it practically does."
"But," she said, " its effect upon us is in accordance with its
relative position to us and may be in accordance with many
other things. Thus blood, as Ellen has suggested before,
appears red to us as seen by the natural vision, but looked at
through a microscope only a small part of it is red."
"And yet," I said "the sweet pea is none the less real."
" Very possibly not," she replied. " Ellen cannot say, but
it's awfully evanescent. It may last for a day, but, as Ellen
thinks, it is all the time changing, in the first place developing
WHISPERINGS OF AN OLD FINE
141
a^ to impress us with a higher beauty, and then fading.
"But our estimate of it, as lillen has said, in cither case, is more
or less a mistaken one.
"And yet EUcn must admit that it plays its part independent
of her; nor would she be able to deny its fixedness. By the
great Creator is it made whether directly or indirectly. It is
the product of mind, and made for the uses of mind, whether
inhabited by or connected with an independent spiritual exist-
ence she does not know.
"For whilst Ellen cannot deny that things must exist and
be different^ and whilst we may be able to a certain extent
to define that difference, showing, perhaps, that these things
consist in essentially different (orms or qualities of matter,
the great fact must still be true that our estimate of them is
due to their effect upon uSp and is therefore rather the iiiflu-
eoce of matter upon spirit, — perhaps all spirit, perhaps only
our own, but Ellen thinks universal spirit* — than the essential
nature of matter. Indeed Ellen doesn't know that matter
has any essential nature, for it is inconceivable to her that
matter should exist without spirit. For as it was created by
spirit, so it must depend upon spirit for its continued exist-
ence. Its influence upon spirit is another question, in which
consists, so far as r-lien c«»n see, our present existence. For
except for such inrtuence, so far as Ellen can see, that exist-
ed nr** would be
'A blank my lord/
** But Ellen must return to the discussion of the Trigonometry
for she wants to finish it to-day, and the winds are cold and the
142 ELLEN OR THE
clouds dark, and look as if they were gathering for an attack
upon Ellen and going to destroy her."
*' And Ellen would better go home," I said.
** And Ellen isn't going home, but is going to stay up here
with the old Pine and the winds, and the clouds, and the old
Pine must take care of her."
** He is trying to," I said, "trying to send her home."
** And Ellen won't go home, until she is through. She has
brought her luncheon with her again, and her shawl, and is
going to teach the old Pine the whole of Trigonometry before
she goes back. That's what she came for. And the old Pine
must take care of her here.
*'To return to the increments:
* Many a mickle makes a muckle.'
**And besides if the circle was big enough this little would
be evident enough, and might seem, even to us, as large. And
thus, as the old Pine will see, all mathematics are filled with
inaccuracies; but taking what we have as a basis Ellen has
constructed the following tables :
" First a table of sines and cosines, illustrating more fully the
differences between them.
"The first column gives the length of the arcs; the second
the natural cosines of these arcs in a circle whose radius is
unity. The third shows the difference between these cosines,
and the fourth is a table of second differences, being the differ-
ences between the differences of the cosines.
*' There is a fifth table of the third order of differences, lacking
uniformity, because obtained from values which are not complete.
WHISPERINGS OF AN OLD PINE
143
Value of Valui
• of Cosines for
First Order
Second Order
Third Order
Arcs a A\
idiu: of Unity
of Differences
of Differences
of Differences
qO I
.000000
1°
.999848
.000152
2°
999391
.000457
•305
3°
998630
.000761
304
I
4°
997564
.001066
30s
— I
5°
99619s
.001369
303
2
6°
994522
.001673
304
— I
7°
992546
.001976
303
I
8°
990268
.002278
302
i
90
987688
.002580
302
0
•10°
984808
.002880
300
2
11°
981627
.003181
301
— I
12°
978148
.003479
298
3
13°
974370
.003778
299
— I
14°
970296
.004074
296
3
15^
965926
.004370
296
0
16"
961262
.004664
294
2
17°
956305
.004957
293
I
18°
951057
.005248
291
2
19°
945519
.005538
290
I
20°
939693
.005826
288
2
210
933580
.006113
287
I
320
927184
.006396
283
4
230
920505
.006679
283
0
24<^
91354s
.006960
281
2
25^
906308
.007237
277
4
26°
898794
.007514
277
0
27°
891007
.007787
273
4
28^
.882948
.008059
272
I
290
874620
.008328
269
3
30°
866025
.008595
267
2
44
ELLEN OR THE
31°
.857167
.008858
263
4
32°
.848048
.009119
261
2
33°
.838671
.009377
258
3
34°
.829038
.009633
256
2
35°
.819152
.009886
253
3
36°
.809017
.010135
249
4
37°
.798636
.010381
246
3
38°
.78801 1
.010625
244
2
39°
.777146
.010865
240
4
40°
.766044
.011102
237
3
41°
.754710
•01 1334
232
5
42°
.743145
.011565
231
I
43°
•731354
.011791
226
5
44°
•719340
.012014
223
3
45°
.707107
.012233
219
4
46°
.694658
.012449
216
3
47°
.681998
.012660
211
5
48°
.669131
.012867
207
4
49°
.656059
.013072
205
2
5o°
.6^788
.013271
199
6
51°
.629320
.013468
197
2
52°
.615661
.013659
191
6
53°
.601815
.013846
187
54°
.587785
.014030
184
55°
•573576
.oi4?09
179
56°
•559193
.014383
174
57°
•544639
•014554
171
58°
.529919
.014720
166
59°
.515038
.014881
161
60°
.500000
.015038
157
61°
.484810
.015190
152
62°
•469472
•015338
148
63°
•453990
.01 5482
144
WHISPERINGS OF AN OLD PINE 145
<>4'>
•438371
.015619
137
7
*5°
.422618
.015753
134
3
«P
.406737
.015881
128
6
6f
.390731
.016006
125
3
68*^
.374607
.016124
118
7
69«
.358368
.016239
"5
3
70°
.342020
.016348
109
6
71°
.325568
.016452
104
5
72°
.309017
.016551
99
5
73°
.292372
.016645
94
5
74°
.275637
.016735
90
4
75°
.258819
.016818
83
7
76°
.241922
.016897
79
4
77°
.224951
.016971
74
5
78°
.207912
.017039
68
6
79°
.190809
.017103
64
4
800
.173648
.017161
58
6
810
.156434
.017214
53
5
82°
.139173
.017261
47
6
83°
.121869
.017304
43
4
84°
.104528
.017341
37
6
85^
.087156
.017372
31
6
86"
.069756
.017400
28
3
87°
.052336
.017420
20
8
88<5
.034899
•017437
17
3
89°
.017452
.017447
10
7
900
.000000
.017452
5
5
• These differences represent millionths but for convenience the decimal j)oinl
wd the c>i>hcTS that immediately follow are omitted.
" It will be seen that there are very considerable differences in
the cosines. And these must represent the spaces in which
intermediate sines may be extended from the cur\'ed roof above.
146 ELLEN OR THE
*' Here we have the natural sines as given in the tables, con-
sisting of degrees and minutes. And between them are other
spaces in which might be sines consisting of degrees, minutes,
and seconds, very readily estimated. After them there would
be an infinite succession of sines which we may suppose to con-
sist of degrees, minutes, seconds, and a further corresponding
division to be followed by other sines including a similar
additional division to infinity.
" And in all these cases, so far as they might extend, each
sine will be distinct and separate from its inception to its termi-
nation, the accurate expression of this last artificially, being im-
possible.
"There would be, then, to be added to each of these sines as
obtained artificially, what would appear to be an infinite series
of numbers, which of necessity must represent the space exist-
ing between the lower extremity of the sine and the cosine."
*'Then Ellen admits of inaccurate conditions in different
directions," I said.
"She admits of them in length and number," she replied;
** that is, they are all inaccurate as to length, nor is there any
possible expression for their number."
'* But," I said, ** the usual tables as given are accurate to six
figures are they not?"
"No they are not," she replied. " Ellen knows that the
ordinary form of statement is that they are accurate to six
figures, and this might be true if it was true, but it isn't.
**That is, the custom is to leave the last figure given accurate
if the next (not given) would be 4 or under, but if this next
is 5 or over the last figure is made one larger which would
WHISPERINGS OF AN OLD PINE I47
nullify the statement that the whole was accurate to six figures,
the truth then being that it was accurate only to five.
**The eminent Italian mathematician Cavalieri considered
lines to consist of an infinite number of small points ; surfaces
of an infinite number of parallel lines, the breadths of which are
indefinitely small ; and solids of an infinite number of parallel
planes, or rather of indefinitely thin plates or laminae.
'*Mr. Elias Loomis in one of his Mathematical works says:
'According to Newton all bodies are supposed to be generated
by continuous motion; a line by the motion of a point; a surface
by the motion of a line, either constant or variable ; and a solid by the
motion of a plane which either retains the same magnitude, or varies
according to a certain law. All other quantities, in whatever way they
may be expressed, are conceived to be generated in a similar manner.
The relative rates of velocities with which magnitudes, and the variables
on which they depend, are increasing at any instant, are termed their
fluxions; and the whole quantities generated in consequence of such
velocities of increase are termed the fluents'
**With such an illustration of comprehensive and accurate
thought, it is most remarkable that the modern text-book
makers should preface their work with the most extraordinary
statement that there was no such thing as a point. They might
as well assert that there is no material thing. For the smallest
and the largest are all made of matter. Else it would be a sham ;
and it is no sham. It is tremendously real. For everything is
equally a part of creation. Nor, as Ellen thinks, would it be
possible for anything to be, if it was not a desirable part, and
if desirable, important.
148
ELLEN OR THE
XL
SOLUTION OF RIGHT-ANGLED TRIANGLES.
Theorem I. '
" /;/ any right-angled triangle, the radius is to tlu hypotenuse
as the sine of either aeute angle is to the opposite side^ or the
cosine of either acute angle to the adjacent side.
**Let the triangle ABC be right angled at C, then will
R : A B:: sine A : BC::cos. A : AC.
'•From the point A as a center, with a radius equal to unity
describe the arc DE, and on AC draw the perpendicular EF^
Then EF will be the sine, and AF the cosine of the angle A.
Because of the uniform divergence of the sides of an angle,
AE : AB::EF : BC,
or R : A B:: sine A : BC.
Also, AE : AB::AF : AC,
or R : AB::cos. A : AC.
■
^^^^^^^H
THE NEW \
PDBLIC LlHl
llL01ltC fOUNPATLOIil
^^1
WHISPERINGS OF AN OLD PINE 1 49
Theorem II.
**In any right-angled triangle the radius is to either side as
the tangent of the adjacent acute angle is to the opposite side^ or
the secant of the same angle to the hypotenuse.
"Let the triangle ABC(page 148) be right angled at C, then
R : AC:: tang. A : BC::sec. A : AB.
"From the point A as a center, with a radius equal to unity,
describe the arc DE, and from the point D draw DG perpen-
dicular to AC. Then DG will be the tangent, and AG the
secant of the angle A. Because of the uniform divergence of
the sides of an angle,
AD : AC::DG : BC,
or R : AC:: tang. A : BC.
Also, AD : AC:: AG : AB,
or R : AC:: sec. A : AB.
" In every plane triangle there are six parts : three sides and
three angles. Of these, any three being given, provided one of
them is a side, the others may be determined. In a right-
angled triangle, the right angle is always given ; and if one of
the acute angles is given, the other, being its complement, is
known. Hence the number of parts to be considered in a
right-angled triangle is reduced to four, any two of which being
given, the others may be found.
" It is desirable to have appropriate names by which to des-
ignate each of the parts of a triangle. In a right-angled trian-
gle one of the sides adjacent to the right angle is called the
base, the other the perpendicular. The three sides will then be
ISO ELLEN OR THE
called the hypotenuse, base and perpendicular. Of the two
acute angles, that which is adjacent to the base is called the
angle at the base, and the other the angle at the perpendicular.
** We therefore, have four cases, according as there are given,
1. The hypotenuse and the angles;
2. The hypotenuse and base or perpendicular;
3. The base or perpendicular and the angles; or,
4. Base and perpendicular.
All of these may be solved by the preceding theorems.
Case I.
'* Given the hypotenuse and the angles, to find the base and
perpendicular,
"This is solved by Theorem I.
** Radius : hypotenuse :: sine of the angle at the base : perpen-
dicular \\ cosine of the angle at the base : base,
"Ex. I. Given the hypotenuse 275, and the angle at the base
57° 23', to find the base and perpendicular.
The natural sine of 57^ 23' is .842296;
" cosine " .539016.
Hence i : 275 :: .842296 : 231.631 =AB.
I : 275 :: .539016 : I48.229=AC.
''This is by natural numbers. By logarithms, we will have
Radius, i log. .000000
Is to the hypotenuse 275 log. 2.439333
As the sine of C 57° 23' log. sine 9.925465
To the perpendicular 231.63 log. 2.364798
WHISPERINGS OF AX OLD PINE I51
'•Ten is dropped from the characteristic of the logarithm of
the perpendicular, because the logarithms of the sines in the
table are ten too large.
Also, Radius, i log. .000000
Is to the hypotenuse 275 log. 2.439333
As the cosine of C 57° 23' log. cos. 9.731602
To the base 148.23 log. 2.170935
Case II.
* Given the hypotenuse and one other side, to find the angles and the
remaining side.*
"By Theorem I.
' Hypotenuse : radius : : base : cosine of the angle at the base. Radius
: hypotenuse:: sine of the angle at the base : perpendicular.'
"When the perpendicular is given, perpendicular must be
substituted for base in this proportion.
Case III.
'Given base or perpendicular and the angles, to find the other sides.
"By Theorem II.
'Radius : base:: tangent of the angle at the base : perpendicular.'
:: secant of the angle at the base : hypotenuse.
"When the perpendicular is given, perpendicular must be
substituted for base in this proportion.
Case IV.
'Given base and perpendicular, to find the angles and hypotenuse.'
152
ELLEN OR THE
•'By Theorem II.
* Base : radius : : perpendicular : tangent of the angle at the base.
Radius : base : : secant of the angle at the base : hypotenuse.'
SOLUTION OF OBLIQUE-ANGLED TRIANGLES.
Law of Sines. Theorem I.
*In any plane triangle, the sides are proportional to the sines of the
opposite angles.*
" Ellen will illustrate this by an awfully pretty figure which
will also show how arcs may be drawn using the opposite
angles of triangles as centres. Thus :
'* Draw the straight line A C, bisecting it at D. With the equal
radii AD and CD describe the two arcs DNE and DMF.
From D draw the perpendicular line DI. Take B at the low-
est possible point on DI, draw AB and BC. Then will ABC
be an isosceles triangle having the greatest possible obtuse
angle at B. Because this triangle is isosceles we shall have
AB : BC :: sine of angle at C : sine of angle at A.
'/
r c LJ
** Ellen will now increase continuously the side AB of the tri-
angle, letting BC remain equal to the radius. We will then have
an infinite succession of triangles asAKC, ALC, AMC,AOC,
until they disappear when AB and BC coincide with AF. Let
WHISPERINGS OF AN OLD PINE 1 53
MC and HJ be perpendicular to AC, HJ being drawn from
the intersection of AM with DNE.
"In all of these triangles the proposition holds true and if in
these in any, — for should we lengthen the side BC, letting AB
remain constant, we would have precisely similar results only
reversed.
•'For, because of the uniform divergence of the sides of an
angle, we have side AM (of triangle AMC) : AH :: sine
MC : sine HJ. But MC and AH are equal, being radii of
equal circles. And therefore side AM : side MC:: MC, sine
of angle at C : H J, sine of angle at A.
**But primarily this principle is true because of the relation-
ship which the sides bear to their opposite angles, and they to
their sines. In estimating this relationship it is necessary that
the circle or circles to which the sines belong be drawn with
the same radius. This will appear in the above figure, where
the sines of the second angle will be the radius of the first,
only when the two circles are equal. With this condition it is
impossible for them not to be.
** And indeed Ellen can see without demonstration, that such
relationship must exist. It couldn't possibly be otherwise.
For as appears in the figure given, the sines are equal when
the sides are equal, and constantly vary with their sides. If
AB and CB, the two equal sides of the triangle ABC, were
evenly increased the sines would be evenly increased, and the
relationship would remain the same. That is, one side would
be to the other as the sines of their opposite angles.
" Ellen has given the old Pine an entirely new demonstration
of this very important proposition and a demonstration, which
154 ELLEN OR THE
she much prefers to the usual one in text-books, or to any that
she has hitherto seen. For, as Ellen intends that all her demon-
strations shall, it uses principles, and illustrates from the condi-
tions as they exist in nature, and thus throws light not only
upon the circle and its functions but also upon methods by
which the universe is constructed. This cannot be done by a
demonstration which depends upon the manipulation of sym-
bols. And, as Ellen has suggested before, the difference in
final results becomes world wide, it being the difference of the
whole subject, whether the scholar becomes a master of mathe-
matics, or whether he does not ; very probably, as frequently
the case with those who are the most capable, quitting them in
disgust.
Law of Tanceni^. Theorem IL
* In any plane triangle, the sum of any two sides is to their differ-
ence, as the tangent of half the sum of the opposite angles is to the
tangent of half their difference.*
** Because the sum of these two sides represents the secant of
the angle which represents half the sum of the opposite angles,
and the third side, the secant of the angle representing half
their difference.
**Thus let ABC be any triangle. Extend AC until CD is
equal to CB. Then will AD represent the sum of the two
sides C A and CB.
** Connect BD, and with AF, drawn perpendicularly to BD,
as a radius, describe an arc. Then will FD be the tangent of
the angle FAD; and FB that of BAF.
**0n the side CB draw CE equal to CA. E will then fall
** And Iherelorc EAC» or FAD, equals half of the sum of
the angles CAB and CBA; and FAB half the difference.
because if from the greater of two magnitudes half the sum is
taken, the remainder equals half the difference,
"And because of the uniform divergence of the sides of
equal angles, in the triangles FAD and FEB we have
AD : BE::D1- ; FB
CB+C A : CH-CA::tan.
A+B
tan.
A-R
**TTiis i^ a shorter ana more perspicuous demonstration than
any Ellen has seen, and this mainly because of the use of the
principle of the uniform divergence of the sides of an angle;
that is, that two straight lines forming an angle by crossing,
Jk
156
ELLEN OR THE
from the moment they cross, if extended, diverge uniformly to
infinity, and this because neither can change its direction.
" This principle almost any scholar can learn very quickly^
and will never forget, whilst by its use mathematics may be
much simplified. That is because of it, sides, of the same or
equal angles, together with corresponding segments cut off by-
parallel lines, and such parallel lines, are proportional to each
other. Thus in the angle ACB, with parallel lines as AB, FF',
HD', connecting its sides,
AC : BC::FC : F'C:: AB : FF'::
AF : BF'::FH : F'D', etc.
" Here a principle of increments enters, the sides continuing
to increase uniformly; that is, with the ratio of the correspond-
ing increments constant.
Theorem IIL
*If from any angle of a triangle a perpendicular is drawn to the
opposite side or base, the wliole base will be to the sum of the other
two sides, as the differ^, nee of t'.iose two sides is to the difference of the
segments of the base.'
** Because the length of the segments of the base is determined
by the length of the other two sides of the original triangle ;
UNGS OP AN OLD PINE
155
that is, is proportional to them. And this because of the imi-
form dtvcrgcficc of the sides of an angle.
"In every plane triangle three parts must be given, and at
Iciist one of these must be a side, to determine the other parts
of tlie triangle. This is evident because any number of triangles
may be equiangular but not necessarily equal to each other.
*' Under obhque triangles we may have given,
1, Two angles and a side.
2. Two sides and an angle opposite one of them.
3. Two sides and the included angle.
4, The three sides.
** 1. Given two angles and a sidu. The remaining angle
'equals 180*^ minus the sum of the other two angles. The re-
ni^iining sides are found by Theorem I.
"2. Given two sides and an angle opposite one of them.
The angle opposite the other given side is found by Theorem I.
The third angle would then be found as in the first case, also
the third side asjn first case.
"5. Given two sides and the included angle. The sum of
the other angles equals iSo^ minus the given angle. The
difference of these angles is found by Theorem II. Half the
the difference plus half the sum gives the greater angle^ and
hiilf the sum less half the difference, the smaller. The third
side is then found by Theorem I.
**4. Given three sides. Draw upon the longest side a perpen-
dicular from the opposite angle, dividing the given triangle into
two right-angled triangles. The segments of the base may be
found by Theorem III. There will then be given the hypothe-
nusc and one side of a right-angled triangle to find the angles.
IS8
ELLEN OR THE
XII.
TRIGONOMETRICAL FORMULAS.
' Expressions for the sine and cosine of the sum and difference of two
arcs/
•'Let BC and CD represent any two given arcs; take CE
equal to CD : it is required to find an expression for the sine
of BD. the sum, and of BE, the difference of these arcs.
WHISPERINGS OF AN OLD PINE 1 59
"Let BC=tf, and CD=*; then BD=^+iJ, and BE=^— *.
Draw the chord D E, and the radius A C, which may be repre-
sented by R. Since DC is by construction equal to CE, DF
is equal to FE, and DE is perpendicular to AC. Draw EG,
CH, FI, and DK all perpendicular to AB, also EL, and FM
parallel to AB.
" Because of the uniform divergence of the sides of an angle,
the triangles ACH, AFI being equiangular, we have
AC : AF::CH : FI; or R : cos. *::sine a. : FL
Therefore, FI='-^"^-^^^-^'^
•'Also, AC : AF :: AH : AI ; or R : cos. h :: cos. ^ : AI
Therefore. A l=^":''"J^'''^.
K
••The triangles DF M, AC H, having their sides perpendicular
each to each, are equiangular and give the proportions,
A C : DF :: A H : D M ; or R : sine » :: cos. ^r : D M.
i-r i-kii/i COS. a sine b
Hence DM= -
K
"Also, AC : DF:: CH : FM ; or R : sine b\\ sine a : FM.
„ T-Ti;f sine rt- sine ^
Hence FM = -^
K
Bur FI+DM=DK=sine (^+*);
and A I— FM=AK=cos. {a-\-b).
Also. FI-FL=EG=sine {a-b)\
and AI+EL = AG=cos. {a-^b).
• - . I X i\ sine ^ cos. ^+cos. ^ sine ^ ..>,
Hence, sine (rt-+-/^) = ^ . (1)
K
. , , V COS. a COS. ^— sine a sine b , ..
cos. (^+*) = g-- , — . (2)
l60 ELLEN OR THE
/ ,v sine a cos. b — cos. a sine^ ,ox
sine(^-*)= ^ . (3)
. ,x COS. a COS. b + sine a sine b /-v
• COS. {a-b)= ^ ^. (4)
^'F^L being equal to DM and EL to FM.
** Ellen quotes mainly from the book, although she prefers
her arrangement of letters, placing A at the centre, because, as
she thinks, it gives a better order of letters in the demonstration.
She also makes several other minor alterations ; and never means
to forget to teach, that is to take the lead] For she has no use
for any teacher who, or text-book of mathematics which, shirks
upon the scholar, or tries to, explanations and demonstrations,
that the teacher or writer is supposed to know, and the scholar
not."
"And does Ellen think that teachers and text-books thus
neglect to lead ? "
**She knows that they are constantly doing it."
**And why?" I asked.
*' Ellen doesn't know whether from laziness, shiftlessness,
ignorance, or design, but supposes a mixture of all."
** Laziness, shiftlessness and ignorance are easily en.)ugh
explained," I said, "but what does Ellen mean by des gn?*
"She means that if an instructor taught all he knew, suppos-
ing he did know, his scholar might soon know as much as
he, and his prestige if not vocation might be in d mger.
"Now Ellen doesn't suppose that, ii such is the explanation,
the instructor reasons it out, but that involuntarily and instinct-
ively he thus may magnify his vocation. But whatever the
cause the books are full of this kind of incompetency, so that
as Ellen has repeatedly said, because of poor teaching more
WHISPERINGS OF AN OLD PINE l6l
than from any other cause, or all other causes, but ^tw become
proficient in mathematics."
"But doesn't Ellen think," I asked, '*that it is better for the
scholar to depend upon himself? Will he not learn better and
remember longer?"
** Possibly so, if he learns. But when the trouble is that he
doesn't learn, the assumption is fatal. The teacher is all right.
He has intrenched himself so that his assistance is still needed,
and has avoided work.
"As Ellen thinks, mathematics might be taught so that nearly
all scholars would become proficient in them; but very few
scholars do ; and therefore it is evident that what is needed is
more, or else a better method of teaching, for the scholar,
instead of less."
" But," I said, ** more teaching carried out means a pony, does
It not?"
" Possibly it may," she answered ; " but a pony oqly means the
plainest possible exposition of the subject taught, which Ellen
thinks may be, and indeed ought to be, and will be, if the
scholar uses it correctly, that is, if he uses it in studying more,
and this intelligently, rather than less, the best possible instruc-
tion— that which produces the greatest results with the least
labor and time.
** There is enough to learn, then why should there be waste
of either labor or time? For with the longest life as with the
shortest, at the end the aphorism is equally true :
'So much to do, and so little done.' "
"But," I said, "this gives unfair advantage to scholars, unless
all use the pony ; so that the system of marking would become
very unfair."
1 62 ELLEN OR THE
"The system of marking is the cheapest possible incentive,"
she replied, **and naturally connects with inferior instruction.
" Ellen accepts the great principles of rewards and punish-
ments, which rule in the economy of the universe ; but this
doesn't mean that any one should substitute an inferior for a
superior reward. Plainly this is the path of folly. The highest
of all rewards, for nature makes no mistakes in her systems of
operation, is that approval of our inner consciousness, which
follows duties accomplished. Then come the more material
rewards of scholarship, just remuneration and honorable posi-
tions, also arranged for in nature's economies, and Ellen thinks
we can well dispense with the kind of incentives which depend
upon rivalry among scholars, for a better system of teaching.
** Ellen certainly would build up her principles of instruction
upon broader foundations, letting nature with her infinitely
greater opportunities and wisdom, take care of rewards and
punishments. Or she would adopt some system of rewards
outside of rivalry, as giving all her scholars an excursion, or buy-
ing for their general use a small library, as good as Ellen's
means would permit."
*• In that case," I said, "Ellen would follow the precedent of
the rain and the sunshine, which fall equally upon all. "
** Ves,' she answered, "the great system of rewards and pun-
ishment, is very thoroughly and adequately arranged for, so
that one need not bother about that. There remains the
highest of all motives, the doing a thing because it's best.
"Ellen is very sure that in teaching, as in everything else,
the most thorough possible svstcm is the best. But certainly
the best teaching must be best for scholars .
WUISI'ERINCS OF AN OI-l:i I'lXE
163
'• But frequently the trouble is that the teacher doesii*t know
himself. Many a teacher uses a pony. Indeed the ponies are
largely made for them» because they would not use a text-
book without tliem. Nor does Ellen care how many ponies
they have if they will intelligently explain to the scholar, who
*loesn't have a pony» the lesson, whatever it is, until he under-
stands it. To learn as Ellen thinks is to know.
" Suppose the thing to be learned was a language. Could
there be any so good way to learn it as that in which it cuuld be
done in the quickest time, and the most thoroughly? And
so* as EUen thinks, it is with everything. Knowledge is power,
and with the infinite to learn, surely the quickest way to learn
is the best,'*
"Then Ellen doesn't think that it's the exercise of teaming
hat gives power.'*
"Not a bit. she knows that it is not, any more than the
gathering of supplies in an army or anywhere, gives the ad-
vantages which come from thcm« It is knowledge that gives
power, nor can there be too much of it. And therefore,
ag;&in would Ellen hasten the pace of teaching.
** When teaching is not to be had, the field of sclf*instruction
remains ; but here the text-books should offer every encourage-
fitent, especially those of mathematics, but they do not. The
paths are blocked in all directions, and the great majority, with
limited time as well as opportunities at command, are forced to
turn back; at least do turn back, whilst the few more favored
who succeed in getting a partial comprehension of mathematics,
»ooo lose themselves in the higher branches, and blunder away
in a worse than futile attempt a perfectly ludicrous attempt, to
l64 ELLEN OR THE
demonstrate the imposssible in physics by the unknown in
mathematics. But this sort of thing is growing less and less,
and Ellen thinks in time will be entirely abandoned. If either
mathematics or physics had been more generally understood it
could never have occurred.
'Expressions for sine and cosine of a double arc*
" If, in preceding formulas, b equals a^ the first and second
will become
2 sine a cos. a
suie 2a=^ - — ,
COS. 2 a — sinc2 a
COS. 2a=. — .
K.
** Making radius equal to unity, and dividing both numerator
and denominator of 1st equation by cos. '^a^ and substituting
COS. 2 + **^i"G ^ for unity, wc have
2 sine a cos. a
2 sine a cos a cos.- a
sme 2^7= J
" — 1
COS.- a
2 sine a
COS. a
_ 2 tang, a __
cos.2^7-|-sinc2^
cos.**^^? , sine^^
COS.-r/ OOS.^rt'
cos.'^a
2 tang, d
I
, sine- a
■^ cos.'-i a
2 tang, a
1 + tang.*^ a
since the sine over the cosine is equal to the tangent.
WHISPERINGS OF AN OLD PINE 1 65
•* Similarly the cosine of 2a may be shown to equal
I— tang. 2 a
i+tang.2 a
'Expressions for sine and cosine of half a given arc'
••If we substitute \a for a in the preceding equations wc
will have
2 sine ^a cos. ]fa . .
sme ^= 2^^ 5.., (5)
COS. ^— - — 2 — .2 ^5)
••Also, since the sum of the squares of the sine and cosine is
equal to the square of radius, we have :
C0S.2 ia-^-sine^ i^=R2.
And from equation 6,
COS.2 ^^ — sine^ i^^zz:R cos. a.
Subtracting,
2 sinc^ iya=R^ — R cos. a.
Adding,
2 COS.2 ^rt=:R2-f-R cos. a.
Hence,
sine ^a=\^ h R^—^ R cos. a.
COS. U=V^W+h KTcos"/.
'Kxpressions for the products of sines and cosines.'
•*By adding and subtracting the sine and cosine of the sum
and difference of two arcs we obtain (sec pages 159. 160) :
sine (ii-^b) + sine ((i—b)'=^^ sine a cos. d.
l56 KLLEN OR THE
sine {t7+fj) —sine (a—d) =^ cos. a sine d.
COS. (<? + /') + COS. {a—fi) =:^ COS r? COS.*.
K
->
COS. (ii—lf) — COS. (^7+/^) =J^ sine/? sine d.
K
**If. in these formulas, we make ^7+*=A, and a—d=zB; then
adding and subtracting and dividing by 2, ^=i (A+B), and
/;z=i (.A— B). and we have
sineA+sincBzz: ^ .sine A (A+B)cos. i (A — B). (7)
sine A-sineB= ^ sine }, (A-B) cos.A (A + B).. (8)
cos.A + cos. Bz:=^ COS. ^(A+B) cos. I (A-B). (9)
cos.B-cos. A= ^ sinei (A + B) sine^(A — B). ( lO)
** Dividin,cj formula (7) by (8). and considering that
sine (7 tancr. it ,
— := p- — , we have
COS. (I K
sineA+sinrB__sincJr(A + B)cos. ^(A — B)_tang.^(A + B)^
sine A —sine B sine ^( A"-"B) cos. i( A + B) "tang! I { A — B) '
that is,
*The Sinn of the sines of two arcs is to their difference, as the
tangent of half the sum of those arcs is to the tangent of half their
difference.'
cos
'* Dividing formula (9) by (10). and considering that -- =
cot. • R , ,^v I
,, — (see page 136), we have
K tan<:.
WHISPERINGS OF AN OLD FINE 167
cos.A+cos.B_.cos. ^(A+B)cos. ^(A— B)__CGt. '^{A+B)
cos/B— COS. A sine J(A+B)sine i(A — B) tang.J(A— B) *
that is,
'The sum of the cosines of two arcs is to their difference, as the
cotangent of half the sum of those arcs is to the tangent of hah'
their difference.'
••From formula (5), by substituting A+B for a wc have
sine(A+B)==l-«!l!^(A+B) X cos. i (A+B).
K
"Dividing formula (7) by this we obtain,
2 sine \ (A+B) cos. i (A-B)
sine A+sine B__ R _
sine ^A + Bl 2 sine jr (A+B) cos, i ( A+B)""
R '"
sine j^ (A + B) cos. \ (A— B)_co$. Jr (A-B)
sine r"(A+B) cos;r(A+B)""cos. V(A + B)
that is,
*'lhe sum of ihe sines of two arcs is to the sine of their sum,
as the cosine of half the difference of those arcs is to the cosine of
half their sum.'
•• If we divide equation (i) by equation (3), wc shall have
sine a cos. /; + cos. a sine /;
sine (^?+/>)_ R _
sine (a—b) sine a cos. h — cos. a sine ^~
R
sine (a-\-h) sine a cos. /; + cos. a sine b
sine (a—b) sine a cos. b — cos. a sine b
*• By dividing both numerator and denominator of the second
member bv cos. /? cos. b, and substitutint^ *,, ' for (sec
^ R cos. ^
page 1 36 J, we obtain
l68 ELLEN OR THE
sinert: COS. /^ cos. a sine^
sine(/?-f-^)__cos. ^ cos. ^ ' cos.^; cos._^_
sine (^ — b) sine ^? cos. b cos.. a sine^
COS. a COS. b COS. a cos. b
tang. ^+tang. b
_ ^_ _ __tang. ^-|-tang. ^ R _
tang. ^— -tang. b~~ R tang, ^f— tang, b
R
sine^(^+^)__tang. a + tang, b^
sine(rt'— ^) tang, rt- — tang. ^*
the cos. a cos. b and the R's cancelling out, that is,
'The sine of the sum of two arcs is to the sine of their differ-
ence, as the sum of the tangents of those arcs is to the difference
of the tangents.*
"From equation (3), dividing each member by cos. a cos. b,
and remembering that sine-7-cos.=:tan.-7-R we obtain
sine (^— /^) __sine a cos. ^— cos. a sine b ^
COS. a cos. /;~ R cos. a cos. b ~~
sine a cos. /; cos. a sine ^ tang, rt:— tang, b ,
R COS. a COS. /; R cos. a cos. b R'^
that is,
'The sine of the difference of two arcs is to the product of their
cosines, as the difference of their tangents is to the square of radius.
'Expressions for the tangents of arcs.'
" If we take the expression tang. (^i'-f-^)= 1 Tr *^"^
substitute for sine {a-^b) and cos. {a-^b) their values given in
formulas (i) and (2) and multiply numerator and denominator
by R ; wc shall find
/ I /\ R (sine^ COS. /;+cos. ^7 sine^)
tang.(^+/;)=: - , — • — . /•
^ cos. a cos. ^— sme a sme b
WHISPERINGS OF AN OLD TINE 169
IX ^ . COS. /?tane. « , . , cos. A tang. />> / ,,^x
Hutsine/i= ^ — ^-,andsine^= o (P^gc 136).
K K
•* If we substitute these values in the preceding equation, and
divide all the terms by cos. a and cos. b, we shall have
P . COS. a tang, a cos. ^ cos. a cos. ^ tang, b )
tang. (/?+^)=: — - ,- ,
"^ , cos. ^ tang, rt' COS. ^tancr /?
COS. ^ COS. a — — "02
COS. a COS. b tang. ^-|-cos. a cos. b tang, b
, COS. a COS. b tang, r? tang, b
COS. rt COS. ^ — — U2 — ^^
__cos. b tang, rt' + cos. b tang. ^
, COS. b tang. </ tang, b
COS. /^ — R2" "
tang. ^ + J?i?g- *
~ tang. ^ tang. ^
I - ^.^
"And multiplying by R^ we have
/ I A V R^ (tang, a + tang. /;) ..
tang. ( ^?+^ ) =i5o-^ . \ r ' (*0
& V • / R2 _ |;ang. ^z tang. /;
"In like manner we shall find
. ,, R2 (tang, ^r— tang. /;)
tang. (^— /0 = o-o-^, . . -7
^ ^ R^ + tang, a tang. /;
Thus,
,x R(sine ^ cos. ^ — sine/; COS. ^)
tang, {a—b )= , - . ,
COS. a COS. /;+smc a sine ^
r> .co$. a COS. ^ tang. ^/ cos. a cos. /;tang. ^
_ _ " _K' ~ ''' 1^
, , cos. a COS. ^ tang a tang. /^
COS. rtr COS. ^ + R2 ^ —
tang, a — tang, b _
■^ "^"" tang. ^7 tang, b
• "^ R«
I/O ELLEN OR THE
_R^ (tang, a — tang.^)
""R*-* + tang, a tang, b
•* Suppose b=a in equation (i i), then
tang.2^ = ?,J^'t^"g::^
^ R2 — tang.2 a
"Suppose ^=2 ay then
tang, la^^^^^'''^^' ^_ + ^^"^- ?^).
R2 — tang, a tang. 2^
In the same manner by dividing equation (2) by (i)we find
. f , is cot. a cot* b — R2 J J- -J- -/.x u /<,\
cot. (^+/^):= ^ A L -. : and dividmg <4) by (3)
cot. O -f- cot. <7
4. / L\ cot. rtr cot. ^ + R
cot. (a—b)= - , -
cot. b — cot. a
When the three sides of a triangle are given, the angles may
be found by the formula
.in.^A=Rv/<^-%f--^).
where S represents half the sum of the sides a, b, and c,
DEMONSTRATION.
Let A H C be any triangle ; then, because in any triangle the
square of a side opposite an acute angle is equal to the square
of the other two sides minus twice the product of one of these
sides by the projection of the other side upon it,
WHISPERINGS OF AN OLD I'INE 17I
BC»=AB«+ACa-2 ABxAD.
Hence. Ap^AB' + A^^BC^
2 AB
But in the right-angled triangle A C D we have
R(AE) : AC:: COS. A(AF; : AD
„ . RXAD.
Hence. cos. A= — ^-^ — »
A v^
or by substituting the value of AD,
cos A-R X AB'+AO-BC«
COS. A_K X 2ABXAC '
Let a, by c represent the sides opposite the angles A, B, C,
then,
cos. A=R X — ~-T
2 b c
But 2 sin. 2 \ A=R2 — R cos. A.
Substituting for cos. A. its value given above, we obtain
2 sine * Jt A=: R2— R2 X - -, zzR-x /
2 b c 2 b c
R« X i^a-^-b—c) {a-^-c—b)
2bc '^^'
sine^ j.A = R^.X(-+*-0(--^+^)-
4 be
IfS = ^(^i+^ + r), then, after reduction,
sineiA=Rv/IS-*^<^-'").
V be
In the same manner we find
sine .V B=Rt (S-«)(S-r).
> ac
.sinciC=Rv''<'S-'^HS-^)..
> ab
172 ELLEN OR THE
"But why IS R2 — R2 X - j- =R2 v - - — r- — ?
2 a C 2 PC
I asked.
"Ellen will prove they are, she answered, which perhaps is
easier than to answer more directly.
Thus:
^ 2 b c 2bc
2b c 2b c 2 be '
(2). alsoR«X^'^'±'^-rA^-'-' =
^ ' 2bc
R2 2 /^6-fR2 ,^2 -R2 ^2 _R2 ^2 _
2 /^ <' "~
R22/^r R2^2 R2/;2 K2^2
2/^t" '2^r 2/^r 2b c ^
R2 , R2^2^R2*-^_R2r2
2 * <: 2 /^ r 2b c '
Same as ( i ).
Wm:>PERINt;S OK AN OLD PINE
173
XITT-
ii'T^HESE formulas are obtained and demonstrated by the
* manipulation of s>Tnbols, a way that Ellen does not
like at all in teaching principles although it may be very useful
tn obtaining certain results. For though conclusions obtained
arc true, as for instance that Dividing one formula by another
and considering that
sine a tan. a .
:=:—,, — we have
cos. a R
ieA-fs'"eB_sme ^(A + B) cos Jr ( A — H)_tang. ^(A+B)
doc A— sine H^sine J{A— B) cos. l ( A-f B)"'tang. i( A— B)
it does not tn the slightest degree, as Ellen has said before,
Struct the scholar in the fundamental principles which are
work, the tiling by far of most importance, and also the most
tJitc resting, indeed the only thing of interest in the matter ; and
the only possible way of intelligent instruction, or, as Ellen
thinkSt of instruction at all. The other way begins In igno-
rance and ends in ignorance; n(ft is it possible in such courses,
to get any intelligent conception of the order of creation; the
methods by which the universe is constructed,
"Thus the formula finally arrived at from the above expres*
iton ts^:
•The STiro of the sines of two arcs is to their difference, as the
It of half the sum of these arcs is to the tangent of half
ifi^ difiference/*'
Um^^
174 ELLEN OR THE
" And how would Ellen demonstrate this?" I asked.
" She would demonstrate it from the principles which under-
lie it/* she replied.
** In taking two arcs Ellen will select a quadrant and the least
little bit of an arc, theoretically the shortest possible. Then,
letting the longer arc remain constant, she will continuously
increase the shorter one until it is the least possible shorter
than a quadrant, or until it is a quadrant, for we are not limited
to different arcs.
" Of the first two arcs taken the sum of the sines will be the
least possible longer than a radius, and the difference, the least
possible shorter. Half the sum of the arcs will then be the least
possible more than 45^, the tangent of which is equal to the
radius.
"Hence the tangent of half the sum of these arcs is the least
possible longer than the radius, and of the half difference, the
least possible shorter. And we will have I plus an infinitesimal
quantity (the sum of the sines) : i minus an infinitesimal quan-
tity (their difference) :: i plus an infinitesimal quantity (the
tangent of half the sum of. the arcs) : i minus an infinitesimal
quantity (tangent of half their difference), which agrees with
the proposition. •
** If the smaller arc increases, the sum of the sines continu-
ously increases, and their difference proportionally decreases.
The same is true with the tangents of the half sum and half differ-
ence, so that, the proportion when the variable arc is the least
possible shorter than the quadrant, is, 2 minus an infinitesimal
quantity (the sum of the sines of the arcs) : an infinitesimal
quantity (their difference) :: longest possible quantity less than
USTLRINC
AN OLD
infifiity (tangent of half the sum of the arcs) ; the shortest pos-
sible quantity (tangent of half their difference), which again
is in accord with the proposition ; or, if the second one becomes
a quadrant, 2 : o:: infinity : o, which is a demonstration that
any quantity multiplied by o equals o.
"Again, where four proportionals» all dependent for their
variation upon the same variable, varying %vith it and only as it
varies, pass through all intermediate values, and finish together
still proportionals, they must be, as Ellen has shown in the
law of sines* all the time proportionals. It is impossible for
them to be otherwise,
"For these functions arc so connected that there is jtist so
much length in each, to be divided up for the separable
movements, it makes no difference how many of them there
are; Ellen assumes them to be infinite. The space passed over
consists of the sum of these movements, and as in each case
the corresponding movements constitute the relationship of
these functions, this relationship is equally continuous with the
movements."
•*But," I said, *' Ellen assumes continuous movements and
then she speaks about separate movements."
•'Continuous movements/' she answered, '*must be the sum
of separate movements, and so the particular distance which
the tangent, or any function of an arc, makes, when the arc is
leoglhencd ; that is, the corresponding mov^cments of the func-
tions, where such movements are longer than the movement of
the arcs, are composed of an indefinite number of separate
movements, and yet it makes a continuous movement, which
corresponds to another continuous movement made by the arc.
176 ELLES OR THE
'* And. IS ^^**^ has ^d, :n order that each condition should
exisc eacii f.incrii:a. rh.ir is each line, must be di\nded into the
same number :t parts: the arst part of each being used at the
same time, the second part next, and so continuously to the
lasr pan
" It may be rhat the space passed over in one of these func-
tions ar the same inscmr ot time is double, or a thousand times,
any number ot times, an Innnite number, greater than that
passed over by the arc. or another function, but the proportions
wi!I sell remain, for proportions do not consist of differences
but ot reLiti\-e cistances. Thus.
I : 4 :: 4 : i6: or.
rocoooo : 4000000 :: 4000000 : 16000000.
In one case \\*e have differences of 3 and 12, and in the other
oi jtooccoo and 1 2-000000. but the proportions are the same,
wh'ch means that the magnitudes 4 and 16 will contain the
ma^r. tuvics I a:: J. 4 the same number of times, that the macrni-
f.u:o> 4.XV000 and 1 0000000, will the magnitudes 1 000000 and
4^wooo.
" KIlea will now demonstrate this formula from a figure.
She will take two arcs AB and BD, also BE equal to
BO. rhen will AD be their sum. and A E their difference.
.-\nd the old Pine should always remember, especially when he
is studying Trigonometr\-, that half the sum plus half the differ-
once equals the greater quantit>' or number, and half the sum
minus half the difference the less.
'* Ellen will draw BH and DF. sines of the two arcs, and also
the arc AD', equal to the arc DB, and D' F' the sine of AD'
and equal to D F. She will also divide the double arc AD at
WHISPERINGS OF AN OLD PINE
177
the centre J, and bisect AE by CS, draw CBM, BW
equal to the sine F'D', CJTP, CE and CD, also CS' making
AS' equal to AS, and MTS AS' T' perpendicular to CA at
point A.
"Then is the angle ACT half the sum of the arcs, and
SC A or ACS' half their difference. And therefore TA is the
tangent of half the sum of the arcs, and S A or S' A the tangent
of half the difference.
"To prove that BH and F'D' the sum of the sines, is to
HW their difference, as T A is to S A.
"Draw BW equal to B W.
"Through S draw WZ, to the diameter extended at Z; and
through T the line W'TZ,. Then, because of the uniform
178 ELLEN OR THE
divergence of the sides of the angles at Z,W'HandMA
being parallel lines,
W'H :WH::TA : SA.
"Which was to be proved. For W'H is the sum and WH
the difference of the sines, and TA tangent of the half sum, and
SA tangent of the half difference, of the arcs AB and BD.
" The second expression is :
'The sum of the cosines of two angles is to their difference as the
cotangent of half the sum is to the tangent of half the difference.'
** If we take two angles, one of 90^ the other the least possi-
ble, we will have i minus an infinitesimal : i minus an infini-
tesimal::! minus an infinitesimal : i minus an infinitesimal —
which is a true proportion, the infinitesimals in each ratio being
equal. And this because the cosine of 90^=0, and the cotan-
gent and tangent of 45^=1.
" Should we take two angles of 90^ each, we will have o :
o::o : o.
"If we take one angle of 90° and the other of 45^, we will
have .707107 : .707107 :: .414214 : .414214; which again sus-
tains the proposition. And, as these proportions are con-
tinuous, as Ellen has proven, they must always exist.
"The third formula is;
* The sum of the sines of two arcs is to the sine of their sum, as the
cosine of half the difference of these arcs is to the cosine of half their
sum.'
*' Again Ellen will take a quadrant for one arc and the
least possible for the other ; and we will have I plus an infini-
WHISPERINGS OF AN OLD PINE 1 79
tesimal : i minus an infinitesimal :: .707107 plus an infinitesi-
mal : .707107 minus an infinitesimal, which Ellen considers very
correct mathematics, the infinitesimals in each ratio being
equal.
"This proportion she can easily prove to be continuous,
and therefore, to always take place between these functions.
" The fourth and fifth formulas admit of the same proof,
whether we take arcs whose relations are self-evident, or get the
values of the functions referred to
** Doubtless, too. figures might be drawn which would verify
these expressions, but the winds are cold,
* Whilst in the west fast fades the lingering light.*
" So Ellen will close Trigonometry with a brief statement of
the nature and origin of logarithms, and to do this she will
take the geometrical series of figures
I, 2, 4, 8, 16, 32, 64, 128, 256, 512, etc.
placing under them the arithmetical series
o, I, 2, 3, 4, s, 6, 7, 8, 9, etc.
"The multiplier of the geometrical series is 2, the ratio of
the arithmetical i , and any number in the arithmetical series
expresses the number of times that 2 has been used as multi-
plier— multiplying each time the product of the previous multi-
plication,— to produce the corresponding figure of the upper
or geometrical series. Thus 2 shows that the product of the
upper series has been taken twice — 1x2=2, 2X2=4; 3 that
it has been taken 3 times — i X2=2, 2x2=4, 4X2=8, etc.
l80 ELLEN OR THE
"And therefore the numbers of the lower line represent the
power to which this second figure of the geometrical series
must be raised to correspond to the number of this power in the
arithmetical series; and hence the sum of two logarithms —
as we will now call the lower figures, from the Greek words
logon arithmos, number of ratios — is equal to the logarithm of
their product.
**Thus 9=3+6, is the logarithm of 512, the product of the
corresponding numbers 8 and 64. That is, it represents the
power to which the base of the system must be raised to equal
512.
"And therefore, too, the difference of any two logarithms is
the logarithm of their quotient Thus 3, the difference of 3 and
6, is the logarithm of the quotient of their corresponding
numbers 8 and 64.
"A multiple of any logarithm is the logarithm of the number
corresponding to one factor raised to the power of the other
factor. Thus 12, which equals 3X4, is the logarithm of 4096,
which equals the 4th power of 8, or the 3d power of 16.
" And a submultiple of a logarithm is the logarithm of the cor-
responding root of its number. Thus 3 the submultiple of 9 is
the logarithm of 8, the third root of 512.
"And this because the greatly increased advance of the upper
series is thus represented. It is entirely regular, as is also that
of the lower series, and though the upper series gains at a con-
stant and soon at a terrific pace, the expression of it is easily
made by the lower series, which is not at all daunted at the
speed of the upper, but which proceeding in its moderate
pace defines it.
nSPERINGS OF AN OLD PINE
I^I
**That is, through the fixed relationship of the lower figures
the upper, with complete tables of numbers and their cor-
sponding logarithms, multiplication may be accomplished by
.<idition, division by substraction, involution by multiplicationi
Lod evolution by division.
** It is evident that the base may be any number, integer or
vaction; that is, the same relationship will exist between a
^geometrical and arithmetical series, arranged as above, whatever
iDase is used in the geometrical series.
The most common system for general use is that of Prof.
^Kenry Brrggs of London, England, in which the base is lO,
This was introduced by Mr. Briggs in 1615. He calculated
^during his life the logarithms of 30,000 numbers to the new
\)ase, and by 1628 the logarithms of all numbers to 100,000 had
been computed.
"In the Briggs system the logarithm of 10 is i ; of 100, 2;
of 1,000, 3, etc. The logarithms of intermediate numbers
arc fractional which may be calculated by the principles of
mathematics, the most convenient method being by the alge-
braic analysis in which the logarithms are considered as powers
of the base. Thus; io°^l, iq-soi 080-.2, lo"*^^!^*— 3,
10* = 100, etc.
"As the logarithm of 1 is assumed to be o, the logarithms of
numbers less than Tare considered negative. Thus the log-
arithm of i would be — ,30103, but for convenience in working
this is written 1.69897(=— .50103) the integral figure (or
figures when used) being marked with a minus sign.
•*For more complete analysis of this subject Ellen will refer
the old Pine to Chambers* Encyclopedia.
'■^■-^
1 82
ELLEN OR THE
"The old Pine must see because he is very tall, and accus-
tomed to commanding views, that a system of logarithms is an
ingenous method to lessen work in complicated mathematical
operations, by means of work already done, and properly
arranged in tables.
PART II
THE
UNDULATORY THEORIES
THE ItEW YORK
^OfeirC LIBRA KY
WHISPERINGS OF AN OLD PINE
[UNE again was blossoming above our hills. The great
winter, with its frozen plains of snow that glisten so beau-
i fully in the calm days beneath the sunshine, or cold and for-
bidding repel the embrace of wind and storm, — ^had departed,
I ^nd in its stead the soft, fond zephyrs of the loving sniiirner
j lingered above hill and dale.
Hundreds of years the old Pine has noticed these changes;
^■Irbere the mountains dwell upon the western sky; where they
^HXtcnd in rising column at the north, or in long lines melt awav
^Hn the south; or where in the grandeur of beauty and like the
^fbiUowed surface of a great sea they glide to the extreme east,
Hrmnd there m the highest forms reflect the first beams of the
! morning light.
Watching the beauty of this scene, viewing not only the
[millions of trees that dot the mountains and the hillsides, but
the landscape as a whole, comprising a number of com-
mountain ranges, and diversified with thousands of fields
ad homes, with rock, plane and river, — a soft, familiar step
broke on my ear.
At this moment the golden rim of the sun was lifted above
tic eaistern horizon. At the same moment the pride of our
stepped from the bushes upon the rocks; and, turning
4 ELLEN OR THE
gazed at all the glories of the morning now so rapidly spread-
ing from sky to earth.
* Full many a glorious morning have I seen,
Flatter the mountain-tops with sovereign eye ;
Kissing with golden face the meadows green,
.Gilding pale streams with heavenly alchemy.*
For many minutes Ellen watched the wondrous scene, then
turning again, came towards me. A little laugh shook the new-
born leaves.
"It's Ellen," she said, "come so early in the morning to see
her favorite tree."
" And to make another long visit," I said. " Surely when
Ellen doesn't come but once a year, she will make the old Pine
a good, long visit?"
"Yes," she answered, "if the old Pine does everything to
please her."
" And the old Pine will certainly try," I said. " He always
tries ; for he loves Ellen, and there is nothing which he could,
that he would not do for her."
"Well," she continued, "here is Ellen, come to redeem her
promises. For Ellen told the old Pine that at some time she
would discuss with him the undulatory theories."
"Yes," I said, "and the old Pine will be very much inter-
ested to hear what Ellen has to say about them ; for he judges
from what she said that she does not believe in them."
" No, indeed, she does not," she replied ; " for Ellen can
never believe in anything that hasn't the sanction of common
sense, and these theories arc wholly at variance with it."
She threw aside the light shawl that she carried on her arm,
and again seated herself upon the rocks near me.
WHISPERINGS OK AK OLD PINE
And now, Mr. Pine/* she said, ** Ellen will criticise the
"^iheory of sound which has been accepted substantially by all
^ttihe scientists, and for some centuries has been taught and is
:anow taught in nearly if not every school and college on earth.
'Xn doing this Ellen wants to make an apology for herself. For
^she is really ashamed to waste time on a theory of such pre-
^posterous character and monstrous inconsistencies.
*' And first she will quote what Mr Ganot in his text book
^^n Physics, of world-wide circulation, has to say in reference to
'^he undulatory theories, showing that he has no faith in them*
IHe could not make the admission that he does if he had,
Tor he teaches them in his book, and certainly if a man really
Relieved a thing he wouldn't say that it is completely
linknown. The book is prepared for the market, but evidently
he perceives the intrinsic falsity of these theories, and realizes
tliat this, in time, must be exposed. He says (Chapter I..
page 5, Fourteenth Edition) :
•In our attempts to ascend from a phenomenon to its cause, we
assume the existence of physical agents^ or natural forces acting upon
matter ; as eitamples of such we have gravitation^ heat^ lights magnttism
and eifctricity,
* Since these physical agents are disclosed to us only by their effects,
their intimate nature is completely unknown. In the present state of
idcDcei we cannot say whether they are properties inherent in matter,
or whether they result from movements impressed on the mass of sub-
tile and imponderable forms of matter diffused through the universe.*
**Hc doesn't mention sound, does he, Ellen?"
**No/* she said, '*but he mentions light, the undulatory
theory of which arose entirely from the supposed analogy of
13
'^1
6 ELLEN OR THE
light to sound. That they belong in the same category is
beyond question ; nor, so far as Ellen knows, does any one dis
pute this. MnTyndalU in his book on Sound* page 43, says:
'The action of sound thus illustrated is exactly the same as that of
light and radiant heat. They, like sound, are wave-motions. Like
sound they diffuse themselves in space, diminishing in intensity
according to the same law. Like sound also, light and radiant heat,
when sent through a tube with a reflecting interior surface, may be con-
veyed to great distances with comparatively little loss. In fact, every
experiment on the reflection of light has its analogy in the reflectioa^
of sound. On yonder gailer)' stands an electric lamp^ placed close tof
the clock of this lecture-room. An assistant in the gallery ignites the
lamp, and directs its powerful beam upon a mirror placed here behind
the lecture- table. By the act of reflection the divergent beam is con-
verted into this splendid luminous cone traced out upon the dust of the
room. The point of convergence being marked and the lamp extin-
guished, I place my ear at that point. Here every sound-wave sent
forth by the clock and reflected by the mirror is gathered up, and the
ticks are heard as if they came^ not from the clock, but from the mirror*
Let us stop the clock, and place a watch u% Fig. 1, at the place
occupied a moment ago by the electric light At this great distance the
WHISPERINGS OF AN OLD PINE 7
king of the watch is distinctly heard. The hearing is much aided by
introducing the end / of a glass funnel into the ear, the funnel here
3U!ting the part of zn ear- trumpet. We know, moreover, that in optics
the positions of a body and of its image are reversible. When a candle
is placed at this lower focus, you see its image on the gallery above, and
I have only to turn the mirror on its stand to make the image of the
Rawc fall upon any one of the row of persons who occupy the front seat
in the gallery. Removing the candle, and putting the watch in its
place* the person on whom the light fell distintly hears the sound.
When the car is assisted by the glass funnel, the reflected ticks of the
clock in our first experiment are so powerful as to suggest the idea of
something pounding against the tympanum, while the direct ticks are
scarcely^ if at all, heard.'
'Sound, like light, may be reflected several times in succession, aiid,
&$ the reflected light under these circumstances becomes gradually
feebler to the eye, so the successive echoes become gradually feebler to
the ear/
•* Again Mr. Tyndall says, after giving experiments on
sound (* Heat a Mode of Motion,* pages 274-275) :
•UT\yare these experiments on sound performed? Simply for the
purpose of giving you clear conceptions regarding what takes place in
Ibc c^se of heat ; to lead you from the tangible to the intangible ; from
the region of sense into that of theory.
'After philosophers had become aware of the manner in which sound
wns produced and transmitted, analogy led some of them to suppose
that light might be produced and transmitted in a somewhat similar
manner. And perhaps, in the whole htstorj' of science, there was never
a question more hotly contested than this one. Sir Isaac Newton, as
indicated in our second lecture, supposed light to consist of minute
pgirticles, darted out from luminous bodies. Huyghens, the contem-
8 ELLEN OR THE
porary of Newton, found great difficulty in admitting this cannonade of
particles ; or in realizing that they could shoot with inconceivable
velocity through space, and yet not disturb each other. This celebrated
man entertained the view that light was produced by vibrations, similar
to those of sound.'
« « « « « « ' «
^The authority of Newton bore these men down, and not until a man
of genius within these walls took up the subject, had the Theory of
Undulation any chance of coping with the rival Theory of Emission.
To Dr. Thomas Young, formerly Professor of Natural Philosophy in the
E.oyal Institution, belongs the honor of stemming this tide of authority,
and of establishing, on a safe basis, the Undulatory Theory of light.
Great things have been done in this edifice ; but scarcely a greater
thing than this. And Young was led to his conclusion regarding light,
by a series of investigations on sound. He, like ourselves at the present
moment, rose from the known to the unknown, from the tangible to the
intangible.*
** And so the old Pine will see that if either one of the undu-
latory theories is proven untrue, they are all proven untrue."
** But what is the theory which you condemn, Ellen?"
I asked.
" It is too silly to explain," she continued. *' Let those
explain it who believe it, if any such there are."
** But," I said, '* Ellen, it will be impossible for us to discuss
it intelligently without a statement of what it is."
**It is impossible," she replied, "to give any intelligent state-
ment of it, for it is too absurd to admit of one. The text
books say that
'Sound is the peculiar sensation excited in the organ of hearing by
the vibratory motion of bodies, when this motion is transmitted to the
ear through an elastic medium.' — Ganot
WHISPERINGS OF AN OLD PINE
'The impression which the mind receives through the organ of hear-
ing is called sound. But the same word is constantly used to signiiy
^^at progressive vibratory movement in a medium by which the impres-
9iOD is produced, as when we speak of the velocity of sound/ — Oimsied,
•* From these definitions — and all text books, so far as Ellen
Vnows. furnish similar ones — it appears that the undulatory
theory cannot be explained with one definition, which alone
suggests its falsity. For by this theory it is necessary to con-
sider sound subjective and objective, both of which it cannot
possibly be. Subjectively, sound is assumed to be a sensation
produced by what is called a mode of motion; that is, by the
mere movement of something. But in discussing sound the
speed of this movement is spoken of as the speed of sound.
And hence by this theory a certain kind of movement,
of a thousand different things* more or less, is sound.
If this is the theory, why say that the impression which the
mind receives through the organ of hearing is sound?
One of the two possibly might be something called sound;
both of them certainly cannot be the same thing. One may
believe in realism or idealism, but it is impossible that he
should believe in both.
**0n another page, Mr. Ganot says: *The velocity of sound
at zero may be taken at 1093 feet per second/ Using Mr.
Ganot's previously given definition of sound — that is, transpos-
ing, under the axiom that things which are equal to the same
things are equal to each other — and we have: *The velocity of
the peculiar sensation excited in the organ of hearing by the
vibratory motion at zero, may be taken at 1093 feet per second.*
**'rhc old Pine will see that there is no possible sense to this
lO ELLEN OR THE
last, except under supposition that the peculiar sensation, etc.,
is an entity with the power of traveling, which at some time
must exist outside of the organ of hearing in order to travel
1093 feet in a second. But this is manifestly absurd, and so
the whole theory, however taken, is absurd and impossible.
Surely the old Pine must see that the theory is incredible, and
that it is unnecessary to discuss it further."
**Yes," I said, "the old Pine does see. But as this theory
is universally accepted in science, he hopes that Ellen will
continue to expose its absurdities. But is it not true, Ellen,
that words are sometimes used, by trope or metaphor, with
double meaning?"
"Yes," she replied, "that is sometimes done, but always there
is a primitive and fixed meaning of the word which makes the
trope possible. Thus, when we say that a man is a fox, the
word fox is used metaphorically to signify that the man has the
crafty characteristics of that animal. But, of course, the term
would not be thus used except as its usual signification is per-
fectly understood. Besides, such use would be entirely out of
place in scientific discussion. In any proper signification of
words, the peculiar sensation excited in the organ of hearing,
referred to, is hearing and not sound, just as a similar sensation
excited in the organ of tasting is tasting and not flavor, or in the
organ of smelling is smelling and not odor. Sound, like odor
or flavor, is the exciting substance. Hearing, like tasting or
smelling, is the subjective action or result. Any theory that
does not make this distinction is crude and worthless. It is
upon its face a humbug.
TPE NEW YORK
PUBLIC LIBRARY
WHISPERINGS OF AN OLD PINE
13
II.
V
NDER 'Copernicus* the British Encyclopsedia says:
' He sought by a comparative study of the various astronomical sys-
tems of the ancients to evolve from them a single system at once simple
md consistent.'
•'Thus arose the Coper nica 11 system, In which all the planets
revolve around the sun, superseding the Ptolemaic, in which
Mercury and Venus revolved around the siin» whilst itself^ with
Mars, Jupiter, and Saturn, moved round the earth. In this case
the error of thousands of years' standing, which supposed the
action of the planets to be controlled by different laws, was
corrected ; and so Ellen would correct a similar error, of
equally long standing, \vhich makes the senses governed by
different laws; or, rather, assumes that two of them act without
cause, which places them outside of all law.
'•These senses are touch, taste, smell, hearing, and sight.
We know that in order to experience the sense of touch there
is and must be contact with a substance. It is impossible to
obtain the result without this. And so in regard to taste;
there is no taste possible unless there is something to
be tasted.
"Next comes odor. And this is so pertinent to the subject
that Ellen is discussing, that she wilt quote at length from an
14 ELLEN OR THE
article on Odors, by the noted French scientist and writer, Fer-
dinand Papillon, as follows :
'Descartes, Leibnitz, and all the great minds of the seventeenth cen-
tury, believed that phenomena are such interdependent parts of one
whole, that they require to be explained by each other, and conse-
quently, that a very close mutual connection should be maintained
among the sciences. In their view, this was the condition of rapid
advance and intelligent development. The experimental method, con-
stant to systematic obstinacy in erecting so many barriers between the
different sections of natural philosophy, has greatly hindered the com-
pleteness of whatever knowledge we possess as the result of mutual
interaction among all truths. At this day, such barriers are tending to
vanish of their own accord, and the science of man in his relations with
external media begins to show the outlines of its plan and harmonj.
AVe have before this sketched several of its chapters, and we will
endeavor now to write another, on the subject of odors.
'The seat of smell, or the olfactory sense, is the pituitary membrane
lining the inner wall of the nostrils. It is a mucous surface, laid in
irregular wrinkles, and receiving the spreading, slender, terminal fila-
ments of a certain number of nerves. This membrane, like all other
mucous ones, constantly secretes a fluid designed to lubricate it. By
the aid of the muscles covering the lower part of the nostrils, the
apparatus of smelling can be dilated or contracted, precisely like that of
sight. This understood, the mechanism of olfaction is quite simple.
It consists in the contact of odorous particles with the olfactory nerve.
These particles are conveyed by the air to the inside of the nasal cavi-
ties, and there strike upon the sensitive fibres. If the access of air is
prevented, or if the nerve is altered, no sensation is produced. Experi-
ments in physiology, in fact, have settled that the olfactory nerves (or
WHISPERINGS OF AN OLD PINE 1 5
those of the first pair) are assigned exclusively to the perception of
odors. Loss of the sense of smell occurs whenever the nerves are
destroyed or injured by any process, or even whenever they are merely
compressed. On the other hand, it is a matter of common observation
that impeding the passage of air into the nostrils is quite as effectual
a way of making any sort of olfactory sensation impossible. Let us
add, that the region most sensitive to odors is that of the upper part
of the nasal cavaties. There are, as we shall notice in proceeding,
considerable differences as regards the degree of sensitiveness in this
sense of smell, comparing one man with another. But it is a still
more singular fact that sometimes, without apparent cause, the sense
is utterly wanting. In other cases it is unaffected by the action of
certain odors only, an analogous infuinity to that which students of
the eye call daltonism^ and which consists in the perception of certain
colors only. We find in scientific annals the case of a priest who was
insensible to all odors except that of decayed cabbage ; and another,
of a person to whom vanilla was entirely without scent. Blumenbach
speaks too of an Englishman, with all his senses very acute, who
jjerceived no perfume in mignonette.
' Olfaction is sometimes voluntary, sometimes involuntary. In the
former case, by an act which is called scenting something, and is re-
sorted to for the sake of a keener sensation, we first close the mouth,
and then sometimes draw in a full breath, sometimes a succession of
short, quick inspirations. Then the muscular apparatus edging the
opening of the nostrils comes into play, to contract that orifice, and
point it downward, so as to increase the intensity of the current of
inhaled air. When, on the contrary, we wish to smell as little as pos-
sible, the organ becomes passive. We effect strong exspirations by the
nose to drive out the air that produces scent, and inhalation, instead
of being performed by the nostrils, instinctively takes place through
the mouth.
1 6 ELLEN OR THE
' Scents and the sense of smell have an important share in the phe-
nomena of gustation, that is, there is a close connection between the
perception of odors and that of tastes. Physiological analysis has
clearly brought out the fact that most of the tastes we perceive proceed
from the combination of olfactory sensations with a small number of
gustatory sensations. In reality, there are but four primitive and
radical tastes — sweet, sour, salt, and bitter. A very simple experi-
ment will convince us of this fact. If we keep the nostrils closed
when tasting a certain number of sapid substances, so as to neutralize
the sense of smell, the taste perceived is invariably reduced to one
of the four simple savors we have just named. Then, whenever the
pituitary membrane is out of order, the taste of food is no longer the
same ; the tongue distinguishes nothing but sweet, sour, salt, or bitter.
' It is time now to begin the study of the physiological and chemical
conditions of smell, and for this we must first inquire how odorous sub-
stances behave with regard to the medium which separates them from
our organs. Provost, in an essay published in 1799 on the means of
making emanations from odorous bodies perceptible to sight, was the
first to bring to view the fact that certain odorous substances, solid or
fluid, placed on moistened glass, or in a saucerful of water, instantly
act on those molecules of the liquid which they touch, and repel them
more or less, producing a vacuum. He judged that this method might
serve to make odors sensible to sight, and enable us to distinguish
odorous from inodorous bodies. These movements of odorous bodies
on the surfaces of liquids, of which camphor particularly gives so curious
an instance, have lately been studied with the greatest care by a French
physiologist, with a view to establishing a theory of odors. With this
purpose Li^geois has examined most of the odoriferous substances, and
has ascertained that almost all of them perform various motions of cir-
culation and displacement on the surface of water, resembling those
noted with camphor. Some act precisely as camphor does. Among
^*AN OLD riNE
hcse are benzoic acid, succinic acid, the rind of bitter oranges, etc.
With others, motion soon stops, for they are quickly surroonded by an
oily fiJm which keeps them confined. Some must be reduced to
powder before the phenomenon takes place* As regards odorous
liquids, it occurred to Li^geois to saturate very light and spongy seeds,
themselves odorless, with them, and he then found, on throwing the
aecdB on water, that circulatory and displacing movements took place,
OS with other substances. He concluded, from a series of experiments
methodically tried, that the motions in question must be attributed,
not to a release of gas, acting in the manner of a reroil, but simply to
the separation and rapid diffusion, within the water, of the odorous
particles. The volatility of substances cannot be admitted to have any
part in explaining the phenomenon. It depends wholly on the affinity
of fluids for the odorous particles, and also for those of fatty matter.
Li^geois found, for instance, that a drop of oil put on the surface of
water, without sensibly lessening in size, emits an enormous quantity of
microscopic droplets, which are diffused through the mass of the water.
Aromatic essences produce a like effect. Though insoluble in water,
they have a powerful tendency to disperse themselves throughout it,
asDd water that receiver a very small quantity of the odoriferous prin-
ciptep in the shape of extremely fine powder, has enough to gain their
perfume completely. Lidgeois's experiments give proof of the most
diligent labors and of praiseworthy sagacity. Science has accepted
them with satisfaction, and, after employing them usefully, will preserve
the memory of their author, taken away in the flower of his age, at the
outset of a noble career as a physiologist and surgeon.
' It seemed, to quote his words, as though in these experiments we
were assisting at the formation of the odorous molecules. Those
delicate atoms emitted from odorous substances and diffused through
the atmosphere are, in fact, the very same that impinge on ottr pitui-
tary membrane, and give us the sensation of odors. Moreover, facts
-»- ■■^^
1 8 ELLEN OR THE
long ago observed display this revealing action, so to call ft, of water
upon odors. At morning, when the verdure is moist and the flowers
covered with sparkling pearls of dew, a fresher and baknier fragrance
exhales from every plant. It is the same after a light shower. Vege-
tation gains heightened tints, at the same time that it diffuses more
fragrant waves of perfume. We remark an effect of the same kind in
the physiological phenomenon of taste. The saliva serves as an excel-
lent vehicle for diffusing the odorous principles ; then the movements
of the tongue, spreading that fluid over the whole extent of the cavity
of the mouth, and thus enlarging the evaporating surface, are clearly of a
kind to aid the dispersion of the odorous principles, which, as we have
seen, take a considerable part in the perception of tastes.
' Now, in the phenomenon of smell, air acts in the place of water.
It seizes the odorous particles and brings them into contact with the
pituitary membrane. It is the vehicle, the solvent, of those extremely
subtile atoms which, acting on the delicate fibres of the nerve, produce
in it a special movement, which translates itself into the most varied
sensations. Oxygen, and the existence m that gas of a certain pro
portion of odorous molecules, are the two essential conditions of this
phenomenon.
* Such is, at least, the result of earlier experiments, and of those per-
formed of late years by Nickl^s. A curious fact, well worthy of atten-
tion, is the remarkable diffusibility and degree of subdivision exhibited
by some odorous substances. Ambergris just thrown up on the shore
spreads a fragrance to a great distance, which guides the seekers after
that precious substance. Springs of petroleum-oil are scented at a very
considerable distance. Bartholin affirms that the odor of rosemary at
sea renders the shores of Spain distinguishable long before they are in
sight. So, too, every one knows that a single grain of musk perfiunes
a room for a whole year, without sensibly losing weight. Haller
relates that he has kept papers for forty years perfumed by a grain
WHISPERINGS OF AN OLD PINE 19
of amber, and that they still retained the fragrance at the end of
that time. He remarks that every inch of their surface had been
impregnated by 1-2,691,064,000 of one grain of amber, and that they
had perfumed for 1 1,600 days a film of air at least a foot in thickness.
Evidently the material quantity of the odorous principle contained in a
given volume of such air is so minute as to elude imagination.
* Odors, to be perceived, must be taken up by oxygen, and borne by
it to the organ of smell.
• «•«««««
* The learned and capable author, Piesse, in his work on " Odors, Per-
fumes, and Cosmetics," says: "Odors seem to affect the olfactory
nerves in certain definite degrees, as sounds act on the auditory nerves.
There is, so to speak, an octave of smells, as there is an octave of tones ;
some perfimies accord, like the notes of an instrument. Thus almond,
vanilla, heliotrope, and clematis, harmonize perfectly, each of them
producing almost the same impression in a different degree. On the
other hand, we have citron, lemon, orange peel, and verbena, forming a
similarly associated octave of odors, in a higher key. The analogy is
completed by those odors which we call half-scents, such as the rose,
with rose-geranium for its semitone ; ' petit-grain ' and neroli, followed
by orange-flower. With the aid of flowers already known, by mixing
them in fixed proportions, we can obtain the perfume of alnwst all
flowers."
"Again Mr. Papillon says:
'To complete these details, it remains to say something of the delu-
sions of the sense of smell ; for this sense, like the others, has its aber-
rations and hallucinations. The delusions of smell are hardly ever
isolated ; they accompany those of hearing, sight, taste, and touch, and
are also less frequent than the latter.
20 ELLEN OR THE
" And again :
' The intensity and delicacy of the sense of smell vary in mankind
among different individuals, and particularly among different races of
men. While some persons are almost devoid of the sense of smell,
others, whose history is related in the annals of science, have displayed
a refinement and range in the distinction of odors truly wonderfuL
Woodward, for instance, mentions a woman who foretold storms several
hours before their coming, by the help of the sulphurous odor, due
probably to ozone, which she perceived m the atmosphere. The
scientific journals of the day relate the account of a young American
girl, a deaf-mute, who, by their odor alone, recognized the plants of
the fields which she collected. Numerous instances, moreover, prove
that in savage races this sense is very greatly more developed than
among civilized men.
' But it is among the other mammals that we find the sense of smell
displayed in its highest degree of power and perfection. Among rumi-
nants, some pachyderms, and particularly among carnivorous mammals,
the olfactory membrane attains the keenest sensitiveness. Buffon has
described these animals with extreme exactness, in saying that they
smell farther than they see, and that they possess in their scent an eye
which sees objects not only where they are, but even wherever they
have been. The peculiarity of scent in the dog is too well known to
need more than an allusion.
• ###«•#«
' Alexander von Humboldt relates that in Peru, and other countries of
South America, when it is intended to take condors, a horse or cow is
killed, and that in a short time the smell of the dead animal attracts
a great number of these birds, though none had before that been seen
in the country. Other more extraordinary facts are told by travelers.
WHISPERINGS OF AN OLD PINE 21
' What, now, is the chemical nature of the odorous principles in
plants ? The chemistry of to-day reduces almost all of them to three
categories of well-ascertained substances : hydrocarburets, aldehydes,
and ethers. We will endeavor to give a clear account of the constitu-
tion of these thr^e kinds of substances, and to mark their place in the
register of sci'*nce. The hydrocarburets are simple combinations of
carbon and hydr^/gen, as, for instance, the petroleum-oils. They rep-
resent the simple compounds of organic chemistry. As to aldehydes
and ethers, their composition is rather more complex ; besides carbon
and hydrogen, they contain oxygen. Every one knows what chemists
mean by an alcohol ; it is a definite combination of hydrogen, carbon,
and oxygen, neither acid nor alkaline, which may be regarded as the
result of the union of a hydrocarburet with the elements of water.
Common alcohol, or spirits of wine, is the type of the most important
series of alcohols, that of the mono-atomic alcohols. Chemists repre-
sent it by the formula C'H^O, to indicate that a molecule of it arises
from the union of two atoms of carbon with six atoms of hydrogen and
one of oxygen. Independently of the alcohols, which are of great
number and varying complexity, organic chemistry recognizes another
class of bodies, of which vinegar is the type, and which receive the
name of organic acids, to mark their resemblance to mineral acids,
siich as oil of vitriol or aqua-fortis. Now, every alcohol, on losing a
certain amount of hydrogen, gives rise to a new body, which is called
an aldehyde ; and every alcohol, on combining with an acid, produces
what is called an ether. These rapid details allow us to understand
precisely the chemical character of the essences or essential oils which
plants elaborate within their delicate tissue. Except a small number
among them which contain sulphur, as the essences of the family of
crucifers, they all present the same qualitative composition — carbon and
hydrogen, with or without oxygen. Between one and another of them
merely the proportion of these three composing elements varies, by
22 ELLEN OR THE
regular gradations, but so as always to correspond either to a hydrocar-
buret, or to an aldehyde, or to an ether. In this case, as in almost the
whole of organic chemistry, every thing is in the quantity oi the com-
posing elements. The quality is of so little importance to Nature, that^
w/iiU following always the same laws, and constantly using the same
materials^ she can, by merely changing the ponderable relations of the
latter, produce, by myriads of various combinations, myriads of sub-
stances which have no resemblance to each other.
• •••••••
'Such is the chemical nature of most of the odorous principles of
vegetable origin. But chemistry has not stopped short with ascertain-
ing the inmost composition of these substances; it has succeeded in
reproducing quite a number of them artificially, and the compounds
thus manufactured, wholly from elements, in laboratories, are absolutely
identical with the products extracted from plants. ♦ • * An
Italian chemist, who was then employed in Paris, Piria, in 1838, was
the first who imitated by art a natural aromatic principle. By means of
reactions suggested by theory, he prepared a salicilic aldehyde, which
turned out to be the essence of meadow-sweet, so delicate and subtile
in its odor. A few years later, in 1843, Cahours discovered methylsali-
cilic ether, and showed that it is identical with the essence of winter-
green. A year after, Wertheim composed essence of mustard, while
believing himself to be making only allylsulphocyanic ether. ♦ ♦ ♦
Nowadays the chemist possesses the means of creating many other
natural essences. Common camphor, essence of bitter-almonds, that
of cummin and of cinnamon, which are aldehydes, as we have seen, may
be prepared without camphor-leaves or almonds, without cummin or
cinnamon. Besides these ethers and aldehydes whose identity with
essences of vegetable origin has been proved, there exist, among the
new bodies known to organic chemistry, a certain number of products
formed by the union of cgmmon alcohol or amylic alcohol with differ-
WHISPERINGS OF AN OLD PINE 23
ent acids, that is to say, of ethers, which have aromatic odors more or
less resembling those of some fruits, but as to which it cannot yet be
affirmed that the odors are due to the same principles in both cases.
However this may be, perfumers and confectioners, more industrious
and wide-awake than chemists, have immediately made good use of
these properties. Artificial aromatic oils made their first appearance at
the World's Fair of London in 1851. There was there exhibited
a pear-oil, diffusing a pleasant smell like that of a jargonel, and employed
to give an aroma to bonbons. This product is nothing else than a solu-
tion of amylacetic ether in alcohol. Apple-oil was exhibited beside the
pear-oil, having the fragrance of the best rennets, and produced by dis-
solving amylvaleric ether in alcohol. The commonest essence was that
of pineapple, which is nothing else than ordinary butyric ether.
There was observed, too, an essence of cognac, or grape-oil, used to
impart to poor brandies the highly-prized aroma of cognac. The
product which was then, and still is, the most important article of
manufacture, is the essence of " mirbane," which very closely resembles
in its odor that of bitter almonds, and which commerce very often sub-
stitutes for the latter. Essence of mirbane is nothing else than nitro-
benzine, which results from the action of nitric acid on benzine.
Benzine, in turn, is met with among the products of distillation of tar,
which also yield the substances used in preparing those beautiful colors
called aniline. Besides the essences we have just mentioned, which are
gaining an increasing importance in the manufacturing arts, artificial
essences of quinces are also prepared, and essences of strawberries, of
rum, etc. All these preparations serve, it must be admitted, to give an
aroma to the cordials, confectioneries, and sweetmeats, which are so
largely sold nowadays. In other words, the products of industry are
constantly taking the place of those of Nature more and more.' "
24 ELLEN OR THE
III.
ii
THE fact that all odors are substantial is beyond question.
And yet it was at this point that the scientists made their
first drift from the canons of common sense, by assuming and
asserting that odor was what is called a mode of motion.
Thus the celebrated English philosopher and scientist, Thomas
Hobbes (i 588-1679), wrote:
* For the finding out the cause of smells^ I shall make use of the evi-
dence of these following phenomena. First, that smelling is hindered
by cold, and helped by heat. Secondly, that when the wind bloweth
from the object, the smell is stronger ; and, contrarily, when it bloweth
from the sentient toward the object, the weaker; both which phe-
nomena are, by experience, manifestly found to be true in dogs, which
follow the track of beasts by the scent. Thirdly, that such bodies, as
are less pervious to the fluid medium, yield less smell than such as are
more pervious ; as may be seen in stones and metals, which, compared
with plants and living creatures, and their parts, fruits and excretions,
have very little or no smell at all. Fourthly, that such bodies, as are of
their own nature odorous, become yet more odorous when they are
bruised. Fifthly, that when the breath is stopped, at least in men,
nothing can be smelt. Sixthly, that the sense of smelling is also taken
away by the stopping of the nostrils, though the mouth be left open.
* By the fifth and sixth phenomenon it is manifest, that the first and
immediate organ of smelling is the innermost cuticle of the nostrils, and
that part of it, which is below the passage conmion to the nostrils and
THE NEW YORK
PUBLIC LIBRART
ASiOr,, LUNOX AND
TlLDitN rC'.'NrJATlONJ
WHISPERINGS OF AN OLD PINE 2/
the palate. For when we draw breath by the nostrils we draw it into
the lungs. That breath, therefore, which conveys smell is in the way
which passeth to the lungs, that is to say, in that part of the nostrils
which is below the passage through which the breath goeth. For,
nothing is srfielt, neither beyond the passage of the breath within, nor
at all without the nostrils.
' And seeing that from different smells there must necessarily proceed
some mutation in the organ, and all mutation is motion ; it is therefore
also necessary that, in smelling, the parts of the organ, that is to say of
that internal cuticle and the nerves that are mserted into it, must be
diversely moved by different smells. And seeing also, that it hath been
demonstrated, that nothing can be moved but by a body that is already
moved and contiguous ; and that there is no other body contiguous to
the internal membrane of the nostrils but breath, that is to say attracted
air, and such little solid invisible bodies, if there be any such, as are
intermingled with the air; it follows necessarily, that the cause of
smelling is either the motion of that pure air or ethereal substance, or
the motion of those small bodies. But this motion is an effect pro-
ceeding from the object of smell, and, therefore, either the whole object
itself or its several parts must necessarily be moved. Now, we know
that odorous bodies make odor, though their whole bulk be not moved.
Wherefore the cause of odor is the motion of the invisible parts of the
odorous body. And these invisible parts do either go out of the object,
or else, retaining their former situation with the rest of the parts, are
moved together with them, that is to say, they have simple and invisible
motion. They that say, there goes something out of the odorous body,
call it an effluvium ; which effluvium is either of the ethereal substance,
ot of the small bodies that are intermingled with it. But, that all
variety of odors should proceed from the effluvia of those small bodies
that are intermingled with the ethereal substance, is altogether incred-
ible, for these considerations ; first, that certain unguents, though very
28 ELLEN OR THE
little in quantity, do nevertheless send forth very strong odors, not only
to a great distance of place, but also for a great continuance of time,
and are to be smelt in every point both of that place and time ; so that
the parts issued out are sufficient to fill ten thousand times more space,
than the whole odorous body is able to fill ; which is impossible. Sec-
ondly, that whether that issuing out be with straight or with crooked
motion, if the same quantity should flow from any other odorous body
with the same motion, it would follow that all odorous bodies would
yield the same smell. Thirdly, that seeing these effluvia have great
velocity of motion (as is manifest from this, that noisome odors pro-
ceeding from caverns are presently smelt at a great distance) it would
follow, that, by reason there is nothing to hinder the passage of those
effluvia to the organ, such motion alone were sufficient to cause
smelling ; which is not so ; for we cannot smell at all, unless we draw in
our breath through our nostrils. Smelling, therefore, is not caused by
the effluvium of atoms ; nor, for the same reason, is it caused by the
effluvium of ethereal substance ; for so also we should smell without the
drawing in of our breath. Besides, the ethereal substance being the
same in all odorous bodies, they would always affect the organ in the
same manner ; and, consequently, the odors of all things would be alike.
* It remains, therefore, that the cause cf smelling must consist in the
simple motion cf the parts of odorous bodies without any efflux or
diminution of their whole substance. And by this motion there is
propagated to the organ, by the intermediate air, the like motion, but
not strong enough to excite sense of itself without the attraction of air
by respiration. And this is a possible cause of smelling.
*The cause why smelling is hindered by cold and helped by heat may
be this j that heat, as hath been shown in Chapter XXL, generateth
simple motion ; and therefore also, wheresoever it is already, there it
will increase it ; and the cause of smelling being increased, the smell
itself will also be increased. As for the cause why the wind blowing
WHISPERINGS OF AN OLD FINE
29
from the object makes the smell the stronger, it k all one with that for
^«vhich the attraction of air in respiration doth the same. For, he that
<:iniws in the air next to him, draws with it by succession that air in
^^wrhich is the objects Nou*, this motion of the air is wind, and, when
smother wind bloweth from the object, will be increased by it.
'That bodies which contain the least quantity of air, as stones and
xnetals, yield less smell than plants and living creatures ; the cause may
Ibe^ that the motion, which causeth smelling, is a motion of the fluid
^parts only ; which parts, if they have any motion from the hard j>arts
in which they are contained, they communicated the same to the open
.sair, by which it is propagated to the organ. Where, therefore, there
src no fluid parts as in metals, or where the fluid parts receive no
^aation from the hard parts, as in stones, which are made hard by
.accretion, there can be no smell. And therefore also the water, whose
parts have little or no motion, yieldeth no smell. But, if the same
-water, by seeds and the heat of the sun, be together with particles of
earth raised into a plant, and be aften^^ards pressed out again, it will be
odorous, as wine from the vine. And as water passing through plants
is by the motion of the parts of those plants made an odorous liquor;
so also of air, passing through the same plants whilst they are growing,
are made odorous airs. And thus also it is with the juices and spirits,
which are bred in living creatures.
•'riiat o<lorous bodies may be made more odorous by contrition
piocceds from this, that being broken into many parts, which are all
odorous, the air, which by respiration is drawn from the object towards
the organ, dolh in its passage touch upon all those parts, and receive
their motion. Now, the air toucheth the superficies only; and a body
having less superficies whilst it is whole, than all its parts together have
after it is reduced to powder, it follows that the same odorous body
yieldeth less smell whilst it is whole, than it will do after it is broken
mto small parts. And thus much of smells/
30 ELLEN OR THE
"Of course we understand that all of this is unmitigated non-
sense, but no more so than it was when written, and no more
so than the same sort of statement is concerning sound. It will
be noticed, too, that the last paragraph suggests a similar
senseless explanation for the increase of smell, as scientists of
to-day give for increase of sound by sounding boards.
**And thus in the definition of smell, the Encyclopaedic
Dictionary of recent date, a very excellent work, says :
' Smell is the perception of odorous emanations, the nature of which is
not certainly known. They may consist of aerial waves, or may be
aerial particles of the odorous substance. In either case, they are ex-
tremely delicate ; air containing only a millionth part of hydrogen sul-
phide, having a distinct odor, and a minute portion of musk will con-
tinue, without appreciable loss of weight, to render its presence percep-
tible in a large room for years. These particles must be conducted to
the nostrils by the air, or no impressions will be perceived. Smell
exists in all the higher animals. Danvin (Descent of Man, Part I,
Ch. I.) says that it is of supreme importance to the ruminants in warn-
ing them of danger, to the carnivora for finding their prey, and to others
again, as the wild boar, for both purposes combined. Mr. S. P. Wood-
ward finds it present in the cephalopods and gasteropods.*
**And thus, too, in Appleton's Popular Science Monthly,
May, 1882, a writer, discussing this question, says:
*The following paragraph is similar to others I have occasionally
seen going the rounds of the papers for the last twenty-five or thirty
years :
*"It is said that a grain of musk is capable of perfuming for several
years a ( hamber twelve feet square without sustaining any sensible
diminution of its volume or its weight. But such a chamber contains
WHISPERINGS OF AN OLD liNE
31
9^^^5,984 cubic inches, and each cubic inch contains 1,000 cubic
tenths of inches, making in all nearly three billions of tenths of an inch*
Now, it is probable, indeed almost certain, that each such cubic tenth
of an inch of the air of the room contains one or more of the particles
of the musk, and that this air has been changed many thousands of
times. Imagination recoils before computation of the number of the
particles thus diffused and expended. Yet h:ive they altogether no
appreciable weight and magnitude.— i/e^i-^Zryi" H/ustrafions i*/ Saen^eJ*
* .\fore than thirty^six years ago I announced, in some lectures I was
then engaged in delivering, that there were some facts in the phenom-
cna of odors and the sense of smell that were incompatible with the
efHuvia or diffusioa-of-particles theory ; and I suggested an explanation
based on the idea of a vibration or wave-motion, and an "odoriferous
ether*' analogous to, if not identical with, that of the luminiferous ether.
•In the year 1863, in a letter to Professor Tyndall, I submitted the
thought to him. Mter quoting some passages from his book, ** lieat a
Mode of Motion," upon the subject of odors, 1 wrote as follows : *' I
wouKI respectfully ask if, In the consideration of, or in the course
of, c\periments u|)oii this subject, it has ever occurred to you that i?rt'<;r
might be as essentially a 'mode of moiion ' as heat, light, or sound?
• • • The seemingly unlimited generation of odoriferous par-
ticles (?) by certain substances, withotit sensible diminution of bulk or
weight, first led to the conception that, however copiously odoriferous
particles of matter were disseminated through the atmosphere, the
odorous property itself w^as as purely a specific variety of motion as the
tmdulations of the luminiferous ether. That this muif be the explana-
tion of the action of the odor-generating force for a part of its route to
the human sensoriura seems to be incontrovertible, for it is hardly con-
ceivable that the material particles should actually penetrate the mem-
brane and force their way, as moving bodies, through the pulpy tissue
'. the nen-cs to the seat of sensation ; but that through that portion of
32 ELLEN OR THE
their career, at least, their power is propagated by wave-like motions
analogous to those of heat and sound."
' Professor Tyndall did me the honor to answer my letter, but not to
indorse my view, except in a very faint and qualified manner. Never-
theless, reflection and added experience have only gone to confirm me
in the correctness of it, and I venture to predict that before many years
it will be as much an accepted fact of science as the undulatory,
luminiferous-ether theory now is.
' In the case given above the entire space of the chamber is thoroughly
impregnated with the perfume as mnrh as if it was an absolute solid of
odor. And yet these "particles," so profusely diffused through the
room, are wafted away, and their places supplied by new emissions from
the undiminished " grain," "many thousands of times " every year with-
out appreciable " sensible diminution of its volume or weight," or pun-
gency. This is an obvious impossibility upon any theory of molecular
or atomic diffusion. The assumption of immense diffusibility and
vastness of inter- particular spaces would only enhance the difficulty, for
the odor spans the spaces — is as absolutely continuous as if the par-
ticles were in actual contact. That is, in the given space, the chamber,
anywhere within the limits of the odor, there is no place where it is not.
This actio in distans implies ethereal motion — vibration — between the
particles.
'According to this view the odoriferous bodies, or their molecules,
have no more to do (in the sense of physical impact) in producing the
sensation of smell than a luminous body — a candle or the sun — has to
do (by impact) with the sensation of light. There is corporeal impact
or touch in neither case. Of course, with each molecule as a center of
activity, the effect will be more pronounced at the immediate surface
(as with all radiant energies) than at any distance. And, undoubtedly,
particles of disintegrating, odorous matter are often brought in contact
with the Schneiderian membrane ; but the sensation of that impact, if
WHISPERINGS OF AN OLD TINE
35
t^iere be any, would be of touch, not of smell, as surely as that, from
tHat point of contact to the sensorium, the effect or influence is con-
ireye*! by a vibration — a wave*motion in the *' fluid " of the Bcrve-
dtict — as the undulations of the luminiferous ether are propagated
St long the course of the optic nerve to the seat of sensation, where they
4Ue translated into light and color. But, if, for any portion of the dis-
t^ince between the internal sense and the fragrant body, the odor, like
M^ht, is but a motion, it is safe to assume it for all. Tht analogy of
tJiis mode of odors to that of light and sound is something in its favor/
*• In this article we have another illustration of the folly of
I ignorance, very similar and perhaps equal to that of Huyghens
^^nd Dr. V'oung in their theory of light.
I •* Of the senses, there remain only hearing and sight.
I XJnable to weigh the substances, sound and light, with cither a
I liay-scale or a balance, the scientist denies their existence.
I lie might as well deny the existence of the spheres and the
^^H-vnountains because he cannot weigh them with his scales/'
^" " But/* I said, ** such things as these last he estimates the
^^ "Weight of with the aid of mathematics, does he not?"
^B *'Yes/* she replied, **he invents a scale of the mind for such
I emergency; and Ellen thinks he would better invent such for
■ this other emergency, where things are too small and too light
to be weighed by the contrivances of man, which ^ at the best, as
EUcn thinks, can weigh but few things of those which exist in
the universe. But now again the scientist prates about what
he calls modes of motion."
"And what are these, Ellen?'' I asked.
•* Infinite folly, as announced by science, the serious concep-
tion of which would be possible only after one has surrendered
34 ELLEN OR THE
all his wits. For the assumption is not only that nature in this
wonderful work of creation follows no system ; but also that
something is got out of nothing. For no one, so far as Ellen
knows, claims that sound exists in particles of air when they
lie quiescent, if ever they do so He, any more than that odor so
exists. Although the scientist claims that, when moved in a
certain manner, this result is obtained through them. And so
these same scientists claim that a similar result is obtained from
the movement of the particles of a thousand different materials,
such as iron, steel, brass, etc., — indeed, the particles of all
elastic bodies. The old Pine must beware of the scientists, for
they arc very foolish people."
"Yes," I said, *'the old Pine sees how readily they follow
the paths of folly."
*'Ycs, indeed," she said. ''For although the theory as to
the sense of smell has been abandoned, because demonstrated
to be untenable, they hasten to assume a similar one for the
two remaining senses, — hearing and sight
i^iilbrERlNGS
35
IV.
*• QOUND Is produced by contact, or shock. And Ellen
^ thinks the contact of any two particles will produce
it the microphone is an instrument which magnifies
Sound to the car, as a microscope magnifies size to the eye,
and with it can be heard the step of a fly. Thus Ganot says
In his Ph\sics :
' Ihc \v.Ukiag of a fly on the base suggests the stamping of a horse;
the scratching of a quill, the rustling of silk, the beating of the pulse
are perceived in the telephone at a distance of a hundred miles from
the source of sound ; while a drop of water falling upon the base has a
lotul, cracking sound/
*'From which it would seem to follow that any motion may
produce a sound; that is, that any contact of two things
makes sound. For, if the step of a fly makes sound, wc may
believe that the contact of any two particles, however infini-
tesimal and light, makes sound. It follows that sound, as inter-
preted to us, IS dependent more upon our capacity of hearing
than upon the thing itself; for the thing itself would seem to
exist everywhere and always, being the result of motion, which
exists everj'where and always. So that Ellen can see that the
music of the spheres need not be a myth to all beings, but
might be and probably is to some — whose sense of hearing is
fitted for it — a beautiful harmony.
"And it follows, too, as Ellen thinks, that the mediums
36 ELLEN OR THE
which carry sound to us are not the only mediums which
carry sound, but simply the only ones which carry it
to us, and that sound equally with light extends over the
universe."
"But Ellen wouldn't always want sound, would she?"
I asked.
"And why not?"
"Why," I said, "it would become monotonous, would it
not? and disagreeable?"
" Ellen thinks not," she replied ; "certainly not any more than
light. Variety has been called the spice of life, and in variety
doubtless there is much pleasure, as in the variety of light and
darkness, or of sound and silence. But Ellen thinks that the
roar of the ocean is always agreeable, and so the murmurings
of a mountain stream, or the whisperings of the old Pine.
Sound especially appeals to the intelligent, and the greater the
intelligence the more docs it appeal. For those things which we
see are not the more pervaded with beauty than those things
which we hear. And Ellen can well conceive of a world of
harmony, as constant, beautiful, and glorious as a world
of light.
''Motion then causes collision, from which results vibration
and sound. Docs sound make vibration, or vibration sound?
They are certainly intimately connected ; for the character of
sound is indicated by vibration. Thus the sound is high or
low, according to the number of vibrations each second, the
high sounds being accompanied with increased frequency of
vibrations, and always the same vibration is connected with the
same sound."
WHISPERINiiS OF AN OLD PINE
J9
"And what is vibration?" I asked.
" It is the movement of a body to and fro," she answered.
"And its cause?*'
*• Must be the movement of particles within the body. The
text-books say it is a motion to and fro, or to or fro, and do
>t attempt to explain its ultimate cause. Its immediate causc»
Ellen has said, is coHision, and any collision in an elastic
body causes it."
'*But why should collision cause it?"
**Thc only possible explanation that Ellen can see is that
collision produces or arouses into action a substance which
makes the vibration. And apparently this substance is sound.
The collision oi inelastic bodies, as cotton or wool, docs not
produce much sound or vibration. Mr. Newton ascribed the
action of electric bodies to an elastic fluid.
** Ellen thinks that all motion, caused by material things
comes from pressure. That all pressure oi elastic bodies
cT^MCs or brings into action motion ; and as all bodies are
somewhat elastic, all pressure either makes or arouses some
motion.
"Any pressure makes motion by mnking or releasing,
as Ellen thinks, a substance having unbalanced motion.
This substance enters any body with which it is in contact,
bor perhaps is created in the body pressed, causing it to move,
or carrying it, provided there is carrying power enough
created to do this. So Ellen thinks that all motion is progres-
sive; that it enters into a thing, into each part or par-
ticle Of molecule of a body, until it has entered into all the
molecules, when the body moves. But the body docs not
'^^ -^^ -■
40 ELLEN OR THE
move until motion has so entered into all the molecules. Thus,
if we push a train of cars, the train does not move at once, but
only by degrees, as the motion has time to enter it. And so
when a bullet is fired through a pane of glass, it cuts a round
hole, without otherwise breaking the glass, because it goes
through too quickly to allow the motion to spread into the
glass. So Ellen thinks when you pull a wagon or anything else,
it will not move until motion has had time to enter into it,
and that always, however caused, the principle of motion
has to take possession of a body, before a body will move.
And as a body will not float until there is water enough to float
it, so Ellen thinks a body will not move until the necessary
amount of motion to move it has entered it; and that the
motion is just as much material as the water, only that as we
approach that domain where matter appears as force, we more
nearly approach matter in its essence, where motion is active
because unbalanced. Thus, as Ellen has said before, dynamite
or any explosive is composed of matter. A blow disunites it,
and a great amount of motion, in the form of expanding gas,
is released. How many kinds of such motion there may be
Ellen does not know, but always, as Ellen thinks, motion is
moving matter. Gravitation is another kind ; and Ellen can
well see that there may be many different kinds, with many
rates of speed. Indeed, again before her, as everywhere in
nature, she beholds another road leading to the infinite."
"But what does Ellen mean," I asked, "by the necessary
amount of motion to move a body? Would not the slightest
amount of unbalanced motion, added to a body at rest,
move it?"
WHISPERINGS OF AN OLD FINE
41
*' Ellen meatit enough to overcome friction, or any other
ipposing force which might exist. Could v\e imagine a body
^t rest, where no such opposing force could act, the slightest
unbalanced force added would cause it to move/*
"And Ellen thinks all unbalanced forces are moving matter?"
••She ha? no doubt of it; and therefore if a body does not
THove. it roust be because the motions in the material of which
it is composed are in equilibrium. Then will it move as soon
sks enough unbalanced motion enters into it, and in the direc-
tion that this motion tends/'
"Hasn*t Ellen very original Ideas about motion?'*
" How else can it be explained?" she asked,
"The old Pine supposed/' I said, "that motion was a
"wnystery/'
•*And so it is a mystery/* she said; '*all things arc a mys*
tcry. But Ellen doesn't want to have to entertain too many
mysteries; nor ts there necessity. One material is enough for
the creation of things, including the motion*
•• For motion separated from matter is inconceivable. But,
if not separable, it is a part of matter, and hence of necessity
enters into the combinations of matter Certainly the old Pine
supposes that matter combines with other matter to make
things, doesn't he ? **
"WTiy, yes/* I said; *' the old Pine doesn't know of any
other way in which things are made/*
*• And there is no other/' she said. **And thus motion, itself
matter, passes through matter, as a stream passes through the
meadows, or a ball through the air, or an elephant, or a bird,
or a cloud, or one of the innumerable things which we call
42 ELLEN OR THE
small, because it may take a microscope which magnifies one
hundred thousand times to see it. This thing matter in
its existence is infinite, sustained in some way, as Ellen thinks^
and has said before, by nature's circulatory methods, in which
there is neither beginning nor end. Surely the old Pine doesn't
think there is any end to a circle?"
"No," I said, "though he thinks perhaps there may have
been, at some time, an end to it, just as there are ends to a
hoop before it is welded."
" But Ellen doesn't think there is any end in nature's circu-
latory methods. Nor does she see how it would be possible
for the creation to exist without such methods. But these
introduce no change in the way of making things. Constantly
matter changes, as a fluid differs from a solid, and such
differences continue to take place indefinitely, as Ellen
thinks, and by a circulatory method, but always it is
the same matter, and always the law of its use is combination
in different proportions. And it is because of the great variety
in the material that such a great variety of things can be made.
And so we have solid matter and fluid matter, gaseous matter
and radiant matter, and Ellen knows not what form of
matter may lie beyond these in either direction. This,
then, only, we see, that the changes of matter are many, but
that all things made from it are equally substantial. In this
respect all things are alike, and must be. Otherwise some-
thing would have to become nothing. That is, matter in its
changes would have to become nothing. Does the old Pine
think that a snowflake is less material, and in that sense less
substantial, than a mountain?"
WinsrERlNGS OF AN OLD I'lNt:
43
"No/* I said, *'it is also composed of matter. But it
doesn't weigh as much, or last as long."
**But It can float through the air," she replied, "or lodge
on Ellcn*3 hat, to much better advantage. Mountains wouldn't
be at all good for those purposes. Then the old Pine
mustn't forget that everything in the material imiversc is
made by the same law. And there are lots of different things.
And then nature has such a tremendous system of differences,
that no two things, as Ellen thinks, arc ever exactly alike. No
two persons, no two snowflakcs, no two sounds. But Ellen
knows that all things come from nature's great laboratory, and
are formed by the changes in matter* quality and quantity.
We will suppose, then, that that kind of matter which
w*c know as radiant matter, succeeds gaseous matter, as the
latter succeeds liquid. And so by these changes of matter, in
a manner purely logical, we can account for those most
remarkable phenomena of nature. — sound, light, heat, color,
magnetism, and electricity.
•'This thing motion, then, as Ellen thinks, is a property
or phase of matter And, therefore, whenever motion passes,
a substance passes; or, wherever there is motion, there is
matter,
** Upon this subject of the homogeneity of motion and matter,
Ellen has recently met with the following quotations :
' Force is inseparable from matter, is one of its eternal indwelling
properties/ — MqUscHoIL
* Fundamentally, as is readily seen, there exists neither force nor
nuUtcr* Both are abstractions of things, such as they are, looked at
44 ELLEN OR THE
from different standpoints. They complete and presuppose each other.
Isolated, they are meaningless/ — Dubois Raymond.
' As we can think of no force without a material substratum, so we
know of no matter which is not connected with a number of forces.' —
F. Mohr.
* Force without matter is not a reality, and both by their union have
made the world and all its phenomena.* — P/i, SpiUer.
' We know of no matter which does not possess force, and on the
other hand we know of no forces which are not joined to matter.* —
HaeckeL
'To regard matter as passive, and to suppose a force working on it
from without, is so grave an error that it would not be possible to fall
into it, if inborn and mystical fancies did not cloud the mind. Matter
and force, like force and matter, are no separable entities, but different
conditions of one and the same thing.* — F. Vignoii,
' Matter and force are separable only in thought ; in reality they arc
one.* — A, Mayer.
' We must hold firmly to the principle that matter and force arc
indivisibly joined together, so that force without matter has no
independent existence.* — S. Cornelius,
' It is apparent that all attempts to isolate forces from matter, and
vice versa^ are only one-sided abstractions, depending on the notion
that force and matter may be found in Nature as distinct entities^
because in speech they are distinct words.* — Weis.
*The first and last word of Science will always be the indivisible
union between or the identity of force and matter.* — A. Lefevre.
"Dr. Guyot, the eminent scientist and philosopher, is thus
quoted in the London, Edinburgh and Dublin Philosophical
Magazine, Vol. 41 ;
WHISPERINGS UV
.* Matter has only one property — namely, movement. Movement can
ftly exhibit itself to our senses and to our spirit of induction through
matter and in nutter. .\nd, reciprocally, matter iis only perceptible to
om senses and comprehensible to our minds by its movements. Move-
Imcnt is inherent in and essential to the smallest atoms, as well as to the
greatest material systems. In the whole universe we cannot discover a
Rpgle particle of matter which is in absolute rest. Matter and move-
pBic arc two creations of the same principle ; they are consubstantial,
lad accordingly proportional tu one another.
*The first notion which we can have of moliun cannot arise from the
iDfinitely small molecules of bodies, because they escape the impression-
aiiy of our senses. They reach tis^ therefore, from the change of
place effected under our eyes by bodies themselves. Hence motion
has been defined as the motion of a ifoJy from one point of space to
another. In order that this definition might be exact, it would t>c nee-
fjtaaxy to say " motion is the passage of hodia and atoms from one
point of space to another," because a particle, a molecule which we can
neither see nor touch» may also change place in the body of which it
forms j>art, an<l such is clearly a motion identical in principle with the
tuotion of bodies. The difiference oi the two motions is only relative;
the one is exterior to> the other is interioj in, the body. Hut, wonilei-
fiil to relate, observation of all the phenomena of nature shove's that they
lmnsfi)rm themselves the one into the other, and are thus mutually
connected and complementary. The more of exterior motion a body
accomplishes^ the leas is there of internal motion, and inversely. In
ether wordS| the same quantity of matter always possesses the same
imoitnt of motion.
*Ttic inertia of matter is therefore an error. "What does it sig-
[ftify?" say the learned who are teore mechanicians than philosophers;
*if the hypothesis of inertia permits us to calculate all the facts of
iibrium of motion and of force which occur on the surface of the
46 ELLEN OR THE
earth, or rather in our physical and mechanical operations, that is all
we want. Whether an hypothesis be true or false, if it be in accord
with facts, if it be a sure guide for practical questions, we call it true."
* I grant that a mechanic or practical man may hold such language ;
but they who feel the importance of truth, they who understand that its
quest is the most beautiful mission of the human mind, and that its dis-
covery and enunciation infallibly guide humanity in the path of moral
and material progress, such, I say, will never admit that a false hypoth-
esis can have the same value as a true one, they will never allow that
the atmospheric vacuum is as well explained by the horror of nature as
by the weight of the atmospheric column ; and yet these two explana-
tions express equally well the same fact. Inertia is an hypothesis as
little refined as that of the horror of a vacuum ; it explains nothing, and
stereotypes error in face of the most brilliant truths. Does inertia ex-
plain the motion of the heavenly bodies? Does it explain the motions
of animals? No. But the sidereal systems comprehend all known
matter ; and animal organizations form the last term of material com-
binations. Inertia therefore remains impotent in regard to the sponta-
neous phenomena of the one or the other kind ; between the alpha and
omega of the world it only claims a puny territory, namely the relative
movement and rest of bodies in equilibrium amongst themselves in a
system full of life.*
** Ellen might add many more such quotations, but these
would appear to show that Mind naturally recognizes the fact
that motion and matter are inseparably united, and together
form force.
"Motion may emanate from mind or matter. But as Ellen
has before said, in the material world motion is only continued,
so far as we know, through contact. That is, it is only by
being pushed or pulled that one material thing is moved by
WHISPERINGS OK AX OLD TINE
ainother. Any idea of attraction must resolve itself into this.
Thus Mr. Newton held.* And among recent writers it is well
explained by Mr. Lodge, one of the most eminent of living
physicists, and considered to be perhaps the highest authority
in electricity, who says :
^ Now if there is one thing with which the human race has been
Dre conversant from time immemorial than another, and ctjiicerning
which more experience has been unconsciously accumulated than
about almost anything else that can be mentioned, it is the action of
pnt hoify im another ; the exertion of force by one body upon another,
the transfer of motion and energy from one body to another ; any kind
of effect, DO matter what, which can be produced in one body by means
of another, whether the bodies be animate or inanimate. The action
of a man in felling a tree, in thrusting a spear, in drawing a bow; the
action of the baw again on the arrow, of powder on a bullet, of a horse
cm a cart ; and again, the action of the earth on the moon, or of a
magnet on iron. Every activity of every kind that we are conscious of
may be taken as an illustration of the action of one body on another.
*Now I wish to appeal to this mass of experience, and to ask, is not
the direct action of one body on another across empty space, and with
no means of communication whatever, is not this absolutely unthink-
&ble? We must not answer the question off-hand, but must give it due
consideTation« and we shall find, I think, that wherever one body acts
on another by obvious contact, we are satisfied and have a feeling that
the phenomenon is simple and intelligible; but that whenever one
body apparently acts on another at a distance, we are irresisliljly im-
paled to lo;ik for the connecting medium.
'If a marionette dancea in obedience to a prompting hand above it^
lay intelligent child would feel for the wire, and if no wire or anything
Sec iJAgt 90, Vol. L. 2il etiiiiuri.
48 ELLEN OR THE
corresponding to it was discovered, would feel that there was some-
thing uncanny and magical about the whole thing. Ancient attempts
at magic were indeed attempts to obtain results without the
trouble of properly causing them, to build palaces by rubbing rings or
lanterns, to remove mountains by a wish instead of with the spade and
pickaxe, and generally to act on bodies without any real means of
communication ; and modern disbelief in magic is simply a statement
of the conviction of mankind that all attempts in this direction have
turned out failures, and that action at a distance is impossible.
* If a man explained the action of a horse or a cart by saying that
there was an attraction between them varying as some high direct
power of the distance, he would not be saying other than the truth —
the facts may be so expressed — but he would be felt to be giving a
wretchedly lame explanation, and any one who simply pointed out the
traces would be going much more to the root of the matter. Similarly
with the attraction of the magnet for a distant magnetic pole. To
say that there is an attraction as the inverse cube of the distance
between them is true, but it is not the whole truth; and we should be
obliged to any one who will point out the traces, for traces we feel
sure there are.
' If any one tries to picture clearly to himself the action of one body
on another without any medium of communication whatever, he must
fail. A medium is instinctively looked for in most cases ; and if not
in all, as in falling weights or magnetic attraction, it is only because
custom has made us stupidly callous to the real nature of these forces.
' Remember, then, that whenever we see a thing being moved we
must look for the rope : it may be visible or it may be invisible,
but unless a thing is either pushed or pulled there can be no action.
And if you further consider a pull it resolves itself into a push ; to pull
a thing toward you, you have to put your finger behind it and push ;
/
WHISPERINGS OF AN OLD PINE 49
horse is said to pull a cart, but he is really pushing at the collar ;
engine pushes a truck by means of a hook and eye ; and so on.
•There is still the further very important and difficult question as to
ymrlxy the parts hang together, and why when you push one part the rest
follows. Cohesion is a very striking fact^ and an explanation of it is
snuch to be desired. » ♦ ♦
• There must be contact between bodies before they can directly act
oxi each other ; and if they are not in contact with each other and
yet act, they must both be in contact with some third body which ii
^He medium of communication, the rope/
f
/
so ELLEN OR THE
V.
^^ A ND what is elasticity, Ellen ? " I asked.
-'^ ** The word is used technically," she replied, " to denote
a property of bodies; that of resuming their original form or
volume when the force altering it ceases to act."
*' And does it not mean the force that does this?"
*'It is often used to mean such force, and Ellen hardly sees
the necessity of the other use, but as the former use has long
obtained, and as the words clastic force are frequently used for
the force operating, it would seem to be best to make the dis-
tinction general. And in talking with the old Pine, Ellen will
do this."
*' And do not the scientists always use the word with the
same signification?"
**Not at all," she answered; '*thcy use it with several
significations."
*' And why do they do this?"
** Presumably because they do not know any better. As
Ellen thinks, they don't know half of the time what they are
talking about. She doesn't think the ordinar>' scientist has
any exact idea about this thing elasticity. Nor docs she think
that a single one of the whole of them has any intelligent idea
of what they profess to believe in undulator>' theories. The
trouble with them is that there are so many of them, and they
are so ignorant."
"And are they all ignorant?" I asked.
"All that Ellen has yet heard from/* she replied, ** though of
course there is a difference in degree.
''Lord Kelvin* in his article on Elasticity in the British Ency-
dopardta, says :
• Elasticity of matter is that property in virtue of which a l>ody requires
force to change its bulk or shape, and requires a continued applica-
tion of the force to maintain the change, and springs bac^ when the
iotte is removed, and, if left at rest without the force, does not remain
at rest except in its previous bulk and shape. The elastli ity is said to
be perfect when the body always requires the same force to keep it at
rest in the same bulk and shape and at the same temperature through
whatever variations of bulk, shape, and temperature it be brought. A
bcxly is said to possess some degree of elasticity if it requires any force
to keep it in any particular bulk or shape/
•* Chambers* Encyclopedia says :
'When an external force acts wpon a solid body, it produces at first
i%ht altentions in the relative positions of the particles ; and if before
these alterations exceed a certain limit, the force ceases to act, the par-
tic!e« relwrn to their former position, and the disfigurement disap-
ftears. This power or property of recovering their previous form after
alteration, is called elasticity, and we are justified in ascribing it to all
IxxlieSi though in %*ery different degrees. It was once helieved that
there were definite limits within which changes of form produced by
pressure or other forces disappeared completely. It was thought, for
instance, that when a weight of no great magnitude is suspended from
a metallic wire, the slight increase of length which the wire is observed
to undergo, is completely lost when the weight is removed : and the
limit to which the wire might thus be stretched, and still suffer no per-
manent increase of length, was called the limit uf its elasticity. But
tecent more accurate experiments have shown that no such limits exist,
54 ELLEN OR THE
at least in the case of metals ; or, which is the same thing, that perma-
nent lengthening results, however slightly the wire be loaded — it never
contracts again quite so far as it was stretched. It is necessary, there-
fore, to fix the limit arbitrarily ; and this is done by agreeing that it
shall be heM to begin when the metal in question suffers a permanent
elongation of 0*00005 of its length. To get the elastic extensibility of
a wire, then, we must compare its length with a weight suspended, with
its length when the weight is removed. In this way it is found that
the extensions produced are proportional to the extending forces or
weights. From this law, then, we can calculate what weight it would
require to stretch a wire or rod of a square inch in section to double its
own length ; supposing it possible to proceed so far without breaking
it, and that the law of elasticity continued up to this point unaltered.
This weight, which is different for every metal or kind of wood, is called
the coefficient or modulus of elasticity of the particular substance ; and
is used in mechanics in calculating how far a given weight will extend
a wire or rod of given diameter. This coefficient is not constant for
the same metal ; for all circumstances that increase the density of the
metal, increase the modulus of elasticity. Bodies manifest elasticity
not only when extended in length, but also when compressed, when
bent, or when twisted. If an ivory ball be dropped from a height upon
a marble slab smeared with fat and lampblack, when caught after the
rebound, it is seen to have touched the marble, not in a point, but in
a circle of several lines in diameter ; and must therefore have lost for
a time its spherical shape over that extent. In the same way the mark
of a well hit golf-ball is pretty broadly shown upon the face of a club
after the stroke. The elasticity shown by wires and threads of glass
when twisted, has been turned to account in the Torsion-balance,
for measuring other weak forces. Steel, ivory, caoutchouc, etc., are
well known for their elastic properties, to which they owe much of
their utility.'
<GS UF Af
D n.NE
55
"Ganot says:
Elasticity is the property owing to which bodies resume their original
form Of volume, when the force which altered that form or volume
ceases to act. Elasticity may be developed in bodies by pressure, by
Iraction or /uJ/ift^, flexion or hfuiiti*^^ and by torsion or twistif^g. In
lr«ktlug of the general properties of bodies, the elasticity developed by
pressure alone re<]uires consideration ; the other kinds of elasticity,
\K\ng peculiar to solid bodiesi will be considered amongst their specific
properties.
* Gases and liquids are perfectly elastic ; in other words, after under-
ling a change in volume they regain exactly their original volume
when the pressure becomes what it originally w^as. Solid bodies present
different degrees of elasticity, though none present the property in the
same perfection as liquids and gases, and in all it varies according to
Ihc lime during which the body has been exposed to pressure.
Caoutchouc, ivory, glass, and marble possess considerable elasticity i
had, clay* and fats scarcely any.
* There is a hmit to the elasticity of solids, beyond w^hich they either
break or are incapable of regaining their original form and volume.
This is called the limit of elasticity ; within this limit all substances are
perfectly clastic. In sprains, for instai^ce, the elasticity of the tendons
has been exceeded. In gases and liquids, on the contrary, no such
Umtt can be reached ; they always regain their original volume when
|}ie original pressure is restored. • * •
* ElLAinicm' OF Traction'* — Elasticit)% as a general property of matter,
has been already mentioned, but simply in reference to the elasticity
devdbped by pressure i in solids it may also be called into play by
traction, by torsion, and by flexure. The definitions there given
ifquiie some extension. In ordinary life w^e consider those bodies as
highly clastic which, like caoutchouc, undergo considerable change on
the application of only a small force. Yet the force of elasticity is
$6 ELLEN OR THE
greatest in many bodies, such as iron, which do not seem to be very
clastic. For by /orc^ of elasticity is understood the force with which
the displaced particles tend to revert to their original position, and
which force is equivalent to that which has brought about the change.
Considered from this point of view, gases have the least force of
elasticity; that of liquids is considerably greater, and is, indeed,
greater than that of many solids. Thus the force of elasticity of mercury
is greater than that of caoutchouc, glass, wood, and stone. It is, how-
ever, less than that of the other metals, with the exception of lead.
'This seems discordant with ordinary ideas about elasticity; but it
must be remembered that those bodies which, by the exertion of a
small force, undergo a considerable change, generally have also the
property of undergoing this change without losing the property of
reverting completely to their original state. They have a wide limit
of elasticity. Those bodies which require great force to effect a
change are also, for the most part, those on which the exertion of a
force produces a permanent alteration ; when the force is no longer
exerted, they do not completely revert to their original state. ♦ » •
* By experiments it has been ascertained that for elasticity of traction
or pressure —
^The alteration in length within the limits of elasticity is in proportion
to the length and to the load acting on the body^ and is inversely as the
cross section,
*It depends, moreover, on the specific elasticity; that is, on a special
property of the material of the body. If this coefficient be denoted
by E, and if the length, cross section, and load be respectively desig-
nated by /, s, and P, then for the alteration in length e^ we have
IV
s
* If in the above expression the sectional area be a square millimetre,
and P be one kilogramme, then
e
e=Elf from which E=™7~ *
WHISPERINGS OF AN OLD PINE
57
which expresses by what fraction the length of a bar a square milli-
metre in section is altered by a load of a kilogramme. This is called
the coefficient of elasticity ; it is a very small fraction, and it is therefore
very desirable to use its reciprocal, that is — or ft, as the modulus
of elasticity ; or the weight in kilogrammes which applied to a bar
would elongate it by its own length, assuming it to be perfectly elastic.
This coefficient is known as Young's modulus. This cannot be
observed, for no body is perfectly elastic, but it may be calculated
from any accurate observations by means of the above formula.
* The following are the best values for some of the principal sub-
stances :
\^
e
Wrought-iron
20,869
0-000048
Steel- iron
18,809
0*000053
Platinum
17,044
0-000058
Copper .
12,500
0*000080
Slate
",035
0-000090
Zinc
8,734
0*000114
Brass
8,543
o-ooo I I 7
Crown Glass
7,917
0-000126
Plate Glass
7,015
0-000142
Rock Salt
4,230
0-000236
Marble .
2,309
0-000382
Lead
1,803
0*000555
Bone
1,635
0-0006 1 2
Acacia
1,262
0000792
Pine
1,113
0-000890
Oak
921
0*001085
Whalebone
700
0-001428
Ice
650
o-oi 1667
Sandstone
631
0001521
Fir
564
0-00 T 768
Gypsum .
400
0*002500
58 V ELLEN OR THE
'Thus, to double the length of a wrought-iron wire a square milli-
metre in section would (if this was ix)ssible) require a weight of about
19,000 kilogrammes; but a weight of fifteen kilogrammes produces a
permanent alteration in length of 13^ 4 th, and this is the limit of
elasticity. The weight, which when applied to a body of unit section
just brings about an appreciable permanent change, is a measure of
the /////// of elasticity. Whalebone has only a modulus of 700, and
experiences a permanent elongation by a weight of five kilogrammes ;
its limit is, therefore, relatively greater than that of iron. Steel has a
high modulus, along with a wide limit.
'Longitudinal stretching is accompanied by a lateral contraction, and
the ratio of the contraction to the proportional stretching is known as
PoissorCs coefficient. It was taken by him to be one-fourth, but later
experiments have found the ratio to be about one-third. When a wire
is stretched by a load to within the limit of elasticity, some time often
elapses before the full effect is produced, and conversely when the
load is removed the wire does not at once wholly resume its original
condition, but a small portion of the deformation remains, and it only
reverts to its initial state after the lapse of some time. This phenom-
enon, which is met with in most elastic changes of form, is called the
clastic after-action or effect^ or the elastic fatigue.
* Both calculation and experiment show that when bodies are length-
ened by traction their volume increases.
'When weights are i)Iaced on a bar, the amount by which it is short-
ened, or the coefficient of contraction, is equal to the elongation which
it would experience if the same weights were suspended to it, and is
represented by the above numbers.
* The influence of temperature on the elasticity of iron, copper, and
brass was investigated by Kohlrausch and Loomis. They found that
the alteration in the coefficient of elasticity by heat is the same as
WHISPERINGS OF AN OLD PINE
59
^ich heat produces in the coefficient of expansion and in the
s^ractlve power ; it is a]so much the same as the change in the per-
xnanent magnetism^ and in the speciiic heat, while it is less than the
^lt«ration in the conductivity for electricity.
'EiAsncnY or Torsiox, — The laws of the torsion of wires were
determined by Coulomb, by means of an apparatus called the torsion
halan^r. It consists essentially of a vertical metal wire, clamped at
the upper end in a support, and holding at the other a metal sphere,
to which is atlixed an index. I mmediaiely below this there is a hori-
xontal graduated circle. If the needle Is turned from its position of
equilibrium through a certain angle, which is the ang/t of torsion^ the
force necessary to produce this effect is the force if /orston. When,
after this deflection, the sphere is left to itself, the reaction of torsion
produces its effect, the wire untwists itself, and the sphere rotates
about its vertical axis with increasing rapidity until it reache:^ its
position of et|uihbrium. It does not, however, rest there ; in virtue of
ils inertia (force of action) it passes this position, and the wire under-
goes $L torsion in the opposite direction. The equilibrium being again
destroyed, the wite again tends to untwist itself, the same alterations
are again produced, and the needle does not rest at zero of the scale
until after a certain number of oscillations about this point have been
completed*
• By means of this apparatus Coulomb found that when the amplitude
of the oscillations is within certain limits, the oscillations are subject to
the following laws ;
• L The osdilationt are very nearly isochronous.
• n. For the same wire^ the angle of torsion is proportional to the
moment of the force of torsion,
*UI. With the same forte of torsion^ ami with un res of the same
Mamiter^ the angles of torsion are proportional to the length of the
mnes.
6o
EIXEX OR THE
* IV. The same /one of torsion heing applied to wires of the same
length, the angles of torsion are inversely proportional to the Jourtk
powers of the diameters.
'Werlheim examined the elasticity of torsion in the case of sioui
rods by means of a diHerent apparatus, and found that it is also subject
to these laws. He further found that, all dimensions being the same,
different substances undergo diiTerent degrees of torsion for the same
force^ and each substance has its own coefficient of torsion, which is
usually denoted by --- or by r. The value of this coefficient is about
one- fifth that of the modulus of elasticity.
1 F /
' The laws of torsion mav be enunciated in the formula it'= — - ; in
which w is the angle of torsion, F the moment of the force of torsion,
/ the length of the wire, r its radius, and ^— the specific torsion-coeffi'
cient.
' As the angle of torsion is inversely proportional to the fourth power
of the radius, rods of some thickness require very great force to pro-
duce even small twists. With very small iliameters, such as those of a
cocoon or glass thread, the proportionality l>etween the angle of torsion
and the twisting force holds even for several complete turns.
* EiASTicnT OF Flexure. — A rod or thin plate» fixed at one end, after
having been more or less bent, when left to itself, strives to return to
its original position. This property is known as the elasticity of
tlexure, and is very distinct in steel, caoutchouc, wood, and paper.
* If a rectangular bar be clamped at one end in a horirontal position
and loaded at the other end by a weight, a flexure will be produced which
may be observed by the cathetometer. The amount of this Aexure, A,
is represented by the formula A^ *^ — - where P is the laad» / the
bh ^
length of the bar, d its breadth, h its depth or thickness, /a the modulus
diii^
1
■
THE FEW. YORK
POBLIC LIBRARY
T]X.OIIH fOU»4 0ATlOMi
It k
^H
WHISPERINGS OF AN OLD PINE
63
rettstlcltV; and k a constant which depends on the manner in which
^c rod is supported, the three principal cases being represented in
Sg. 2 ; a is that in which the rod is supported at one end ; in b the
wfl rests on knife edges, with both ends free ; while in c both ends are
gill ; if one and the same bar be fastened in these different ways the
ilaes of \ are respectively as 64 :4 :i.
* If the section of the bar is a circle with radius r, then
A--
4 Vf-^k
3 ^O^'
* It will thus be seen that if fur a given load the depression is not to
greater with a long beam than with a short one, the height must
bcrease in the same ratio as the length.
' It is clear that an accurate measurement ol the flexure of a bar
imishes a means of determining its modulus of elasticity »
•The elasticity of flexure is applied in a vast variety of instances —
ejcample, in bows, watch-springs, carriage- springs ; in spring bal-
Dces it is used to determine weights, in dynamometers to determine
be force of agents in prime movers ; and, as a property of wool, hair,
nd feathers, it is applied to domestic uses in cushions and mattresses.
* Whatever be the kind of elasticity, there is, as has been already
lid, a limit to it — that is, there is a molecular displacement beyond
bbich bodies are broken, or at any rate do not regain their primitive
&mL This limit is affected by various causes* The elasticity of many
metals is increased by hardening, whether by cold, by means of the
dr^w-plate, by rolling, or by hammering. Some substances, such as
64 ELLEN OR THE
Steel, cast iron, and glass, become both harder and more elastic bf
tempering.
'Elasticity, on the other hand, is diminished by annealings which
consists in rabing the body to a temperature lower than that necessary
for tempering, and allowing it to cool slowly. By this means the
elasticity of springs may be regulated at pleasure. Glass, when it b
heated, undergoes a true tempering in being rapidly cooled, and hence,
in order to lessen the fragility of glass objects, they are reheated in a
furnace, and are carefully allowed to cool slowly, so that the particles
have time to assume their most stable position.* "
"And what is the reciprocal of a number, Ellen?" I asked.
"It IS one dfvidcd by the number, so that the reciprocal
of a fraction expresses the number of times that the frac-
tion is contained in unity. The modulus, then, of elasticity
represents the number of times that the coefficient of elasticity
is contained in unity. And this represents the number of kilo-
grams of weight or pressure that it would take to stretch a
body of uniform cross section its own length. The old Pine
should be very particular to remember this, as it enters into the
present explanation of Mr. Newton's formula for the speed of
sound."
"And what is the moment of the force of torsion, Ellen?"
"It is the power producing rotation about an axis, and is
measured by the product of the acting force into the lever on
which it acts. Thus the weight that a man can raise with a
windlass depends upon the length of the crank or lever and the
power which is applied.
"We have a force, BP (Fig. 3)."
" Yes," I said, "it looks like a very nice force."
WlllSPERmOS OF AN OLD PINE 65
''And it is a very* nice force, an awfiilK- nice force, And we
iiavc a point, A."
*^V^es/* I said, "it luuks pretty lonesome^ — as if it was up
tree/'
•'But it isn't up a tree; it's in the air. Draw AN perpen-
fltcttlar to B P, Connect AB,AC\ The product of the
number of units of force in P and the number of a
units o( length in AN is called the moment of P
i^th respect to A. Since the force P can be
represented by a straight-hne, the moment of P
Oan be represented by an area. If B C represents ^'S* 3-
^he force, the moment will be represented by twice the area of
^die triangle ABC; for BCxAN is equal to twice the area of
Clic triangle. The perpendicular AN is sometimes called the
<^rfn of the force.
••In considering the speed of sound, Ganot says:
*From Uieoretical considerations Newton gave a rule for calculating
^lie velocity of sound in gases, which may be represented by the
formula
in which v represents the velocity of the sound, or the distance it
travels in a second^ ^ the elasticity of the gas, and if its density.
•*rhis formula expresses that the velocity of the propagation of sound
in leases is directly as the square roof of the elasticity 0/ the gas, ami
iaversefy as the square root of its density,^
**The words Mr, Newton uses in above formula are 'elastic
lorce/ and that is the meaning of Mr. Ganot, or his translator,
66 ELLEN OR THE
"And so the article on Acoustics by Professor Dav
Thompson, of the University of Aberdeen, in the Encycl
paedia Britannica, says:
* Hence, denoting the ratio which any increase of pressure bears
the diminution of the unit of volume of the substance, and which
termed the elasticity of the substance, by ^, we shall obtain for t
velocity of a wave of longitudinal displacements, supposed small, t
equation :
v^=yj£s orz^=*/ — .*
"In this use of the word 'elasticity' by this eminent physici!
the modulus of elasticity is intended. The symbol s represen
the volume of the unit of mass, and p represents the mass
the unit volume.
WHISPERINGS OF AN ULD il.NL
67
VI,
^^CLLEN has quoted enough, intelligently studied, to
^*-' tell what these principles are which connect with that
j>ropcrty of bodies called elasticity. And she has also
quoted enough to show that the scientists in their text
l^ooks and discourses on this subject, use the word elas-
^city indiscriminately to denote a property, force, and
ratio. And, so far as Ellen knows, they all do this. This,
-ml course, they wouldn't do if they were well grounded tn the
IcQOwledge of their art, and good nnechanics in the use of lan-
guage. And the result is that they force disbelief in their
theories and throw themselves into ridicule, by asserting in
one place that the same bodies are highly elastic, and in
another that they are not. Such misstatements, too, provoke
the indignation of those who are really anxious to arrive at
truth. And it becomes most evident that those who undertake
to teach are themselves the most in need of instruction,
" In air and all gases there is a principle of expansion, the
limits of which we do not know. Its force is increased by
compression, and, in unconfined air, is therefore in part, at
least, the result of gravitation. Elastic force in gases is a
cause of expansion. But the most familiar cause of expansion
is heat
**Thc old Pine will see that Ellen is trying to explain
68 ELLEN OR THE
elastic force, something that the text-books, as far as she
knows, have never attempted. But for some reason a thing is
elastic. Certainly it is not so because of no reason. That is,
there is some — and a well-defined — distinction between a so-
called elastic and an inelastic body. The one contains a
force that causes its molecules to return to their original
position when disturbed, and the other does not, although
it may be true that all bodies are to some extent elastic.
The difference, then, between the two is in a force. And
a force must be something, for it is incredible to suppose
a result — in this case, the re-adjustment of the particles —
obtained from nothing. But if something, then, so far as wc
have any knowledge, it must be composed of matter, for there
is nothing else to compose it of in the material universe. And
Ellen thinks we would have knowledge if there was; that, as
she has said before, the little bit of the universe which
we see is an epitome of the whole, and that in this epitome
all the laws are at work which govern the whole. Hence,
elastic force is matter in motion. There is no other possible
explanation."
*' And is such elastic force sound?" I asked.
"Ellen thinks that it may be," she replied. ** Certainly
sound makes elastic bodies vibrate; and certainly, too, as
Ellen thinks, elastic force like sound is electrical. Both, too,
are matter in motion, and to that extent similar. But sound,
as Ellen will show, is an active form of disturbance as long sls
it remains in a body, the body returning to rest only when
sound has left it.
"Sound is caused by shock, and the least shock will
WHISPERINGS OF AN OLD PINE 69
cause it. That is, it is caused by contact, and contact is
always the result of motion. But Ellen has told the old
Pine that motion is inherent in matter and therefore eternal,
eternal as matter; from which it follows that sound is con-
stant as matter, always existing, though, like every other sub-
stance made of matter, always perishing. And it perishes as
an apple perishes, or a pumpkin, or a house. For it is made
by a law of all matter — combination ; so it perishes from that
other great law governing all matter — disintegration, when it is
changed into something else.
** And so the old Pine can see, unless he is awfully blind, that
sounJ, like odor, is a substance, endowed with a power of
motion, and dispersing as it moves. It is created in showers,
flows naturally in straight lines, and spreads in all directions
where there are channels for it or things capable of conducting
it. Unlike a stream, it is not controlled by gravitation, but
ascends as well as descends. Many substances will transmit it
as water, metals, wood, or any elastic substance ; but air is the
most common medium through which sound is made manifest
to us. By it sound is conducted to that open gate of the ear,
and through this to that house not made by hands, in whose
recesses dwells something far more wonderful than sound — a
soul or spirit.
"And this spirit learns to use sounds for the communication
of ideas. Each entity of sound then becomes a vessel loaded
with ideas or parts of ideas. And when all the parts have arrived
they are put together as a house ; and so ideas are introduced
to the soul and where there are many of them they are like a
town or city. And they are all brought to the souK or the
^0 ELLEN OR THE
many souls which live in these houses of the body, by the
myriads of the boats of sound, which are always plying in the
ocean of the air. Surely the old Pine sees with the mind's eye
the millions of things which are constantly occurring which we
cannot see with the physical eye."
" Yes," I said, **the old Pine sees. But the air is not the
only medium that transmits sound?"
** Oh, no," she replied, ** nor can the vessels of sound sail as fast
over or through — for Ellen knows not which it is — the particles
of air, as they can over or through the particles of many other
substances. Thus a car may travel on a road six to ten miles
an hour and on a rail twenty to thirty or more. And sound
passes through water nearly four times as fast as through air
and through some metals much faster; and so, depend-
in;^ on the nature of its track, its speed is regulated. And
thus, too, if the car comes in contact with these media,
sound will enter it more readily than from the air, reach
the auditory nerve, and travel along it until it comes to
the soul. For the nerves of sensation, as Ellen. thinks, are
very similar to those channels or rivers which pass from an
ocean up into a country. Nor is it possible that they can be
otherwise. For they are not the soul or spirit, and hence of
necessity must lead to the soul or spirit."
'* And Ellen thinks that certain of them are channels to carry
the ships loaded with sound, odor, flavor, and light?"
"Yes," she said; "she knows that they are."
"But the scientists say that it is through the motion
of these nerves, or matter connected with them, that all of
these things are communicated to the soul."
WHISPERINGS OF AN OLD PINE 7 1
** As well might the goods of a ship be conveyed inland by
leaving them at the mouth of a river, and then disturbing its
waters," she replied. ** The old Pine knows that any such thing
is incredible. Nor is it possible for sound, or odor, or flavor,
or light, to reach the soul, only as they ascend the channels
of the nerves to their destination, the soul."
"But," I said, "Ellen, how could shock make sound?"
"Surely the old Pine cannot think of anything better to
make it," she answered. "And, with vibration to shape and
distribute it, it's a wonderfully good mill, as Ellen thinks.
And so is a cloud for making and distributing rain. Now this
thing sound must come to the intelligence that recognizes it, as
everything must which intelligence recognizes. Perhaps the
most wonderful of all things is light, by which the images of
things are brought from a distance to the observer through
the eye, and he is thus made familiar with or aware of their
-existence. The moving of blocks of wood, or of air, or any
other substance, between the centre of sound and the brain,
would not and could not produce any thing but change of posi-
tion, which is not sound. A stove moved is still a stove. And
so anything moved may be, and, if uninjured, is the same thing
as before. Motion alone will not change its identity nor add
to its capacities. It is impossible, then, that the mere
movement of anything should produce in that thing any
phenomena which were not inherent in it. Nor could it
make any difference how far it was moved, or how fast.
So if the thing sound was not in the substances moved.
or in the brain whence the movement went, it would not and
could not take place. In the undulatory theory it is not sup-
^2 ELLEN OR THE
posed to be in the substances moved ; nor does any one sup-
pose it to be in the brain."
"Except, Ellen, under the supposition of the idealists,
as Kant or Bishop Berkeley, that there is no material exist-
ence, but that all things are sensations, and exist only in
the mind."
**But," she said, "the professed believers in undulatory
theories are not idealists, but realists of a pronounced type in
everything which they can see. Here they are neither realists
nor idealists, but profess a mongrel belief in a cause not only
insufficient, but demonstrated by the attending phenomena to
be impossible." ^
**But the old Pine supposed this theory held that the drum
skin of the ear was made to vibrate by aerial waves dashing
upon it. That this vibration was carried along to the Corti
fibres, whose vibration set going a nerve stimulus, which went
to the centre of hearing in the brain and gave rise to the sensa-
tion of sound."
"And what is a nerve stimulus?" she asked.
"The old Pine doesn't know."
" Nor does any one else," she answered. " For it is but
'•Sound — signifying nothing.'
It is a word coined by scientists to cover their ignorance.
The old Pine is both too honest and too sensible to be deceived
by it. Instead of accepting nature's laws as we know them,
scientists think they can improve them and so offer others.
And this they do whilst teaching that nature's laws are
fundamental and universal. But they are so utterly incom-
petent, that, without the slightest hesitation, they will proclaim
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t
--•-iN i'Cu.NLAUCN>
WrnsPERINGS Ol'* AX Ulji 1*1NE
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principles in one brcaili. and |^n back on them in another.
Thus the inost important of nature's laws» — that by which she
forms each separate thing, which is perfectly understood, and
which In Rcientific principles must be fundamental and uni-
versal,—scientists ignore at the ver>^ first opportunity, and
substitute therefor their own vagaries. From this utterly
,,w. -I.-,., jj.jjp jj^i^, ^^^ ^^j.]^ j^^g g|g^ arisen very largely the
'Ti -m and atheism of science; or rather, perhaps, the
two arise from tJie same cause, — ignorance,
**Thc following extracts (rom Biichner's 'Force and Matter/
tipon Ihe Universality of Naturc*s Laws, illustrate the present
posttiofi of science in this matter:
*Thc tinivcrsality of terrestrial laws is above all doubt, as far as
icoce is concerned*'^/?!/ /V<f/,
* In the present condition of our knowledge with respect to the worlds
s^uiTotuidtng our earth, we can declare with perfect assurance that the
^same materials, the same forces, the same physical laws, with which we
^jo this earth find ourselves moulded and surfoundeil^ are found in the
.AU which is visible to us, and that they are at work in all places in the
aame fashion and with the same inherent necessity as in our immediate
proximity. Natural philosophy and astronomy have furnished us with
complete proofs of this in sufficient number ; astronomical science
Indeed could not exist as such, if the universality of terrestrial laws were
iKit recognized
*l^t m fir^i tuiiijiucr Gravitation, that universal primal and funda-
mental force of Nature, by which are regulated the movements and the
gcfieral mutual effects produced by all bodies in the imiverse upon each
cither. The laws by which these movements and effects take place,
wt ioTarfable in all the realms of space into which the telescope peers
76
ELLEN Ok THE
and which are reached by calculation. The movements of all, even ihe
most distant, bodies take place according to the same laws by which
bodies thrown on our earth move, by which a stone falls, a cannon-ball
flies, or a pendulum oscillates. When we see the countless atoms of
dust dancing in our room in the light of the sun their movement is gov-
erned (as Dii Prel remarks) by the same law which guides the move-
ments of the stars in the furthest realms of space to which our eyes can
reach by aid of the most powerful instrument — that is, by the law ot
gravity. All astronomical calculations respecting the most distant
planets and their movements have been ba^ed on this known law, and
they have proved correct. Everybody knows that by the aid of this
calculation, astronomers foretell eclipses of the sun and of the moon,
transits of planets, etc, with unfailing certainty as to the day, hour and
minute, and calculate hundreds of years in advance the appearances
and re*appearances of comets, those well known knights- errant of space,
having for their orbits now an ellipse, now a parabola, now a hyperbola ;
and they do so despite the many disturbances anrl irregularities to which
the movements of these bodies are liable.
'Astronomers have even succeeded by calculations based wholly on
the law of gravitation or rotation in determining the presence of stars
which were only discovered by the telescope when it was known in
which direction they were to be looked for. Thus, in the year 1S46,
the French astronomer Leverrier came on the track of Neptune, until
then unseen by any telescope, in directing his attention to the disturb-
ance shown by the neighboring planet Uranus in its orbit. When, in
consequence of this, Galle, at Berlinj turned his telescope towards the
specified place, he found the planet of which both the spot and the mass
had been already determined. Just the same thing has happened within
the last few years in the case of the intraraercurial planet Vulcan, which
has not yet been seen with complete certainty, but tlie existence of
which is scientifically proved. But that which, more than everything
WHISPERINGS OF AN OLD PINE //
else, proves that the laws of gravitation or attraction exist in the remot-
est regions of fixed stars, which are separated from us by many billions
of miles, just the same as these laws are in force in our solar system or
on our earth, is the study of the remarkable double stars, which have
become better known only of late years. These are situated so close
together that they can only be distinguished from each other by means
of the most powerful instruments, and revolving around each other.
In their singular movements they obey the law of gravity, as do the
planets of our solar system. Thus, the presence of a second body near
the splendid fixed star Sirius (a in Cam's Ma/or) now known to be a
double star, was deduced from its peculiar movements on the basis of
the law of gravitation, twenty years before Clark discovered the star
itself at Boston, on Jan. 31, 1862. It had revealed its existence, thanks
to our conviction of the universal force of gravitation, before ever a
human eye had gazed upon it. " If any>vhere," said the astronomer
M. W. Mayer, " we have in this discovery the most conclusive argument
in favor of the universality of attraction between masses in the universe.'*
Indeed, the existence of these remarkable double stars shows that while
in the fathomless depths of space the creative force of Nature seems to
love to reveal itself in very much the same variety as here on our earth,
yet it never, nor in any place, follows any laws unknown to us, or others
than those to which it would have entrusted the building-up and the
governance of the world. On the contrary, all these mar\ellous worlds
have been evolved according to the same simple laws as those which
built and rule our little earth.
' Astronomers, confidently relying on the laws of gravitation, do not
hesitate to authoritatively lay down the existence of dark or to our eyes
imperceptible satellites of some of the fixed stars, e. g. Procyon, as the
consequence of their peculiar movements.
. 'It may also be remarked that the physical condition of all the
planets whose proximity to our globe renders possible a sufiicientljr
78 ELLEN OR THE
exact determination of their surfaces, is similar or analogous to that of
our earth. Venus has high mountains ; Mars has continents and seas,
summer and winter. The moon has mountains, plains, valleys and vol-
canoes like the earth. All the planets of our system have seasons,
days and nights as we have, although their relative lengths vary.
Besides, they are all spherical in shape, like the earth ; i. €, they bulge
out at the equator and are flattened at the poles ; like the earth, they
are more or less inclined on their axes and have the double motion of
rotation and translation ; all these are signs of a similar origin. Hence
the genesis of our globe yields us a sure analogy for the history of the
origin and evolution of the other planets.
'The laws of light, no less than those of gravitation, are the same
throughout the universe and the same as on our earth. Light, whether
solar or artificial, has throughout the same composition and the same
velocity, and its refraction takes place everywhere in the same way.
The light sent to us by the most distant fixed stars through a space of
many billions of miles, is distinguishable in nothing from the light of our
sim ; it follows the same laws and is of the same composition. So little
doubt is there among learned men on this head that the different color-
ing of the light proceeding from fixed stars enables them to decide with
absolute certainty, on the one hand as to the temperature, condition
and stage of development of these stars, on the other as to their indi-
vidual and relative movements in space. Thus we are likewise in a
position to determine according to terrestrial processes the areas of the
umbrae and penumbrae arising from solar and lunar eclipses. Even the
ring of the planet Saturn throws a shadow on it and receives in its turn
a shadow from the planet. Lastly, the photographs taken of individual
fixed stars prove that the light emitted by them contains, like sunlight,
chemically active as well as luminous rays. The same remark applies
to the heating rays, as has been shown by very delicate instru-
ments.
WHISPERINGS 0¥ AN OLD PINE 79
• Like the laws of light, the laws of heat are the same throughout the
universe, heat being the commonest and most widely distributed form of
energy known to us, and being at this day universally regarded as merely
another form of light. The heat coming to us from the sun or from
the other fixed stars works exactly according to the same principles as
the rays of heat do which are emitted by our earth or by the hot-springs
found therein. On caloric circumstances depend the solidity, the
fluidity, the gaseous condition of bodies; therefore these conditions
must exist everywhere upon similar terms, so to speak. It has been
shown in a preceding chapter that the other forces of nature, such as
electricity, magnetism, mechanical power, chemical affinity, etc., are so
closely bound up with caloric circumstances and stand to these in such
intimate relationship, based upon reciprocal interchange, that they can-
not be separated from one another; therefore must all these forces
exist where warmth exists, that is to say, everywhere. This is espe-
cially true of the relation of heat to the form and manner of chemical
combination and dissociation, which must necessarily proceed through-
out the universe in a uniform manner, since the experiments carried on
by the help of spectral analysis have proved to demonstration the uni-
versal distribution of chemical elements identical with those existing on
our earth. But long before this most recent and interesting method of
investigation had become known, the same conclusion had been arrived
at by the study of those visible and tangible messengers from another,
non-terrestrial world, which we designate as meteorites or meteoric
stones. Chemistry has not been able to discover a single element not
present in our world in these remarkable bodies, the cosmic origin of
which was for centuries regarded as a preposterous myth, while people
on the other hand believed firmly and steadfastly in downright impos-
sible things and events. These bodies are hurled to us from other
worlds or from the primal ether, in all probability from the very depths
of the space pertaining to the fixed stars, possibly as pieces or remnants
So ELLEN OR THE
of shattered planets or dissolved comets. Among the twenty-one ele-
ments or chemical groups found in these bodies up to the present time,
there is not a single one alien to those of our own globe, and the sub-
stances predominant in them, such as iron, silicon, oxygen, are the
very ones which also predominate on the surface of the earth. Daubr^e
has also discovered that the similarity that exists between these meteor-
ites and the terrestrial minerals increases in proportion as we penetrate
more deeply into the crust of the earth, and that several of the minerals
found at the greatest depths (such as olivine, herzolite, serpentine,)
are in composition and condition almost identical with the meteorites ;
and lastly, that in closer proximity to the surface of the earth minerals
are found which are formed of constituents similar to those of the
meteorites, but oxidized (united with oxygen,) and thereby having their
mineral character changed. Daubr^e further succeeded in artificially
obtaining from terrestrial stones substances closely resembling meteor-
ites. The investigation of meteorites has shown moreover that the
crystals distributed throughout their internal structure are formed
according to the very laws of crystallization which we recognize in ter-
restrial crystals, and that their forms in no wise differ from those known
to us. Even the microscope, as Moldenhauer remarks, (Das Weltall
und seine Entwicklung, I, p. 7), has not failed to render aid in this
direction. "It appears in the structure of the meteorites, those little
bodies that fall upon us from far-off unknown regions, that the internal
construction of alien inorganic masses is essentially identical with that
of our own."
'These facts alone would be sufficient to prove that — in the words
of Professor Spiller — "the unity of the forces of Nature extends to the
very atoms of matter,'* and that " the formative force for each material
and for each atom of matter is the same in the whole universe." But
that which was only raised to high probability by the investigation of
meteorites, has been made almost into a certainty by spectral analysis^
WHISPERINGS OF AN OLD PINE gj
that ''language of light'' as it has been rightly termed, the glance of
which pierces through the chemical constitution of the most distant
stars. Above all things it has taught us that the mass of the sun — and
indeed nothing else could be expected from the fact of all the members
of the solar system deriving their origin from the same primal mist —
contains no other chemical elements in its ardent or incandescent
integument than those which exist in our earth. These elements, as
everyone knows, are sodium, iron, calcium, magnesium, chromium,
nickel, barium, zinc, cobalt, manganese, titanium, aluminium, stron-
tium, lead, copper, cadmium, cerium, uranium, potassium, vanadium,
palladium, molybdenum, hydrogen, oxygen, nitrogen. There is still
some doubt about the presence of a number of other known elements,
such as indium, lithium, rubidium, caesium, bismuth, tin, silver, beryl-
lium, lanthanum, yttrium, iridium, silicon, sulphur, carbon, etc. Prob-
ably all the metalloids (non-metals) are to be found in them ; other
heavy metals, such as gold, silver and mercury, may be present in the
deeper parts of the sun or of its envelope, inaccessible to spectral
analysis. The chemical composition of the solar envelope offers gen-
erally the greatest resemblance to, or analogy with, the chemical con-
stitution of meteoric stones.*
* Of course, astronomers have not contented themselves with merely
using the spectroscope — which is able to yield such positive data on
* It must not be forgotten that one material, or one substance, has been discovered
in the solar spectrum that corresponds with no terrestrial one, and which has there-
fore been named helium. But according to the distmguished spectroscopist Norman
Lockyer, helium is apparently nothing more than a modified form of hydrogen ; and
besides, Professor Palmieri of Naples states that he has lately discovered the helium
line in the spectrum of the lava of Vesuvius. In point of fact it is very possible that
an element, the presence of which has not yet been discovered on the earth, may
play an important part elsewhere, and on the other hand an element predominant
with us may only be present to a slight extent in the composition of other stars. The
general identity or unity of materials is therefore open to no doubt whatever.
:$2 : ' ELUSN OR THE
]the chemical composition of the most distant bodies -«- to investigate
•the sun, but, despite the great difficulties involved, it has been turned
alsalo account in the study of the planets, comets, fixed stars, nebulae,
falling stars, etc. The result has been materially the same throughout.
These enquiries have proved the truth of the theory propagated by
earlier astronomers, viz., that the so-called fixed stars are nothing but
actual suns, in the atmospheres or luminous envelopes of which are
found again in an incandescent condition those known bodies, some of
which have already been mentioned, like iron, calcium, sodium, mag-
nesium, tellurium, antimony, bismuth, mercury, hydrogen, nitrogen, etc.
Hydrogen appears to play the chief part in most of the fixed stars, and
to cause the same violent eruptions and whirlwinds in them as it does
in the sun. If all the substances found in the sun have not yet been
shown to exist in the fixed stars, this probably results from the faintness
of the spectra, arising from the immensity of the distances. The same
remark applies to the yet more distant nebulae or to those glowing
masses of gas which astronomers regard as systems of worlds in
course of evolution, and the spectra of which denote principally hydro-
gen and nitrogen. The comets have also been analyzed by means of
the spectroscope, notwithstanding the dimness of their light which ren-
ders accurate observation very difficult, and carbon and hydrogen have
been discovered in them. Kven falling stars have been submitted to
the same analysis, and it is claimed that carbon, as well as glowing
vapors of sodium and magnesium, have been discovered in them. It
need hardly be mentioned that the light of the planet, being borrowed
from the sun, must show the same composition as that of the sun itself.
'These discoveries form landmarks in the history of science and are
worthy of being placed side by side with the greatest discoveries of all
ages. They prove that matter is essentially identical not only within
our solar system, but in the whole universe, down to the regions of fixed
stars and nebulae. Now seeing that identity of substances must neces-
VVIIISPERINGS OF AN OLD PINE
8J
Msmly imply identity of forces, and that ** the sperial form in which a
s^ubstaoce ptoUuces its regular effect is the direct outcome of its chem-
LJkral condition'' (Dti Prel,) no doubt can remain as to the similarity of
L msiaterials and forces throughout the universe and as to the similarity of
I -development in our solar system and in the most distant heaven of the
:Axed stars — a view which is now thoroughly accepted by all scientists
.^wfho have conccntiated their attention on the study of this question.
1 I*rofcsiSor Kirchoff himself, the famous discoverer of spectral analysis,
1-vas stated his conviction " that the substances and forces in the whole
mxniverse are essentially the same.**
•AU these facts and observations — with those already given at the
l>cgmiung of the chapter — prove to demonstration the universality of
^r^atural laws, a phrase which is indeed but another expression for the
xcgular working of matter and of its forces, arising from its chemical
mjiil phy&ical nature, and these laws cannot therefore be confined to our
^obe, but most act in a similar fashion throughout the entire universe.
• • • The visible universe surrounding us is an infinite whole»
composed of the same substances, borne by the same energies, swayed
\yy the same immutable natural laws.
'Oerstedl rightly maintained, in treating of the identity of mental and
phvsjral laws, that this universal application of the law^s of Nature which
are conceived by reason, presupposes also a fundamental equality of the
conceptive faculty of the intellect throughout the universe. Should
reasoning beings exist otjtside of our planet — and this is probable
enough, since it is difficult to see why the same or similar causes should
not, under the same or similar conditions, produce the same or similar
results everywhere — their thinking power must necessarily be the same
aSy or similar to, ours, although in degree or development it may vary
to almost any extent. The principles of the physical development of
maD are also likely to be on the whole identical. So great, however, is
tbe diversity of the individual worlds in point of mass, temperature,
■*^>^ -"^
84 ELLEN OR THE
density, illumination, physical condition of the surface, etc., and so far
do the phases of development diverge from each other in the individual
stars, that we have a perfect right to assume also the possibility of an
endless diversity in the respective organization of the inhabitants of
each individual world. * * * One thing only, as we have said
Ulready, can be stated with comparative certainty, and it is that the
identity of cosmical substances and laws admits of the inference that
the fundamental principles of physical and mental phenomena, of
organic and inorganic life, must be the same ever3rwhere.
*"In the life of the mind," says Ph. Spiller (Die Urkraft des Welt-
alls, 1876,) "there must eventually be some features of absolute unity,
despite the diversity that may exist in its organization. The laws of
thinking are no doubt the same throughout the universe." '
THE NEW YCRK
PUBLIC LIBRAHY
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WmsPERlNUS OF AN OLD TINE
87
VIL
r^'T'HIS undulatory theory of sound is wrong, because,
* first, it IS unscientific, being based on wrong pria-
second, the system of waves w^hich it contemplates
Id not possibly exist; third, such a system, if existing,
Duld not bend tlie ear drum in and out; and fourth, a mere
lechanical pressure on the tympanum of the ear could not pro-
luce the phenomena of sound.
•^For, as Ellen has pointed out, the universal law of nature
creation is by the combination of elements or substances.
There is no other, and any suggestion of it comes only from
ery incompetent thinkers, and is upon its face incorrect.
'* Ellen will show that its system of waves cannot exist.
•* It would be impossible for such a system of waves, if exist-
ig, to exert the mechanical force which they arc supposed to
jlcrform, anil must perform if the theory is true* For, omitting
Jie other mechanical operations that enter into the problemp
car-drums are a substantial quantity and require a definite
amount of energy to bend them once in and once out. Nor is
Htiits any negligible amount even lor a single ear-drum. But
^BLlfae same sound, and that not a loud one, is heard by many
^HBlssands through this movement of ear-drums, it is evident
|biat it will require a very large amount of mechanical energy
to fulfil the necessities of this theory — an amount that many
^■inimals such as insects or birds could no more exert than they
could remove mountains. Thus the Katy-did or Whip-poor-
88 ELLEN OR THE
will can be heard over a space where many thousands of people
could be placed, who would all hear the sound if present, the
aggregate weight of whose ear-drums might reach the sum of
hundreds or thousands of pounds, for every ear-drum weighs
half a grain, more or less. So that our pretty Whip-poor-will,
while he is singing, must exert a force to move such an amount
hundreds of times each second, if this theory was true. But
the old Pine and Ellen both know that, though a fine musician,
the Whip-poor-will cannot exert any such amount of physical
energy. And therefore it is certain that ear-drums are not
thus bent in and out by a mechanical energ>'' exerted by the
Whip-poor-will, as would have to be the case if this theory was
true. The whole conception is that of one utterly ignorant of
the laws of mechanics, and equally without a vestige of com-
mon sense.
** And fourth, there are no phenomena of sensation which do
not first exist materially. They may, then, or may not, be per-
ceived by any particular intelligence; but this much is certain,
that they cannot be perceived as sensations until so existing.
And this is true to the minutest detail. Thus we have a
tree, with its trunk, bark, limbs, flowers, and leaves, including
every indentation of the bark, the form and order of every
branch and every twig, and the shape and position of every
flower and every leaf. Because of this absolutely complete
image of the tree, is the absolutely complete sensation of a
tr(x\ So, too, if the material tree is deficient, the sensation
will be deficient, and to exactly the same extent. Thus, were
the ribs, veins, and notches of the leaves, or of a single
leaf, or a single vein of a single leaf wanting in the physical
WHIi^PERINCS or AN OLD HNE
8y
Ifce, It would be wanting in the sensation. Docs any one
suppose that it is any different with sound, or that there
h any exception in this law of sensations? Does any onr*
doubt that all the marvellous differences of sound* which
arc as many and as manifest as any that exist in any
of the phenomena of nature, are first formed materially?
There is no more possible question about this than that
they exist at all. This is one of nature's many universal
laws. The heavens and earth will pass away before this law-
will pass away. As a rainbow is builded, or a raindrop ; as an
icicle is formed, or a snowflake with its crystals of such exquisite
beauty; so arc sounds formed perfect in every part, and repre-
senting an infinite number of differences, because built up
in nature so as to represent them. For, though we cannot sec
this phenomenon, sound, we recognize it in our sensations, and
know that nothing is perceived by them except as it exists first
materially. Sound, then, must be created before it can be
beard."
'• It is made by vibration, is it not, Ellen?'* I asked.
"Us immediate cause is pressure or shock/' she answered,
*'lrom which results vibration, between which and sound there
always exists an exact relationship. But vibration, as Ellen
thinks, must be the result of moving matter by whatever name
called. And it has generally been attributed to the elastic prop-
erty of bodies, which, to a certain extent at least, is occasioned by
^o'lt ; but as Ellen will abundanti}' show^ it is caused by sound.
* ' licrruil said :
'(i) Everybody in nature is porous, and these pores arc propor-
lional to the dcosity of the substance. (2) These pores arc filled with
90 ELLEN OR THE
different fluids, and principally with caloric. But caloric possesses a
strong repulsive force ; from which it follows that when an elastic body
is compressed the caloric in its pores drives back by its repulsive power
the displaced parts and brings them to their former state.'
"And Mr. J. C. Maxwell says:
' The laws of elasticity express the relation between the changes of
the dimensions of a body and the forces which produce them. These
forces are called pressures and their effects compressions. Pressures
are estimated in pounds on the square inch, and compressions in frac-
tions of the dimensions compressed.*
" Sound is a product of such conditions, and is, as Ellen
thinks, in its nature as well as in its surroundings, of electrical
character. Let any one place the stem of a vibrating tuning
fork anywhere on the head. Here is no possibility of air
waves, but the sound is complete and is heard the most dis-
tinctly possible, for the force that makes it, or the sound,
passes from the fork into the head."
"But, Ellen," I said, **do not all the scientists agree that the
thing which takes place in the production of sensations, as
sound, smell, taste, when the substance comes in contact with
the nerves of sensation, is a motion? Thus Mr. Tyndall writes:
'The various nerves of the human body have their origin in the
brain, which is the seat of sensation. When the finger is wounded,
the sensor nerves convey to the brain intelligence of the injury, and if
these nerves be severed, however serious the hurt may be, no pain is
experienced. We have the strongest reason for believing that what
the ner\'es convey to the brain is in all cases motion. The motion
here meant is not, however, that of the nerve as a whole, but of its
molecules or smallest particles.
VVmSPERINGS OF AN OLD PINE
91
'Different nenxs are appropriated to the transmission of different
tinds oi molecular motion. The nerves of taste, for example, are not
^::onipetent to transmit the tremors of light, nor is the optic nerve com-
^)etent to transmit sonorous vibrations. For these a special nerve is
-■lecessary, which passes from the brain into one of the cavities of the
^ar» and there divides into a multitude of lilaments. It is the motion
imparted to this, the auditory nerve, which, in the brain, is translated
into sound,'
^
And Ellen knows that there are such nerves connected with
the brain; and does not Ellen think the scientists know, when
ey affirm so positively that it is motion, and nothing else,
hich passes along these nerves?'*
** Ellen knows, old Pine, that they don't know anything
I about it."
'*And does not Ellen think that their claim is true?'*
"Ellen does not think so/*
"And what does she think?"
**She thinks that in each case the substance causing the
sensation is introduced into the system of the body, just as
food and drink are; that the motion of the nerves answers
the same purpose as those of the muscles in swallowing,
and no other; that the whole proceeding is a substantial one,
and that in this way and no other is every phenomenon of
nature accomplished; that nowhere does something come from
nothing, or the motion of one thing give the effect of another;
M^ that there is no confusion in the order of nature, but that
^Kcver>ni^'here and ahvays things are created in the same manner*
^ and produce their effects in the same manner, and that manner
it by their presence. Nor does Ellen think that anything is
92 ELLEN OR THE^
6r cart be effective where it is not, or cSinnot reach. WSen
camphor or any other remedy is snuffed into the hose to'
relieve some trouble in the head, does the old Pine think
that what takes place is an appropriate motion in some muscle
or nerve? That takes place, for it is the manner provided
by nature for the introduction of such remedy to the part
where it is needed, and the motion accomplishes this^ its part.
But the healing power is in the remedy, to be accomplished
by contact, cither of its whole substance or of an effettive
part put out from it. It is the soul and not the nerves
that tastes or smells or hears; nor does it taste or smeU
or hear a motion, but that particular substance formed by
nature, through her always sufficient law of combinations;' to
produce the effect intended. As Mr. Tyndall does not stafe
what this strongest reason that he refers to is, it is i'm^ossible
to discuss it. Ellen's reply is that no such reason exists; but
that on the contrary wc have the strongest possible reasons to
believe that whenever the finger is wounded, a new substance* is
created, which, through the medium of the nerve, conveys the
sense of injury to the brain. If the nerve is cut, it of course
cannot convey this sense of injury."
*' And what arc these strongest reasons that Ellen refers to?"
I asked.
**Thc strongest of all possible reasons," she said, ^* the uni-
versality of nature's laws. For everything that happens in the
material universe takes place in this way, by a combinatidni of
this most wonderful thing we call matter. So far as we have
knowledge, there is no exception. Nor does Ellen think that
any exception is possible; else must something come frbm
WHISPERINGS OF AN OLD PINE 93'
nothing. Thus we have all sensations — those that give pleas-'
are and those that give pain ; sensations of beauty, whatever
they are; sensations of odor; sensations of taste, both those
that are agreeable and those that are disagreeable, those that
are healthful and those that are noxious ; the pleasant sensa-'
tions from an orange and the fatal ones from poison. Nor is
it possible for Ellen to think that the sense of injury is con-
veyed or can be in any different manner. Does the old Pine
think that he could devise a better way of creation?"
"The old Pine certainly does not, but thinks just as Ellen
does, that nature's method of accomplishment in the material
universe is by appropriate substances, endowed with their
proper motions; for he knows of no instance where this is
otherwise, nor can well imagine that it could be otherwise."
" Sensible old Pine," she answered. " It is only the scientists
who operate by modes of motion in the books, where alone
this method of performance has any existence.'*
"And yet, Ellen, is it not possible to communicate by modes
of motion, as in telegraphing? The old Pine thinks that with
pre-arrangement between parties much if not all information
might be so communicated."
" Ellen will admit," she said, '* that information may be
communicated by symbols through the aid of intelligence ; but
this is not at all what Mr. Tyndall is considering, but«instead the
laws of sensation, which have to do entirely with matter, and
its effect upon mind.
** Why mind should recognize a picture or a fragrance, or
why certain combinations should make such, Ellen does not
know. Nor can she see any good reason why she should. If
94 ELLEN OR THE
she did know, she might busy herself in making creations. But
she knows they do, even to the trembling of a leaf. And she
realizes that the power which made them knew how and why.
To that power the causes and effects are as plain as the making
of a dress is to Ellen, or the manufacturing of a pitcher to him
who can make it.
" Locke thus describes sensation :
' Our senses, conversant about particular sensible objects, do convey
into the mind several distinct perceptions of things, according to those
various ways wherein those objects do aflfect them : and thus we come
by those ideas we have of Yellow, White, Heat, Cold, Sofl, Hard, Bit-
ter, Sweet, and all those which we call sensible qualities, which, when
I say the senses convey into the mind, I mean they from external
objects convey into the mind what produces there those perceptions.
This great source of most of the ideas we have, depending wholly upon
our Senses, and derived by them to the Understanding, I call Stn-
sation: "
THli ixii^' 'if^^^^^
PUBLIC LlbHAKY
9. .,Jl^
WHISPERINGS OF AN OLD PINE
97
VIIL
ii
BUT," I said, ** Ellen, the speed of sound is governed by
the elasticity and density of the media through which
It pas!ies, U it not?"
** Nut with Fallen's definition of elasticity. And she thinks,
^o, this definition is the most common ; and therefore such
atemcnt is misleading if not untrue. Sound is propagated
in rubber, which is very elastic, very poorly; and lead, which
is very dense and inelastic, is a good conductor Putty, both
inelastic and dense, is a much better conductor of sound than
india rubber/*
" Yet all the text books teach this, and would appear to
show it in their tables.*'
** Ellen has but very little confidence in any of their state-
ments/' she answered.
** But w^hy," I asked, " shoufd scientists mi state ? *'
" Because of their ignorance, Ellen might say, but she thinks
the difficulty lies deeper than that, because of their indifference
to Truth. The name of those who do not know is legion* but
want of rehgion far more than want of knowledge, is responsi-
ble for error. And by religion Ellen means the love of Truth/*
" And what is Truth/' Ellen? "
"Everything that is/* she answered. "The sunshine that
falls upon the mountain, or lingers upon the meadow. God
and His Laws are Truth : and the<e laws, as Ellen thinks, may
be plainly read, whether goveminoj the spiritual or material/'
98 ELLEN OR THE
" Then Ellen does not think that those who sought truth
would lie ?"
** She knows that they would not. For those who seek will
find, and find that for which they seek, not its opposite. And
to Ellen an hypothesis taught as a known principle is a lie.
But Mr. Ganot says that the intimate nature of all those things
that we are talking about is completely unknown, and ever>'
intelligent scientist that Ellen has ever talked with about undul-
atory theories admits that they are but hypotheses and may be
wrong. Let them say this to their scholars ; let them proclaim
it in their lectures. Let them tell the truth and shame the
devil. Let them quit the lying ; quit it entirely. Never once
say that a doubtful thing is so, or an hypothesis a fact, but say
that it is doubtful, or, like Mr. Ganot, that it is * completely
unknown.'
** Sound is an entity, radiating in all directions from the
sounding body under its own laws, which as yet we do not
understand, nor arc we warranted to say that its speed depends
upon the elasticity and density of the medium through which it
passes, although it is true that it docs depend in some way
upon the character of this medium, and therefore may depend
upon its density and elastic force."
**Thcn," I said, "this might be true, although the undulatory
theory was not true."
•'Certainly," she said; ''the undulatory theory is not true,
but the other may be true.*'
•* But did not Mr. Newton," I asked, "demonstrate that the
speed of sound, in an elastic fluid, depended upon the elastic
force and density of the fluid? His formula was that its veloc-
WIIlSPERmCS. OFAN OLD PINE
99
Jtyr ^wtfBS directly as the stibdupltcate ratio of the elastic force.
^'^^l- inversely as the subdiiplicate ratio of the density. That is,
'^^^ it was equal to the square root of its elastic force divided
hyr- ^jj(j square root of its density.*'
*^ He demonstrated nothing of the kind/' she replied, **for
*^ theor>' did not agree with experiment. Mr. Newton in
1^ ^Principia' undertakes to derive the laws which govern the
- «s that rule among heavenly bodies. This was a field of his
■* choosing* and is handled with much ability. Man}- of his
^liods are exceedingly ingenious. All are bold, and show a
^icr spirit in mathematics. In section 8» proposition 41,
enters upon a discuss'on of motion propagated in fluids.
L5 proposition is:
prtuurf is not propagated through a fluid in nctiiinear (iiintivns^
^nlns where tke particles t>f the fluid lie in a right line' (Fig. 4)
If lite particles a, <^, r, d^ e, lie in a right line, the presjiiire may be
^^eed dire<nly propagated from it to f: bnt then the particle c will urge
Fig. 4.
the obliqaely posited particles/ and g obliquely, and those particles/
m^g will not sustain this pressure, unless they be supported by the par-
ticles h and k lying beyond them ; but the particles that support them
•ns also pressed by them ; and those particles cannot sustain that
lOO
ELLEN OR THE
pressure, without being supported by, and pressing upon, those particles
that lie still farther, as / and m, and so on in infinitum. Therefore
the pressure, as soon as it is propagated to particles that lie out of
right lines, begins to deflect towards one hand and the other, and will
be propagated obliquely in infinitum ; and after it has t>egun to be
propagated obliquely, if it reaches more distant particles lying out of
the right line, it will deflect again on each hand ; and this it will do as
often as it lights on particles that do not lie exactly in a right line.
' Cor. If any part of a pressure, propagated through a fluid from a
given point, be intercepted by any obstacle, the remaining part, which
is Dof intercepted, will deflect into the spaces behind the obstacle.
Fig. 5.
This may be demonstrated also after the following manner. Let a
pressure be propagated from the point A (Fig. 5) towards any part,
and, if it be possible, in rectilinear directions ; and the obstacle
WHISPERINGS OF AN OLD PINE Id
N B C K being perforated in B C, let all the pressure be intercepted
but the coniform part APQ passing through the circular hole
B C. I-«t the cone A P Q be divided into frustums by the transverse
planes de,fg,hi. Then while the cone ABC, propagating the
pressure, urges the conic frustum degf beyond it on the superficies
tie^ and this frustum urges the next frustum fgih on the superficies
fg, and that frustum urges a third frustum and so /// infinitum ; it is
manifest (by the third law) that the first frustum dc/g is, by the
reaction of the second frustum fgh /, as much urged and pressed on
the superficies fg, as it urges and presses that second frustum.
Therefore the frustum d egf is compressed on both sides, that is,
between the cone Kde and the frustum fhig; and therefore (by
case 6, prop. 19) cannot preserve its figure, unless it be compressed
with the same force on all sides. Therefore with the same force with
which it is pressed on the superficies de, fg, it will endeavor to break
forth at the sides df, eg; and there (being not in the least tenacious
or hard, but perfectly fluid) it will run out, expanding itself, unless
there be an ambient fluid opposing that endeavor.^ Therefore, by the
effort it makes to run out, it will press the ambient fluid, at its sides
dfy { g, with the same force that it does the frustum, fgih ; and
therefore, the pressure will be propagated as much from the sides
d/yCg, into the spaces NO, KL, this way and that way, as it is
propagated from the superficies/^' towards PQ.'
*'It may be noticed that Mr. Newton nowhere undertakes to
explain in what manner one particle pushes another, that is,
whether they hit each other or not ; but judging from the
whole of these propositions, it is assumed that they do not hit
each other, but operate in some unexplained way through the
interposition of some other substance, or substances, the char-
acter of which is nowhere mentioned. This, as will be seen, is
I02
ELLEN OR THE
entirely opposed to the kinetic theory of gases, now generally
accepted by scientists.
' Proposition XLIL All motion propagated through a fluid diverges
from a rectilinear progress into unmoved spaces.. (Fig. 6)
'Case i. Let a motion be propagated from the point A through the
hole BC, and, if it be possible, let it proceed in the conic space
BCQP according to right lines diverging from the point A. And
Fig. 6.
let us first suppose this motion to be that of waves in the surface of
standing water; and let de^ fg, hi, kl, etc. be the tops of the several
waves, divided from each other by as many intermediate valleys or
hollows. Then, because the water in the ridges of the waves is higher
than in the unmoved parts of the fluid K L, N O, it will run down
from off the tops of those ridges e^g, /, /, etc. ^,/, /f, /*, etc. this way
and that way towards K L and N O ; and because the water is more
WHISPERINGS OF AN OLD PINE 103
depressed in the hollows of the waves than in the unmoved parts of
the fluid K L, NO, it will run down into those hollows out of those
unmoved parts. By the first deflux the ridges of the waves will dilate
themselves this way and that way, and be propagated towards K L and
N O. And because the motion of the waves from A towards P Q is
carried on by a continual deflux from the ridges of the waves into the
hollows next to them, and therefore cannot be swifter than in propor-
tion to the celerity of the descent ; and the descent of the water on
each side towards K L and N O must be performed with the same
velocity; it follows, that the dilatation of the waves on each side
towards K L and N O will be propagated with the same velocity as the
waves themselves go forward directly from A to P Q. And therefore
the whole space this way and that way towards K L and N O will be
filled by the dilated waves rfgr^ shisy tklt^ vmnv^ etc.
'That these things are so, any one may find by making the
experiment in still water.
'Case 2. Let us suppose that de^ /^, A/, kl^ mn, represent pulses
successively propagated from the point A through an elastic medium.
Conceive the pulses to be propagated by successive condensations and
rarefactions of the medium, so that the densest part of every pulse may
occupy a spherical superficies described about the center A, and that
equal intervals intervene between the successive pulses. Let the lines
de^fg^ h /, kly etc. represent the densest parts of the pulses, propagated
through the hole B C ; and because the medium is denser there than
in the spaces on either side towards K L and N O, it will dilate itself
as well towards those spaces K L, NO, on each hand, as towards the
rare intervals between the pulses ; and thence the medium, becoming
always more rare next the intervals, and more dense next the pulses,
will partake of their motion. And because the progressive motion of
the pulses arises from the perpetual relaxation of the denser parts
toward the antecedent rare intervals ; and since the pulses will relax
I04 ELLEN OR THE
themselves on each hand towards the quiescent parts of the medium
K L, N O, with very near the same celerity ; therefore the pulses will
dilate themselves on all sides into the unmoved parts K L, N O, with
almost the same celerity with which they are propagated directly from
the centre A ; and therefore will fill up the whole space K L O N.
* And we find the same by experience also in sounds which are heard
though a mountain interpose; and, if they come into a chamber
through the window, dilate themselves into all the parts of the room,
and are heard in every corner ; and not as reflected from the opposite
walls, but directly propagated from the window, as far as our sense
can judge.
* Case 3. Let us suppose, lastly, that a motion of any kind is propa-
gated from A through the hole B C. Then, since the cause of this
propvigation is that the parts of the medium that are near the center A
disturb and agitate those which lie farther from it ; and since the parts
which are urged are fluid, and therefore recede every way towards
those spaces where they are less pressed, they will by consequence
recede towards all the parts of the quiescent medium ; as well to the
parts on each hand, as K Tv and N O, as to those right before, as PQ:
and l>y this means all the motion, as soon as it has passed through the
hole 13 C, will begin to dilate itself, and from thence, as from its
princijjle and center, will be propagated directly every way.'
"The supposed cause of these pulses, — that is, the supposed
action of clastic force, — is here most plainly pointed out
and is delightfully refreshing as against the muddled state-
ments, or no statements at all, of the textbooks: 'And
because the medium is denser there than in the spaces on
either side it will dilate itself as well towards those spaces
on each hand as towards the rare inten>als between the
pulses ; and thence the medium, becoming always more rare
WHISPERINGS OF AN OLD PINE IO5
ncxi the uitenfals, and more dense next the pulse Sy will
partake of their motion. And because the progressive motion
of the pulses arises from the perpetual relaxation of the
denser parts toward the antecedent rare intervals; and
since the pulses will relax t Item selves on each hand
toivards the quiescent parts of the medium with very near the
same celerity ; therefore the pulses will dilate themselves on all
sides into the unmoved parts with almost the same celerity ivith
which they are propagated directly from the centre; and,
therefore, will fill up the whole space. * * * Then, since
the cause of this propagation is that the parts of the medium
that are near the center disturb and agitate those which lie
farther from it; and since the parts which are urged are
fluid, and therefore recede every way towards those spaces
where they are less pressed, they will by consequence recede
towards all the parts of the quiescent medium ; as well to the
parts on each hand as to those right before, and by this means
all the motion, as soon as it has passed through the hole, will
begin to dilate itself, and from thence, as from its principle
and center, will be propagated directly every way!
"And this is all there is of it, or all there could be of it.
Air will dilate and thus cause a pulse, not a wave, if other air
surrounding it is more rarified than itself. And under
no other possible circumstances can it do it. This practi-
cally destroys the undulatory theory of sound. For during a
large part of the time when sounds occur, the conditions sup-
posed do not take place, and are impossible. Surrounding
air is not quiescent, but frequently, if not generally, more
condensed than the part affected by the sound agitation.
I06 ELLEN OR THE
This would be especially true of the agitation caused by
slight sounds, which of necessity would be constantly over-
whelmed by the greater agitation of larger sounds. And all
sounds would often, if not generally, find the conditions of the
atmosphere in respect to density varied, and thus be liable to
be stopped in their progress at any moment.
**Were the conditions possible or true, at every meet-
ing of a condensed wave from some other sound, or from
any cause whatever, a thing which must constantly take
place, the motion of our first wave would be retarded,
and, if the next wave was the larger, be entirely stopped.
For its motion, being solely caused by its tendency to enter
the less dense, it could not, of course, advance against
the more dense. And hence all the smaller sounds, formed or
half-formed, must be constantly cut off by an instantaneous
process. If such a condition actually took place, it would also
be true that the speed of these waves (or, the speed of sound)
would depend upon the strength of the compression, and
therefore would vary continuously, which it does not in fact do."
"But," I said, ''Kllen, by Boyle's law, compression and
density balance each other, do they not?"
** Sometimes the\' do," she answered. " In the conditions
now supposed there is no evidence that they could, though this
proposition of Mr. Newton's rests upon the assumption that the
elastic force of air is equal to its condensation.
"Newton was born in 1642, and published the *Principia' in
1687. Ganot says :
*The law of the compressibility of gases was discovered by Boyle in
1662, and afterwards independently by Mariotte in 1679. It is in
WHISPERINGS OF AN OLD PINE
10;
England commonly called ** Boyle's Law,** and on the Continent
*• Mafiotte*s Law." It is as follows :
• Th€ kmptratuPT remaining the same^ the volume of a given quantity
m gas is inmrsefy as the pressure whiih it dears.
'This liw may be verified by means of an apparatus devised by Boyle,
* ITie law also holds good in the case of pressures of less than one
atmosphere.*
*vBut only one instance is given of this, viz.: air in a tube
under pressure ol half an atmosphere.
'In the experiment with Boyle's tube, as the mass of air remains the
same, its density must obviously increase as its voUtme diminishes, and
vice versa. The law may thus be enunciated; — ** For the same tern-
pemtiire the density of a gas is proportional to its pressure'' Hence,
as water is 773 times as heavy as atr, under a pressure ol 773 atmos-
pheres air would be as dense as water/
**This law is (oundcd upon experiments and is known to be
true only so far as the conditions arc such as existed when the
experiments were tried.
** But these conditions in all cases were that the gas consid-
ered was all subjected to equal pressure. And hence the
experiments, and therefore the law founded upon them, can not
be applied to tlicsc hypothetical condensations and rarefactions.
For in this case the whole body of air considered is not sub-
jected to equal pressure. But, on the contrary, by the
hypothesis it is subjected to unequal pressure. And, therefore,
with no known principle preventing, it would be fairly pre-
sumable that the speed of such condensations, did they exist,
would vary with the force making them. Besides, further
I08 ELLEN OR THE
experiments demonstrated that Boyle's law is not always
correct. And this especially enforces the fact that the law can
be relied upon only so far as demonstrated by experiment.
Mr. Ganot says:
*The general result of these experiments is to show that at high
pressures the volume is greater than that required by Boyle's law,
agreeing in this respect with hydrogen at ordinary pressures. This is
well illustrated by the deportment of ethylene as given in the following
table, where P is the pressure in metres of mercury, and PV the pro-
duct of pressure into volume, which according to Boyle*s law should be
constant :
Pressure 24 34-8 45-1 55-4 64 72 84 134 214 303
PV 21*5 i8*4 12-3 9*8 9*4 9*7 10-7 15-1 22*1 29^3
' It will thus be seen that the product P V decreases with increasing
pressure to a minimum, and then increases again with the pressure.
*The pressure at which this minimum 0/ comprcssibiiity occmts \^
different with different gases, as is also the extent of the deviation from
the law.
* At a temperature of 200 this minimum occurs at the following pres-
sures in metres of mercury : nitrogen and carbonic oxide 50, air and
ethylene 65, oxygen 100, and marsh gas 120.*
'• It will be seen from Mr. Newton's remarks in the above
propositions, that in proposition 41 he indirectly suggests the
difficulty of many consecutive particles lying in a straight line,
saying that if they did so lie the pressure would indeed be propa-
gated ; but that the particles would urge the obliquely posited
particles, and therefore the pressure soon begin to deflect in all
directions without limit.
**That the particles do not to any great extent lie in straight
lines is proven, according to this hypothesis, from the fact that
WHISPERINGS OF AN OLD PINE 1 1 I
sound goes in all directions. The corollary of this proposition
proves that if a pressure should be in part intercepted, the other
portion of it would obey this same law ; or generally, as the
proposition, that any uninterccpted pressure in a quiescent fluid
spreads in all directions. And this from a corollary of the prin-
ciple that there is equal pressure in all directions in a quiescent
fluid. For in such a fluid resistance is equal in all directions.
** According, then, to these propositions of Mr. Newton of
the motion of sound waves and the cause of .hem, they can
advance so far and only so far as the air in front of them is
quiescent or less compressed than themselves, being stopped
entirely by air of equally compressed condition and annihi-
lated by that of more. This, indeed, Mr. Newton admits in
proposition 41, corollary, when he says: * Unless there be
an ambient fluid opposing that endeavor.' But everywhere
many sounds are constantly taking place, and often at the same
time, some mo.e and some less intense. If the undulatory
theory was true, as explained here by Mr. Newton, sounds could
not pass each other, but would stop, and most sounds, or at
least many, could be heard but very short distances, or indeed
not at all. But this we know is not true, but that instead
sound i pass each other, little sounds and greater sounds, and
will be heard always, or at least generally, for distances propor-
tional to their intensity. And so again the theory is demon-
strated not only to be untrue but to be impossible, and one that
no sensible person could continue to consider. Surely the old
Pine is satisfied with these insurmountable objections to the
theory, and will let Ellen now discuss something worth dis-
•Uissing."
112 ELLEN OR THE
IX.
^^T^HE old Pine sees that Ellen is right," I said, *'and that
* there is no possible explanation of the difficulties which
Ellen suggests; that any theory containing them is not only
impossible but idiotic. And yet as the whole scientific world
is teaching it, and as it is very difficult always for people to get
out of a rut, the old Pine hopes that Ellen will still further ex-
pose its inconsistencies."
**Very well," she said. **In the demonstration Mr. Newton
applied the third law of motion to air. The inference is that
he supposed all the laws of motion to apply to air, as indeed^
from the way in which they are stated, they would appear to.
But, if these particles hit each other, it would be impossible
to explain the system of air waves contemplated in this
theory, by the laws of motion. For by the theory the
particles vibrate, and go at a speed much faster than the
vibrating body; but by the laws of motion these particles,
being presumably of the same size, if elastic, would move
at the speed of the vibrating body, imparting this same speed
to other particles which they might hit, and come themselves
to rest. The particles which they hit would do likewise, and
this process be continued until the motion was destroyed by
friction. If inelastic, two equal particles hitting would con-
tinue together at half speed. It is evident, then, that
according to the kinetic theory, in which the particles are sup-
posed to hit, in some way the laws of motion are superseded.
WHISPERINGS OF AN OLD PINE II 3
if this undulatory theory is true. Mr. Newton does not discuss
this part of the subject. He mentions particles of air, but
apparently supposes or assumes that they are permanently
separated by some expansive and contractile substance or sub-
stances which he calls lineolae. If this was a fact such sub-
stance must itlicH be composed of particles or little bodies
disconnected, — else how could we breath it, or live in it, — and
these particles like all matter be either elastic or inelastic?"
** But is it not supposed Ellen, that elastic force comes into
action, introducing the oscillatory conditions in the sounding
body, and also accounting for the speed of sound?"
"The oscillatory motion is impossible," she replied, ** except
through the action of alternating forces. But Ellen cannot see
that there are any alternating forces in the transmission of sound
after it leaves the sounding body. For then its movement in
every direction is both constant and rapid, being in that respect
entirely different from the motion of the sounding body.
**But Ellen will again — because it won't hurt the old
Pine a bit, if she repeats a little — call attention to the
fact that, in these propositions of Mr. Newton, the cause
of the supposed movement of air waves is repeatedly given as
in proposition 42 :
' And because the progressive motion of the pulses arises from the
perpetual relaxation of the denser parts towards the antecedent rare
intervals.'
** And again:
*Then since the cause of this propagation is, that the parts of the
uiedium that are near the center A disturb and agitate those which lie
114 ELLEN OR THE
farther from it ; and since the parts which are urged are fluid, and there-
fore recede every way towards those spaces where they are less pressed,
they will by consequence recede towards all the parts of the quiescent
medium. * * ♦ And by this means all the motion, as soon as it
has passed through the hole B C, will begin to dilate itself, etc.*
"It is indeed quite refreshing to find thus an honest and
able man who in this extraordinary theory was not afraid
to state how he believed it to be accomplished; although
we can hardly wonder that text books and lecturers on sound
omit all this, when it is so evident that such explanation
disproves the theory. Present text books are satisfied with
stating an incredible theory without undertaking to explain the
method of it, because there is no explanation possible.
" It is only partially true that sound dilates into the sur-
rounding air, as witness the following account of the use of a
megaphone for warning in fogs:
'Guilford, Conn., Oct. 14, 1899.
'At the (Tovernment lighthouse station on Falkner's Island, which is
directly off this coast, there has just been erected the largest megaphone
in the world. It is seventeen feet long and seven feet in diameter at
the mouth. It stands upon a circular platform twenty-eight feet in
diameter, upon which it revolves.
'The plan is to direct it toward the eight principal points of the com-
pass, one after the other in regular rotation, and by means of a different
signal sent in each of these eight directions to tell any vessel which may
be in the line of the axis of the instrument during a fog the exact posi-
tion of the signal station with relation to the ship.
* The great difficulty with sound signals as aids to navigation in a fog is
that they cannot be located with any accuracy. Cases are on record in
WHISPERINGS OF AX OLD PINK II5
which two officers standing on the bridge of the same steamer have dif-
fered as much as ninety degrees in their estimate of the direction of a
fog whistle which was distinctly heard by both of them. It is common
for a vessel to be kept on its course under the impression that a certaii
signal is several points on the bow, >vhen as a matter of fact it is deac
ahead. If sound signals could be located in a fog, navigation would be
much less dangerous.
* The apparatus which has just been erected at Falkner's Island, and
which is the invention Of R. F. Foster, is intended to locate the signal
station accurately. When the huge megaphone is due north of any
vessel, the ship will hear the north signal, a short, a long and short blast.
If it is due west of a ship, the vessel will hear three short blasts, and so
on, with a different combination of long and short blasts for each of the
eight points of the compass. The signals are fifteen seconds apart, and
the apparatus makes a complete revolution in two minutes.
' In order to facilitate the recollection of the code, all the sounds which
indicate the general direction of west begin with a short blast, and all
those indicating the general direction of east begin with a long blast.
The south signals are all shorter than those farther north.
' When the first tests were made the sounding instmment used was one
of the smallest sirens which could be procured, and was blown with
steam at forty pounds and fed with an inch-and-a-half pipe. This is
only one- twentieth of the power of the sirens at Sandy Hook, Block
Island, and Beaver Tail. When this little siren was blown through the
seventeen-foot megaphone it was found to be almost equal in power to
the ten-inch locomotive whistle which is part of the regular installation
on the island, and it could be distinctly heard at a distance of ten miles,
provided the listener was in a line with the axis of the megaphone.
' All that was asserted by the inventor was that the sound waves com-
ing directly toward the observer could be readily distinguished from
those sent forty-five degrees from him, no matter how far he was from
the source of the sound.
Il6 ELLEN OR THE
' The unofficial tests were made on Wednesday by C. Lamy of the
Lighthouse establishment, on board the Government boat Mistletoe,
the inventor being accompanied in a steam launch by E. B. Merriman
of Boston, who built the megaphone, and Reuben E. Hill of Guilford.
* To the surprise of all it was found that so far from the sounds sent at
an angle of forty- five degrees being nearly equal to those sent directly
toward the obsen-er, they were absolutely inaudible at all distances
beyond a mile, and even at half a mile it required the closest attention
to hear them at all, while the sounds coming directly toward the list-
eners were extremely powerful up to eight miles, and at the shorter
distances of one or two miles almost equal to the immense steam whistle,
which was sounded immediately after the megaphone so that those in
the boat might judge of their comparative strength.
'These experiments completely upset all the preconceived ideas of
men who have made a life-long study of the peculiarities of sound,
because they show that it is possible to confine a sound, even so
powerful as that from a siren, and to project it into space in a given
direction with the same certainty and accuracy that we can project the
rays of a searchlight.
'This being so, there can be no doubt of the possibility of sending a
message to a vessel in a fog by means of a varying sound with abso-
lutely as much precision as it could be sent in clear weather by means
of a flashing searchlight. If a vessel hears one of these signals, which
says " North,'* it may be certain that the signal it hears lies directly
north of it, because if it did not the north signal could not be heard
at all.
' There are many other uses to which it is proposed to put this system
of signalling, such as sending messages from one part of the army to
another in the field without any risk of the enemy's reading them, as
they now do flag signals, because no one not in the direct line of the
axis of the megaphone could hear anything. The same system can be
WHISPERINGS OF AN OLD PINE II7
used in signalling from one vessel to another in thick weather so as to
avoid collisions.* — Sun.
** From this account the old Pine will see that sound will act
like shot or any other entity. Thus, if shot be placed upon
paper spread over gunpowder lying upon the ground, and the
powder be ignited, the shot will be thrown in all directions;
but if placed in a gun, they will be sent in the direction of the
barrel."
"But, Kllen, shot thus sent will constantly vary in
velocity."
** Yes," she said, "for they depend for their motion upon the
force of the gunpowder, and arc retarded by friction of the air;
but, as Ellen thinks, sound, like electricity or light, carries its
motive power within itself.
" It is true that sounds, coming into a chamber through a
window, dilate or spread themselves. But that doesn't show
that the air is anywhere cither condensed or rarefied, but rather
that sound, like odor, is conducted through the air in all
directions.
'Proposition XLIII. — Every tremulous both in an clastic medium
propagates the motion of the pulses on every side right fonvard; but
in a non-elastic medium excites a circular motion,
'Casf. I. The parts of the tremulous body alternately gomg and
returning, do in going urge and drive before them those parts of the
medium that lie nearest, and by that impulse compress and condense
them ; and in returning suffer those compressed parts to recede again,
and expand themselves. Therefore the parts of the medium that lie
nearest to the tremulous body move to and fro by turns, in like manner
Il8 ELLEN OR THE
as the parts of the tremulous body itself do ; and for the same cause
that the parts of this body agitate these parts of the medium, these
parts, being agitated by like tremors, will in their turn agitate others
next to themselves ; and these others, agitated in like manner, will agi-
tate those that lie beyond them, and so on in infinitum. And in the same
manner as the first parts of the medium were condensed in going,
and relaxed in returning, so will the other parts be condensed every
time they go, and expand themselves every time they return. And
therefore they will not be all going and all returning at the same instant
(for in that case they would always preser\'e determined distances from
each other, and there could be no alternate condensation and rarefac-
tion) ; but since, in the places where they are condensed, they approach
to, and, in the places where they are rarefied, they recede from each
other, therefore some of them will be going while others are returning ;
and so on /// infinitum. The parts so going, and in their going con-
densed, are pulses, by reason of the progressive motion with which they
strike obstacles in their way ; and therefore the successive j)ulses pro-
duced by a tremulous body will be propagated in rectilinear directions ;
and that at nearly equal distances from each other, because of the ecpial
intervals of time in which the body, by its several tremors, ])roduces the
several pulses. And though the parts of the body go and return in
some certain and determinate direction, yet the pulses propagated from
thence through the medium will dilate themselves towards the sides, by
the foregoing proposition ; and will be propagated on all sides from
that tremulous body, as from a common centre, in superficies nearly
spherical and concentrical. An example of this we have in waves
excited by shaking a finger in water, which proceed not only forwards
and backwards agreeably to the motion of the finger, but spread them-
selves in the manner of concentric circles all round the finger, and are
propagated on every side. For the gravity of the water supj)lies the
place of elastic force.'
VVHISI'ERINGS OF AN OLD FINE
119
*• In case 2 of this proposition, Mr. Newton gives the com-
inon sense and correct phenomenon happening when any body
is thrown into the air, or vibrates in it. And this because of
the mobility of the air. a feature that is as much a part of this
problem as light is of creation, but which physicists, with a
stupidity that is idiotic, neglect to consider. It is as follows:
* Case 1. If the medium be not elastic, then, because its parts can-
not be condensed by the pressure arising from the vibrating partii of the
lieinulous boily, the motion will be propagate<l in an instant towards the
jKirts where the medium yields most easily, that is, to the parts which
the tretntilous body would otherwise leave vacuous behind it, The case
is the same with that of a body projected in any medium whatever* A
medium yielding to projectiles does not recede in infinitum^ but with a
circular motion comes round to the spaces which the body leaves
behind it, 'fherefore as often as a tremulous body tends lo any part,
ihe medium yielding to it comes round in a circle to the i>arts which
the botly leaves ; and as often as the body returns to the first place, the
medium will be driven from the place it came roimd to, and return to
its original place. And though the tremulous body be not firm and
hard, but every way flexible, yet if it continue of a given magnitude,
since it cannot impel the metlium by its tremors anywhere without
yielding to it somewhere else, the medium receding from the parts of
the body where it is pressed will always come round in a circle to the
parts that yield to it,*
** If the first part of this proposition was true, as all particles
of air are supposed to be set in motion by every sound in the
many directions in which they He from the sounding body,
and, as almost everywhere, certainly in many places, there
arc xti^Xiy sounds constantly taking place at the same
I20 KLLKX OK THE
instant, these particles of air would have to go in several
directions and, indeed, often in every conceivable direction at
the same instant — a thing that they certainly do not do. Or
else the laws of sound would have to be constantly suspended;
and when you rang a bell, or struck a piano, the expected
result would materialize only when the air surrounding the
striking body was not otherwise occupied.
"Case 2 of the proposition is applied first to an inelastic
medium. But note that Mr. Newton says : * The case is the same
ivith that of a body projected in any medium whatever. A
medium yielding to projectiles does not recede in injimtum^ but
luith a circular motion comes round to the spaces which the body
leaves behind it. There/ore as often as a tremulous body tends
to any part, the medium yielding to it comes round in a circle to
the parts ivhich the body leaves ; and as often as the body returns
to the first place, the medium will be driven from the place it
came round to, and return to its original place. And though
the tremulous body be not firm and hardy but every way flexible ^
yet if if continue of a given magnitude, since it cannot impel
the medium by its tremors anywhere without yielding to it some-
Ik' here else, the medium receding from the parts of the body
where it is pressed will always come round in a circle to the
parts that yield to it'
"This is the exact truth, and covers the whole case of
sonorous vibrations. It is hardly possible that it could be
more forcibly or accurately stated, and it places Mr. Newton,
although he did not recognize it, absolutely on the right side in
sound, as well as in light. For a vibrating is a tremulous body,
and admitting that such a body cannot create a system of con-
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WHISPERINGS OF AN OLD PINE 123
densations and rarefactions of the air, for the reason given,
^projected in any medium whatever* there remains no other
theory of sound but the corpuscular, harmonizing, as is most
appropriate, with Mr. Newton's corpuscular theory of light.
Had Mr. Newton himself applied the reasoning to this theory
of sound, it would almost certainly have ended the whole
matter forever. Failing to do this, the world could not help
perceiving that sound and light are governed by similar laws,
and, obliged to quit Mr. Newton as to one of them and led by
incompetent men, it blundered on the wrong side. But, as
Ellen thinks, the mistake will be comparatively short-lived.
" Proposition 44 refers to water in a canal, and is unimportant.
'PROPOsniox XIA\ — The Telocity 0/ leaves is in the subdupUeate ratio
of the breadths \jhat is in tJie ratio of square root"],
*This follows from the construction of the following proposition.
* Froi^ositiox XLVI. — To find the velocity of waves,
* I^t a pendulum be constructed, whose length between the point of
suspension and centre of oscillation is equal to the breadth of the
waves; and in the time that the pendulum will perform one single
oscillation the waves will advance forward nearly a space equal to their
breadth.
'That which I call the breadth of the waves is the transverse measure
lying between the deepest part of the hollows, or the tops of the ridges.
Let A BCD EH'' (Fig. 7) represent the surface of stagnant water
ascending and descending in successive waves ; and let A, C, E, etc.,
be the toj^s of the waves ; and let B, D, F, etc., be the intermediate
hollows. Because the motion of the waves is carried on by successive
ascent and descent of the water, so that the parts thereof, as A, C, E,
124 ELLEN OR THE
etc.> which are highest at one time become lowest immediately after ;
and because the motive forCe, by which the highest parts descend and
the lowest ascend, is the weight of the elevated water, that alternate
ascent and descent will be analogous to the reciprocal motion of the
water in the canal, and observe the same laws as to the times of its
ascent and descent; and therefore (by Prop. 44) if the distances
between the highest places of the waves A, C, E, and the lowest B, D, F,
be equal to twice the length of any pendulum, the highest parts A, C, E
will become the lowest in the time of one oscillation, and in the time of
JD
Fig. 7.
another oscillation will ascend again. Therefore between the passage
of each wave the time of two oscillations will intervene ; that is, the
wave will describe its breadth in the time that the pendulum will oscillate
twice ; but a pendulum of four times that length, and which therefore
is equal to the breadth of the waves, will just oscillate once in that time.
*CoR. I. Therefore waves whose breadth is equal to 3^^ French
feet will advance through a space equal to their breadth in one second
of time (for a pendulum of 2i\^ French feet will oscillate in one second
of time) ; and therefore in one minute will go over a space of 183 J feet;
and in an hour a space of 11,000 feet, nearly.
* Cor. 2. And the velocity of greater or less waves will be augmented
or diminished in the subduplicate [square root] ratio of their breadth.
* These things are true upon the supposition that the parts of water
ascend or descend in a right line ; but, in truth, that ascent and descent
is rather performed in a circle; and therefore I propose the time
defined by the proposition as only near the truth.*
'•This is a demonstration that water waves vary in speed
WHISPERINGS OF AN OLD PINE
I
mih their size, and of course the h}'pothctical sound waves, if
like them, should do the same. Water waves have a maxi-
mum limit of speed of about ^2 feet a second ; and they affect
the body of the water to only a comparatively slight depth. It
will be noticed that Mn Newton In this proposition correctly
describes the operation of water waves: * Because the motion
of the ivaves is carried on bj snccessive ascent and descent of
the water, so that the parts which arc highest at one time
became lowest immediately after; and because the motive force ^
by which the highest parts descend and the lowest ascend, is
the iveight of the elevated water'
* pROPosmox* XLVIL — If pulses are propagated through a fluid ^ the
several particles of the fluids going and returning with the shortest
reciprocal motion ^ art always accelerated or retarded according to the
law of the oscillating pendulum. (Fig. 8)
* Let A H, BCt C D, etc*, represent equal distances of successive pulses ;
ABC the line of direction of the motion of the successive pulses propa-
gated from A lo B ; E, F, G, three physical points of the quiescent
medium situated in the right line A C at equal distances from each
other ; K/, F/, G^i^'-, equal s[)aces of extreme shortness, through which
those points go and return with a reciprocal motion in eai h vibration ;
€, ^^ y, any intermediate places of the same jjoints ; E F, Fti, physical
lineolae, or linear parts of the medium lying between those points, and
successively transferreil into the places €<^, <^y, and f/,/v- I-et there
Ix? drawn the right line PS equal to the right line Ya\ Bisect
the same in O, and from the centre O, with the inter\'al O P, describe
the circle SI Pk Let the whole lime of one vibration, with its projKir*
tional parts, be expounded by the whole circumference of this « ircle
;ind it*> parts, in such sort, that, when any time PH or PHS// h com-
pleted, if there be let fall to PS the perpendicular H L or hi, and there
..yii.
126
ELLEN OR THE
I
'tt
/
JV..
|ii
\ .'£
h
m /^
'^L
jf
L^^
be taken Ee equal to P L or P/, the physical point E may be found in c.
A point, as E, moving ac-
cording to this law with a
reciprocal motion, in its
going from E through c to
<r, and returning again
through c to E, will per-
A.-'' fJ_ :^ form its several vibrations
with the same degrees of
acceleration and retarda-
tion with those of an oscillating pendulum. We
are now to prove that the several physical points
of the medium will be agitated with such a kind
of motion. Let us suppose, then, that a medium
hath such a motion excited in it from any cause
whatsoever, and consider what will follow from
thence.
*In the circumference PHS// let there be taken
the equal arcs HI, IK, or ///, tl; having the same
ratio to the whole circumference as the equal right
lines E F, F G have to B C, the whole inter\'al of
the pulses. Let fall the perpendiculars I M, KN,
or /■///, ^//; then because the points E,F,G are
successively agitated with like motions, and per-
form their entire vibrations composed of their
going and return, while the pulse is transferred
from B to C ; if P H or PHSA be the time elapsed
since the beginning of the motion of the point
E, then will PI or P H S / be the time elapsed since
i'»g. 8. ^j^g beginning of the motion of the point F, and P K
or THSk the time elapsed since the beginning of the motion of the
\Vinsi»KRlN(;S OF AN OLD riNE
127
therefore Ec, F^, Gy will be respectively equal to PL,
IPM, PN, while ihe points are going, and to P/, P///, P//, when the
|x>mts arc returning. Therefore €y or KG^Gy — Ee will, when the
|X}iQts are going, be equal to EG — LN, ainl in their return ec|ual to
EG-|-7ff. Bui ey is the breadth or expansion of the part EG of the
medium in the place cy ; and therefore the expansion of that part in
its gping is to its mean expansion as EG^LN to EG ; and in its
return, as EG-|-//i or EG-f-EN to EG. Therefore since LN is to KH as
IM to the radius OP, and KH to EG as the circumferenre PHS//P to
BC [by hypothesis] ; that is, if we [uU \* for the radius of a circle
[whose circumference is equal to BC the inten^al of the pulses, as OP
llo V [radii of circles are as their circumferences] ; and, ^A" afqui\
[LN to EG as IM to Vj the expansion of the part EG, or of the
phpical point F in the place ty, to the mean expansion of the
[iart in its first place EG, will be as V — ^IM to V in going, and
Lbs V-fi/w to V in its return. Hence the elastic force of the
[point F in the place ey to its mean elastic force in the place EG
1
tkaa
r? — T^mT to TT in its going, and as --, . ,- - to ,, in its return [for
V — IM V , \-\-im \ •-
[the elastic force of a gas is inversely as its volume]. And by the
[same reasoning the elastic forces of the iihysical imints E and G
f in going are as ^ ^ and ^^ ^^ to - ; and the ilifference of the
ifoTces to the mean elastic force of the medium as
HL— KN
-^-r to
1
that is, as
HL— KN
to
1
/— VXHU-VXKN+HLXKN V' ' VV V
[or as HI> — KN to V ; if we suppose (by reason of the very short extent
[of the vibrations) HE and KN to be indefinitely less than the quan-
jtily V, Therefore since the quantity V is given [constant], the dilTer-
nrc vA the forces is as HL — KN; that is (because HL — KN is
[^ proportional to HK, and OM to 01 or OP; and because HK and
OP arc given) as OM ; that is, if F/be bisected in O, as Q<^, And
128 ELLEN OR THE
for the same reason the difference of the elastic forces of the physical
points c and y, in the return of the physical lineola cy, is as Q^.
But that difference (that is, the excess of the elastic force of the point
c above the elastic force of the point y) is the very force by which the
intervening physical lineola cy of the medium is accelerated in going,
and retarded in returning; and therefore the accelerative force of
the physical lineola c y is as its distance from O, the middle place of
the vibration. Therefore (by prop. 38, book i) the time is rightly
expounded by the arc PI ; and the linear part of the medium c y is
moved according to the law above mentioned, that is, according to the
law of a pendulum oscillating ; and the case is the same of all the linear
parts of which the whole medium is compounded.
* Cor. Hence it appears that the number of the pulses propagated is
the same with the number of the vibrations of the tremulous body, and
is not multiplied in their progress. For the physical lineola cy as
soon as it returns to its first place is at rest ; neither will it move again,
unless it receives a new motion either from the impulse of the tremulous
body, or of the pulses propagated from that body. As soon, therefore,
as the pulses cease to be propagated from the tremulous body, it will
return to a state-of rest, and move no more.* "
**And how are all these equations derived, Ellen?"
"The equation LN : KH::IM : OP is derived by drawing
a perpendicular from K to HL, at a point that we will call X,
and a chord from K to H. We would then have tw^o triangles
HKX and lOM, whose corresponding sides are perpendicular
to each other; for the radius 10 bisecting the arc KH is per-
pendicular to the chord of that arc, OM is perpendicular to HL
by construction, and IM being parallel to HL is perpendicular
to KX. Therefore the triangles are similar and their homolo-
gous sides proportional.
WHISPERINGS OF AN OLD PINE
129
"The equation LN : EG::IM : V is obtained by multiplying
together the corresponding terms of the two proportions, LN :
KH::IM : OP and KH : EG:: OP: V, and dividing both terms
of the first ratio by KH» and both terms of the second ratio by
OP, In doing this Mr. Newton, following the usual custom in
the differential calculus ol neglecting small differences, assumes
that KH, which represents a chord in the first proportion, is
equal to KH representing an arc in the second* which is not
I rue.
** It will be perceived here that Mr. Newton speaks of the
space between E and G (which includes tbe particle F and the
50-caIled lineolae EF and FG) and F, which he here calls a
pointi as synonymous, — not an accurate manner of descrip-
tion, or indeed an allowable one, although in harmony with the
iiK'thods used in calculus. For i( the lineolae are something,
ihcy and tlie point F can not be the same as the point F, and
if they are nothing they can not expand and contract.
•*Thc proportion LN : EG :: IM : V becomes by division EG
~LN:EG::V-IM:V and by composition EG+LN:EG::V+
IM:V. In the last two proportions the first terms represent
the volumes of equal portions of air at <y when the particles
are going and returning respectively and EG represents the
volume of the same quantity of air at normal pressure,
"To obtain the expression for the difference of the elastic
forces at E and G, let the elastic force of the air in
the place t be represented by (E), the elastic force of the
air in the place y be represented by (G) and the mean elastic
I
force of undisturbed air by (M). Then (E) : (M) ::
V-HL
I30 ELLEN OR THE
: — , also (G) : (M) :: : — . If we subtract the ratios
V V— KN V
in the second proportion from the corresponding ratios in the
first, we have (E)-(G) : (M) :: ^_L__,_-L_^ = y- °'' P^""'
, ■ .u u. »• V-KN-V+HL I .
formmg the subtracUon, -^^--hl) (V-KN) = V ==
W^VXKn'^vI^IiT-FH LXKN = V • ""' '' "^ ^^P ""^ "^'^^
XKN and HLXKN, as they are small compared with VV, and
then clear of fractions we have (E)-(G) : (M)::HL-KN : V.
"Here again Mr. Newton throws out certain small quantities,
namely, VXHL, VXKN and HLXKN in the denominator of
the above fraction, on the plea that they are very small and
therefore omitting them would not very much affect the result
At the same time he preserves in the numerator the expression
HL — KN which of necessity must be less than the quantities
thrown out, and indeed less than VXHL or VXKN separately,
and might be less than HLXKN. Certainly there can hardly
be a smaller quantity than the hypothetical difference between
the displacements of two contiguous particles in these supposed
oscillations. This illustrates the inaccurate character of much
of the mathematics which is employed in such demonstrations.
** Again, (IC) — (G) : the mean elastic force ::HL—KN : V, in
which, since the mean clastic force and V are both constant,
(K)-(G) varies as HL-KX. Hut HL-KN : HK::OM : 01
(by similar triangles), in which HK and OI are in a constant
ratio ; therefore HL— KX varies as OM, or (E) — (G) varies as
OM or n</>.
WinsrERINGS OK AN OLD PINE
131
"This is Mr. Newton's most important theorem on sound.
There follows:
• PlRuposiTloN XIAllL — Hie vehdHts of pulses propagakd in an elastic
fluid art in a raiitf e^mpounded iff the subduplicate ratio of the
fltisiic foree directly ^ and the subdupiicate ratio of the density
iftversefy: supposing t/t€ elastic force of the fluid to be proportional to
its condensation*
•Cask l- If the mediums be homogeneous, and the distances of the
pulses in those mediums be equil amongst themselves, but the motion
in one medium is more intense than in the other, the contractions and
dilatations of the correspondent parts will be as those motions : not
that this proportion is perfectly accurate. However, if the contractions
and dilatations are not exceedingly intense, the error will not be sen-
sible ; and therefore this proportion may be considered as ph\'sical!y
exact. Now the motive clastic forces are as the contractions and
dilatations ; and the velocities generated m the same time in equal parts
as the forces. Therefore equal and corres|K)nding parts of corre-
''sponiling pulses will go and return together, through spaces propor-
tional to their contractions and dilatations, with velocities that are as
those spaces; and therefore the pvilses, which in the time of one going
and returning advance fonvards a space equal to iheir breadth, and are
always succeeding into the places of tlie pulses that immediately go
before them, willj by reason of the equality of the distances, go forward
in lK>ih mediums with equal velocity.
*CAsr. 2, If the distances of the pulses or their lengths are greater in
one medium than in another, let us suppose that the correspondent
parts describe spaces, in going and returning, each time proi>ortional to
the breadths of the pulses; then will their contractions and dilatations
he c*|ual ; and therefore if the mediums are homogeneous, the motive
elastic forcesi which agitate thern with a reciprocal motion, will be equal
u^
ELLEN OR THE
also. Now the matter to be moved by these forces is as the breadth of
the pulses ; anil the space through which they move every time they go
and return is in the same ratio. And, morem-er, the time of one going
and returning is in a ratio compounded of the subdu|iHcate ratio of the
matter, and the subduplicate ratio of the space ; and therefore is a.^ the
space. But the pulses advance a space equal to their breadths in the
times of going once and returning once ; that is, they go over spaces
proportional to the times, and therefore are equally swift.
* Case 3. And therefore in mediums of equal density ami elastic
force, all the pulses are equally swift. Now if the density or the elastic
force of the raetlium were augmented, then, because the motive force is
increased in the ratio of the elastic force, and the matter to be moved is
increased in the ratio of the density, the time which is necessary for
producing the same motion as before will be increased in the subdupli-
cate ratio of the density, and will be diminished in the subduplicate
ratio of the elastic force. And therefore the velocity of the pulses will
be in a ratio compounded of the subduplicate ratio [ratio of s(iuare
root] of the density of the medium inversely, and the subduplicate ratio
of the elastic force directly. This proposition will be made more i:lear
from the construction of the following problem/
* pRUPusnujN XLIX. — The density and ehis tic font r/ a medium i^eifi^
given f to find the velocity of the pulses,
'Suppose the medium to be pressed by an incumbent weight after
the manner of our air; and let A be the height of a homogeneous
medium, whose weight is equal to the incumbent weight, and whose
density is the same with the density of the compressed medium in
w^hich the pulses are propagated. Suppose a pendulum to be con*
structed whose length between the point of suspension and the centre
of oscillation is A : and in the time in which that pendulum will perform
one entire oscillation composed of its going and returning, the pulse
-^-^-
^^
wmsrERixus uf an old i*ine
will be propagated right onwards through a space equal to the c ircum-
ference of a circle described with the radius A.
* For, letting those things stand which were constructed in ]>rop. 47,
if any physical line, as EF (Fig. 8), ilescribing the space PS in
each vibration, be acted on in the extremities P and S of ever)' going
and return that it makes by an elastic force that is equal to its weight,
it will perform its several vibrations in the time in which the same
might oscillate in a cycloid whose w^hole perimeter is equal to the length
1*S; and that because etiiial forces will impel equal coqmscles through
cviual spaces in the same or etpial times. Therefore since the times of
the oscillations are in the snbdupHcate ratio of the lengths of the pen-
dulums [as proved in mechanics], and the length of the pendulum is
;<pial to half the arc of the whole cycloid, the time of one vibration
jirould be to the time of the oscillation of a pendulum whotse length h
I ill the subduplicate ratio of the length H PS or PO to the length A.
But the elastic force with which the ph>'sical lineola EG is urged, when
it is found in its extreme places P, S, was (in the demonstration of
Prop, 47) to its whole elastic force as HL — KN to V, that is (since the
point K now falls upon P), as HK to V [since sine (HL) and chord
(UK) of a very small arc may be considered equal to each other and
KN^^O] : and all that force, or, which is the same things the incum-
bent weight by which the lineola EG is compressed, is to the weight
of the hneola as the altitude A of the incumbent weight to EG the
length of the lineola [see hyix)thesis] j and therefore, ex aequo^ the
force with which the lineola EG is urged in the places P and S is to
the weight of that lineola as HKxA to V x EG [multiplying tlrst and
last i^roportions together and reducing] ; or as PO x A to \^'; because
HK was to EG as PO to V [similar arcs are as their radii]. Therefore
since tJie times in which equal bodies are impelled through equal spaces
are reci[)rocally in the subiuplicate ratio of the forces [as proved in
mechanics], the time of one vibration, produced by the action of
136 ELLEN OR THE
that elastic force, will be to the time of a vibration, produced by the
impulse of the weight in a subduplicate ratio of VV to PO X A, and
therefore to the time of the oscillation of a pendulum whose length is A
in the subduplicate ratio of VV to PO X A, and the subduplicate ratio of
PO to A conjunctly [multiply the last proportion by the following and
reduce : time of a vibration of EG due to its weight : time of vibration
of a pendulum of length A :: y^OP : y'A] ; that is, in the entire ratio of
V to A. But in the time of one vibration composed of the going and
returning of the pendulum, the pulse will be propagated right onwards
through a s])ace equal to its breadth BC. Therefore the time in
which a pulse runs over the space BC is to the time of one oscilla-
tion coini)ose(l of the going and returning of the pendulum as V to A,
that is, as BC to the circumference of a circle whose radius is A [cir-
cumferences of circles are as their radii]. But the time in which the
jmlse will run over the space BC is to the time in which it will run over
a length equal to that circumference in the same ratio ; and therefore
in the time of such an oscillation the pulse will run over a length equal
to that ( ircumference.
'Cor. I. The velocity of the pulses is equal to that which heavy
bodies acquire by falling with an eijually accelerated motion, and in
their fall describing half the altitude A. For the pulse will, in the time
of this fall, supposing it to move with the velocity acquired by that fall,
run over a space that will be equal to the whole altitude A ; and
therefore in the time of one oscillation composed of one going and
return, will go over a space equal to the circumference of a circle
described with the radius A ; for the time of the fall is to the time of
oscillation as the radius of a circle to its circumference.
*C()K. 2. Therefore since that altitude A is as the elastic force of
'Jie fluid directly, and the density of the same inversely, the velocity of
.he i)ulses will be in a ratio compounded of the subduplicate ratio of the
density inversely, and the subduplicate ratio of the elastic force
directly.
WlitSfERINGS OF AN OIJJ liNE
^ — i' pROhisnros L. — Tt* fuhi flu distances t*/ the ffulses^
m
'I*€t the mimber of the vibrations of the body, by whose tremor the
fmlses are |>rodiiced, be foond lo any given time. By that number
idivide the space which a pulse caii go over in the same time, and the
[.fiart found will be the breadth of one pulse*
*SCHOuuM. The last propositions respect the motions of light and
tincls- For since light is propagated m right lines, it is certain that it
Icannot consist in action alone (by prop. 41 and 42). As to sounds,
pince they arise from tremulous bodies, they can be nothing else but
I pulses of the air propagated through it (by pro|>. 43). And this is con-
['firmeil by the tremors, which sounds, if they be loud and deep, excite
the bodies near them, as we experience in the sound of drums. For
^tjuick and short tremors are less easily excited. Hut it is well known,
that any sounds, falling upon strings in unison with the sonorous ladies,
ptJtcite tremors iti those strings* This is also confirmed from the
velocity of sounds. For ^iince the specific gravities of rain water and
I quicksilver are to one another as about i to 135, and when the mercury
in ihc barometer is at the height of 30 inches of our measure, the spe-
cific gravities of the air and of rain water are to one another as al>out i
!o K70 : therefore the specific gravity of air and quicksilver are lo each
ether as i to 11,890. 'llierefore when the height of the quicksilver is
hX 50 inches, a height of uniform air, whose weight would be sufficient
to cora|>ress our air to the density we find it to be of, must be e^iual to
356,700 inches or 29,725 feet of our measure. And this is that very
height of the medium, which 1 have called A in the construction of the
foregoing proposition. A circle whose radius is 29,725 feet is 186,768
fleet in circumference. And since a pendulum 39 J^ inches in length
[tromplctes one oscillation, composed of its going and return, in two
econds of time, as is commonly known ; it follows that a pendulum
JJ15 feel or 356*700 inches in len^h wdl perform a like oscillation
Mlmiifetfi^
138 ELLEN OR THE
in 190J seconds. Therefore in that time a sound will go right onwards
186,768 feet, and therefore in one second 979 feet.
' But in this computation we have made no allowance for the crassi-
tude of the solid particles of the air, by which the sound is propagated
instantaneously. Because the weight of air is to the weight of water as
I to 870, and because salts are almost twice as dense as water ; if the
particles of air are supposed to be of near^he same density as those of
water or salt, and the rarity of the air arises from the intervals of the
particles ; the diameter of one particle of air will be to the interval
between the centers of the particles, as i to about 9 or 10, and to the
interval between the particles themselves as i to 8 or 9. Therefore to
979 feet, which, according to the above calculation, a sound will
advance fonvard in one second of time, we may add ^ J^, or about 109
feet, to compensate for the crassitude of the particles of the air : and
then a sound will go forward about 1088 feet in one second of time.
' Moreover, the vapors floating in the air, being of another spring,
and a different tone, will hardly, if at all, partake of the motion of the
true air in which the sounds are propagated. Now if these vapors
remain unmoved, that motion will be propagated the swifter through
the true air alone, and that in the subduplicate ratio of the defect of
the matter. So if the atmosphere consist of ten parts of tnie air and
one i)art of vapors, the motion of sounds will be swifter in the sub-
duplicate ratio of 1 1 to 10, or very nearly in the entire ratio of 21 to 20,
than if it Were propagated through eleven parts of true air : and there-
fore the motion of sounds above discovered must be increased in that
ratio. By this means the sound will pass through 1142 feet in one
second of time.
'These things will be found true in spring and autumn, when the air
is rarefied by the gentle warmth of those seasons, and by that means
its elastic force becomes somewhat more intense. But in winter, when
the air is condensed by the cold, and its elastic force is somewhat
WHTSPERTNCS OF AN OLD PINE
»59
remitted, the motion of sounds will be slower in a subduplicate ratio of
the densily ; and on the other hnnd, swifter in the summer.
' Now by experiments it actually appears that sounds do really
advance in one second of time about 1142 feet of EngUsh measure, or
1070 feet of French measure.
'The velocity of soumls being known, the intervals of the pulses arc
known also. For M. Sauveur, by some experiments that he made,
found that an open pipe about five Paris feet in length, gives a sound
of the same tone with a viol -string that vibrates a hundred times in one
second. Therefore there are near 100 pulses in a space of 1070 Paris
feel, which a sound runs over in a second of time ; and therefore one
pulse fills up a space of about lo^^ Paris feet, that is, about twice the
length of the pipe- From whence it is probable, that the breadths of
the pulses, in all sounds made in open pipes, are equal to twice the
length of the pipes.
* Moreover, from the corollary of prop. 47, appears the reason, why
the sounds immediately cease with the motion of the sonorous body,
and why they arc heard no longer when we are at a great distance from
the sonorous bodies, than when we are very near thera* And besides,
from the foregoing principles it plainly appears how it comes to pass
that sounds are so mightily increased in speaking-trumpets. For all
reciprocal motion uses to be increased by the generating cause at each
return. And in tubes hindering the dilatation of the sounds, the motion
decays more slowly, and recurs more forcibly ; and therefore is the
more increased by the new motion impressed at each return. And
these are the principal phenomena of sounds.'
**Ia this scholium, which Ellen has preferred to give in full
before criticism, it will be noticed that Mr. Newton says that
sounds, since they arise from tremulous bodies, can be nothing
else but pulses of the air propagated through it. This is a bold
140 ELLEN OR THE
Statement, but not true. If it was a self-evident truth it would
need no confirmation; but perceiving its unreliability Mr.
Newton adds: 'And this is confirmed by the tremors/ etc.;
and further: *This is also confirmed by the velocity of sound/
which is also an error. For Mr. Newton's theoretical velocity
does not agree with that of experiment, and to make it
agree he makes another assumption that the sound passes
through the air particles themselves instantaneously, and also
that these particles occupy about one-ninth of the space. It is,
then, with these hypotheses added, that the first statement is
confirmed by the velocity of sound, but these hypotheses have
been shown to be untrue and have been entirely abandoned.
"Chambers' Encyclopcedia says:
' Newton was the first who attempted to deduce from mechanical
principles the velocity of sound, but only for the particular case in
which each particle of air, in the path of the sound, is supposed to
move backwards and forwards according to the same law as the bob of
a pendulum. He showed that this species of motion is consistent with
the elastic properties of air, as given by Boyle's or Mariotte*s Law, viz.,
that the pressure of air is proportional to its density. The velocity of
sound in this case is of course to be found from the time which elapses
between the commencement of the motion of any one particle of air,
and that of another at a given distance from it, in the direction in which
the sound is moving. The numerical result deduced by Newton with
the then received experimental data for the compressibility of air, was
979 feet per second. This investigation was very defective, applying,
in fact, solely to the special case of a pure musical note, continually
propagated without lateral divergence; yet the solution obtained by
Lagrange from a complete analysis of the question, gave precisely the
same mathematical result.
WHISPERINGS OF AN OLD PINE
MT
•But, by direct roeasuiements, carefully made, by observing at night
the intcrv,il which elapses between the flash and the report of a cannon
Ml a known distance, the velocity of sound has been fotind to be con-
fidenibly greater — in fact, about 1090 feet per second, at the tempera-
ture of freezing water,
•Newton seeks for the cause of this discrepancy bet^^en theory and
obaen-ation in the idea that the size of the particles of air is finite com-
parctl with their mutual distance; and that sonnd is instantaneously
projiagated through the particles themselves. Thus, supposing the
particles *to have a diameter one-ninth of the distance between them, we
must add one-ninth to the space traveletl by sound in a second, i. e., to
the velocity — which will thus be brought up to (i + ^) 979 feet = 1088
itct nearly, which is a very close approximation to the actual value
rcn above.
'This is not one of Newton's happiest conjectures — for, independent
of the fact that such an assumption would limit definitely the amount of
compression which air could unilergo, and, besides, is quite inconsistent
with the truth of Boyle's law for even moderate pressures, it would
result from it that sound should travel slower in rarefied, and quicker in
condensed air. Now, ecperiment shows that the velocity of sound is
jmaffected by the height of the barometer ; and, mdeed, it is easy to see
at this ought to be the case. For in condensed air the pressures are
increased proportionally to the increase of condensation, and the mass
of a given bulk of air is increased in the same proportion. Hence, in a
sound wave in condensed air, the forces and the masses are increased
proportionally, and thus the rate of motion is unaltered. But the tem-
perature of the air Aas an effect on sound, since we know that the
elastic force is increased by heat, even when the density is not dimin-
ished ; and therefore the velocity of sound increases with the tempera-
ture at the rate of about 4j4 feet per Fahrenheit degree, as is found
by experiment
^&
^"'^
142 ELLEN OR THE
Newton's explanation of the discrepancy between theory and experi-
ment being thus set aside, various suggestions were made to account for
it; some, among whom was Euler, imagining that the mathematical
methods employed^ being only approximate, involved a serious error/
WHISPERINGS OF AN OLD DINE
HS
^^PROPOSITION 47 is the one upon which has mainly
* rested this theory of sound. Indeed, if Mr. Airy, for
^ome time astronomer royal in England, is correct, the theory
in its present form originated in these propositions of Mr, New-
ton. Thus Mr. Airy in his book on 'Sound and Atmospheric
"Vibrations,* says:
*The idea of a wave appears to have been first entertained by New-
ton, and was certainly first developed by him, for the purpose of
explaining what till then was totally obscure, the transmission of Sound
through Air; it is worked out in the third book of the " Principia/* *
'*It will be seen that proposition 47 is founded upon an
hypothesis. *//* pulses are propagated through a fluid/ etc.,
and this hypothesis is nowhere proven. It iS| too, included in
the hypothesis that the particles go and return in the shortest
possible motion. And this would appear to be done so as to
make the chord and arc as nearly equal as possible, the
demonstration of the proposition depending upon this impos-
sible equality.
** Newton on several occasions in his * Principia' remarks that
his principles are mathematical, not philosophical. Thus he
says at the beginning of book 3 :
* In the preceding books I have laid down the principles of philoso-
phy; principles, not philosophical, but mathematical; such, to wit, as
we amy build our reasonings upon in philosophical inquiries/
14^ ELLEN OR THE
"And after proving in proposition 23, book 2, that 'particles
flying each other with forces that are reciprocally proportional
to the distances of their centers, compose an elastic fluid whose
density is as the compression/ he adds, in the scholium :
' But whether elastic fluids do really consist of particles so repelling
each other, is a physical question. We have here demonstrated math-
ematically the property of fluids consisting of particles of this kind, that
hence philosophers may take occasion to discuss that question.*
"All of this is equally applicable to this proposition.
Whether pulses are propagated through a fluid whose particles
go and return with the shortest reciprocal motion, is a physical
question, which Mr. Newton leaves for others to discuss.
"But this is the fundamental question in this discussion, and
any propositions founded upon it as an hypothesis, however
interesting they may have been to Mr. Newton as an exercise
in mathematics, are not of practical importance to any one else.
"In the discussion following he draws a right line PS equal
to one of these hypothetical shortest oscillations, or rather half
oscillations, and with this line as a diameter he constructs a
circle. Such a circle, of course, is of infinitesimal propor-
tions, and to that extent of the kind Mr. Newton is looking for
where the arc isn't very much longer than the chord.
"The proposition contains additional hypotheses, or assump-
tions, as to the nature of the air and elastic force. He
assumes that the whole time of one vibration with its propor-
tional parts be represented by the circumference of this circle
and its parts, in such a sort that it will follow the law of har-
monic curves, and states that a point moving according to this
WHISPERINGS OF AN OLD liNE
14;
law will perform its vibration as an oscillating [cycloidal]
pendulum.
*• In the further elucidation of the problem, it is assumed that
each particle, when struck, proceeds in a straight line in its
whole half vibration, and then returns to rest to its original
position; but it is exceedingly difficult to see how in this man-
ner It can operate like a pendulum at all. For a pendulum
never performs thjs kind of an antic. Ellen never heard of a
pendulum cycloidal, or any other kind, that operated in this
way. They always oscillate about a centre. All well regu-
lated penduhims certainly do; nor can EUcn imagine so eccen-
tric a pendulum as to oscillate from one end of its line to the
other, return and stop. But the essential feature in this prop-
osition that each particle should make its complete oscillation
in the time of a so-called wave length inckides such extraor-
dinary' action by each of these particles, which, if possible under
Mr. Newton's theory of gases, would be impossible by the
kinetic theory of gases.
•*Mr. Newton demonstrated in proposition 43 that a
system of waves could not be formed in a fluid medium.
Now he considers what would be the effect and action
of such a system supposing that they could be formed.
This, as Ellen thinks, is an entirely superfluous endeavor.
But as this proposition has been accepted as valuable
by that class of scientists who look to authority for their
knowledge, and who have so great a lack of penetration
as to accept or treat a demonstration founded upon an hypo-
thesis as if it was the demonstration of the hypothesis, so thai
the proposition has been very generally used to support
148 ELLEN OR THE
the undulatory theory, it may be worth while to analyze its
character.
"In the first place Mr. Newton assumes the elastic force of
air to consist of a repellant force between the particles. This
is, of course, in direct antagonism to the dynamic hypothesis,
or the kinetic theory of gases, so called, at the present time
very generally entertained by scientists, but not at all
by Mr. Newton. For by the kinctit theory all the particles
of air arc always in motion, although the direction of
that motion depends entirely upon the nature of the
last contact which the particle made; and by the kinetic
theory, again, the number of particles is practically infinite, and
they are moving in all directions. This being so, it is impos-
sible to see how Mr. Newton's proposition can be used at all
by those who accept the kinetic theory of gases. For
the proposition is founded upon the idea of quiescent air,
and can only work where there is quiescent air; but as practi-
cally there is never quiescent air, whatever hypothesis is
accepted to explain elastic force, the demonstration and the
theory it is intended to uphold arc not worth the paper they
arc written on, although assuming the kinetic theory of gases
the absurdities of the theory arc infinitely increased.
" By the kinetic theory the average mean speed of the par-
ticles of air is, according to Ganot, about 1590 feet per second.
Ganot further says :
' In a gas the velocities of the particles are unequal ; since, even sup-
posing that they were all originally the same, it is not difficult to see
that they would soon alter. For imagine a particle to be moving par-
allel to one side, and to be struck centrically by another moving at right
WHISPERINGS OF AN OLD PINE
h4
angles to the direction of its motion, the particle struck would proceed
on its new path with increased velocity, while the striking particle would
rebound in a different direction with a smaller velocity.
'Notwithstanding the accidental character of the velocity of any indi-
vidual particle in such a mass of gas as we have been considering^ there
will, at any one given time, be a certain average distribution of veloci-
ties. Now, from considerations based on the theory of probabilities,
Maxwell inferred that some velocities will be more probable than others
— ^ihat there will, indeed, be one velocity which is more probable than
any other. This Is called the most probable ve/acity. The tnean velocity
of the particle, as deduced above, is not this, nor is it the same as the
arithmetical mean of all the velocities j it may be defined to be that
Telocity which, if all the molecules possessed it, would give rise lo the
same mean energy of the molecular impacts against the side as that
which actually exists. This mean velocity is about ^^ greater than the
arithmetical mean velocity, and is \ that of the most probable single
velocity.
* Theoretical as well as experimental observations render it possible
to determine with great probability the length of the path which one
molecule of a gas traverses before it encounters another, which is known
as i!i\Q free path. This is not a constant number in one and the same
gas ; that is, the paths which the molecules travel between two impacts
arc Dot equal, and the average of these is known as the mean free path*
The length of this depends on the number of molecules in unit volume
of a gas, being inversely as the density ; for it is obvious that as the
density increases the number of raolecoles increases also, and therewith
the path w^hich one molecule travels before it meets another will be so
much the smaller. The mean free path in different gases will be
shorter the larger are the molecules. In nitrogen measured under
standard conditions it has been determined to be 98.6^1/1 (micromilli-
nietres), in hydrogen 185.5, and in carbonic acid 68^1/1. The frequency
ISO ELLEN OR THE
of the impacts has also been determined ; in the case of hydrogen this
is 9,480 miUions, and of nitrogen and air 8,000 millions per second.'
**It is further assumed in this theory that the molecules
themselves fill only about a four-thousandth part of the whole
space containing them.
•'Mr. O. l'.. Meyer in *The Kinetic Theory of Gases,* pub-
lished by him, and one of the most complete and popular works
upon this subject, says :
'When we develop the theory of sound according to the kinetic
hypothesis we have also to consider two sorts of motion which exist
without disturbing each other. In addition to the molecular motion
which is present even in a gas at rest there are the to-and-fro motions
which constitute the vibrations of sound. The latter motions spread
from one place to another, and the cause of this transmission is the
molecular motions which bring the particles that execute the sound-
vibrations into contact with others. From this it follows that the
velocity of propagation of sound cannot depend on the nature of the
sound vibrations, but only on the molecular motions.
' If we paid no regard to the variations in temperature which a gas
undergoes by condensation or rarefaction, it would be easy to answer
the question as to the speed with which, on the basis of the assumptions
of the kinetic theory, a sound wave is propagated. If sound consists in
alternate rarefactions and condensations of the air, the speed of its
propagation cannot be different from the speed with which any
inequality of the pressure that arises at any place would spread through
air-filled space. Now, according to our theory the pressure arises
from the to-and-fro motions of the particles, and is exerted and carried
on from one layer to another by the same cause ; the velocity with
which a pressure or sound wave is propagated must therefore be just as
great as that with which the particles of gas move to and fro in the
WHISPERINGS OF AN OLD PINE
I ;i
direction of propagation of the wave. The value of the component of
the molecular motion in the given direction, and not the resultant
velocity of the particles, comes therefore into account in the calculation
of the velocity of sound ; and hence it follows at once that the spied of
propagation of sound in a g^u must i>e smalier ihan the mean speed of
ihe moleculut motion in tit is gas '
"And Mr. S, F. Preston, in the 'Philosophical Magazine,"
referring to the propagation of sound in accordance with this
ihcory, says:
•Since, therefore, the portion of a molecule's path through which it
is acted on by other molecules of the gas is vanishingly small compared
with the range of its path throughout which it is not so acted on, there
16 therefore practically no distance action between the molecules of a
gas, which accordingly can only influence each other by direct impact.
The only way, therefore, one molecule of a gas can influence another
is by moving up to it and striking against it. The only way, therefore,
t wave or small impulse can be propagated from molecule to molecule
through a gas is by ihe molecule possessing the impulse moving up to
and striking against another molecule j and therefore the velocity of
propagation of such wave or utipulse must depend solely and entirely
u|K>n the velocity with which the molecule moves; or the sole conceiv-
able cause tegulating the velocity of an impulse propagated from mole-
cule to molecule is the velocity of the moiecule itself^ or the velocity
wjtli which the molecule traverses its free path.
*The result of these considerations may therefore be summarized as
follows :
* Thai ihe veioaiy qf propagation of a wave (such as a wave of
sound) in a gas is solely determined hy, and proportional to^ the velocity
of the molecules cf ilie gas ; that this velocity of propagation of the wavt
152 ELLEX OR THE
is notaffecUd ty d^msztr^ pressure^ cr H the s^dfic gravity of a gas, or
by anjthirT el:€ exc^^tir* the z^Ldtj cf its wioUcuUs,
* This, it may be observed, is a condition following inevitably on the
acceptance of the kinetic iheon- ; and surely the very simplicity of this
lelati'.n as aEcrding a def.nite physical conception of the condition
detenninir.g the velocity cf sound, ar-d as gH'ing an insight into its
mo^ie of propagation, would be by itself sufficient to recommend it over
the old system. If ar.y ihicg I have written should ser\'e to divert the
attention cf others more ccmp^tent than myself to this interesting sub-
ject, the purpK>se of this paper will have been served.'
"From which it results that in accordance with these
theories ever>'^ particle of air (or any gas) is supposed to be
always moving at the same time :
'* First, at the rate of about 1590 feet per second, in con-
stantly var>'ing directiDns, from which results elastic force;
second, with ever var>'ing movement to form heat; and third,
in an indefinite number of different directions at the rate of
about 1 1 90 feet per second in each, in its efforts to distribute
sound.
**It will be seen, accepting this theor)', what a fatal delusion
Mr. Newton's conception was in proposition 47, corollary, that
the lincola would come to rest and move no more. For there
is no rest for these particles under these theories any more
than for the wicked. And if the particles move, the lineolae
must move.
'*In the 'London, Edinburgh and Dublin Philosophical Mag-
azine,' vol. 16, this proposition of Newton is discussed by J. J.
Watcrston, who first raises the question whether it or similar
propositions founded upon the expansion theory of elastic
WHISPERINGS OF AN OLD PINE
arce, can be accepted by those who believe in the kinetic
^theory of gases. He then says :
•In prop. 47 of book 2 Newton shows that *'if pulses are propagated
brough a fluid, the several particles of the fluid going and returning
rith the shortest reciprocal motion are always accelerated or retarded
ccording to the law of the oscillating pcnJiilura." It is assumed that
the elastic force is proportional to the density; and in the direction of
the pulse the fluid is supposed to be divided into physical iintoiae^
ick are expansible and contractile^ and exhibit a force that resist*
impression inversely as their brevidth. The mathemalicai reasoning
defines the law by which the breadth of these lineolae, and conse-
quently the law of Ihe accelerative force operating on each corpuscle
cts, which is thus found to be the same as a body moving in a cycloid
i subject to under the influence of gravity.
'Newton's fundamental hypothesis is, that the particles of air in the
lirection of the puke are suecessiveh ^^\\'3X^A Hi\\k like motions; that
both the dynamic condition and the static force of repulsion, which is
rdctermined by the length of the line that separates tw^o adjacent par-
ticies (called a lineola), is transferred onwards in the direction of the
from one particle to the next adjacent in regular succession.
*The demonstration takes account of three orders of magnitudes:
I, the breadth of a pulse (L) ; 2, the breadth of an oscillation of a
jcle (1/); Jp the length of a lineola (AJ, each considered as
Jinitesinial with respect to the preceding.
•If the motion of a particle forward and backward in the line a/cor-
sponds to that of a cycloida! pendulum, f. e.> if the relation between
he accelerative force (acting in the line of motion), the acquired
Yelocity, and the time is the same in the line 2/ as in the complete
cycloid, the force in this line must vary simply as the distance (y) Irom
its middle point. The value thus assigned to the force implies that 8»
134 ELLEN OR THE
the difference between the lengths of two adjacent lineolae, should vary
also in this proportion. If a semi-circle [circle] is described on the
diameter 2/, y is the cosine of an arc, of which x being the sine, we have
8 varies as y as dx ; so that the differential of the lineola ought to be
equal to the differential of the sine, and hence the absolute magnitude
of the deviation of the length of a lineola from its mean length ought
to be proportional to the sine.
* Thus if the motion of a particle is oscillatory, like a complete
cycloidal pendulum, the required sequence of force demands the above
specific sequence of change in the distance of the particles. Again, if
the motion of each particle is oscillatory, the required sequence in its
velocity (viz., that it should vary as x the sine) demands also a specific
sequence of change in the distance of the particles ; and this sequence
is precisely the same as what is required b^ the sequence of force.
*To obtain a clear idea of this (which is a problem of pure mathe-
matics), we may suppose with the same radius / another semi-circle to
be described, placed also in the line of the pulse, and removed to the
distance X from the preceding semi-circle. Let a third also be drawn,
removed the same distance X from the second. We have further to
supj)osc these semi-circles divided into as many parts (aa^, a^ a^,, a,
a3, etc. ; bb^, b^ b^, bo by, etc. ; cc^, c^ c.,, c, 0.3, etc.), beginning at
where the line of pulse intersects them as X enters into L (or —
number of parts). The length of each of these parts or jA'/j is thus
2/7r=:s (being infinitesimal with regard to X).
* Having made this construction, we have next to consider that the
motion of each particle to be oscillatory must be such that, at the
instant when particle A has traversed the versed sine of aan, the par-
ticle B (next in advance of A) being one sUp behind in its motion, has
traversed only the versed sine of bbn-i. and particle C the versed sine
of ccn-2. If B had traversed as many steps as A, the distance X thai
mtSPERTNGS OF AN OLD PINE
^55
^separates them would not alter; but since it is a step behind, AB
It ihis point less than X by the difference between vers aan
vers bbn-i5 or vers aan — vers aan-ti which eqiu'ils s. sin aan-|
[because of similar triangles and the assumed equality of an arc and
its chord, and the principle that the base divided by the hypothenuse
; is equal to the sine of the angle opposite the base]. In the same
way, C being a step behind B, their distance is less than k by s, sin
Thus we have BC-'BA:=
I (sin aao — sin aan-t)=s cos aan-r
(Here s, being an absolute magnitude, has to be divided by the abso-
1 lute radius / to rejiresent tlie differential of arc.) At the beginning of
'the vibration ti = i.and cos aa"= radius; hence with B at the initial
point b, C at c-i (a step back on the returning half of the previous
oscillation), and A at ai (the points on the circle being supposed
projected on the diameter), the difference
BC-BA=^=4/(^).
* This initial amount determines the accelerative force acting at the
begmning of the motion of each particle, which is obtained by com-
paring it wiih the reciprocal of A^ which represents the whole static force
of repulsion between two particles at the distance A [because clastic
force laries inversely as the tlist;ince between adjacent particles].
This force having lo suf>port the weight of particles (H being
I H
the height of a uniform atmosphere), - represents the force - g, viz.,,
A A,
a force that in one second i& capable of communicating a velocity of
H
— g feet f»cr second.
*To obtain the value of the initial force acting on particle B when it
IS at b, we have the following proportion :
i_ I H
5g=Hg4/(£)V
156 ELLEN OR THE
•'But I cannot see," I said, "how this proportion is-
obtained."
**It cannot be obtained," she replied, "from quiescent air>
and this Mr. Waterston refers to further on. But assuming
that an agitation of the air has happened, — an aoritation in its
nature miraculous because without cause, — then, as ?ilr. Waters-
I Hg s2
ton states, -r- represents the elastic force -— , and -,- the dif-
ference between the lincola in front of a particle and the one
behind it. The force behind the particle would then be
I
s^
and that in front of it -r- and the effective force would be the
difference between these. This is the second term in Mr.
Waterston's proportion, though as he subtracts the larger from
the smaller, the term is negative. The fourth term may then
be obtained by solving the proportion and dropping s^ consid-
ered an infinitesimal. This term would also be negative.
"The initial force can also be obtained by letting a^ b,
and c represent three consecutive particles of air; be and
ab the lineolae which separate them. Calling the differ-
ence between these lineolae -j and supposing b c to be as
much greater than X as ^^ is less, we have bc=-\-\ — -. and ba
= X J, Let Fi equal the force pushing b towards a and
Fa the force pushing b towards c ; then by Boyle's law
F^:5ji::_!_..LandF2:^?::— ^., : — .
WHISPEKINGS OF AN OLD PINE
159
Subtracting the ratios of the first proportion from the corre-
sponding ratios of the second, we have
and solving*
2~Pl
.Hg.
■ A •
I
I
F.-
Fi =
s
If wc drop('-r)^ considered as an infinitesimal, the proportion
becomes I^8""F*i^"w'X-jr-, which is the same as that obtained
by Mr. Waterston.
** Mr. Waterston continues :
•The lime (t) Liken by a particle to traverse 2 /^ with this force
diminishing as the distance from the center of the semi-circle, is the
same as the time required for one oscillation of a pendulum whose
length is /, if subject to an influence of gravity equal to this furce,
and is the same as the time taken by the pulse to travel through ^L.
By the law of the pendulum, r is equal to ir multiplied by the square
foot of the quotient of length cf j)endulum by force of gravity, hence
'"yl^-&,=i'-^i'
Hg47 ' VHg
and the velocity of the pulse per second is v^Hg,
*This supposes Mariotte*s law maintained. The repulsive action is
necessarily assumed to be limited to adjacent particles, not extending
tbiough the interstices of these to the particles beyond (for such is the
ettTaordinary and improbable hypothesis required to deduce Mariotte'i
law from a static repulsive force). This may be supposed subject to
modification during vibratory action.
l6o ELLEN OR THE
<But the hypothesis upon which the mathematical demonstradoo
rests is open to three grounds of objection: i. It does not take
account of the condition of the front of a pulse when the particles from
a condition of rest enter into the cycle of motion defined by the theory.
2. The force of repulsion between two adjacent particles required by
the theory is extravagantly large. 3. The other physical properties of
gases are not deducible from the hypothesis.
'To these may be added, that the dynamical theory of heat has sug-
gested another hypothesis which is free from these objections, and
which therefore claims a preference according to Newton's first '* rule
of reasoning in philosophy," viz., " We are to admit no more causes o£
natural things than such as are both true and sufficient to explain their
appearances. To this purpose the philosophers say that Nature does
nothing in vain, and more is in vain when less will serve ; for Nature is
pleased with simplicity, and affects not the pomp of superfluous
causes."
' I. The theory does not take account of the condition of the front
of the pulse, or rather of the front of the first of the series of pulses of
which a sound consists. This is apparent if we consider that a particle
is represented by the theory as at rest at each extremity of its oscilla-
tion, ai.d at those points the accelerativc force is at its maximum, and is
derived from the difference between the lengths of the lineolae that issue
from the particle in front and in rear. The front lineola cannot differ
from the mean length so long as the front particle is at rest unaffected by
the advancing pulse. The rear lineola is less than the mean length by a
certain small amount a. If the front particle were in action in a pulse
cycle, the length of the front lineola would be increased by the same
amount a so that the accelerative force at each extremity of the oscil-
lation of a particle is represented by 2<i ; and unless it were so, the
condition required to sustain the beautiful relation of velocity and pro-
pelling force would be wanting. But at the front of the first pulse the
WHISPERINGS OF
>LD
151
Vneola does not diiFer from the mean length, so that the accelerative
force is represented by */, and this is only one-half the amount required
by the theory to begin the osciilation. In tnith, the tleiuonstration
only applies to a pulse having stmilaf pulses operating on both sides,
* 2. The force of repulsion between two adjacent particles required by
the theory is extravagantly large, l^he recent advances in the theory
of heat have, in a measure, compelled us to realize the dynamic value
ol natural forces. To compute the absolute value of the repulsive force
acting between tiii'O adjacent molectiles of air, we have to consider that
it has to support the gravity of the number of molecules in the height
of a uniform atmosphere {-r-) t *' '"^^s* therefore exceed the force of
I gravity of one molecule in this ratio. Now the force of gravity in one
* lecood can communicate a velocity of 32 feet per second, so that the
force of repulsion between two adjacent molecules of air must be
capable in one second of communicating a velocity of 32— feet. The
[ absolute value of A, the distance between two adjacent molecules of air,
wt can now with great probability deduce from the phenomena of
capillarity (Phil. Mag., vol. xv., p. i). At the boiling point of water
the number of molecules of steam in a cubic inch is the same as the
nuTDber of molecules of air in the same volume. At 86«» the number o(
layers of aqueous molecules in a cubic inch is 215 millions (Phil. Mag.,
vol. XV., p. 11). Hence at ordinary temperatures the distance between
two adjacent molecules of air must be about -j^^ of a millionth of ai
H
inch, and the value of (j^y)' ^^^ velocity communicable in a second^
is 160 thousand times the velocity of light. Can we for a mometil
believe that such a force has any real existence, that it is other than a
mathematical fiction?
* 3. The other physical properties are not deducible from the hypoth-
esis of a static force of repulsion. The deductive power of Newton's
theory is confessedly limited to Mariotte's law and the velocity of
^Mt^^m^
jnHn^
1 62 ELLEN OR THE
sound. Laplace, by the invention of calorific atmospheres, is allowed
to have added to these Dalton and Gay-Lussac's theory of expansion;
but it is a question whether the reciprocal action between heat atmos-
pheres and molecules, which he Expresses by mathematical symbols,
can be realized by the mind. In judging of this, we must not forget
the chapter of the Mecanique Celeste, in which the author speculates
upon what the laws of motion would have been if force had been as a
function of the velocity, instead of as the simple velocity. What is to
be expected from a superstructure resting upon such a foundation as
this reveals? Nevertheless, granting that Mariotte's law, Dalton and
Gay-Lussac*s law, and the velocity of sound are represented by the
statical hypothesis, we have still Dalton and Graham's law of diffusion
and diffusive velocity; Gay-Lussac*s law of volumes; Dulong and
Petit*s law of specific heat, extended to the mo:'e simple gaseous bodies
by Haycraft and the French physicists ; the law of latent heat par-
tially discovered by Gay-Lussac and Welter's experiments; also the
diminution of temperature in ascending the atmosphere, — all as yet
undeduced from any statical theory of elastic fluids. It may be that
additions to the mathematical hypotheses of Laplace will be attempted
with the view of extending their capacity, as indeed there seems to be
no limit to this artificial and barren system of procedure, which is as
far removed from the simplicity of nature as the hideous epicycles of
Ptolemy.'
*'Mr. J. F. Herschel, in his article on Sound in the * Encyclo-
paedia Mctropolitana,' as the result of a long mathematical
investigation, says:
'Hence it follows that the velocity of sound is uniform; is inde-
pendent of the nature, extent, and intensity of the primitive disturbance
(for the arbitrary functions do not enter it) and is expressed by the
quantity we have called a, that is y'2gH.'
WHISPERINGS OF AN OLD PINE
t63
•• It will be seen that the mathematics sustain the theory, as
is generally the case. He would be a poor mathematician
that could not accomplish this. But Mr, Earnshaw, another
noted mathematician, has shown by mathematics equally sub-
stantial and interesting, that the velocity of sound is not uni-
form, but varies with the nature, extent, and intensity of the
primitive disturbance.
** At one point of his demonstration Mn Hcrschcl takes occa-
sion to criticise Mr, Newton, as follows:
' And first it is evident that since the variable quantity x enters into all
the terms both of rand f under the functional characteristics, these quan-
tities regarded as functions of /, are modified essentially by the values of
jr, which may be regarded as a parameter, or constant element in the com-
position of the functions expressing the nature of the motion of any
assigned molecule. If only x-\-af, or only .v— «/, separately entered
under the characteristics, since x-j-(i/=a i/-}- -^) SLnd x—ai^^ — a
a
{t '—) the variation of x would only vary the origin of // and the
motions of all the successive molecules would be performed according
to the same laws, only commencing at a different epoch for each
molecule ; but as t>oth these quantities are involved, that will not be
universally the case. Consequent iy» in general, it appears that the
undulation, or pulse, as it is propagated onward, becomes modified
essentially in its quality by the distance it has passed over, it is no
longer (he sanu .ufund^ i. e., not identical with what would be produced
by shifting the initial motion forward. Its velocity, intensity, and pitch,
it is truCj will remain (as we shall see) unaltered ; but its qualify^
its mode of action on the ear (which must be differently affected by
changes in the natirre of the imptilse made in it), will undergo a change.
g,,li^
^'- -— ^'
1 64 ELLEN OR THE
This establishes an essential difference between a sound wave and such
a wave as we took for an illustration, where every point was in succes-
sion agitated by the same identical motion.
' Consequently every theory of sound in which it is assumed that the
several particles in a sounding column are all in succession agitated
alike, is defective. This is the case with Newton's doctrine of the prop-
agation of sound as delivered in the 47 th Proposition of the Second
Book of the 'Principia,' if there was no other objection against it,
would suffice to vitiate the whole. This and other unsatisfactory points
in the celebrated theory alluded to, were first distinctly perceived and
pointed out by Lagrange, in the first volume of the "Turin Miscellanies,*^
and an exact and vigorous investigation substituted in its place, in
which the sounding column is regarded as consisting of a serits of
finite, insulated particles, mutually repelling each other ; a mode of
conception which leads, by a very complicated analysis, to the same
results as that above stated, but which has the advantage of setting in a
distinct light the internal mechanism, if we can so term it, by which
sound is propagated.
* Moreover, since by differentiating the equation (d) we get
111="^' [F"(x+at)+f"(x-at)]
this will be proportional to the accelerating force acting on the mole-
cule. It IS therefore by no means universally proportional to y— x, the
distance of the molecule from its point of rest ; and therefore another
assumi)tion on which the Newtonian doctrine of sound rests, viz., that
the motion of each molecule successively follows the law of a vibrating
pendulum, is equally destitute of foundation. In fact, Cramer had
shown, before the examination of Lagrange, that any other law of
molecular motion might be substituted in Newton's enunciation of the
general proposition, and the demonstration would be equally conclusive,
and the resulting velocity of sound the same.'
WHISPEUINGS OP AN OLD PINE
165
"Lagrange and Herschel were both eminent mathematicians,
among Uic most eminent of their time, and Lagrange perhaps
of any timCp but the hypothesis of Lagrange referred to would
be wholly impossible under the kinetic theory of gases.
** It is also noticeable that, however M. Lagrange may have
pointed out the errors of Mr. Newton's theory, errors which,
as we have seen, are very transparent, scientists generally, —
the great body of instructors on these subjects^ whether in col-
leges, schools, or books, — did not think wise, whatever might
be ihe facts, to make any change of base, but preferred to con-
tinue to build upon Mr, Newton's propositions. In this, their
object being simply to have something to teach, they \\erc;
probably wise. For a little more light, like that Lagrange
threw upon the subject, was sure to break up the meeting,
in showing how utterly without foundation was the whole
conception of this theory,
**Il appears, then, that Newton first formulated in its present
shape this undulatory theory of sound, and probably it owes its
vigorous life in a great part to this fact; although those who
accept his demonstration of it, refuse to accept his theory of
light, in the examination of which he was much more thorough,
and spent far more time.
'*Thc moral is the danger of building upon hypotheses. To
this cause is principally if not wholly due the fact that a very
large part of the science of the present day is entirely fictitious,
and much of it ridiculously so/'
** But how could this be avoided ? " I asked.
**By avoiding it," she said. '* Build only upon known facts.
Draw the line between what you know and what you do not
1 66 ELLEN OR THE
know, and build only upon what you know ; never upon what
you do not know."
" But, Ellen, it is a common saying of scientists that they
could never advance in knowledge, if they didn't employ
hypotheses."
"But they never do advance,'* she said. "They are hope-
lessly in the mire, and always have been, and always will be, if
they depend upon guesses. For always they forget that the
matter is imaginary and teach it as truth, thus inaugurating
over the world that great mass of rubbish which is called
science, but which is always in time discarded, after having ful-
filled its mission of deceiving one or more generations. Truth
never will be reached this way, but only by building upoo
known facts, no matter how slowly these may accumulate."
WHISPERINGS OF AN OLD IINE
rOQ
XI.
B'
^'DUT what. Ellen, then." I askcd» *
nd rest upon, since
to be erroneous
does this undulatory
theory of sound rest upon, since Mr. New^tor
stration has proved to be erroneous both in princi|:
in fact?"
•* Nothing/* she said, "but assertion. Indeed, so far as Ellen
knows, all that its strongest supporters and teachers claim for
it is that it explains the different phenomena connected with
sound better than any other hypothesis. A very senseless
claim, because it docs not explain them» and cannot explain
them at all"
**And how does Ellen think that they should be explained?**
"Through knowledge, and not by ignorance/' she answered,
•* I-argely by the use of our good sense, and not by its surren*
dtu But scientists often, if not generally, would appear to
make the abandonment o( common sense an essential prelimi-
nary qualification to the study of science. Ellen thinks that
the use of good sense and the cultivation of it is of far more
importance than all things else in the search after knowledge."
"But mathematics are very important in the discoveries of
physics, arc they not, Ellen?" I asked.
"They arc worse than useless/* she replied, "without the
^cnsc to apply them; and indeed, generally they are worse
than useless. Every dead hypothesis of past centuries has
I70 ELLEN OR THE
been weighted down with them, and the same treatment fol-
lows the hypotheses of the present, which in time, with all the
accumulated rubbish, will be consigned to the general cem-
etery where " such matter always finally rests. There are
certain fields for mathematics, but the field of good sense and
reason is everywhere.
"Ellen will now review this undulatory theory of sound.
quoting from different authorities among its more renowned
supporters. And first from Professor Tyndall, whose book 'On
Sound* has had a very wide circulation. Mr.. Tyndall says:
' Applying a flame to a small collodion balloon which contains a mw-
ture of oxygen and hydrogen, the gases explode, and every ear in thii
room is conscious of a shock, which we name a sound. How was this
shock tranr.iiitteJ from the balloon to our organs of hearing? Have
the expbdinj g.ises shot the air particles against the auditory nerve as
a gun shoots a ball against a target ? No doubt, in the neighborhood
of the balloon, there is to some extent a propulsion of particles ; but
no p irticle of air from the vicinity of the balloon reached the ear of
any p?r';on here present. The process was this : When the flame
touched the mixed gases they combined chemically, and their union
was acco.npanie 1 by the development of intense heat. The heated air
expanded su:l(lcnly, forcing the surrounding air violently away on all
sides. This motion of the air close to the balloon was rapidly imparled
to that a little farther oIT, the air first set in motion coming at the
same tim^ to rest. The air, at a little distance, passed its motion on
to the air at a greater distance, and came also in its turn to rest.
Thus each shell of air, if I may use the term, surrounding the balloon
took up the motion of the shell next preceding, and transmitted it to
the next succeeding shell, the motion being thus propagated as a /uhr
or wui'e through the air.*
WHISPERINGS OF AN OLD PINE
r»upp >sing Mr, Tyndairs explanation oi the explosion of
the balloon correct, that ' the heated air expanded suddenly,
lorcing the surrounding air violently away on all sides,* why
should this cause sound? So will a fan force the air away
violently from all sides, w^ithout making perceptible sound.
This is especially true of electric fans. And this demon-
strates that such movement of the air is not the cause of
sound. The supposition that the exploding gases shot air par-
ticles against the auditory nerv^e, is entirely superfluous, Ellen
wishes Mr. Tyndall had explained what he meant by the air
passing its motion on» then coming to rest. In what does he
consider motion to consist? Perhaps some scientist will
answer,
•*\Vhen gases explode, they unite chemically and occupy
more space than when separate, probably because of heat
produced, as Mr. Tyndall explains. The air, by this expan-
sion, is driven away in all directions, and the distance it is
driven will depend upon the force of the explosion. It might,
or it might not» extend throughout a room. It might push out
all the windows, or be strong enough to push down the walls
of a building. But all of these operations, though they might
cause sound, arc not sound. Oxygen, uniting with hydrogen,
as in Uiis experiment, produces steam, which is almost instantly
ifidcnscd to water. This condensation causes a vacuum, and
is vacuum will be immediately filled by the air pushed in
by gravity and elastic force. The sound caused by explosions
is the result of shock or disturbance, the usual cause, and con-
sists of infinitesimal particles of electrical matter. Mr. Tyndall
continues:
172 ELLEN OR THE
* In the case of our exploding balloon the wave of sound expands on
all sides, the motion produced by the explosion being thus diffused over
a continually augmenting mass of air. It is perfectly manifest that this
cannot occur without an enfeeblement of the motion. Take the case of
a thin shell of air with a radius of one foot, reckoned from the centre of
explosion. A shell of air of the same thickness, but of two feet radius,
will contain four times the quantity of matter ; if its radius be three feet,*
it will contain nine times the quantity of matter ; if four feet, it will
contain sixteen times the quantity of matter, and so on. Thus the
quantity of matter set in motion augments as the square of the distance
from the centre of explosion. The intensity or loudness of sound
diminishes in the same proportion. We express this law by saying that
the intensity of the sound ifaries inversely as the square of the distanced
"That the area of concentric surfaces increases as the square
of the distance from the center is true; and therefore sound or
anything else distributing itself evenly over such surfaces must
decrease on each unit of surface in this same ratio. So, too,
anything so distributed having permanence of form, might be
regathcred. And thus sound can be, as is fully illustrated
by the megaphone, but Ellen denies that any system of waves
could be. The thing is impossible. Any material thing could
be, like water, of which waves are composed ; but waves could
not be. For a wave, like a shadow, is a condition of matter
without permanence of form. And this alone is proof that the
undulatory thcor}- of sound is not true.
"Again Mr. Tyndall says:
'The motion of the pulse must not be confounded with the motion
of the particles which at any moment constitute the pulse. For while
the wave moves forward through considerable distances, each particular
particle of air makes only a small excursion to and fro.'
WHISPERINGS OF AN OLD VISE
'/^
"Mr Tyndall is now discussing his imaginary wave or pulse.
Ellen denies that there is any wave, or that In such operation
each particular particle of air makes a small excursion to and
fro, and states that many particles make a hurried and, for
them, extensive excursion, pushed by the expandin^f gas, and
then tumble back into the vacuum left by the condensed gas.
What right has Mr, Tyndall. or any scientist, to make such state-
ments, when he cannot prove them? Upon their face, they
are untrue. Nor can there be any evidence advanced to prove
them. At the best their existence is an hypothesis^ though
asserted here to be a fact. It was Goethe who said that the wise
man is he who is able to distinguish between the things
which he knows and those which he does not. Is there no
scientist who thus distinguishes?
**Mr. Tyndall further says:
'The process may be rudely represented by the propagation of motion
through a row of glass balls, such as are employed in the game of
sakiaire. Placing the balls along a groove, each of them touching its
neighbor^ and urging one of tliera against the end of the row ; the
motion thus imparted to the first bill is delivered up lo the second^
the motion of ihe second is delivered up to the third, the motion of
the thiid is imparted to the fourth ; each ball, after having given up
Its motion, returning itself to rest. The last ball only of the row flies
away. In a similar way is sound conveyed from particle to particle
through the air. The particles which fill the cavity of the ear are
finally dnven against the tympanic membrane^ which is stretched across
the passage leading from the external air to\%'ard the brain. This
membrane, which closes outwardly the "drum" of the car, is thrown
Into vibration, its motion is transmitted to the ends of the auditory
174 ELLEN OR THE
nerve, and afterward along that nerve to the brain, where the vibra-
tions are translated into sound. How it is that the motion of the
nervous matter can thus excite the consciousness of sound is a mystery
the human mind cannot fathom.*
"The process of the balls is this: If they touch they neither
perceptibly move nor return. If they do not touch, each ball
moves at the same pace as the ball which struck it, — the balls
being of the same size, as shown in the illustration, — and the
striking ball stops. That is, the oscillatory motion that is sup-
posed to be illustrated by these balls is not illustrated, but
instead, a plain straightforward motion.
"Mr. Tyndall is eminently correct that no human mind will
ever fathom his recipe for making sound. Should he give a
similar one for taste, or nutrition, or o^dor, it would be equally
unfathomable. The conception being devoid of sense or reason,
readily baffles the human mind. Not anything in nature is
done in the manner suggested, which is a conception advanced
by Mr. Tyndall.
"Following the same method he would undoubtcly introduce
nourishment into the system by transmitting motion to the ends
of the gastric nerve, and afterwards to the stomach, where its
translation into nourishment would constitute another mystery
which the human mind would be unable to fathom.
"The nature of the connection between the material and
spiritual or intellectual, by which sensation, or intelligent per-
ception, takes place, which Ellen has before referred to, has
always been spoken of as unknown, but as Ellen thinks, it may
be easily understood. For certain things in close connection
are known. Thus nourishment of the body so necessary to
WHISPERINGS OF AN OLD PINE I/S
the existence of spirit, in material conditions, is accomplished
by the introduction of outside material into the body. Thus
our food and drink are taken into the body, and must be if
we get benefit from them, and this beneiit is absolutely essential
to our continued existence in present conditions. And medi-
cines, also, often in very small quantities, will change condi-
tions, relieving the most serious trouble, but always th'^se
medicines must be taken into, or brought into contact with, the
body. It is the method for affecting all material conditions.
And hence we see the great law of the soul's continued material
existence, where new supplies of matter are absolutely essential,
is contact, and through contact assimilation. There is no other
way.
** The same is true in the outside universe. Thus rain to
assist in the growth of things, must come in contact with those
things, into which it enters, and thus and thus only fulfills its.
mission. That rain takes place elsewhere, no matter how near,
will not suffice. The law of result is one of contact, fixed and
immutable. And it is a contact of matter with matter ; and a
contact which results in the assimilation of the new material
with the old.
"In this same way come the sensations of touch, taste, smell,
sight and hearing. There is no other way, no other possible
way. To see, light must reach the intelligence seeing, directly
by the eyes and optic nerve, or perhaps indirectly (as in
sound) through the bones of the head or body. The same is
true of hearing, smell, an^ taste ; with all material must enter
the body, to produce the sensation.
"The sensation of touch is of different character from the
176 ELLEN OR THE
others, being entirely a matter of resistance, very useful in
locating objects, and also giving knowledge of form and tem-
perature; the thing touched is the thing causing the sensa-
tion. It is noticeable, too, that the objects of the sensations are
quite different. Thus those of sight and hearing are for the
instruction of the mind ; but those of taste and smell are more
directly connected with the body.
**From this we gather that all sensations are due to the
different effects of matter. But Ellen thinks the changes are
entirely those of matter, tlie effect upon spirit depending upon
fixed laws which connect with the conditions of matter. That
is, the soul doesn't change, but perceives the changes in matter,
and from these it gets its knowledge, or its pleasure, in the same
way as it learns the time of day from the changing clock,
or gets information by the changing sounds of a telegraph
.instrument.
"In all of this not the person changes, but the scenes. And
these scenes represent the material universe, everything in
which is made by the combination of matter in its different
conditions and proportions. So that we can see*that all the
phenomena of nature take place because of a change in sub-
stance ; and that all the phenomena of the soul's existence in
material conditions take place, because of a change in material
phenomena.
**Mr. Tyndall continues:
* Let us look at the matter in another light. The mechanical effect
of a ball striking a target depends on two things — the weight of the
ball, and the velocity with which it moves. The effect is proportional
to the weight simply; but it is proportional to the square of the
WHISPERINGS OF AN OLD PINE
^77
Now what is tme of tlie cannon ball strikiDg a target is also
of an air particle striking the tympannm of the ear. Fix your
fttention uix>n a particle of air as the sound wave passes over it j it is
ged from its position of rest toward a neighbor particle, first with an
ccelerated motion, and then with a retanled one. The fon e which
Irst urges it is opixjsed by the resistance of the air, which finally slops
Ihe particle and causes it to recoil. At a certain point of its excursion
he velocity of the particle is its maximum. The intemity of sound is
\roportHmal to the sr/t^are of this maximum velocity.
* The distance through which the air particles move to and fro, when
sound wave passes it, is called the amplitude of the vibration. The
jltensity of the sound is pro|>ortional to the square of the amplitude.'
''It might be a little difficult for any one but a scientist to fix
js attention upon an air particle when the sound wave passes
^cr it. For, according to the theory, this air particle, which
be sound wave is supposed to be passing over, is a component
part of that w*ave; and therefore to pass over it the wave must
pass over itself, something that is impossible, although, to be
sure, it is in perfect accord with every part of this preposterous
theory*. Evidently Mr. Tyndall supposes that it would be a very
simple matter for a man to crawl or pass over himself. And he
ems to be unable to make this distinction, that a state of
botion, in whatever that consists, might pass through or over a
irticie, but that a wave, of which this particle was an integral
ad necessary part, could not do this, Wc have here further
latcmcnts as to the action of this supposed particle, every^ one
tliem purely imaginary. Ellen will discuss later the whole
>nception of oscillatory motion, by which the speed of sound
supposed to be accomplished.
ji^
-*■ ^-
178 ELLEN OR THE
**Mr. Tyndall continues:
' With regard to the point now under consideration, we must endeavor
to form a definite image of a wave of sound. We ought to see mentally
the air particles when urged outward by the explosion of our balloon
crowding closely together ; but immediately behind this condensation
we ought to see the particles separated more widely apart. We must,
in short, be able to seize the conception that a sonorous wave consists
of two portions, in the one of which the air is more dense, and in the
other of which it is less dense than usual. A condensation and a rare-
faction, then, are the two constituents of a wave of sound.*
** In this case a certain disturbance caused by explosion is
supposed to have taken place in the air. This disturbance,
which, in respect to its being a movement of air particles,
is similar to one made by the movement of a fan, or any
other body in air, Mr. Tyndall christens a sonorous wave.
What he means by a sonorous wave doesn't appear, or why he
calls it a sonorous wave, or, indeed, why he calls it a wave at all.
If it is a sonorous wave, then all movements of air particles
are sonorous waves. For it would be impossible for air par-
ticles to be pushed without making the air more dense in
the direction towards which they moved, and less dense
behind them. The condition of things referred to amounts
to a promiscuous mingling of air particles caused by an
expansion of gas, followed by the condensing of the gas
and the reoccupancy of its space by the air, pushed in
by the combined effects of elastic force and gravity. The
conception of a sonorous wave, which Mr. Tyndall says we
must be able to seize, is grotesquely impossible under the
conditions. It is but the conceit of some one. who not only
WHISPERINGS OF AN OLD PINE
1/9
knows nothing of the matter he is talking about^ but, so far
as he has explained, shows that he is ignorant of the condi-
tions which exist. For Mr* Tyndall does not suggest, and, so
far as Ellen knows, no text book has suggested » the opera-
tion of gravity, one of the principal forces involved, and
through which the atmosphere near the earth is always
exerting a pressure of about filtcen pounds to the square
inch, a force that under any conceivable conditions would
destroy the whole system of sound waves before a scientist
could count one* It is here that the infinite nonsense
of condensations and rarefactions, as connected with a system
of air waves, is first introduced. The old Pine will see that it
would be impossible for any one using reason to conceive that
a system of air waves could exist under such circumstances.
** Mr. Tyndall now speaks of experiments in a vacuum, in
liydrogen, and on mountains, showing that a bell rung in a
vacuum makes either no sound or an inaudible one. He says:
*Sir John Leslie found hydrogen singularly incompetent to act as the
vehicle of the sound of a bell rung in the gas. More than this, he
emptied a receiver like that before you of half its air, and plainly heard
the ringing of the bell. On permitting hydrogen to enter the half-
filled receiver until it was wholly filled, the sound sank until it was
icarcely audible. This result remained an enigma until it received a
iimple and satisfactory explanation at the hands of Prof. Stokes,
When a common pendulum oscillates it tends to form a condensation
in front and a rarefaction behind. But it is only a kmkncy : the
motion is so slow, and the air is so elastic, that it moves away in front
before it Is sensibly condensed, and fills the space behind before it can
become sensibly dilated. Hence waves or pulses are not generated by
l8o ELLEN OR THE
the pendulum. It requires a certain sharpness of shock to produce the
condensation and rarefaction which constitute a wave of sound in air.
'The more elastic and mobile the gas, the more able will it be to
move away in front and to fill the space behind, and thus to oppose
the formation of rarefactions and condensations by a vibrating body.
Now hydrogen is much more mobile than air ; and hence the produc-
tion of sonorous waves in it is attended with greater difficulty than
in air. A rate of vibration quite competent to produce sound waves
in the one may be wholly incompetent to produce them in the other.'
"From this it would appear that hydrogen gas is not a desir-
able substance for the promotion of sound, and that the
trouble is not wholly, if at all, due to its lack of density. For
the" air of half density mixed with it would be more dense
than before, and yet the sound under these circumstances
in the above experiments was deadened. It would seem
that there might be something in hydrogen antagonistic to
sound. And this is sustained by the fact reported by
those who have made the experiments, that, after having
breathed hydrogen gas, the voice is weak. Mr. Tyndall's
explanation of the difference of sound in hydrogen and in
air, is, as usual with him, entirely superficial and insuffi-
cient. It is, besides, dishonest, because he calls it satisfactory
when it is not. For the things that he mentions in explanation
are true of air or any other gas. Driven to it not by honesty but
by necessity, Mr. Tyndall recognizes here for the first time the
property of mobility, which belongs to all fluids and gases, and
because of which the undulatory theory of sound is impossible.
The elastic force of all gases, under the same pressure and tem-
perature, is supposed to be the same. The mobility of gases is
WHISPERINGS OF AN OLD PINE
r8i
thought to vary with the amount of viscosity they possess, and
viscosity is ascribed to friction between the particles. Mobih'ty
IS also thought to vary with the velocity of the particles of a
gas, and the velocity of the particles of hydrogen is considered
to be four times that of air. But whatever difference of
mobility there may be in gases, is here practically unimportant,
as all are sufficiently mobile to prevent the formation of any
extended system of condensations and rarefactions. The air is
like a great ocean, only more liable to disturbances, and these
disturbances reach down further. But as it would be impos-
sible for a system of weaves formed of water to take place in the
body of the ocean, so it would be for a similar system, formed
of air, in the body of the air.
**Mn Tyndairs remarks about the pendulum are equally
discreditable. The motion of a pendulum is often much faster
than that of a tuning fork or fiddle string. As everything else
which moves in air, it condenses the air in front and leaves
rarefaction behind, far more pronounced than that left by a
fork or string, as any one may verify by experiment with
smoke, but it does not form any system of condensations and
rarefactions which are propagated. For, as Ellen has before
said, because of the mobility of the air this cannot be done.
" Mr. Tyndall's remark that it requires a certain sharpness ol
shock to produce these hypothetical sound waves, is also mere
assertion and entirely gratuitous. For by the hypothesis it
requires nothing of the kind. It requires only the striking of
the particles by the moving body. But Ellen will not discuss
further the phrase 'sharpness of shock* until some scientist wiD
attempt to explain what is meant by it
182
'* Mr, Tyndall continues :
THE
'The motion of sound, like all other motion, is enfeebled by k
transference from a light body to a heavy one. AVheti the receiver!
which has hitherto covered our bell is removed, you hear how much
more loudly it rings in the open air. When the bell was covered the
aerial vibrations were first communicated to the heavy glass jar, audi
afterward by the jar to the air outside ; a great diminution of intensity
being the consequence/
'*This idea that the aerial vibrations are communicated to
the glass jar, or any other solid body, by the mere slight move-
ment of air particles, which must be a fact if this theory is
true, IS as ridiculous and senseless as it is possible for the mind
to conceive. For it is well known that sounds uttered in
enclosed rooms may and often do go through thick walls of
brick or stone. And this theory teaches that they go through
by bending these walls in and out They could no more do it
than a soap bubble could bend a mountain, or a thistle seed
knock over a church. Why any sane person should accept
such a proposition, — ^Ellen doesn't say believe, for she
doesn't think any sane person could believe it,^ — is inexplic*
able to Ellen. Or, why scientists should not always remem-
ber that not only a cause, but a sufficient cause, is necessary
for any result, Ellen cannot understand. There would seem to
be no reason why one should be a fool in order to be a scientist.
'•Again Mr. Tyndall says;
•The intensity of a sound depends on the density of the air in whkb
the sound is generated, and not on that of the air in which it is heanL*
• Poisson, •* M^canique," vol. ii., p. 707.
WHISPERINGS OP AX OLD 1 INE
18;
Supposing the summit of Mont Blanc to be equally distant from the
lop of the Aiguille Verte and the bridge at Chamouni ; and supposing
two observers stationed, the one upon the bridge and the other ii|3on
the Aiguille : the report of a cannon fired on Mont Hlanc would reach
both observers with the same intensity, though in the one case the
soimd would pursue its way through the rare air above, while in the
other it would descend through the denser air below. Again, let a
straight line equal to that from the bridge at Chamouni to the summit
of Mont Blanc be measured along the earth's surface in the valley of
Chamouni, and let two observers be stationed, the one on the summit
and the other at the end of the line : the report of a cajinon fired on
the bridge would reach both observers with the same intensity, though
in the one case the sound would be propagated through the dense air
of the valley, and in the other case would ascend through the rarer air
of the mountain. Finally, charge two cannon etjually, and fire one of
them at Chamouni and the other at the top of Mont Blanc : the one
fired in the heavy air below may be heard above, while the one fired in
the light air above is unheard below.'
** If sounds as the theory holds, was caused by the vis viva
of the air particles hitting the drum of the car, it is difficult to
see how these results could take place. For the vis viva of air
of half density could not equal that of air of full density, unless
the air particles had large additional velocity. Again, too, we
are confronted with a fact suggesting that, as you cannot make
brick without straw, so you cannot make sound without proper
material*
**Mr. Tyndall further says:
'This weakening of the sound, according to the law of inverse
squares, would not take place if the sound wave was so confined as to
184
ELLEN OR THE
prevent its lateral diffusion- By sending it through a tube with a
smooth interior surface we accomplish this, and the wave thus confined
may be transmitted to great distances with very little diminution of
intensity- Into one end of this tin tube, fifteen feet long, I whisper in
a manner quite inaudible to the people nearest to me, but a listener
at the other end hears me distinctly. If a watch be placed at one
end of the tube, a i>erson at the other end hears the ticks, though
noboJy else does. At the distant end of the lube is now placed a
lighted candle. When the hands are clapped at this end, the flame
instantly ducks down at the other. It is not quite extinguished,
but it is forcibly depressed. When two books, n b'. Fig. 9, are clapped
together, the candle is blown out.* Von may here observe, in a rough
way, the speed with which the sound wave is propagated. The instant
the clap is heard the flame is extingiushed. 1 do not say that the time
required by the sound to travel this tube is immeasurably short, but
simply that the interval is too short for your senses to appreciate it.
i-ifi. 9*
'That it is a ////jy and not a ///jf of air is proved by filling one end
of the tube with the smoke of brown paper. On clapijing the books
together no trace of this smoke is ejected from the other end. The
pulse has passed through both smoke and air without carrying either ot
them along with it.*
** It is perfectly evident to any sensible person that the candle
is blown out by a puff of air, just as it is perfectly evident that^
* To converge the puls« upon the flame, ibc tube was caused to end in a conc^
WHISPERINGS OF AN OLD TINE
I8S
when sound goes through a stone wall it does not make the
wall bend in and out, but is carried through the interstices of
the wall by some force sufficiently powerful to accomplish this
result* Thus, a stream will find its way through impediments.
With the stream the force operating is gravity; with sound,
unquestionably, some force similar to electricity. Sound
spreads through different bodies because of its tenuity. The
connection is doubtless interfered with or partly broken in
passing abruptly from one medium to another, but sound is
able to go through nearly all mediums and therefore it is cer-
tain that it Is of extreme tenuity.
** There arc several things to be proven by this tube, but
none of them are favorable to this theory of sound. Ellen had
a tube made, and tried this experiment.
**To demonstrate that it was a puff of air that blew out the
candle, Ellen first clapped the books with their sides or covers
towards the larger end of the tube. In this case the sound
would be the same, but the puff of air made would be driven at
right angles to the tube. Of course the candle did not duck.
Then Ellen tried the smoke, but had it blown m at the small
end of the tube near the candle instead of at the flange end,
fifteen feet away. Clapping books again, as at first» the
smoke was driven two Icct from the lower end. Mr, Tyn-
dall had illustrated the fact that you cotdd not drive smoke
through a tube fifteen feet long, with one clap of books. Ellen
found that you could do it with a sufficient number of claps,
Ellen then tried the experiment with a fan and with the breath.
In neither case was there any sound, but the candle was
instantly affected as before.
:*^ ELLEN ^'R THE
•' Aryi :: proves that a puff of air. which it would take a fan
%veral seconds to drive in usconfined air, may be con-
ducted through such a rube in an indistinguishable part of a
«econd. Theso experiments are similar, excepting the tube.
In each ft is the same lan. operated :n the same manner, and
affecting^ the same or similar air. But in one case the action of
the tube is added and the ver^- dinerent results are entirely
due to this. It illustrates completely and accurately the
differences which must take place between a pulse in a
tube and a pulse in unconnned air. The operation of the
smoke put in at the larger end shows that, as in a longer and
smaller tube when a tight-fitting piston is pushed in, each
successive layer ot air is shoved through the tube, and in suc-
cession comes out at the small end : the farthest layer from the
cau'^e of disturbance, that is the one nearest the candle, going
out first and causing the candle to duck. For it is impossible to
have air. that is. the particles of air. move to any extent against
a candle without causing it to duck. And on the other hand,
sounds do not thus affect a candle unless the normal
vibration (4 its flame is the same as that of the body
soundin;^^ In that case a Aame will be affected just as
a pane of j^lass will vibrate to a clap of thunder, having the
same normal vibration as itself; or the chords of a piano to
a sound of the >ame pitch as themselves. Thus, too, one tun-
ing fork will be set in vibration by the sounding of another of
the same pitch, it is said, at a distance of I GO feet. The assump-
tion of the scientists is that these sympathetic vibrations take
place because of air waves, particles of air, in succession hit-
ting the pane of glass, or tuning fork, or piano string. The
WHISPERINGS OF AN OLD PINE 1 8/
assumption, too, is that air waves, whose existence is imper-
ceptible to the most sensitive conditions, will do this. The
tremor of the earth caused by a single flake of snow, falling
upon the top of Mont Blanc, could every whit as easily accom-
plish the result with every piano on earth, as could the hypo*
thetical air waves with one piano, and, indeed, much more
probably, because the snow flake on Mont Blanc is something
real, whilst the air wave is entirely visionary.
**It is very evident that these results come from some appro-
priate and extraordinary force which vibration, or contact, the
cause of vibration, has introduced. The rubbing of certain
bodies will produce electricity. Very possibly electricity, or
a substance similar to electricity enters into the production of
sound.
"We can easily imagine that a force, or substance, like elec-
tricity might be able, by unknown laws, to get inside of a
piano and make a wire vibrate, but we may be perfectly
sure that no inadequate cause, as the movement of air par-
ticles in the room outside or anywhere else, could accomplish
this.
1 88 ELLEN OR THE
XII.
^^f^OI^ some time it has seemed to Ellen that electrical
A conditions enter into sound, and she has recently
come across the following evidence :
"In a letter of M. Oersted, Professor of Philosophy at
Copenhagen, to Professor Pictcd of Geneva, upon Sonorous
Vibrations, published in the 'Philosophical Magazine' in 1806,
vol. 24, is the following :
*One would suppose that the change produced in elastic bodies, by
the communication of motion, could scarcely be limited to the simple
mechanical displacement of the part, but that in this modification it
ought to have some other more intimate action. Every kind of friction
produces not only heat, but electricity also. De la Place, and Biot,
have already attracted the attention of philosophers to the first of these
phenomena ; I am of the opinion that the latter of them requires much
more attention. I always found in my experiments that sand, or dust,
adheres much more to those parts to which the movement of the sonor-
ous bodies had fixed it, than it did to other parts. I have often thrown
fresh sand over a plate of glass, upon which I had already produced a
figure. I shook it gently after having reversed it, and I always
remarked that the sand which formed the figure remained adhering,
while the other part detached itself. The adherence of the grains finer
than those of sand is very remarkable. I also discovered, with the
assistance of Coulomb's eloctrometer, indications of electricity in those
plates which had emitted a sound; but I have not repeated these
experiments sufficiently to enable me to detail them. I discovered on
the above occasion, that the edges and angles of bodies act upon Cou-
WHISPERINGS OF AN OLD IMNE
189
lomb*s electrometer almost always; and I propose to myself a new
course of experiments upon this subject. The celebrated Ritter, to
whom I had communicated my experiments upon the part which elec-
tricity acts in the phenomejia of sound, had long ago discovered that
the electrical pile of Volta is capable of producing sotmd, when a shock
is received from it in the ears. In a work about to appear under the
title of ** A System of Electrical Bodies," this great philosopher makes
it clear that a body acquires positive electricity by compression, and
negative by dilatation. 1 bus we may say, that there are in each sound
as many aJternalives of electricity, positive and negative, as there are
oscillations ] but the union of two electricities produce a commotion :
thus there are in one sound as many extremely weak electrical commo-
tions as there are oscillations. Each of these insulated commotions
would be absolutely insensible ; but when received in a very great num-
ber, in a period too small to distinguish the one from the other, they
always produce a sensible effect, especially since positive electricity
renders the organ more sensible for the negative than it was before, and
tw versa. The sensible effect of the union of all these insensible
commotions is sound. I confess that these ideas of M, Ritter appear
contradictory to all the received opinions on the organ of hearing j but
it must also be confessed that our knowledge of all the organs of sense
is as yet imperfect, I am of opinion, however, that the theory of M.
Ritter agrees perfectly well with the ancient hypotheses. As for ray
own experiments, they may be easily repeated by any person, and some
one perhaps may discover more than I have here described.'
••Dr. Hans Christian Oersted was eminent as a physicist and
especially recognized as authority in electricity. The Cham-
bers* Encyclopaedia thus speaks of him :
"In tSir Mr, Oersted wrote his famous essay on the identity of
chemical and electrical forces, in which he first developed the ideas on
190 ELLEN OR THE
which were based his great discovery of the intimate connection exist-
ing between magnetism and electricity and galvanism. He thus made
good his claim to be regarded as the originator of the new science of
electro-magnetism. The enunciation of this theory was followed by
many important experiments in regard to the compression of water,
and by numerous other chemical discoveries. The influence which
Dr. Oersted exerted on the science of the day by his discoveries, was
recognized by the learned in every country, and honors increased upon
him with increasing years.'
**The following statement, suggestive of a similarity between
sound and electricity, Ellen saw in the 'London, Edinburgh
and Dublin Philosophical Magazine,* vol. 4, though she did
not sec the articles referred to :
* The investigations of Helmholtz on the divergence of sound from
the open end of a cylindrical tube (Crelle, i860), broke ground for the
first time in the knowledge of the manner in which sound actually
passes over from the inside of a tube into the surrounding air. The
work was based on the modern potential analysis ; and some of the
chief difficulties in it were overcome by giving to the various expres-
sions the meaning they would have had in the theory of electricity, and
employing the results that belong specially to that theor}\
* Lord Rayleigh treated important portions of the same subject in a
paper in the " Philosophical Transactions," 187 1 (Mr. Strutt " On Reso-
nance *') . The analysis is much simplified, but it is essentially the same
in principle as Helmholtz's. The reference to electrical analogies is
used freely.'
*' There is a marked similarity between the laws governmg
the conduction of electricity and sound through solids in the
form of wires or rods. Thus * Electricity in the Service of
Man* says:
WHlSrERlNGS OF AN OLD I INP
19!
* The laws of the resistance of coatluctors may therefore Vie collected
jiB follows :
* t . The resistance of a cantiueting wire is proporti&nai to its length.
* 2. Tke resistance of a conducting wire is inversely proportional to
ihe area of its cross section.
* J. The resistance of a conducting wire of a given length ami Miick-
ness depends upon ihe specific resistance of the material of which it
is made**
"Also in rei^ard to sound, the * LundoHp Edinburgh and
Dublin Philosophical Magazine/ voL 27, page 548. says:
'The intensity of sound remains constant when one roil (conducting
it) is replaced by another of the same material but the dimensions of
which vary in the same proportion. By varying the length alone the
intensity is changetl ; in like manner it is changed also by varyinji? the
?5ection while the length is constant. (The test was made with a
tuning fork.)*
*• Wc have seen that Newton expounded in its present form
this theory of sound, a thing that could not possibly, as Ellen
thinks, have occurred had there then existed the knowl-
edge of electricity which we have to-day. We have seen
that light and sound are largely governed by the same
laws. Hut this is not more certain than that electricity, heat,
and light arc all kindred substances. At the time of Newton
electricity was just beginning to be examined ^ and was known
only in its frictional form. Newton lived 1643— 1727; Franklin
began his first experiments in electricity about 1740, but
Galvani did not discover galvanic electricity until 1790, nor
Volta the voltaic pile until 1800. In 1820 Oersted discovered
192 ELLEN OR THE
the action of the galvanic current in the magnetic needle.
Arago in 1820 and Davy in 1821 discovered the power of the
electric current to magnetize iron and steel. Sebeck discovered
thermo-electricity in 1822, and in 1831 Faraday discovered
induced currents of electricity. Since these dates have fol-
lowed the great practical discoveries which to-day make elec-
tricity the most remarkable of known forces.
"And yet, although all these greater discoveries on elec-
tricity were made since Newton's time, he perceived the close
connection between electrical conditions and those of sound, as
is illustrated by the statement found in ' Hutton's Mathematical
Dictionary,' in the article on * Electricity,' as follows :
* Newton ascribes the action of electric bodies to an elastic fluid
which easily penetrates glass, and the emission of it to the vibratory
motions of the parts of the excited bodies.*
"It will be seen here that Newton ascribes the emission of
electricity to exactly the same conditions that cause the emis-
sion of sounds.
" Ellen will now resume her review of Mr. Tyndall's book:
'The celebrated French philosopher. Blot, observed the transmission
of sound through the empty water-pipes of Paris, and found that he
could hold a conversation in a low voice through an iron tube 3, 120 feet
in length. The lowest possible whisper, indeed, could be heard at this
distance, while the firing of a pistol into one end of the tube quenched
a lighted candle at the other.'
•'Here aj^ain vvc have a suggestion, though not a statement*
for ignorance is often cowardly, that sound has to do with
quenching a lighted candle. And it appears that M. Biot,
: ;■:■,'■ >■
:-,AKY
WlIISPERtNGS OF AN OLD riXi:
quite a noted scientist, fell into this delusion. Regnault,
another French scientist and noted experimenterp was also thus
misled.
•*The distance that a whisper is heard in a tube, as noted by
M. Biot, ilhistrates that in a tube sound is not dissipated. In
this it acts as any material thing would, confined by a tube.
"And it must have a certain and fixed consistency, else
It could not be the correlative of the sensation. And this
consistency must be of a kind that can be reflected, else we
couJd not have echoes, for that which makes the echo is the
correlative of that which makes the sound. For under
favorable conditions the echo is almost a perfect duplicate
of the sound. But waves of water — or, if it was possible
for them to exist, of air — du not have any such con-
sistency, and they cannot be reflected with form unchanged,
any more than a quart of water could be reflected with its
form unchanged. And this because v\ the mobility of the
air. that remarkable quality in fluids which permits their par-
ticles to slip by each other with such great facility and
tlius distinguishes them from solids. Under the laws of nature
the thing is impossible. Neither could any system of waves
Hnth their arrangement of particles unchanged be gathered in
a megaphone* And therefore it is certain that sound, or the
correlative of it, cannot consist of waves in any form, but
must be an entity capable of being both reflected and
gathered,
**Mr. Airy» at one time Astronomer Royal of England, says
in the * London, Edinburgh and Dublin Philosophical Maga-
zinc/ vol. 33, page 404 :
■^- -^
10 ELLEN OR THE
' 1 have never been able to observe the smallest trace of reflected
wave from a surf, although at the same time I am utterly unable to
account for the disposal of the vis viva,
* A broken-headed sea is not reflected by a vertical pier. When a
broken-headed sea strikes a pier perpendicularly, it is thrown upwards ;
when it strikes obliquely, it is partly thrown upwards and partly it runs
horizontally along the face of the pier. In neither case is there any
reflection of the broken head, or any creation of a broken wave travel-
ling in the opposite direction, although the swell is reflected according
to the usually understood laws.*
** This shows how scientists have been confused in regard to
the reflection of water. Broken-headed seas are caused by the
force of the wind, and cannot be reflected as such when striking
a perpendicular pier ; but a swell is under the action of gravity,
both when striking the pier and when leaving it, and therefore
is reflected with reverse form."
'*But a pulse in a tube is reflected, is it not, Ellen?"
" h>om the further end of the tube, if closed, it is by necessity
reflected because it cannot spread. That is, the matter form-
ing it is reflected in the form of another pulse, but of necessity
also with particles very differently situated. And since the
character and quality of the sound depend upon the arrange-
ment of whatever it is that makes sound, this arrangement can
not be in the slightest degree injured without affecting the
sound, nor much altered without destroying it. This fact is a
constant and fatal objection to the theory, but is emphasized in
this case of reflection, where, by the theory, an echo of the
original sound becomes impossible.
WHISPERINGS OF AN OLD PINE
197
"That the sensation o( sound must depend upon the correla-
tive without, is beginning to be recognized by scientists. Thus
Mr, Ganot says :
*The tint If fr or sUimp or quaiiiy is that peculiar property of note
which distinj^iishes a note when sounded on one instrument from the
I ig. 10. <
State note when sounded on another, and which by some is called the
cohr. Thus when the C of the treble stave is sounded on a violin and
on a flute, the two notes will have the same pitch ; that is, they are
Iiroduced by the same number of vibrations per second, and they may
have the same intensity, and yet the two notes will have ver>' distinct
qualities; that is, their timbre is different.
* l£ we were to represent graphically a compound note, we should
proceed to constnicl a curve out of simple notes of different intensities
P rig. u.
in the same manner as fig. 1 1 is constructed from two simple notes of
equal intensity represented by fig. 10. It is evident that the resulting
curve will take different /tyrms according to the presence or absence
of different harmonics and to their different intensities; in other
words, the quality or timbre of the notes produced by different
instruments will depend upon i\it form of the cune representing vibra-
tions producing the sound/
** Deschanel says ;
198 ELLEN OR THE
'Musical sounds may, however, be alike as regards pitch and loud-
ness, and may yet be easily distinguishable. We speak of the quality
of a singer's voice, and the tone of a musical instrument ; and we char-
acterize the one or the other as rich, sweet, or mellow, on the one
hand ; or as poor, harsh, nasal, etc., on the other. These epithets are
descriptive of what musicians call timbre — a French word literally sig-
nifying stamp, German writers on acoustics denote the same quality
by a term signifying sound tint. It might equally well be called sound
flavor. We adopt character as the best English designation.
* Physically considered, as wave length and wave amplitude fall under
the two previous heads, character must depend upon the only remain-
ing point in which aerial waves can diflPer — namely their form^ mean-
ing by this term the law according to which the velocities and densities
change from point to point of a wave. Every musical sound is more or
less mingled with non-musical noises, such as puffing, scraping, t\%'ang-
ing, hissing, rattling, etc. These are not comprehended under timbre
or character in the usage of the best writers on acoustics. The grada-
tions of loudness which characterize the commencement, progress, and
cessation of a note, and upon which musical effect often greatly
depends, are likewise excluded from this designation. In distinguish-
ing the sounds of different musical instruments, we are often guided as
much by these gradations and extraneous accompaniments as by the
character of the musical tones themselves.
* Character or timbre^ which we have already defined, must of neces-
sity depend on the form of the vibration of the aerial particles by
which sound is transmitted, the word form being used in the meta-
phorical sense there explained, for in the literal sense the form is always
a straight line.'
'*Prof. Pietro Blaserna in his 'Theory of Sound' says:
WHISPERINGS OF AX OLD I'lNE
199
r
*The third characteristic difference of musical sounds is their quaiity
or Hmbre, Suppose that the same note is sung by different human
voices, and played on the pianoforte, violin, flute, etc., it does not
tequjre a delicate musical ear to recognize that these notes, although of
the same loudness and pitch, are nevertheless dilTerent from each
other* Our ear goes e\'en farther in this direction, and not only dis-
tinguishes betift'cen violin and flute, but even between one violin and
another by a diHerent maker. The difference is very marked, and
makes itself felt in a most remarkable manner in the price of the instni-
ment« Thus, for example, whilst an ordinary violin costs a few pounds,
many hundreds are paid for a good Stradivaruis or N. Amati, Tlie
same may be said of all musical instruinents, although the difference of
price is not so great for most of them, as the modern manufacturers
arc in a position to furnish them in any desired number; whilst violins
increase in excellence and value with their age,
'The difference of timbre is therefore very important, and very char-
acteristic. In the human voice, which constitutes the most agreeable
and richest monotone musical instrument, the variety is jmmense.
There are scarcely any t^o individuals who have exactly the same
timbre of voice. Timbre and inflection are the safest means we have
of recognizing a person,
*But the loudness of a note depends on the width, height, and
length of the oscillations producing it. It may then be asked, in what
two oscillations, of the same width and length, can differ so as to pro-
duce so marked a difference as that of timbre,
* There are two methods of procedure possible in the study of differ-
ent forms of oscillation, and of the causes that influence timbre. The
cuivc of the oscillations may be traced graphically, and the differences
between them may be examined thus, or the sounds produced by dif-
ferent instruments may be analyzed in order to see if, besides the
principal note that is heard, there are not other concomitant sounds or
2CX)
ELLEN OR THE
noises which alter the timbre of the simple note, and impress a special
character on it. The question will be studied in this treatise by both
methods, and they will be illustrated by the most important examples
in each. As to the form of vibrations, it will be shown that account
must be taken not only of the width and length of the oscillations, Init
also of the special form of the curve which represents them, llius, for
Fig. 12.
example, the curves i, 2, 3, in fig. 12, have all three the same width
iiby and the same length AB ; but the form is different for each one of
them, and it is precisely on this special form that that which is called
timbre depends.'
" The ordinatcs of these curves are assumed to represent the
velocities of the air particles in the different systems of waves.
Ellen would like to know whether the particles in fig. 11 and
in 2 or 3 of fig. 12 are supposed to move according to Mr.
WHISPERINGS OF AX OLD PINE
20I
ton's proposition, like a cycloidal penduluni; that is,
whether these represent the harmonic curve of sines?
** Another fatal objection to the theory is that it teaches
that sound goei* at tlie same speed in a tube and out
of a tube. But if it was a matter of vis viva the velocity
would vary. For there is the same dt^nsity of air in a tube
as out of a lube, but out of a tube the mass is infinitely
greater, and therefore if the velocity remained the same the vis
vivn would be infinitely greater, and hence would be infinitely
great: which is infinitely absurd. It follows, too, that
^ound, if due to vis viva, must diminish in speed from
beginning to end, which it does not do. Ellen is accept-
ing here what the scientists say about vis viva — that it is
half the mass into the square of the velocity. When a
piston is pushed, or gas is exploded in a tube, the pulse
formed will be confined, and therefore go a much longer
distance and much faster than in unconfined air. But sound
does not go faster. And therefore it is certain that sound is
something very different from a pulse of air.
*'Thc old I'inc must remember m all these discussions that
air and all gases are composed of little bodies which have both
weight and extension ; for we can confine these bodies in many
different vessels precisely as we would sand or wahiuts; and
they cannot escape. But air is not sound any more than
pumpkins or mountains are sound; though sound may
throw it into vibration. If the old Pine wants a piano to
furnish his house wifli, he must go to a piano manufactory
for it, where the machinery exists for making it, or at
least he must get it somewhere where, in some manner, it
202 ELLEN OR THE
was procured from such factory. For no other factory in all
the universe can make a piano. And so with sound. It is all
made, every particle of it, by sound factories, and these are
elastic bodies. Ellen knows that the factories which make
sound are very numerous, much more so than those which
make pianos. Still they are factories, and the sounds, if
ever finished, must be finished in them, just as butternuts,
or turnips, or anything else which nature makes, are finished
in the factories that make them. That is the way that
things are made; and the old Pine will have to get all his
supplies ultimately from these sources, for there are no
other. Nor can different things be remade or altered to advan-
tage ; certainly not sounds, any more than soap bubbles could
be after they had been launched, though pianos or turnips
might be returned to the factories and repaired or made larger.
"And thus sounds are turned out, and there are millions of
them, and always they flow off as fast as they are made. That
is what they arc made for. And they go up as well as down,
and go in all directions if unconfined, but act very differ-
ently confined in a tube, or directed by a megaphone or
speaking trumpet. In these cases they go straight ahead.
There are just so many sounds, every one of them complete and
all alike, when made by the same vibration. With air not con-
fined in a tube they divide up and go everywhere, but with it
confined they keep together and strengthen each other. For
it is evident that the results of hearing come from an accumu-
lation of sound ; just as thirst is quenAed not by a drop of
water but by many drops, and hunger satisfied not by a single
morsel but by a full meal. And Ellen thinks that this law is
WHISPERINGS OF AN* OLD PINE :
universal in nature. We see not by a single particle of light, but
by many of them. We exercise not by one step, but by many
steps. We enjoy scenery not by one glance, but by many
glances. Wc realize smell not from the effect of a single pr,r-
ticle of odor, but as a result of many of these. And so we
hear not from the effect of a single sound, but because of many
of them. Perhaps the old Pine would have arranged all this
better if he had created things?**
•*No/' I said, 'Hhe old Pine is entirely satisfied with the way
things are made, nor does he see how they could be improved."
**\Velli that's the way they are made/* she said. "There is
a wide limit of difference in the intensity or quantity of things.
That sound is no exception can be most simply and fully
demonstrated by the megaphone. For the megaphone collects
the sound floating in an extended surface of air, and thus col-
lected brings it to the ear as a funnel conducts a fluid, or a
hopper grain. Always the result is to increase the intensity of
a sound, and frequently wc are able thus to hear distinctly
sounds which without the megaphone we could not hear at
alL The megaphone will gather odor equally with sound,
which alone demonstrates both to be entitities; and Ellen saw
another very interesting itlustration of this principle as follows:
•llie widespread sail of a shij», rendered concave by a gentle breeze,
is a good collector of sound. ** It happened/' says Dr. Arnoti, "once
on board a ship sailing along the coast of Brazil, far out of sight of
hndp that the persons walking on deck, when passing a particular spot,
alwa)*s heard very distinctly the sound of bells, varying as in human
Ttjoicings. All on board came to listen and were convinced ; but the
phenomenon was most mysterious. Months afterwards it was a^Kier-
^mM^
204 ELLEN OR THE
tuned, tiuLt, at the tiine of obfiervatiocu the bdLs o£ the city c^ St. Sal-
vador, oa the Brazilian coast, had been ringing on the occaaoo of a
festival ; their soand, therefore, favored by a gentle wind, had traveled
perhaps loo miles by smooth water, and had been l^roa^t to a focus
by the sail on the particular spot where it was Ustened to. It appear^
from this that a machine might be constimted having the same relatioiS'
to sound that a telescope has to sighL" '
"The human ear in its flaring shape and Iab3rrinthal pas —
sages, is evidently intended for the gathering and reflection of^
sound. And thus all animals Ii\'ing in air, where the passage
of sound is comparatively weak, have similar organs, which
gather and convey the sounds to the auditory nerve ; but in
v^-ater, where sounds have more strength, they reach the
auditor\- ner\'e of fishes through the bones of the head.
**And therefore sound may be scattered ever>-\vhere and
yet audible nowhere: but if kept together we can hear it
readily. This is the reason that sound is heard so far in a tube,
and in the ec*:'n'.">my of nature there is no other possible explan-
ation : n» » other that d'-esn't lead to absurdities.
••Another peculiarity of sound is mentioned by Francis
Bacon, who says :
'It i- evi'ient, and it is one of the strangest secrets in sounds, that
the whole S'ound i-^ not in the whole air only ; but the whole sound 'is
also in ever\- part c: the air. So that all the curious diversity of
articulate sounds oi the voice of man or birds will enter at a small
crannv unconfused.'
WHiSI'EklNGS OF AN ULU I'INE
20;
XIU.
^MT is» then, certain that sounds are entities; that they are
^ microscopicaL and that the mills which make them turn
them out in great quantity exactly alike, just asscrewsj or pins,
or bullets are made — all exactly alike. For it is no more
remarkable that sound should be created in great quantities and
spread than that mist should.
'* But what is the cause o( sound, and in what does its motion
consist?*'
**Tlie immediate cause is shock, which produces sound,
and this sound radiates in all directions, thrown off by the
vibrating body. In addition the vibrating body strikes what-
ever is in its way, pushing it out of the way if light, and being
itselJ stopped in its vibration \i encountering a heavy body*
Hut in no case can it make any body move faster than it moves
itself. If anything struck by a vibrating body docs move faster
than this agitating body, it is because some new force is
brought into action. Thus a tuning fork might hit some light
body near enough to a stream to throw it in, when it might be
carried away by the ctirrent, or it might throw some light
body off a precipice and into the unopposed stream of
gravitation » but particles of air hit by it are not urged on in
their course any faster than the prong of the fork is mov*
ing, which is at the rate of but a few feet a second. Thus.
a 4 vibrating prong hits water it will throw the drops
a few inches in the direction of its movement, and with a little
liiii.
208 ELLEN OR THE
less speed than it moves itself. The particles of air it will push
in similar manner, as can be observed by the use of smoke.
" And this, and this only, takes place from the effect of a
blow by the prong of the tuning fork. The assertion that any
different result takes place is but an hypothesis, unproven and
untrue.
"Thus, in churning, the dasher hits the air or anything else
in its path, and drives it out of the way ; but this air or any-
thing else thus driven away is not butter — no more is it sound
when a vibrating body hits it. There is not a phenomenon in
nature which is not attended by some incidental results. The
connection of things is such that it would be impossible for this
to be otherwise.*'
"It is quite a relief," I said, "to find out that the absurd and
impossible hasn't occurred. That is, that a thing moving seven
feet a second hasn't, by hitting something else, started it oflf
at a pace of 1090 feet. Of course every sensible person knows
all the time that this doesn't happen, as he knows that a great
many other things do not happen which occasionally some of
the most eminent scientists say do. All these instances but
illustrate the habit so prevalent, indeed universal with scientists,
of knowing so many things that are not so. And yet it is
a relief to hear an intelligent exposure of all such nonsense."
"Yes," she said, "it is always a relief to have a thing
explained so we can understand it. And Ellen never could see
what scientists and instructors make books for, to be used as
text books upon a subject, without explaining that subject,
at least in part. It seems to Ellen just as if they had mistaken
their vocation.
i
winsi ilRings ok .vn old pfN?:
'*^^^. Tvndall continues:
-09
* The village of Erith was some miles distint from the magazine, but
in nearly all cases the windows were shattered ; and it was noticeable
that the windows turned away from the origin of the explosion suffered
almost as much as those which faced it. Lead sashes were employed
in Erith Church, and these, being in some degree flexible, enabled the
windows to yield to pressure without much fracture of the glass. As
the sound wave reached the church it separated right and left, and, for
a moment, the edifice was clasped by a girdle of intensely compressed
air, every window in the church, front and back, being bent inward.
After compression, the air within the church no doubt dilated, tending
to restore the windows to their first condition. The bending in of the
windows, however, produced but a small condensation of the whole
mass of air within the church; the recoil was therefore feeble in com-
parison with the pressure, and insufficient to undo what the hitter had
accomplished.*
**Hcre is another case of the most ridiculous mingling of
a pulse of air caused by expanding gas, or the expanding gas
itself, with what Mr Tyndall calls a sound wave. Beyond all
possibte question, the windows were broken by the same
force, or forces, that destroyed the magazine. As with the
tube where the candle was blown out, Mr. Tyndall confused
puffs of air with sound, so here he confuses exploding gas
with sound. It is not very strange that he should » for by
his theory this pulse is the sound wave. And, indeed, right
here the extreme folly and utter impossibility of this hypo-
thetical sound wave is demonstrated* If there is such a thing,
the pulse in a tube, or the movement of unconfined air from
whatever cause, is it. But such pulse and such movement
m^M^
2IO ELEEN OR THE ^
occur as well without sound as with. And th6 sound alone is
not sufficient to produce it. Therefore it is certain that sound
is something entirely different from a pulse of air, though often
accompanying it; as much so as a body floating in, or carried
by, water, is different from the water that carries it.
"Mr. Tyndall, on page 52, begins his discussion of the
velocity of sound as follows :
*Two conditions determine the velocity of propagation of a sonorous
wave ; namely, the elasticity and the density of the medium through
which the wave passes. The elasticity of air is measured by the pres-
sure which it sustains or can hold in equilibrium. At the sea level this
pressure is equal to that of a stratum of mercury about thirty inches
high. At the summit of Mont Blanc the barometric column is not
much more than half this height ; and, consequently, the elasticity of
the air upon the summit of the mountain is not much more than half
what it is at the sea-level.
' * If we could augment the elasticity of air, without at the same time
augmenting its density, we should augment the velocity of sound. Or,
if allowing the elasticity to remain constant we could diminish the
density, we should augment the velocity.
*»»**♦♦♦
*The velocity of sound in air, at the freezing temperature^ is 1,090
feet a second.
* At all lower temperatures the velocity is less than this, and at all
higher temperatures it is greater.
•With the same elasticity the density of hydrogen gas is much less
than that of air, and the consequence is that the velocity of sound in
hydrogen far exceeds its velocity in air. The reverse holds good for
heavy carbonic-acid gas. If density and elasticity vary in the same
proportion, as the law of Boyle and Mariotte proves them to do in air
WHISPERINGS OF AN OLD PINE
211
temperature is presened constant, they neutralize each
other's effects ; hencCi if the temperature was the same, the velocity of
Ittound uix>n the sumniits of the highest Alps would be the same as that
at the mouth of the Thames. But, inasmuch as the air above is colder
than that below, the actual velocity on the summits of the mountains is
less than that at the sea-leveL To express this result in stricter
language, the \*elocity is dh-ecily proportional to the square root of the
[elasticity of the air; it is abo inversely proportional to the square root
of the density of the air. Consequently, as in air of a constant tem-
perature elasticity and density vary in the same proportion, and act
oppositely, the velocity of sound is not affected by a change of density,
I if unaccomi:ianied by a change of temperature.
*There is no mistake more common than to sui>tx)se the velocity of
[sound to be augmented by density. The mistake has arisen from a
Imisconception of the fact that in solids and liquids the velocity is
er than in gases. Dut it is the higher elasiicity of those bodies,
im relation h their density, that causes sound to pass rapidly 'through
them. Other things remaining the same, an augmentation of density
always produces a diminution of velocity. If the elasticity of water,
which is measured by its compressibility, was only equal to that of air, the
velocity of sound in water, instead of being more than quadni[>le the
velocity in air, would be only a small fraction of that velocity. lk)th
density and elasticity, then, must be always borne in mind ; the
velocity of sound being determined by neither taken separately, but by
the relation of the one to the other.
"There is here manifested a most monstrous ignorance of
the meaning of the word elasticity. This is what Ellen has
referred to. In any legitimate use of the word there is no
truth whatever in these statements.
•* All text books state that fluids are perfectly elastic. If a
.^1^
212 ELLEN OR THE
thing was perfectly round, it would be quite difficult for it to
be more round. Then water and air are equally elastic, both
being perfectly so. For the definition of elasticity is 'That
property which enables a body to resume its original form,
when the force which altered that form or volume ceases to act'
Water is much denser than air. Then by the formula that the
speed of sound equals the square root of the elasticity divided
by the square root of the density, sound should go much faster
in air than in water. But it goes about four times as fast in
water as in air. Take lead and air. Lead is much more dense
and not at all elastic. Then by the formula sound should
go much faster in air, but it does go much faster in lead.
And thus again is demonstrated the falsity of the theory'.
**It is often impossible in reading scientific works upon
this subject to tell whether the velocity of sound given for
different bodies, comes from experiment or theory. Often,
if not generally, it is from theory, and so the proof given
that a theory is true is derived from the theory itself.
That is, this theory of sound would require in some sub-
stance the speed of the so-called sound wave to be about
four times that in air, because such substance is about
onc-sixtccnth as dense with the same supposed elastic force.
Therefore the scientists or text books, assuming the theory' true,
assert, without experiment, that the speed in this medium is
four times as fast, and afterwards draw upon this statement to
prove the theory. The old Pine will see that in doing this
they have a sure thing, if they are not found out.
"And then again, where experiments are made, the result
is questionable until verified, especially if made by parties
WHISPERINGS OF AX OLD PINE
■13
cither unskilled or biased in favor of a theory. So far as Ellen
can learn, the only experiments which have been made to test
the speed of sound were in air, water, and iron. That in air
did not at all agree with the theory, and in iron the speed was
about two-thirds what the theory called for. In water, those
experimenting* supposed a compression which would make
the theoretical agree with the observed velocity. Thus in the
*Book on Sound and Vibrations,* by Mr. Airy, Ellen finds
(page 144) :
• Experiments made by some philosophers in the compressibility of
water, gave for the compression produced by the weight of one atmos-
phere 49.5 millionth part of the whole. From this, using formula sim-
ilar to those in Article 62, they inferred a theoretical velocity of 1,428
metres, agreeing well with that which was observed/
"Article 62 says:
•The theory of the transmission of vibrations through fluids is embar-
rassed with a complication from which that of transmission through
solids is free. The ordinary laws of equality of firessure in all direc*
tions apply, apparently, in the same manner to those sudden shocks
which are distributed by pulses similar to those of sound, as those
slower communications of motions which are transmitted by visible
waves. We have remarked, when in a barge on the sea at some
distance from the vertical of the spot where a large quantity of
gunpowder was fired at about 60 feet depth, that a sudden shock
was felt upwards at the bottom of the barge long before there was
the smallest sign of a common wave. Here the shock had been
communicated by molecular transmission in the same manner as
through an iron bar, but with this difference of dispersioDj that it
bad diverged through a solid angle/
214 ELLEX OR THE
"And here is illustrated most completely how sound has
nothing to do with waves, but in some way is conveyed through
the water, swiftly and without its perceptible disturbance, as
electricity is conveyed through bodies."
**But," I said, **as Ellen has suggested, doesn't the difficulty
referred to come from the use of the wrong word — that is, the
use of * elasticity' where * modulus of elasticity' is intended?"
** Ellen hardly sees that such change would assist much in
the explanation, but, as she has said, sound may be influenced
by the density and elastic force of bodies. Yet Ellen thinks it
has a speed of its own. Ellen does not think that sound
is electricity. Neither does she think that heat, light, mag-
netism, and electricity are all the same thing, any more than
she thinks that the different fluids which we are acquainted
with, like water, or sap, or milk, or cider, or molasses
are the same, or that the different gases, as oxygen, nitrogen,
hydrogen and others, are the same. She knows these are not
the same, that they are essentially different, and some of them
very different, but they are all fluids or gases and governed by
the different laws which govern fluids and gases, and in this
respect they are similar. And so Ellen's common sense tells
her it must be with those substances which are composed
of that form of matter which the great physicist, Mr. Faraday,
has suggested might properly be spoken of as a fourth
division of matter, under the name of radiant matter. With
the universality of nature's laws it would be impossible for
this to be otherwise. And so we know that there must be, as
we know that there arc. many different kinds of things made
from radiant matter, chief among which are electricity and
WHISPERINGS OF AX OLD PINE 21 5
magnetism, light, heat, and sound. And the first of all the
series, and one of the most beautiful and important, is sound.
"Nor can Ellen think of anything more foolish than to sup-
pose that all of these things are the results of the different
movements more or less rapid of the same material or sub-
stance. This is as utterly senseless as to suppose that water
is the basis of all fluids, with a certain motion making milk,
with another wine, with others molasses, cider, beer, ale, — all
the results of different motions or vibrations.
2l6 ELLEN OR THE
XIV.
^^OOUND cannot move in a so-called vacuum, but can move
^ in many different bodies. And as it is impossible for
air to enter many of these bodies, it is certain that air is not
essential to the transmission of sound, and that sound is com-
posed of something far more subtle than air. For air is easily
confined within many different vessels, but sound is not. Air
cannot enter solid bodies, but sound can, and passes more
readily through them than it does in fluids and gases. For
the action of this subtle substance, air or some other body is
necessary, just as the earth is necessary as a bed in order that
a stream may exist; or the air is necessary in order that a
bird may fly ; or, indeed, just as a medium is necessary for the
existence of many things. And thus as a matter of fact, so far
as we know, one medium always exists in another. Similar to
sound, electricity docs not readily pass through w-hat is called a
vacuum, but is conducted with greater or less facility through
many different bodies.
**It is stated in the 'Royal Transactions,' vol. 26, page 367,
that experiments by Hawksbee show that sound made by a bell
in space filled with air was not transmitted through a surround-
ing vacuum. Another experiment showed that sound was
conveyed by a tube from an inner space filled with air and con-
taining the sounding bell, through a surrounding vacuum to
the outside freely, but if this tube was stopped by the finger
PIT;!- 'i ■;.m,:y!
I ,
WHISPERINGS OF
219
sound would scarcely be heard. The same sound was not
prolonged more than in open ain It also appeared from Mn
Hawksbee's experiments that when the air was condensed in a
receiver the sound of a suspended bell was stronger than in
natural air, and its intensity increased with the degree oi con-
densation,
"Mr. J, F. Herschel» in his article on Sound in the 'Encyclo-
psedia Metropolitana/ refers to the fact that the intensity of
sound is diminished in rarefied air» but adds:
* The height, however, to which an atmosphere, or medium convey-
ing sound extends* far exceeds any attainable on mountains, by balloons,
or even by the lightest clouds. The great meteor of 1783 produced a
distinct rumbling sound, although its height above the earth's surface
was full 50 miles at the lime of its explosion (see Philosophical Trans-
actions, 1784). The sound produced by the explosion of the meteor
of 1719, at an elevation of at least 69 miles, was heard as ** the report
of a very great cannon or broadside/* shook the doors and windows of
houses and threw a looking glass out of its frame and broke it (Phil.
Trans,, vol. 30, page 97S), These heights are deduced by calculation
from observations too unequivocal, and agreeing too well with each
Other to allow of doubt. Scarcely less violent was the sound caused by
the bursting of the meteor of July 17, 177 1, near Paris; the height of
which, at the moment of explosion, is assigned by LeRoy at 20,598
toises, or abou t 25 mi les (Mem. Acad * Par., 1771, page 668). The
report of a meteor in 1756 threw down several chimneys at Aix in
Provence, and was taken for an eartliquake. These instances and
others which may be adduced are sufficient to show that sound can be
excited in, and conveyed by, air of an almost inconceivable tenuity
(lor such it must be at the heights here spoken of) provideil the
exciting cause be sufficiently powerful and extensive. It may however
220 ELLEN OR THE
be contended, and not without some probabiiity,-that at these enormous
heights sound may owe its propagation to some other medium more
rare and elastic than air, and extending beyond the limits of the atmos-
phere of air and vapor. * * The report of the meteor of 1783 was
heard at Windsor Castle ten minutes after its disappearance.*
**Thc above, if observations were correct, would tend to show
that sound takes place in an atmosphere of great rarity, and if
intense enough can be heard. It ateo suggests another resemb-
lance between sound and electricity, for the latter will pass
through a vacuum only when the current is very intense. But it
is certainly most doubtful whether any observations of the loca-
tion of the explosion of unexpected meteors, could be reliable.
**Mr. Tyndall next introduces one of the most extraordinary
fiascos of this theory, as follows : ,
*We now come to one of the most delicate points in the whole
theor)' of sound. T'he velocity through air has been determined by
direct experiment ; but knowing the elasticity and density of the air, it
is possible, without any experiment at all, to calculate the velocity with
which a sound wave is transmitted through it. Sir Isaac Newton made
this calculation, and found the velocity at the freezing temperature to
be 916 feet a second. This is about one-sixth less than actual obser-
tion had i)roved the velocity to be, and the most curious suppositions
were made to account for the discrepancy. Newton himself threw out
the conjecture that it was only in passing from particle to particle of
the air that sound required time for its transmission : that it moveii
instantaneously through the particles themselves. He then supposed
the line along which sound passes to be occupied by air particles for
one-sixth of its extent, and thus he sought to make good the missing
velocity. The very art and ingenuity of this assumption were sufficient
to throw doubt on it ; other theories were therefore advanced, but the
WHISPERINGS OF AN OLIJ PINE 221
great French mathematician, Laplace, was the first to completely solve
the enigma. I shall now endeavor to make you thoroughly acquainted
with his solution.*
"The statement above that Sir Isaac Newton found the
velocity of sound at the freezing temperature to be 916 feet a
second ts entirely a misleading one, and not true. For, as
Ellen has already explained, the whole calculation of Mr. New^-
ton was based upon an hypothesis that there were pulses in
air, in regard to which, the only essential point in the discus-
sion, Mr. Newton advanced no opinion whatever. And there-
tore the calculation of Mr. Newlon, although it has been used
to base the undulatory theory of sound upon, and is the only
basis that that theory has, is without practical interest. It is
impossible to make this statement too strong. As the basis of a
theory this whole calculation of Mr. Newton is absolutely
without significance* nor did Mr. Ntwton himself ever state
otherwise. It seems to Ellen that text books would do well to
take this into consideration.
**Why curious suppositions, as Mr. Tyndall states, were
made to account for the discrepancy between theory and
experiment in the speed of sound, docs not appear. The
natural explanation would be that the theory w^as false.
**Mr. TyndalTs reason for doubting Mr. Newton's explana-
tion shows the innate honesty of a scientist; but Chambers*
Encyclopaedia, not being so honest, says that the fact that
sound went in rarefied air at the same speed as in normal air,
disproved Mr. Newton*s theory. As a matter of fact Mr.
Ncw^ton's hypothesis for the discrepancy between the theo-
retical and experimental speed of sound, upon the supposition
222 ELLEN OR THE
that the hypothesis upon which he founded his proposition was
true, was a very proper one. For in a row of elastic balls
touching each other, the motion passes much quicker than
where there are spaces between the balls. We will now see
with what success Mr. Laplace takes Mr. Newton's place,
although the hypothesis upon which Mr. Newton*s proposition
was based, being still unproven, the explanation has no prac-
tical importance. Mr. Tyndall continues:
*Into this strong cylinder of glass, which is accurately bored
and quite smooth within, fits an air-tight' piston. By pushing
the piston down, I condense the air beneath it, heat being at the same
time developed. A scrap of amadou attached to the bottom of the
piston is ignited by the heat generated by compression. If a bit of
cotton wool dipped into bisulphide of carbon be attached to the piston,
when the latter is forced down, a flash of light, due to the ignition of
the bisulphide of carbon vapor, is observed within the tube. It is thus
proved that when air is compressed heat is generated. By another
experiment it may be shown that when air is rarefied cold is developed.
This brass box contains a quantity of condensed air. I open the cock,
and permit the air to discharge itself against a suitable thermometer;
the sinking of the instrument immediately declares the chilling of
the air.*
** Mr. Tyndall in stating that * it is thus proved that when
air is compressed, heat is generated,* left out the words *in a
tube.' He told the truth, but not the whole truth. He
assumes afterwards that very slightly condensed unconfined air
produces heat. There is no evidence that this is true. And
practically it is not true. For it is compression that produces
heat, but if a thing can glide out of the way of another, it is
WHISPERINGS OF AN OLD TINE
223
not much, if at all, compressed, Ellen can well imagine that
a scientist might suppose that air compressed in a tube would
act the same as though it was unconfincd. For this is the way
they are made up. They are unable to see a hole in a ladder.
Nor do they know that there are any holes in a skimmer, but
suppose it is tight like a quart cup. But Ellen knows very
^m well that the old Pine would not be deceived this way/'
^H **No/' I said, **thc old Pine can see that the two cases are
^H very different/'
^^P '* And Ellen is happy to admit that there is occasionally a
W scientist who distinguishes between what he knows and what
I he does not. Thus Rev. James Challis,for many years Pro-
^^^^Jcssor of Astronomy in Oxford University, England, and one
^^^^^f the ablest mathematicians of the century, suggested that
P
■ are
I .
' As an experiment only showed that ihe effect is to raise the temper-
ature when the developed heat acts on a very Umikif portion of air, we
are not justified in supposing the same effect to take place when the
air is unlimitetf, *
** But little differences of this kind are generally not considered
between scientists. For although the difference was as great as
the distance of the East from the West, the theory derived by
neglecting it, if accepted, would be every whit as good to teach,
and might pass muster for a hundred years or through the
lifetime of those most interested. It is so much more satis-
factory to teach something and get paid for it, than to say that
you do not know and get no pay. Both profit and vanity are
interested, and the ready excuse is always at handi if it is not
true it's the best we have. It is thus that many an hypothesis
224 ELLEN OR THE
has done good work for years, which had hardly a leg to
stand on. But at last all such have to be abandoned. Prob-
ably no two false ones have lived longer than the Ptolemaic
sytem of astronomy and this undulatory theory of sound.
And probably also there were never two important hypotheses
more completely at variance with true scientific and philo-
sophical principles. One of them has gone, and the other
totters to its grave.
**It is a fact that compression produces heat. If iron is
struck with a hammer, heat is produced. But experiment shows
that less and less is produced as the iron is more and more
compressed, and the statement is made that it will at last grow
cold under the hammer. And thus it seems to be proven
that it is the compression that brings out the heat, the
striking itself or the force exerted in pressing having
nothing whatever to do with the supply. The heat is, of
course, a substance contained in things,- and it would
appear to be the principal cause of their expansion. It is
pressed out from bodies, as water is pressed out of a sponge."
"But the present theory is that heat, too, is a mode of
motion ; that is, that it is caused and transmitted by the con-
stant movement of the molepules of bodies, is it not, Ellen?"
I asked.
"Yes," she said, *'this is a part of the delusion of the
scientists. For they have gone quite mad on modes of motion,
and, as Ellen has had occasion before to remark, do not
question the ability of a body to move in different and
contrary directions, or in many of them at the same
instant of time. Thus it is assumed that the particles of
*
WHISPERINGS OF AN OLD PINE 225
ether, itself a mere figment of the brainy by the difference ol
their movements cause both heat, light, and all the different
colors. That is, scientists suppose that heat, light, and all the
colors, not to mention electricity and magnetism, are caused
by the impossible movements of an imaginary fluid. But it is
also assumed that heat is produced by a similar movement of
the molecules of solid bodies, and that different temperatures
are caused by different rates of motion. And at the same
time that the particles of bodies are moving one way for
heatp It is assumed that they are moving other ways for sound,
and many different ways for many different sounds. And
thus, too. the ether, by the theory, must vibrate one way for
electricity, another way for light, another for heat, and a dozen
different ways, more or less, for colon And so the different
kinds of all these things, by undulatory theories, arc made by
different degrees or characters of motions. Thus Ganot says,
in speaking of heat:
'On the second hypothesis the heat of a t>ody is caused by an
extremely rapid oscillating or vibratory motion of its molecules ; and
the hottest bodies are those in which the vibrations have the greatest
velocity and the greatest amplitude. At any given time the whole of
the molecules of a body possess energy of motion, which is the heat
Oicy contain. To increase their temperature is to increase this energy ;
to lower their temperature is to decrease their energy. Hence, on this
view, heat is not a substance but a ^omiition nf matter^ and a condition
which can be transferred from one boily to another. When a heated
body is placed in contact with a cooler one, the former cedes more
molecular motion than it receives; but the loss of the former is the
^uivalent of the gain of the latter.
226
ELLEN OR THE
* 1 1 is also assumed that there is an imponderable elastic elher, wnicn
pervades all matter aiid infinite space, A hot body sets this in rapid
vibration, and the vibrations of this ether being communicated to mate-
lial objects set them m more rapid vibration ; that is, increase their
temperature. Here we have an analog}^ vtith sound; a sounding body
is ill a state of vibration, and its vibrations are transmitted by atmos-
pheric air to the auditory apparatus in which is produced the sensation
of sound*
• •#•••••
'Assuming that the heat of bodies is due to the motion of their par*
tides, we may admit the following explanation as to the nature of this
motion in the various forms of matter :
* III so/iifs the molecules of even the most rigid bodies have a kind of
vibratory motion about certain fixed positions. This motion is prob*
ably very complex ; the constituents of the molecule may oscillate
about earh other, besides the oscillation of the molecule as a whole ;
anil this latter again may be a to-and-fro motion, or it may be a rotary
motion alxiut the center. In cases in which externa! forces, such as
violent shocks, act iipoii the body, the molecules may acquire fresh
positions.
* In the liquid state the molecules have no fixed positions. They
can rotate about their centers of gravity, and the center of gravity itself
may move. But the motion due to collisions, compared with the
mutual attraction of the molecules, is not sufficient to separate the
molecules from each other, A molecule no longer adheres to particular
adjacent ones \ but it does not spontaneously Itave them except to
come into the same relation to fresh ones as to its previous adjacent
ones. Thus in a liquid there is a vibratory, rotatory, and progressive
motion of the molecules.
* In \\\^ gasemis state the molecules are entirely without the sphere of
their mutual attraction. They fly forward in straight lines according to
the ordinary laws of mo Hon, until they impinge against other molecules
WHISrERrXCS of an r>LD liiXE
227
or against a fixed envelope which they cannot penetrate, and then fiy
off in another direction, with, in the main, their original velocity. If
the molecules were in space, where no external force could act upon
them, they wotjld fly apart, and disappear in infinity* But if contained
in any vessel, the molecules continually impinge in all directions against
the sides, and thus arises the pressure which a gas exerts on its vessel.
' The perfection of the gaseous state, or what may be regarded as an
ideal gas, implies that the space actually occupied by the molecules of
the gas is infinitely small compared with the entire volume of the gas;
that the time occupied by the impact of a molecule either against
another molecule, or against the sides of the vessel, is infinitely small
in comparison with the interval between any two impacts; and that the
influence of molecular attraction is infinitely small. When these con*
ditions are not fulfilled the gas partakes more or less of the nature of a
liquid, and exhibits certain deviations from Boyle's law (183). This is
the case with all gases ; to a very slight extent with the less easily con-
densable gases, but to a far greater extent with vapors and the more
condensable gases, especially near their points of liquefaction. These
are now explained by the modification which Van der VVaals has intro-
duced into the equation for gases (185)/
**Thesc are the words of one of the ablest instructors in
physics, who wants to sell his book/*
••And does he not know these things that he states so posi-
tively, Ellen?" I asked.
*• He has not the slightest knowledge of them/' she answered.
"They are all hypotheses about things whicht in another por-
tion of his book, as Ellen has before nientioned, Mr. Ganot
says are completely unknown.''
"And this is what they call science?" I said.
"Yes/* she answered, *'this is what they call science, though
228 ELLEN OR THE
its true name is ignorance, and a very dense ignorance it is.
But there is also an element of fraud in it ; for it answers as a
basis for the pretense of superior knowledge. But Mr. Ganot,
it is true, qualifies by prefixing his statement with the para-
graph 'Assuming that the heat of bodies is due to the motion
of their particles,' etc."
"And is the ether composed of molecules or particles?" I
asked.
**It is composed of nothing," she said; "it being absolutely
and only a thing of the imagination. So that it has or may be
supposed to have as many different compositions as there arc
persons to imagine it. And hence it follows that everything
connected with the undulatory theories of light, heat, etc., that
is, those that are supposed to be formed from this imaginary
thing called ether, are without even a basis of existence other
than that of the imagination. And all of these imaginar>''
theories are based upon this impossible one of sound."
"Then," I said, "there is no truth in the mode of motion
theories?"
" None whatever," she answered. " They only represent,
at the most, what scientists think would be a good method
of creation, though it is perfectly evident that nature works
by a very different method, the substantial one of the combina-
tion of the different elements and substances in different
proportions. Ellen likes nature's way the best."
"But," I said, "Ellen, how can scientists suppose that
to occur which all our knowledge shows us never occurs, and
is impossible?"
"Because of their lack of good sense, for ignorance alone
1
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THE NEW YORK
PUBLrC LIBRARY
* OX AHB
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WHISPERINGS OF AN OLD PINE
231
'^does not explain it. Scientists are very prone to speak of the
^^doctrines of religion as superstitions, but the old Pine will see
^Hthat the superstitions of science are as dense as or denser than
^Mny that ever existed in religion; for superstition is but the
belief of something repugnant to reason^ and surely there
I could be nothing more repugnant than that a body is going
^ dozen different and contrary ways, more or less, or two
different and contrary ways at the same instant,
•* But a large if not a principal part of the enunciations of
JKii^ncc, together with the loads of mathematics with which they
are encumbered, are as utterly senseless* absurd* and impossible
as the old nursery rhyme,
• Hey diddle diddle,
I1ie cat's in the fiddle,
The cow jumped over the moon ;
The little dog laughed to see such a rraft,
And the dish ran away with the spoon/
always in nature the principle of limitation exists*
Kof is it difficult, if wc use good sense, to perceive the nature
>f this law. And thus wc know that it would be as possible
for the cow to jump over the moon, as for a body to be mov-
ing in two opposite directions at the same instant of time; or
^^ven for a thing to pass another in any different manner from
^"that which we see universally established in nature for such an
^^occurrence. For natural laws are not only fixed, but they
^Bire universal in their character. Nor is any law more certain
^nhan that by which things are created, either naturally or arti-
I ficially; for always this law is the same, and it would be as
sensible to suppose that by hitting a base ball it would become
■^ --^^
232
ELLEN OR THE
a pumpkin, as that by^ a mere change of movement in a body it
would become something else.
'* In unconfined air heat is not engendered by any ordinary
cause of condensation. This can be tested by the movement
of a fan or book or cloth indefinitely continued, which, of
course, condenses the air far more than does a tuning fork» or
fiddle string, or insect which, by rasping its leg against its wing,
makes a noise that may be heard for a long distance,— *<jr any
ordinary cause of sound. It is demonstrated, too, by the fact
that air condensed by wind is not thus perceptibly heated.
In all these cases the air is moved, but not compressed. But
it is not movement but compression that produces heat
**Mr, Tyndall continues:
* All that yoii have heard regarding the transmission of a sonorous
poise through air is, I trust, still fresh in your minds. As the pulse
advances it squeezes the particles of air together, and tw'O results follow
from this compression. Firsdy, its elasticity is augmented through the
mere augmentation of its density. Secondly, its elasticity is augmented
by the heat of compression. It was the change of elasticity which
resulted from a change of density that Newton took into account, and
he entirely overlooked the augmentation of elasticity due to the second
cause just mentioned. Over and above, then, the elasticity involved in
Newton's calculation, we have an additional elasticity clue to changes
of temperature produced by the sound wave itself. When both are
taken into account, the calculated and the observed velocities agree
perfectly.
*But here, without^ due caution, we may fall into the gravest error.
In fact, in dealing with Nature, the mind must be on the alert to smie
all her conditions ; otherwise we soon learn that our thoughts are not id
accordance with her facts. It is to be particularly noted that the
WHISPERINGS OF AN OLD PINE
augnienlation of velocity due to the changes of temperature produced
by the sonorous wave itself is totally different from the augmentation
arising from the heating of the general mass of the air. The average
temperature of ihe air is unchanged by the waves of sound. We can-
not have a condensed pulse without having a rarefied one associated
with it. But in the rarefaction, the temperature of the air is as much
lowered as it is raised in the condensation. Supposing, then, the
atmosphere parceled ott into such condensations and rarefactions^
with their respective temperatures, an extraneous sound passing through
such an atmosphere would be as much retarded in the latter as accel-
erated in the former, and no variation of the average velocity could
result from such a distribution of temperature,*
** Here we have another instance of scientific honesty ; a pre-
tence of saying something, when there is nothing to say. If the
augmentation of velocity referred to is different from the aug-
mentation that arises from heating the general mass of the air,
how is it accomplished? That the average temperature is un-
changed, supposing it to be true, doesn't explain this. The
proposition is that any condensation of air increases the heat
of the air enough to add about one-sixth to the theoretical
speed of sound. This resolves into this: first, that con-
densation of air causes heat; second, that heat is caused in the
condensations of hypothetical sound waves; third, that this
heat in some way increases the speed of sound so as to make
a theorj' agree with experiment, or by about 176 feet a
second. It is well known that increase of temperature in the
atmosphere causes increased speed in sound of about i.i feet
lor every degree F. But it is said that the supposed increase
referred to by Mr. Laplace does not come in this way. Then
how docs it come? Is it necessary for Ellen to tell scientists
234 ELLEN OR THE
that anything which is not susceptible of intelligent explanation
is not susceptible of intelligent use? If it is necessary for her
to say this, it is only because of the intolerable stupidity of
those she says it to.
"For always mind dominates. Mind creates mathematics,
not mathematics mind. Things are as they are made by mind,
and they are constructed upon mathematical principles
because mind perceives that these are the proper principles for
their construction. And nothing in all the immensity of this
universe ever takes place contrary to reason. And, as Ellen
thinks, nothing takes place in this material universe which
the reason of man is not able to comprehend. But, however
this may be, he has no right to make theory agree with
experiment by a mathematical operation, unless he can show
some reason for such operation. This is a self-evident
truth. And therefore if no reason can be given for the
use of this formula, there is no warrant for its use, nor
reason for Ellen to consider it. We might just as well add 176
feet to Mr. Newton's result, and then say that theory agrees
with experiment, as to perform any other mathematical opera-
tion, for which there is no reason.
" By this hypothesis of Laplace one-half of the air is con-
stantly overheated, and one-half underheated, and this couldn't
help being noticeable if it meant any perceptible amount of
difference of temperature, even though the two halves should
constantly interchange conditions. For the old Pine will
remember that some of the hypothetical sound waves are quite
long, that of the lower C 28 feet, or having 14 feet of condensa-
tion and 14 of rarefaction. And this increase of heat, which,
WHISPERINGS OF A\ OLD PINE
not in the orditiar>' way but in some inexplicable manner, is said
to add 1 76 feet per second to the speed of sound, must take
place with every sound, even the slightest. How much heat is
engendered when a tornado piles the air up in condensations
sufficient to snap like pipe-stems the strongest trees, or sweep
whole cities from existence, the scientists haven't yet reported.
It makes Ellen pretty sick to discuss seriously such intolerable
nonsense."
••Ellen is a good girl," I said, *'and she may be certain she
will ncvxT have t<j discuss it but once. But how does Mr.
Tyndall attempt to use this explanation of Laplace?"
** He thus continues/' she said:
'Whence, then, does the augmentation pointed out by Laplace arise?
1 would ask your best attention while I endeavor lo make this knotty
^* . f . f s' f f'
• •••##••• »,^?^*
i •?•#•••••• f f' J^' f
point clear to you. If air be compressed it becomes smaller in volume ;
if the pressure be diminished, the volume expands. The force which
resists compression, and which produces expansion, is the elastic force
of the air. Thus an external pressure squeezes the air i>articles
together ; their own elastic force holds them asunder, and the particles
are in equilibrium when these two forces are in equilibrium. Hence
it is that the external pressure is a measure of the elastic force. I^t
the middle row of dots, fif^, 13, represent a series of air particles in a
stale of quiescence betuveen the points a and x. Then, because of the
236 ELLEN OR THE
elastic force exerted between the particles, if any one of them be moved
from its position of rest, the motion will be transmitted through the
entire series. Supposing the particle a to be driven by the prong of a
tuning fork, or some other vibrating body, toward .r, so as to be caused
finally to occupy the position a in the lowest row of particles : at the
instant the excursion of a commences, its motion begins to be trans-
mitted to /'. In the next following moments b transmits the motion to
Cy c to dy d to Cy and so on. So that by the time a has reached the
position a' y the motion will have been propagated to some point o' of
the line of particles more or less distant from a\ The entire series of
particles between a' and o' is then in a state of condensation. The
distance a' o\ over which the motion has traveled during the excursion
of a to a, will depend upon the elastic force exerted between the
particles. Fix your attention on any two of the particles, say a and />.
The elastic force between them may be figured as a spiral spring, and
it is i)lain that the more flaccid this spring the more sluggish would be
the communication of the motion from a to b ; while the stifTer the
spring the more prompt would be the communication of the motion.
What is true of u and b is true for every other pair of particles between
a and o. Now the spring between every pair of these particles is sud-
denly stiffened by the heat developed along the line of condensation,
and hence the velocity of propagation is augmented by this heat.
Reverting to our old experiment with the row of boys, it is as if, by the
very act of i)ushing his neighbor, the muscular rigidity of each boy's
arm was increased, thug enabling him to deliver his jnish more promptly
than he would have done without this increase of rigidity. The con-
densed portion of a sonorous wave is propagated in the manner here
described, and it is plain that the velocity of propagation is augmented
by the heat developed in the condensation.'
" In the above attempted explanation of Mr. TyndalK these
points are noticeable: first, that the middle row of dots is
WHISPERINGS OF AN OLD PINE 237
supposed to represent a row of air particles in a state of
quiescence. But practically there are no air particles in a state
of quiescence, and under the kinetic theory of gases, which now
is believed and taught by all or nearly all scientists who accept
the undulatory theory of sound, it is assumed, as we have
before seen, that the air particles are all moving, the direction
and speed of their movements constantly varying, as they are
influenced by contact with each other or with anything else,
but that the average speed of each particle is about 1900 feet
per second. Particles understood to be in such conditions as
these, are now, to further the explanation of this theory, repre-
sented by Mr. Tyndall to be at rest. Ellen does not think that
further discussion of Mr. Tyndall's suppositions is necessary.
For they are infinitely stupid or infinitely dishonest, and in
either case not worth considering."
238 ELLEN OR THE
XV.
^^r^UT/' I said, "the old Pine is anxious to understand
•LJ better about this celebrated formula of Laplace, and
so hopes Ellen will continue with the explanation."
**Very well/' she said. '*The old Pine sees that Mr. Tyn-
dall's next sentence is that if any one of these particles be
moved from its position of rest, the motion will be trans-
mitted through the entire scries. With particles that, accord-
ing to the theory of these scientists, are always moving, and
moving in all conceivable directions, it is not only somewhat
difficult to see how they can be at rest, but it is also difficult to
see how any particular motion can be transmitted through a
scries in any particular direction. It is equally difficult to per-
ceive how these particles acting by the supposed laws that
govern them under the kinetic theory of gases can transmit
motion with any uniform degree of speed. But all of this is
included in the supposition of Mr. Tyndall. And he supposes
the entire series of particles, themselves moving in all direc-
tions, with an average speed of about 1900 feet per second, to
be placed in a state of condensation or rarefaction, for an
indefinite extent in all directions, from the center of disturbance
by the prongs of a tuning fork moving at a rate not to exceed
ten feet a second.
"The old Pine and Ellen know, and everybody on earth
*.\'ho knows anything about it knows, that the fork cannot
WHISPERINGS OF AN OLD PINE
affect the air to any appreciable extent beyond a few inches,
though this theory supposes it to form air waves extending a
long distance.
**Lct us examine once more the nature of these hypothetical
waves. Take the lower E of the tuning fork, whose condensa-
tions by the theory are 14 feet and rarefactions of equal length*
Possibly the tuning fork as it begins operations may move
*.^ of an inch. The air particles then In its way will be pushed
tliat distance^ which is the amplitude of the wave. These
are supposed to push other particles an equal distance, and
these again others, the iinal result being that precisely the
amplitude of the wave is added to the normal air of the
Hrst condensation and constitutes the amount of added
air, which, spread somewhat unequally over the fourteen
feet of condensation, makes the condensation. This same
amount, withdrawn from the next fourteen feet, is the cause
of rarefaction. And this is all the cause there is of cither
condensation or rarefaction. One-quarter inch thickness of
air at large estimate is distributed over fourteen feet. This
means a condensation of about r-672 and a rarefaction to the
same extent* But the old Pine must not forget that this con-
densed and rarefied condition would exist only directly in the
path of the tuning fork, a surface of about 5 inches by j^ inch,
under the supposition that it docs not spread laterally, tlic fact
and the requirements of the theory both being that it spreads
in all directions.
** But a surface of 5 inches by ^4 inch in width and a thick-
ness varying from }■{ inch at one end to nothing at the other
means about 5-32 of a cubic inch of air to be distributed
242 ELLEN OR THE
somewhat unequally over that part of the spherical wave of
which the first condensation consists of a space of about 5749
cubic feet, making an average in round numbers of 1-63,579,-
341 for this condensation. With each succeeding supposed
condensation this would be very much less, and soon infinitely
less.
*' If made by an insect, a fiddle string, or the vocal chords,
such condensations or rarefactions would be of such infini-
tesimal character that it would be absurd to undertake to
estimate them. And yet the smallest of them are supposed to
engender heat enough to in some way increase the speed of
sound by 176 feet per second. And in order to make the
proposition as absurd as possible, so as to meet the require-
ments of science, it is assumed that it does this whether the
condensation be small or great.
*'Mr. Tyndall continues:
* Having grasped this, even partially, I will ask you to accompany
me to a remote corner of the domain of physics, with the view, how-
ever, of showing that remoteness does not imply discontinuity. Let a
certain quantity of air at a temperature of 0°, contained in a perfectly
inexpansible vessel, have its temperature raised 1°. Let the same
quantity of air, placed in a vessel which permits the air to expand
when it is heated — the pressure on the air being kept constant during
its expansion — also have its temperature raised i®. The quantities of
heat employed in the two cases are different. The one quantity
expresses what is called the specific heat of air at constant volume ; the
other the specific heat of air at constant pressure.*
"Thus far in this paragraph, though making pretences
having no signification except to deceive, Mr. Tyndall has held
WniSPERINGS OF AN OLD PINE
Hi
Ris statements wJthin the line oi fact, But now» becoming
scientific, he abandons facts and theorizes as follows:
' It is an instance of the manner in which apparently unrelated natu-
ral phenomena are Ijound together, that from the calculated and
oliserveil velocities of sound in air we can deduce the ratio of these two
specific heats. Squaring Newton's theoretic velocity and the observed
velocity, and rlividing the greater scjuare by the less, we obtain the
ratio referred to* Calling the specific heat at constant volume Cv, and
that at constant pressure Cp ] calling, moreover, Newlon*s calculated
velocity V, and the observed velocity V\ Laplace proved that^ —
Cp _ V*
C^ ^ V^
' Inserting the values of V and V in this equation, and making the
calctdation^ we find —
Cp
'Thus, without knowing either the specific heat at constant volume or
at constant pressure, Laplace foimd the ratio of the greater of them, to
the less to be 1*42/
** Not a single one of these assertions is true. They arc at
best but opinions of Mr. TyndalL
*' Mr. Tyndall next says:
*It is evident from the foregoing formulae that the calculated velocity
: sound, multiplied by the square root of this ratio, gives the observed
velocity/
"This last remark is as wise as to say that four times five
arc twenty. Mr. Tyndall now becomes honest, as follows:
*But there is one assumption connected with the determination of
this ratio, which must be here brought clearly forth. It is assumed
244 ELLEN OR THE
that the heat developed by compression remains in the condensed
portion of the loave^ and applies itself there to augment the elasticity ;
that no portion of it is lost by radiation. If air were a powerful
radiator, this assumption could not stand. The heat developed in the
condensation could not then remain in the condensation. It would
radiate all round, lodging itself for the most part in the chilled and
rarefied portion of the wave, which would be gifted with a propor-
tionate power of absorption. Hence the direct tendency of radiation
would be to equalize the temperatures of the different parts of the wave,
and thus to abolish the increase of velocity which called forth Laplace's
correction.*
*' As this formula of Mr. Laplace is essential to the undula-
tory theory of sound in its present condition, and is assumed to
be correct and so used by those who hold the theory, it
will also be desirable to see how it has been received by
critical judges. Ellen finds that it has been considered inappli-
cable by many of the ablest mathematicians, the opinions of
several of whom she will quote to the old Pine. And first that
of Professor Potter as published in the * Philosophical Maga-
zine,' vol. I ( 1851 ) :
Mn the last number of the Magazine, Mr. Rankine says he thinks I
have misunderstood "the theory of Laplace and Poisson as to the
propagation of sound in gases." I assure him I have never so mis-
understood that theory as to think it to be a solution of the problem, but
have always considered it as begging the question. It does not look as
if Poisson looked ui)on it at all in the light of a strict solution, when he
had first, in 1807, put Laplace's views into a tangible mathematical
form ; for he says, " En admettant cc r^sultat, qu*on ne pent verifier
par aucune experience directe, on fera disparaitre la difference que
Newton a remarqu^e, le premier, entre la vitesse du son donn^e par
WHISPERINtiS OF AN OLD TINE
caUul, et telle qui r^sulte de 1' observation.'* [In admitting this result,
which one is not able to verify by any direct experiuient, one will make
disappear the difference which Newton first observed between the
velocity of sound given by mathematics and that which results from
observation »j The amended calculations have, however, always been
far from closely approximate to the true velocity.
* In showing the point of failure in the solutions, I shall refer to the
simplest and most improved form, as given in Poisson^s '^'rait^ de
MticaniqtJe,'* edition 1^33, vol 2, page 695. He there puts ,^ot h equal to
the pressure in the gas before dibturbaiice, ^^ being the force of gravity,
m the density of mercury, and // the height of the barometric column.
In the state of motion, and neglecting change of temperature, the
pressure (/) will be represented by
gmh (i+j),
where $ represents the condensation positive or negative. He then
says, ** Nous supposerons done qu'on ait, en general,
p^^gmh (i-f j + tr) ;
€i d^signant une quantity de menie signe que j, et qui en est une cer^
taine fonction. A cause de la petitesse de j, on pent sup|>oser cette
qtiantit^ cr proix)rtioneUe a s, et faire
fi iiani un coefficient positif el ind^pendant de j." [We will suppose^
then, that one has the general eqimtion/^A'''''^' (' -f-^ + <^)i ^ repre-
senting a quantity of the same sign as s and which represents some
function of it. On account of the smallness of s, one miy suppose thl»
quantity a proportional to s and to make a^0s; /3 being a positive
coefficient and independent of s.]
' Now the only condition which we have between <r and s k, that
they must be of the same sign ; so that if we put
and ejcjiand/ (/) in a series ascending by integral powers of s, we must
246 ELLEN OR THE
have the index of the first term an odd integer ; and also since j is so
small, we might neglect all terms but the first, and put
a = pSj or (T = l3s'\ or (t = Ps^, etc.
Now to take the first of these without any reason, more than the need
to procure a solution of the problem under investigation, is a pure
assumption ; and the whole process fails with any other power of s than
the first.
' We are thus thrown back on the original popular view of I>aplace in
seeking for an explanation. Sometimes it is so worded, as if the accel-
eration of the vibrations of the particles of the medium by the heat and
cold developed, proved necessarily an acceleration of the velocity of the
propagation of the wave motion ; although at the same time it is one of
the acknowledged facts of sound, that the velocity of propagation is
independent of the velocity and frequency of the vibrations of the
particles.
* The velocity of propagation, however, varies with the elasticity of
the medium for the same vibrating mass ; so that the only way in which
Lai)lace's view need be taken, is that stated in my paper on Sound in
the February number, by considering the heat or cold developed by the
first pulse which is transmitted ; and this leads to consequences, as
there shown, which are contrary to experience.
* Mr. Rankine is, however, in error when he supposes an objection
would also nold, since, ()ecause " every wave nuist consist of a com-
pressed and a dilated part, the different parts of a wave would travel
with different velocities," for this would only make the waves unsym-
metrical in form.*
"The 'Philosophical Magazine,' vol. 9, thus reports the con-
tents of a paper read by the Rev. Samuel Earnshaw, of Shef-
field, England, an eminent mathematician, at one of the
meetings of the Philosophical Society :
WmSI'ERINGS OF AS OLD VISE
'-47
\
'The author explained that the theory of sound must still be consid-
ered imperfect, in consequence of resting on an ai)proxtmate step in
the malhcmatical part of the investigation. The results were exhibited
m a simple numerical fonn, and made use of to explain several inter-
esting phenomena, such as the unsling away and divergence of sound;
the peculiarity on which the sweetness of musical sounds depends on
the rapidity and intensity of its formation, but not on the length of the
sound wave. 11ie more violent the genesis of a wave of sound, the
more raj)id should be its transmission. It had been one of his greatest
discouragements in comparing theorj^ with experiment, to find that
experimenters on soimd appeared to agree unanimously that all sounds,
whether gentle or violent, travel with the same speed. On this point
theory and experiment seemed to be discordant ; experimenters had
said that there was no difference in the sjjeed of the human voice, and
the report of a cannon, but the mathematical theory showed that the
tf^pott of the cannon should travel more quickly than that of the
human voice/
•'The following able article by Mr, Earnshaw is published in
the * Philosophical Magazine,' vol. 19:
' 1 am perfectly aware the problem of the propagation of soimd is
considered to have been solved ; but notwithstanding this I venture to
offer the following new solution to the notice of the philosophic world ;
because it not only leads to a numerical result quite different from any
before obtained from theory, and agreeing better with experimentj but
likewise furnishes some new results of an unexpected character, and
affords besides a glimpse into a department of nature which has hitherto
remained hermetically sealed. Laplace's ingenious suggestion of a
change of temperature due to a sound wave, brought the result of
theory so very near to that of experiment, that it has been thought
unreasonable to require a closer agreement. But it is confessed that
'^ ^
248 ELLEN OR THE
the experiment by which the effect of a change of temperature is
obtained is one that is remarkably difficult to manage, — one also in
which errors of observation are greatly magnified in the result : this is
shown to be so, from the great differences between the results of differ-
ent experimentalists ; and I think I may say that the requisite value of
the coefficient (commonly denoted by k) is much greater than Dalton*s
experiments warrant, and than what would have been conjectured a
priori to be its value. In looking also at the determinations of its
value, and also of the value of the velocity of sound, I am a little sus-
picious that modern experimentalists have suffered themselves to be
biased by a desire to make experiment and theory agree. At any rate,
if we compare experiments made since 181 6, when Laplace announced
his theorem for the correction of Newton's result, with those previously
made, it is impossible not to notice a very sudden and startling change ;
and in the same spirit the value of k has been gradually growing in the
hands of experimentalists till it is now large enough really to justify the
opinion which has been expressed, that to Laplace is due the honor of
having completed the solution, which was begun in England, of the
problem of the propagation of sound. And, to speak candidly, it must
be confessed that Laplace's sagacious suggestion undoubtedly has the
air of a irra causa, although it requires a larger development of heat
by the sound wave than seems probable. But its great defect, if I may
be allowed to consider it defective, is that the result it gives does not
come up to the exi)eriment. The theoretical velocity, after being
amended by Laplace's suggestion, still falls short of the experimental
velocity by 24 feet, if we take this last to be 1090 feet ; and by 76 feet,
if we take the velocity of sound to be 1142 feet as determined by Der-
ham, Flamsteed, Halley, and the Florentine Academicians. It should
be remembered, also, that theory might a priori be expected to give a
result exceeding, rather than falling short of, experiment; for theory
assumes the elasticity and fluidity of the atmosphere to be perfect, and
WHISPERINGS OF AN OLD PINE
249
wchavc reason lo think both are really in a slight degree imperfect;
ind this is not likely to accelerate, but rather to retard (if it at all
affect) the propagation of sound waves. Upon the whole, after t on-
sidering the matter in as imx>artial a spirit as possible, candor obliges
me to confess that Laplace's suggestion does not furnish a suffickni
cause. I do not deny that it may Ije a cause ; but it is not the whole.
There is a cause, still unrevealed, for the defect of the theoretical
velocity. Euler considered that some part of the error of theory might
be due to the incorrectness of assuming
dx
previously to integrating the differential equation ; and certainly, as
this was an art>itrary step, it was reasonable to sup[K)se it might in some
way have the effect of making the theoretical result smaller than it
would be were the equation integrated without making use of approx-
imate steps. When, therefore, 1 succeeded in integrating it without
approximate steps, I was disappointed to find that the theoretical
velocity of a sound wave remained the same as before/
**Rev. James Challis, Professor of Astronomy at the Uni-
versity of Oxford, England, as before mentioned, thus discusses
the Laplace formula:
* As my name has been mentioned in connection with the discussion
HOW going on in your journal respecting the theoretical velocity of
lound, and as I have already ventured to call in question the tisual
metho<i of accounting for the excess of the observed velocity above the
Newtonian value, 1 beg to be allowed to say a few words* in explanation
; my views on this subject.
•The received methoii of accounting for the difference between the
Newtonian and the observed value of the velocity of sound rests on
250 ELLEN OR THE
hypotheses. Now as it is contrary to sound philosophy to explain by
an hypothesis what may be explained without an hypothesis, I am com-
pelled by my reasoning to conclude that these hypotheses are inadmis-
sible. To reconcile this conclusion with what is observed respecting
the effect of heat developed by sudden condensation of the air, I sug-
gested that as experiment only showed that the effect is to raise the
temperature when the developed heat acts on a very limited portion of
air, we are not justified in supposing the same effect to take i)lace when
the air is unlimited ; and that the developed heat, being in the first
moment of its generation in the state of radiant heat, and being allowed
to radiate indefinitely, does not sensibly change the temperature of the
air at the position where it is generated. This is the supposition which
Professor Stokes alludes to in the April number of the " Philosophical
Magazine," page 306.
*As some advocates of I-aplace's theory are of opinion that that
theory assigns a vera causa for the excess of the velocity of sound
above Newton's value, in refutation of that opinion I appeal to Laplace's
exposition of his own views. It is clear that he thought it necessary to
establish the theory upon certain laws of the action of caloric on the
atoms of matter, of the atoms of caloric on each other, and of the
relations of free and latent heat. But in the existing state of our
knowledge of the theory of heat, these laws can only be regarded as
hypothetical. The supporters, however, of Laplace's theory, instead of
referring to these views, have substituted hyi)Otheses of a different kind,
leading to the same results. In the article by Professor Stokes already
referred to (page 306), these hypotheses are introduced in the following
terms: "That in the case of small sudden condensations (ixjsitive vx
negative) the increase of temperature is ultimately proportional, caeteris
paribus, to the condensation, will not, it is presumed, be called in
question." In this sentence there are involved three distinct and
unsupported hypotheses : first, that there is increase of temperature in
WHISPERINGS OF AN OLD PINE 25 1
fluid of unlimited extent, experiment only proving that this is the case
when the fluid is confined within narrow limits ; secondly, that this
increment of temperature is in exact proportion to the increment of
density ; thirdly, that the increments of temperature are simultaneous
with the generation of the increments of heat by which they are pro-
duced, whereas all analogy would lead us to expect that time must
elapse between the effect and the generation of the cause producing the
effect. For these reasons I assert that Laplace's theory, in whatever
way it be viewed, rests on hypotheses.
* It is unnecessary for me to make any remark on the investigation
by which Professor Stokes determines the effect of the radiation of heat
on the propagation of sound, because that investigation proceeds on
the hypothesis of that very increase of temperature, the reality of which
it has been the purport of the foregoing observations to call in question,
and the object of it is to calculate the effect of radiation due to such
increase of temperature.*
2 52 ELLEN OR THE
XVT.
^^IVAANY other similar criticisms might be produced, but
^^ ^ Ellen will only add the following article, published
in the 'Quarterly Journal,* vol. 26, by Henry Meikle, in
review of an article by Mr. Ivory upholding or accepting the
Laplace theory. Mr. Ivory is one of that class of mathemati-
cians like Mr. Stokes, Mr. Rankine, and numerous others, who
have gained an easy notoriety by much ciphering in the line of
authority. Mr, Meiklc is one of the few with ability and
honesty enough to work from an independent basis, accepting
only what is correct and criticising what is wrong.
* In the article 011 sound inserted in the " Edinburgh Philosophical
Journal" for October, 1827, I had acquiesced in the theory of the late
celebrated Marquis I^place, so far as it appeared to go, and only sug-
gested some small additions to it. But since writing that article, I
have examined more closely the investigation of that eminent mathe-
matician, given in the "Conn. desTems" pour Van 1825, and "M^canique
Celeste," torn, v., page 119, and am now convinced that it is in itself
objectionable in several respects, independently of any thing which I
formerly hinted : so that my proposed amendments on this theory are
as nothing compared with the thorough reform it would require ; the
result being neither deduced from correct principles, nor by means of
an accurately managed calculus. The like objections attach to Mr.
Ivory's view of it, given in the "Philosophical Magazine" for July, 1825,
page 1 1 . To this I shall principally direct my remarks at present, be-
cause it is better known in this country, and is given in a more detached
■
THE KKW YORK
PUBMC I.IBRART '
tlLOltN fOUSOATIOKi
^B
WHISPERINGS OF AN OLD PINE
:3s
fann than that of M. LapLue, which, though essentially the same, and,
in fact, the groujiLlwork of the other, is ruriously interwoven with some
untenable spctula lions regarding heat.*
'Considerable obscurity pervades Mr, Ivory*s investigation, especially
in laying down the first principles, which are both inconsistent and
defective. Several of the most important circumstances are overlooked
altogether; but, as will be seen from extracts which soon follow, the
leading idea by which the process is meant to be regulated is briefly
this : A minute cylinder of air, whose length varies without either
changing its mass or diameter, is supposed to be acted on by an accel-
erating force^ till it move over a small space z, and then abandoned to
move uniformly with the velocity so acquired along a straight line x.\
• In the **Conn. des Terns '* for 1826, M. Poisson has treated the sub-
ject in a more general way, with the view of emljracing cases where
the medium is not uniform. The length of his Memoir would render
it tedious fully to discuss its merits \ but, so far as regards the ordinary
case of sound traversing the horizon, it is not materially different
from that about to be examined.
t This notion seems, in the first instance, to be borrowed from
that usually given in elementary bcMjks on mechanics ; where it is,
in effect, shown that if a series of equal and perfectly elastic lx»dies,
such as cylinders, be placed contiguous, having their axes in a
straight line ; and if an impulse be given to either extreme cylinder, it
will communicate an e<jual imj)ulse to the next, and this to the next,
etc, till the whole series be mn oyer. But to this is joined the assump-
lion, that the velocity with which the imijulse is propagated along the
series is the same as the velocity of the first cylinder would have been,
if alone, or projected by itself, — a coincidence for which I know no
reason, nor can I believe it to l>e nossible. Hut admitting it to be true,
smce, as we shall presently see, the velocity of the projected cylinder
must be proportional to the projecting force, how does this consist with
the rate of pro|xigation being likewise assumed to be ever the same in
the same state of the medium? S<jme, perhaps, could tell us that the
series of cylimlers propagate the im|:iu!se, as if there were so many
isochronous pendulums; but where is the proof? and I may again
ask how such a determinate velocity of sound can be aptly repre-
sented by the precarious velocity with which the cylinder may be pro-
jected? For, at all events, the calculus is conducted with reference to
256 ELLEN OR THE
*This latter motion is intended to represent that of sound, and its
velocity is assumed, without either proof or probability, to be always
the same, and, consequently, without either decrease or end, in air of
the like density and pressure. It is further supposed, that the cylinder
always moves over a space equal to its own length during the constant
fluxion of time //t, and that it does so whether in passing over z or x.
' Now without enlarging on the faint enough resemblance between
this leading idea and the propagation of sound, it may be observed,
before entering on further particulars, that either the space z, no matter
how small, must be always of the same magnitude, and therefore the
intensity or loudness of sound always the same in air of the like condi-
tion, which is contrary to universal observation ; or else, the accelerat-
ing force must be everywhere inversely proportional to the space z.
Without some condition of this nature, the final velocity with which the
cylinder is projected, or the velocity of sound, cannot, as our author
assumes, be always the same in the same medium. For, to attain the
same final velocity, the circumstances must be similar to those of a
weight descending an inclined plane of a given height ; where, abstract-
ing from friction or other resistance, the accelerating force is inversely
as the plane's length. But, in the case before us, the law of the force
accelerating the cylinder must be of a very opposite description ; for,
as we shall aftenvards see, in order that the velocity of sound, as
deduced by this sort of investigation, may be independent of the
intensity, or of the degree of condensation, the elasticity of the air
would require to be either independent of, or to vary inverse/y as, the
density, which are alike absurd ; but here the elasticity is supposed to
vary iiirectly as the \ power of the density.
a projected cylinder. But supposing the investigation were to relate
only to " the vibrations of a line of air," it would not be less objection-
able ; as, for instance, what could we make of the curious absurdity, to
be shortly noticed, of the small cylinders of air being compressed till
infinitely i/ense, at the turn of each vibration ?
WHIsrERINOS OF AN OIJi I'INE
2S7
'That the above arc not the only serious charges which may be
brought against Mr. Ivory's investigation, will appear from the following
extracts; lo which I shall subjoin some remarks, for the pur|JOse of
poinling out a few more oC the tacit asstimptions antl undefmed steps,
which are not unfrequent» and for setting their merits and iiiuUial rela-
tions, whi(?h are sometimes curious, m a proper point of view :
'"Conceive a slender horizontal tube of an indefmite lengthy con-
taining air in a state of equilibriam ; and let .v, reckoned from a fixed
point in the axis of the tube, be the distance of a small cylinder of air
within the tube, the thickniss (length) of which is equal to dx, Sui>-
pose now that the cylinder is pushed forward by some force to the dis-
tance x + s from the fixed point, and that it occui)ies the length
dx+tfs in the axis.*
• It is not, however, this movement of the cylinder over the
space 2 that is considered in the sequel of the investigation; but
its retracing of it occasioned by the natural tendency of the air to
regain its equilibrium, and which accelerates the cylinder back over the
8pace z towanis the assumed point from which Ihe distance jiH-s was
reckoned. A concussion or tremor is thus produced in the air, and
proixtgaied from atom to atom along the line x; and it is conceived
that tliis tremor or sound moves i;/^/(/i?rw/j' along jr with the velocity,
whatever that be, which the cylinder has acquired during its accelera-
tion over the line :^. This supposed uniform %'elocity of the cylinder
projectetl along .v is further conceived to be the same with the velocity
it happens to have, whenever its density equals the mean actual density
of the medium. If so, how does this consist with the well known fact,
that the series of aerial vibrations conducting sound through the atmos-
phere alw^iys get feebler and feebler as they become more distant from
the scmorous body, and, consequently, the velocities of the atoms
slower and slower at those similar points of their vit>rations in which
the den*iities of the cylinders become equal to the mean density of the
mediuiu? IJut ample reason maybe given for the fundatneulal fact
just staled, though Mr. Ivory has entirely overlooked both it and the
reason. For admitting that the motion of the cylinder were, as he
assumes, uniform in a lube, yet in the free air sound is sent off, as from
a radiant point, in every open direction not opi>osed to the wind.
Nay, sound reaches many a place by a cun ilinear route, even without
being reflected* It is therefore plain, that the area of each wave or
251
OR
*''It is to be ot>serv*e(l that tfj: is in\^riably of the same niagoitudCi
whatever be the position of the small cylinder of air, and that ti% alone
varies in different places of the ttibe, and at different times. It follows,
therefore, that x is independent on the time /, and 5 is a function of
X and /. It is to be observed too, that the air is supposed to undergo
very small tondensations and rarefactions in proportion to its original
bulk ill the state of equilibrium ; that is, dz must be considered as very
smal! when compared to dx * l.et p' denote the density of the air in
spherical shell of air, to which the tremor is communicated in succession,
will increase as fast> at least, as the square of its radius, or of its dis-
tance from the radiant point. In other words, the number of atoms or
the mass to be successively set in motion will, supf>osing the medium
uniform, increase as fast, at least, as the stjuare of its distance frora the
sonorous body. This is a very different thing from saying off hand»
that ** the cylinder in motion has always the same mass,'* Hence, as
might easily be shown from known principles, the motion of sound com-
puted on projectile principles, instead of being uniform^ ought to
decrease as fast, at least, as the reciprocal of the distance from its source
decreases.
Sir Isaac Newton's view of ihe subject is incomparably more con-
sistent than the one before us. He supposed all the vibrations in the
same uniform medium to be isochronous, or performed in equal tiroes,
however different their lengths, and, consequently, however different
the velocities of the atoms at like points of their vibrations. Indeed, it
is easy to see that there is no way in which the velocity of sound could
be uniform, but by the vibrations, however different in length, being
isochronous. Newton, and his earlier followers, were well aware of this
circumstance ; but vibrations of different lengths are quite at variance
with, and cannot enter as an element into, the refined mode of viewing
sound under the emblem of a projected cylinder, going on for ever, as
the theory implies, without either det rease of %xlocity or of loudness,
There is, however, no reason to think that every *- once ivable or possible
kw of elasticity in air would give isot hronous vibrations ; nor am I
aware that such has been proved, from legitimate theoretical principles,
to hold of even one particular law, far less of that which belongs to the
atmosphere. — H. M.
• It would be difficult to reconcile almost any of these remarks
either with each other, or with the very opposite principles acted
on in the rest of this research. As, for instance, by strictly fol-
lowing up the leading princiiiles of the investigation, it appears that di.
WUlSPERlNtiS OF AN lHJ) I'lM-:
^59
tquilibrio^ and p the variable density of the agitated cylinder ; then,
ihe masses of the two cylinders being the same, their densities will be
reciprocally as the volumes : therefore
dx
p' iix^tiz
iix
ii%
the jiowers of the small fraction - l>eing rejected.* This e*|twliun, it
may be remarked, im|>ltes the continuity of the fluid, f nince the cylinder
in motion has always the same masi>. Let F*' denote the elastic force
instead of being incomparably smaller than //.v, must occasionally equal
it ; and that the condensation, in place of being trifling, must l>e infi-
niU. For, here the length of the cylinder is iix^dz^ which binooiral is
likewise used as the fluxion of z; no matter how curious and umlelined
the notation, whit h Laplace, however, avoids. Eiut when the cylinder
reaches its utmost distance from the assumetl point from which jr-f-s is
reckoned, and is about to return toward that point, its velocity ^^;
and, therefore* the lluxion of the space = ^/KV-l-i/r=:f;, and iix=i—tiz.
Or, more properly, r/.v— //c = f/, an<l Jx:^dz, For in this case, the
fluxion of the s[>ace, or the length of the cylinder, is obviously the dif-
ffrcnce and not the st/m of Jx ami dz^ because dx is constant.
Hence, also, at the turn of the motion, the length of the cyliniler is
md/iifij(f or its density is infinik : a consequence, though absurd, yet
inse]mrable from the tacit hypothesis whit h makes the cylinder always
move over a space equal to its own length, during the constant iLixion
of time //t. It is therefore certain, that the length of the cylinder can-
not consistently represent its velocity, or coincide with the fluxion of
the space, as our author so conveniently assumes it to do, wilhoyt offer-
ing the least reason for such illegitimate procedure. It is almost
necdlrss to add that the *tme assumption involves various other incon-
sistencies, or to remark that the shattering of windows and crazy build-
ings, the shaking of houses at considerable distances, the occasional
deafening of persons, with many similar effects, could neither be pro-
dnced by small vibrations, nor slight condensations ; though infinite
ones would be unnecessary. — H. M.
• Since, as wc have seen, d% sometimes equals dx^ this frac-
tion is occasionally considerable, or even equal lo unit ; and, there-
fore, its powers cannot warrajiiably lie rejected, either here, or again
a little alter in taking the fluxions, — IL M.
t True, a i-ontinuity\ but only in one <lirection through the tube ;
whereas, in open air, the continuity is in all directions, — H, M.
26o ELLKN OR THE
of the air /;/ equilibrio, and P the like force of the agitated cylinder ;
then, if we adopt the law of Boyle and Mariotte, we shall have
L-p .
and this equation would lead us to the result obtained by Newton.*
But if, according to the observation of Laplace, we reason noore
agreeably to what actually takes place in nature, and suppose that the
elastic force of the agitated cylinder is exerted while it retains the whole
of its absolute heat, the preceding formulae (D)t will furnish this
equation.
* We shall afterwards see this to be a mistake. — H. M.
t The formulae referred to make the cube of the pressure
vary as the fourth power of the density, which I consider to be the
true law, though Mr. Ivory has since renounced it as incorrect, without
giving any admissible reason ; but when he adopted this ratio, in the
place from which he now quotes it, he did so for an erroneous reason,
as I have hinted in the * Edin. Phil. Jour.' for January, 1827. However,
I do not think such a ratio applicable to the investigation of the
velocity of sound, especially in the suppositious case of the tube before
us. For though, \n favorable circumstances, sound be propagated in
every oj)en direction from the sonorous body, yet it does not appear
that the air acts there exactly in its fluid character. Because sound
which first passes through the tube, and then into the open air, does
not proceed from the mouth of the tube, as from a sonorous body, in
every direction, which it wouhl do if the particles acted on each other
with ecjual force in every direction. On the contrary, sound, as is
well known, diverges but in a small degree after quitting a long tube
which merely conducts it ; and I rather doubt if it would diverge at all,
were it not for the friction or resistance which the vibrating particles
suffer from their contact with air which is not in the direction of the
tube. From this we should be led to infer, that the particles of air
conveying sound through a narrow tube, especially the ideal one free
from friction, only vibrate in the direction of the axis. If so, the elas-
ticity of air conducting sound through the tube should not be estimated
according to the above law, but more nearly as in the inverse ratio of
the squares of the variable longitudinal dnnensions ; because, as I have
shown on a former occasion, the particles of air repel each other with
W!nSPERTNGS OF AN OLD PINE
261
'**Take the fluxions making .v only variable* and divide by the
cqud quantities p {dx-^-dz} and p dx ; then
dj!S
d? ^ , T[
f,(dx-^dz ^* p
*'• Now, P is the elastic farce of the air in the tube at the distance
.v-Ks from the assumed point in the axis, an4 P + //P is the like force
of the air at the distance x+z-^-dx-\-dsi wherefore ^P is the effective
force urging the intervening cylinder towards the assunied point : and
as the mass moved is equal to p{dx-\-dz)f the quotient is the accelera-
tion of each particle, other\^'ise expressed by — '-— 5;-|- wherefore
L, dr^
ddz_. P'
dr
dds„
dx^'
But wc have already
totally different from
forces inversely as the squares of their distnnres.
seen that the actual case of the atmosphere is
that of the tube,— H. M.
• This is a curious injunction, more likely to embarrass and
mislead the reader than anything else ; for the etiuation in hand does
not involve .T at all ; and, besides, Mr. Ivory, in the face of this strict
precept, makes lx)th P and dz variable, — H. M.
t Viz. one of the usual differential expressions for an accel-
erating force, llie second fluxion of the space being ddz^ and the
undefined symlxil //t denoting the constant fluxion of the time. It is
from this step that it becomes more particularly obvious that the length
of the cylinder is a measure of its velocity, being always equal to the
minute space described during the constant moment of time dt. Not
the shadow of a reason is either given or supposed necessary to assign
why the length of the cylinder should not rather have had some other
relation to its velocity than that just mentioned, which we have already
seen to be impossible. Hut the gratuitous assumptions in this investi-
gallon are so numerous and important that they would have rendered it
null and void as a mathematical production, although no inconsistency
had presented itself. For were such assumptions to be tolerated in
mathematics, there is no problem, however difficult, but they could
solve with the utmost facility. A curious instance of their irresistible
f)Owers is noticed in the 'Philosophical Magazine^ for December, 1822,
where I have shown that the demonstration which Mr. Ivory supposed
he had given of Euclid's Twelfth Axiom, in the number for Xfarch pre-
ceding, owes all its virtue to an assumption fully equivalent to the axiom
itselfj which was the very point to be proved '.— H. M.
262 ELLEN OR THE
'Were every thing correct about this equation and the mode by
which Mr. Ivory has obtained it, the velocity would obviously, as he lo
effect states it, be
dx_ '4P'
and since both dx and dg are constant, the velocity would be uniform,
and always the same in* air of the same density and pressure. But
another notable error and inconsistency have here evaded notice, by
the manoeuvre of twice rejecting the higher powers of //s, seemingly
for the purpose of rendering the calculus manageable, though, as we
shall presently see, there was no call or necessity for it on that account.
Whether M. Laplace or Mr, Ivory were aware of this circumstance, I
could not pretend to say ; but one thing is certain, that further defects
of the investigation become sufficiently apparent, when none of these
powers have been discarded. For in this way we have
Y~^dx->rdz^ '
* Take the fluxions, making dx and P' constant, which gives
'^'—~'^Tx^dz^ ^~dx—~^^~p'^ ^ dx'
Multiply by P' and divide by p(dx + dz)=zp' dx, as before, and we
have
_dP ___4_PVp v^v''''''^--^-^^
p(dx-{-dz) 3p^'p'^ dx'^ //t^'
' Hence the velocity of sound should be
dr p \ Zp
which, though a very different expression from the former, is uniform
or independent of the degree of condensation, because dx and dr are
constant ; and yet it is afTected by the intensity or degree of condensa-
tion, because p is so afTected.
\VllIM't:KIN(;s Ol- AN OLD riNF.
i6i
^Wc have thus, even when working more correctly, obtained a
result which is evidently contradictory or absurd. Nor lan it be
ftdmitted as an excuse, to say, that p and p' are nearly equal ; for we
have already seen that the principles acted on in this investigation
imply that p may exceed p' in any proix)rtion.
' By using unit for the index of
we do not, when nothing
is omitted, obtain Newton's result, as Mr. Ivory alleges, btit the ver)'
different expression
p' \ p
which is just as absurd as the other. Indeed, when in this mode of
investigation, none of the powers of //s have been rejected, the velocity
can never come out uniform or inde|*endent of the degree of condensa-
tion, and be at the same time real or possible. For, taking the only
two supposable cases, — were the index ^ ^, neither the elasticity of
aifi nor sotmd, which depends on it, cotdd exist ; and were the index
= — I, the elasticity would vary trntrstfy 2ls the density, which is a
perfect contradiction, not to mention that the velocity of sound would
come out an im (possible quantity.
• Any further evidence would be superfluous lo show that this sort
of investigation is not only inefficient, but full of error and incongruity,
view it which way we will ; and that it will be alike unfortunate for
this theory whether the motion of sound ultimately turn out, from
experiment, to be imiform or retarded; for, independently of that, the
result is anything but a fair logical deduction from correct data. I
have as yet confined my remarks to Mr. Ivory's investigation in the
" Philosophical Magaicine '* for July, 1825. His other solution grafted on
it, and given in that journal for April, 1827, is one way or other liable
to all the above mentioned objections/
•*This article of Mr. Mcikle is one of the very few that Ellen
has ever seen, written by a mathematician, that doesn't run 16
264 ELLEN OR THE
absurdities. That is, it is one of the few especially able artkks
that she has ever seen written by a mathematician. Mr. Meilde
is too able a man to be wrecked by a little knowledge of matb-
ematics. He is eminent as a mathematician, but still more so
as a man. He handles the whole subject without gloves and
shoe's that this undulator>- theory of sound is entirely untenable,
preposterous, and impossible. The wonder is that after such a
thorough and unanswerable exposure the theor>' was not aban-
doned, although of course the vested interests in text books
and of instructors stood tremendously in the way of such aban-
donment. Still, always, sooner or later the truth will prevail.
'• It seems, too, from a second article by Mr. Meikle, pub-
lished in the same volume of the * Quarterly Journal/ that
Professor Leslie had previously made similar criticisms of this
theor}'. Thus Mr. Meiklc, in this second article, says :
'In the "Philosophical Magazine" and "Annals" for November last,
Mr. Ivor>' has brought forward what he calls an "Answer" to my article,
in No. VII. of the "Journal of Science," on his doctrines about sound
and heat. A ])rominent, an»i i>erhaps unavoidable, feature of Mr. Ivor>**s
answer, which cannot fail to strike the reader's attention, is the total
absen* e of everything bearing immediately on the points in dispute.
'Ilie whole aftair is got conveniently over, by a series ot excuses more
or less plau>ible : while ever}- one of my criticisms remains unansTi'ereJ
in full forre.
'Mr. Ivory's first insinuation is, that my strictures are little else than
taken from I'rofe>sor Leslie's article ** Acou>tics.'* He takes good care
to offer no eN iden* e of this. I have only to regret, that, so far from its
having been the fijct, I had entirely fori;otten that that valuable artic'iC
f.ontaineri any objection to the theory ot sound. I now see that had 1
looked into it in time, I might have materially improved my paper.
WHISPERINGS OF AN OlAi V]SK
I presume, however, that by endea\onng to sift the analytical investi-
gation to the bottom, 1 have distinctly pointed out several striking
inconsistencies, impossibilities, and unwarraia table assumptions, not
before noticed by any one; and therefore, "the subject is not left," as
Mr. Ivory could wish, "just where I found it.**
*Mr. Ivory next remarks on my article that *Svhatever purposes such
discussions may serve, one is at a loss to fiud out how they can benefit
science*** A very natural remark, to be sure, while the tide of discus-
sion tan against Mr. Ivory. He might just as well say, he was at a loss
to see how the destruction of weeds, and other useless or noxious herbs,
can benefit the produce of a garden. I'he removal of s]>urious produc-
tions, especially th ose wearing the garb of mathematical investigation,
being as necessary and beneficial to the progress of science as the
destruction of weeds in the other case. I would rather ask — what
benefit can result to science from an "Answer," which leaves unan-
STift red every thing it professed to answer? lu particular, it ** leaves the
analytical theory of sound/* which I had impugned, ** to stand on its
own merits,*' after it had not a foot left to stand upon,'
** Ellen has been unable to obtain the article by Professor
Leslie referred to. but she will call especial attention to some
of the unanswerable objections to the theory pointed out by
Mr. Meikle, showing that mathematically as well as in fact it
has no existence :
*' First. The amplitude of the particle propagating sound
must be always of the same magnitude, or else the accel-
crating force of this particle must be everywhere inversely
proportional to the space passed over by the particle* The
first could not be true, as it would necessitate that the intensity
of sound be always the same in air of like condition. And the
last is distinctly opposed to a fundamental principle upon
268 ELLEN OR THE
which the theory is based, that the accelerating force must be
proportional to the space passed over by the particle. A prin-
ciple which harmonizes with Boyle's law, that * the temperature
remaining the same, the volume of a given quantity of gas is
inversely as the pressure which it bears.' There is no answer
to this, and it is fatal to the theory.
"Second. In the third note Mr. Meikle points out, what has
since been demonstrated by Regnault, and what is in its nature
self-evident, that the velocity of the particles, and distance
passed over by them, in a pulse of air must constantly
decrease.
"Third. By preserving so-called infinitesimals, that is by an
accurate solution, absurd results are reached, which of itself is
a fatal objection. Other points are referred to and the utterly
untenable character of the whole theory pointed out and
demonstrated. So that the existence of these undulatory
theories to-day is absolutely without warrant or excuse, and
can only be explained by the fact that large property interests
are at stake in the sale of text books, and in the profession of
teaching.
" It can be demonstrated in an open tube, as Ellen has said,
that when a piston pushes the particles of air, not only these
particles move the distance of the piston, as they must, but
neglecting viscosity and friction, all particles in the tube for a
long distance do the same, and a number of particles, equal to
those displaced by the piston, will go out from the other end.
If, as scientists assert, unconfined air acts as confined air, all
the particles influenced by the compression must move as far
as those pushed by the tuning fork. The whole conceit of
WHISPERINGS OF AN OLD PINE 269
developing heat is arrant nonsense; but if it was true, the
heat would be developed according to the force of the com-
pression,— hence loud sounds would go much faster than low
ones, and, indeed, every sound on this account would have a
different speed. And thus again the theory as now announced,
with the Laplace modification, is demonstrated to be uttei
nonsense.
270 ELLEN OR THE
XVII.
^ * C I-I-'*-?^ will now return to the review of Mr. Tyndall's
ELLKNwill n
book. He
further says:
*\Ve have already learned that what is loudness in our sensations is
outside of us nothing more than width of swing, or amplitude^ of the
vibrating air particles. Kvery other real sonorous impression of which
we are conscious has its correlative without, as a mere fonn or state of
the atmosphere. Were our organs sharp enough to see the motions
of the air through which an agreeable voice is passing, we might see
stamped uix)n that air the conditions of motion on which the sweetness
of the voice depends. In ordinarj- conversation, also, the physical
preceiles and arouses the psychical ; the six)ken language, which is to
give us jileasure or pain, which is to rouse us to anger or soothe us to
I>eace, existing for a time, between us and the speaker, as a purely
mechanical condition of the intervening air.'
'* IVrhaps no passai^o in the book sut^i^ests the absurdities
i^f the ihovMy more vividly than this. Mr. Tyndall at last
awakes to the perception that every impression of which
we aic conscivHis has lis CvMrclativo without, and this
corrcKuivc. in the case vM" sound, he would assume to be
built ot air. and further assumes thai this is accomplished
by a very slii;hl mechanical force, and transferred repeat-
edly tv^ an cx.iclly similar number of air particles in exactly
siniilar arranL;cmcnt ; and this process repeated in all direc-
tion< as Ivmi^; as the souiui o\i<:s. an operation that under
Uv^ conceivable circumstances would be possible, but that, if
'%VinsrHRL\GS UF
possible, would necessitate all the air, within the distance that
a sound is heard, to be occupied exclusively in the propagation
ol that sound for a certain definite time. The old Pine and
Ellen would have to stop breathing if they wished to hear
any perfect sounds. For breathing would disturb the air parti-
cles about the head and cars, and thus further damage and
destroy what remained of every supposed correlative. And
certainly Ellen and the old Pine wouldn't want to be uncivil to
the pretty birds that sing to them, or the brooks which make
such beautiful melody. And the idea of such a correlative as
this, which is simply the most unmitigated nonsense, is called
science. As well might scientists state that utensils are made
of water, cities built of air; and ropes formed of sand, thrown
together by the wind. For the one thing is as sensible and
possible as the other. The principle of a sufficient cause
upon which science is founded, though constantly over-
looked by scientists, belongs to all nature. Nothing takes
place without it As Ellen has said before, insufficient causes
will not answer; they must be suflFicient, Nor is it possible
that anything is a cause which is opposed to the laws of nature.
Then such a correlative as this, ragged, incomplete, and
impossible, which scientists offer for sound, can only exist in
their imagination, or want of imagination. Nature has pro-
vided something very different and complete, by w^hich the
dulcet tones of her harmonfbs, and all her beautiful sym*
phonies, are made possible to our understandings. Ellen is
awfully glad that nature fixed up things before the scientists got
along. It would have been a sorry world that we should have
had if she hadn*t.
272 ELLEN OR THE
"Then it is certain that whatever represents this thing sound
to the senses, that is, whatever sound is, must be fashioned of such
material and by such forces as are adequate to make it, and in
such manner that its consistency may be maintained throughout
its existence. And it is also certain, as Ellen has said before,
that the correlative of sound must be a correlative in the fullest
sense, just as all things are which are correlatives of sensations.
The correlative, always, of anything, includes and must include
everything perceived by the senses. That of the tree must
include trunk, bark, and flower — each leaf and every twig,
and it does include all these and many things besides that
Ellen cannot enumerate. For every leaf reflected in the mind
dwells on the tree. And these leaves have notched shores, and
are divided into mountain ranges and valleys. All are formed
with the most exquisite care, and composed of the choicest
materials. There is no fraud in them, nor in any part of the
tree. And so with a bush, or with a flower. The workmanship
in each is of the finest, and the material in each of the
choicest. And it is in this way that nature builds up all
things. She neglects nothing.
'Consider the lilies of the fieKl, how they grow ; they toil not, neither
do they spin. And yet I say unto you, that even Solomon in all his
glory was not arrayed like one of these.'
"But if the correlative of all things that we see is thus
made so perfectly, we know that the correlative of those things
which we hear is made with equal care, both in material and in
form. And every sound has its own consistency of form and
character, and always the same sound is composed in the same
way. The old Pine can't see the sound, can he?"
WHISPERINGS OF AN OLD PINE
273
**No," I said, ** but he knows that it includes all» even to the
minutest feature, that intelligence perceives in it, or gathers
from it."
** Sensible old Tree/' she said. ** How does any one sup-
pose that, even if they existed^ such conformations as those
of this theory could be conveyed to the soul? Only by
vision might such a feat be attempted, and they are not
visible. For if they could be made, the larger part of
them could not by any possibility reach the ear intact,
or in any such shape as to suggest their supposed shape
when formed. For by other sounds and other constantly
occurring disturbances in the air, their consistency would
and must be entirely destroyed. The man who, with arms
spread, requested the crowd to get out of his way because
he had the measure of a door between his hands, was a
marvel of wisdom to the scientist who believes that air
waves carry or can carry the measure of sounds. Thus in
talking, often those that we speak to arc many rods from
us, with numerous noises taking place, as the rustling of
leaves, the murmuring of streams, the singing of birds,
the barking of a dog, lowing of cows or neighing of
a horse, each one of which, by this theory, must o:cupy
every particle of air and keep it in constant and different
vibration, throughout the whole continuation o( its sound;
and always at the same time, if out of doors, there is
more or less disturbance of the air by w^inds, which are
simply particles of air moving, because of gravity and
elastic force, from the more dense to the less dense.
The old Pine will see how absolutely impossible it would
274 ELLEN OR THE
be for the measure of the door to be maintained. And
yet, under all such circumstances, the voices of those talking
to us, are brought to our understanding in such manner, that
we recognize not only the words, but pitch, tone, intonation,
all the belongings of speech, which add so much to its beauty
and force. And not only brought to us, but to all others,
within hearing. That is, according to this theory, every one
of the millions of waves, more or less, or the infinite millions of
parts of waves which are supposed to reach some ear, are
kept in exactly the same condition, so as to convey exactly the
same sensation to perhaps a million hearers.
"Concerning this correlative without. Professor ChalHs
remarks :
* llie possibility of hearing distinctly words spoken at a distance,
depends on the faithfulness with which the air transmits the impressions
made on it by the organ of voice. As the difference between the
sound of one letter and that of another corresponds to a difTerence in
the form of the curve representing the succession and magnitude of the
condensations impressed, it is necessary that the form should remain
unchanged by distance of transmission in order that words heard at
different distances may be the same sounds. The law of transmission
expressed by the formula a -f Vy which is the basis of Mr. Airy's specu-
lations, is opposed to this constancy of form. M. r>iot, however, has
recorded an experiment made at Paris, according to which, words
pronounced at one end of a cylindrical tube 3120 feet in length were
perfectly distinct at the other end. '
*' The old Pine can be perfectly certain that for such wonder-
ful results God ordered no impossible and insufficient method,
but instead created a system abundantly able to perform all
WHISPERINGS OF AN OLD FINE
275
' these marvelous things, and which in its workings would inter-
fere vvnth nothing else ordered by Him,
*'Mr. Tyndall continues:
'Having determined the rapidity of vibration, the length of the
corresponding sonorous wave is found with tiie utmost facility.
Imngiue a tuning fork vibrating in free air. At the end of a second
fnom the time it commenced its vibrations the foremost wave would
have reached a distance of 1,090 feet; in air of the freezing tempera-
ture of about 1^0 c., it would reach a distance of 1,120 in a second.
In this distance, therefore, are embraced 384 sonorous waves. Divid-
ing 1,120 by 3S4, we find the length of each wave to be nearly three
feet. Determining in this way the rates of vibration of the four tuning
forks now before you, we find them to be 256, 320, 384, and 512;
these numbers corresixtoding to wave lengths of four feet four inches,
two feet eleven inches, and two feet two inches, respectively. The
waves generated by a luan's voice in common conversation are from
eight to twelve feet, those of a woman's voice are from two to four feet
in length. Hence a woman's ordinary pitch in the lower sounds of
conversation is more than an octave abfjve a man*s ; in the higher
sounds it is two octaves,
'And here it is important to note that l>y the term vibrations are
meant complete ones ; and by the term sonorous wave are meant a con-
densation and its associated rarefaction. By a vibration iin excursion
/*; and fro of the vibrating body is to be understood. Ivvery wave gen-
erated by stich a vibration Iteiuls the tympanic inembnme onre in and
once out*
* During the time refjuired by each of those sonorous waves to pass
entirely over a particle of air, that particle accomplishes one complete
vibration. It is at one moment pushed forward into the condensation,
while at the next moment it is urge*! back into the rarefaction. The
time required by the particle to execute a complete oscillation is,
2^fi ELLEN OR THE
therefore, that required by the sonorous wave to move through a dis»
tance equal to its 07un length. Supposing the length of the wave to be
eight feet, and the velocity of sound in air of our present temperature
to be 1,1 20 feet a second, the wave in question will pass over its own
length of air in i -140th of a second : this is the time required by every
air particle that it passes to complete an oscillation.'
** This, too, is as ineffable a lot of nonsense as it would
be possible to conceive. There are here two known
facts, and only two; namely, that the C fork vibrates
256 times per second and that sound goes 1090 feet per
second. From these it is possible to deduce the single addi-
tional fact that in ^^^ of a second sound will go about four
feet four inches, supposing it to proceed at uniform rate, as it
is generally supposed to do. This is the limit of knowledge.
Like a true scientist, Mr. Tyndall immediately crosses it and
states a number of other things to be true about which he has
no knov.'ledgc whatever. Ellen has already called attention to
the difficulty of a wave passing over a particle of air supposed
to be a component part of itself. The statement that the time
required for a particle to execute a complete oscillation is that
required by the sonorous wave to move through a distance
equal to its own length, is one of the fundamental conditions of
this theory, but is without proof; and taken in connection with
other parts of the hypothesis, is impossible. For one
part of the theory requires that the waves should all be
of equal length, and claims, as Mr. Tyndall does, that they
are. But another part of the same theory makes it neces-
sary that these waves should vary in length, constantly dimin-
ishing. Thus the oscillation, or half oscillation, of the particle
WHISPERINGS OF AN OLD PINE
279
is known as the ainplitiide of the vibration. But the intensity
of sound by the theory is proportional to the square of this
amphtude. This intensity also varies inversely as the square
of the distance from the Sounding body; therefore the ampli-
tude of oscillation must vary inversely as the distance from the
source of soundi and the velocity of sound must vary through-
out its course. For as the particles all vibrate in equal times
and move through a constantly decreasing amplitude, their ve-
locity will decrease as the distance from the sounding body in-
creases. But the velocity' of sound depends upon the velocity
of the particles, and therefore must decrease constantly as the
distance from the sounding body increases."
"But would not the scientists claim/' I asked, "that this
amplitude is an infinitesimal which can be neglected?'*
** Ellen knows not what they might claim,** she replied ; "but
it is not an infinitesimal which under any circumstances can be
neglected. For the velocity of sound is proportional to the
velocity of the particles, and therefore when their velocity has
decreased one-half, the velocity of sound by this theory must
have decreased one-half. It follows, too» that if there was any
such system vi waves, these waves would all be of different
length, each one being shorter than the one preceding.
**This is under the supposition that the medium is of uni-
form density. But supposing that the density diminishes, it
is claimed that there is no variation in the velocity of
; propagation, or in the intensity of the sound, over what it
would be if the medium was uniform. But by the theory
the intensit>' depends upon the vis vit^t which equals half
the mass times the square of the velocity. Then, because
280 ELLEN OR THE
of the fact that if the product of two factors is constant
and one of the factors diminishes the other must increase,
if the intensity is not diminished when sound goes from
dense air to less dense, the square of the velocity, and hence
the velocity of the particles, must increase. Therefore the
velocity of propagation as well as the wave length must increase.
Both of which conclusions are contrary to the theory. Hence
again, if there was any such system of waves in a medium of
varying density, these waves would all be of different length.
And therefore it would be impossible for different partidles
to be in same phase, and hence the intonations of sound, the
clang tint, or acoustic color, could not possibly be formed
according to the theory as now maintained, and conveyed
from the vibrating body to the ears of those within hearing, by
such a system of waves.
** Again, supposing it possible for these waves to be thus
composed exactly alike in a medium of uniform density, then,
as Ellen has said, the theory demands that, first, they should
continue of the same length, and second, that the particles of
which they are composed should be constantly decreasing in
their movement inversely as the square of their distance from
the sounding body.
" Such a wave, if existing, must be composed of a certain
number of particles. It may be any number — a billion or a
hundred billions We will assume it is twelve particles. It
has, too, by the theory, as all waves have, a certain definite
length. We will suppose this to be one foot. Then each par-
ticle must move one inch before it delivers up its motion,
minus the very small diameter or thickness of the particles.
WHISPERINGS OF AN OLD PINE 28 1
We will suppose that the motion of this wave is transferred to
another exactly similar number of particles, — for by the theory
it is the correlative of sound, carrying not only pitch and
intensity, but all the intonations of tone, — and again, to
another set, and thus continuously until the sound has reached
every ear through which it is supposed to make a sensation.
It will of course be a dilapidated correlative unless all of these
transfers are made with perfect accuracy, a thing that could
never happen, and this again exposes the idiotic, because
impossible, character of the theory.
*'But supposing all this to happen, or after all this has hap-
pened, two things arc demanded by this theory. P'irst, that
the wave after the transition of its motion to an equal number
of particles, should be not only of the same length that it was
when made, and hence, that the particles to which it is trans-
ferred should vibrate precisely as the first particles composing
the wave : but also that they should vibrate with an amplitude
diminished as the square of the distance increases.
•'And thus again we sec the theory is full of folly and non-
sense anywhere we touch it. ICllcn gets awfully ashamed in
discussing it."
**Thc old Pine doesn't blame Ellen," I said, **and he won't
ask her to discuss it much longer, but wishes she would finish
her review of Mr. Tvndall's book."
282 ELLEN OR THE
XVIII.
*^ T ¥ ryii^^ Ellen will try once more to please the old Pine.
V V Mr. T
Tyndall continues:
'The difference of velocity in iron and in air may be illustrated by
the following instructive experiment : Choose one of the longest hori-
zontal bars employed for fencing in Hyde Park ; and let an assistant
strike the bar at one end while the ear of the observer is held close to
the bar at a considerable distance from the point struck. Two sounds
will reach the ear in succession ; the first being transmitted through the
iron and the second through the air. This efTcct was obtained by M.
Biot, in his experiments on the iron water pipes in Paris.
'The transmission of sound through a solid depends on the manner
in which the molecules of the solid are arranged. If the body be
homogeneous and without structure, sound is transmitted through it
equally well in all directions. But this is not the case when the body,
whether inorganic like a crystal or organic like a tree, possesses a
definite structure. This is also true of other things than sound. Sub-
jecting, for example, a sphere of wood to the action of a magnet, it is
not equally affected in all directions. It is repelled by the pole of the
magnet, but it is most strongly repelled when the force acts along the
fibre. Heat also is conducted with different facilities in different
directions through wood. It is most freely conducted along the fibre>
and it passes more freely across the ligneous layers than along them.
Wood, then, possesses //tree unequal axes of calorific conduction.
* When the tuning fork is first excited the sound issues from it with
maximum loudness, becoming gradually feebler as the fork continues to
WHISPERINGS OF AN ULI) PINE 2^^
vibrate. A person close to the fork can notice ai the same time thai
the amplituile, or space ihrough which the prongs oscillate, becomes
gradually less and less. But the most expert ear in this assembly can
detect no change in the pitch of the note. The lowering of the
intensity of a note does not therefore imply the lowering of its pitch.
In fact, though the amplilnde changes, the rate of vibration remains the
same. Pitch and intensity must therefore be held distinctly apart j the
latter depends solely upon the amplitude, the former solely upon the
rapidity of vibration,
'When two. notes from two distinct sources are of the same pitch,
their rates of vibration are the same. If, for example, a string yield the
same note as a tuning fork, it is because they vibrate with the same
rapidity ; and if a fork yield the same note as the pipe of an organ or
the tongue of a concertina, it is because the vibrations of the fork in the
one case are executed in precisely the same time as the vibrations of
the cohnnn of air, or of the tongue, in the other. The same holds good
for the human voice. If a string and a voice yield the same note, it is
because the vocal chords of the singer vibrate in the same time as the
string vibrates.
'Opening the innermost and outermost series of the orifices of our
siren, ajid sounding both of them, either together or in succession, the
musical ears present at once detect the relationship of the two sounds.
*rhey notice immediately that the sound which issues from the circle of
sixteen orifices is the octave of that w^hicji issues from the circle of
eight. In this way we prove that the physical meaning of the term
"octave" is, that it is a note produced by double the numljcr of
vibrations of its fundamental By multiplying the vibrations of the
octave by two, we obtain t'/s octave, and by a continued m ill li plica-
tion of this kind we obtain a series of numbers answering to a series of
284 ELLEN OR THE
octaves. Starting, for example, from a fundamental note of 100 vibra-
tions, we should find, by this continual multiplication, that a note five
octaves above it would be produced by 3,200 vibrations.
*The ear's range of hearing is limited in both directions. Savart
fixed the lower limit at eight complete vibrations a second; and to
cause these slowly recurring vibrations to link themselves together, he
was obliged to employ shocks of great power. By means of a toothed
wheel and an associated counter, he fixed the upper limit of hearing at
24,000 vibrations a second. Helmholtz has recently fixed the lower
limit at sixteen vibrations, and the higher at 38,000 vibrations a second.
By employing very small tuning forks, the late M. Depretz showed that
a sound corresponding to 38,000 vibrations is audible. Starting from
the note 16, and multiplying by 2, or more compendiously raising 2 to
the nth ix)wer, and multiplying this by 16, we should find that at ii
octaves above the fundamental note the number of vibrations would be
32,768. Taking, therefore, the limits assigned by Helmholtz, the entire
range of the human ear embraces about eleven octaves. But all the
notes com[)rised within these limits cannot be em])]oyed in music. The
practical range of musical sounds is comprised between 40 and 4,000
vibrations a second, which amounts, in round numbers, to seven
octaves.'
•Tt will be seen from Mr. Tyndall's statements, that sound
is conducted in wood very similarly to electricity.
"This statement that the intensity depends solely upon the
amplitude of a hypothetical wave is not correct. Mr. Ganot
says:
'Many causes modify the force or the intensity of sound. 'J'hese are
the distanc e of the sounding body, the am])litude of the vibrations, the
density of the air at the place where the sound is produced, the
\VHISI'EKIX(;S OF AN OLD PINE
585
direction of the currents of air, and, lastly, the neighborhood of other
sounding bodies.'
'*But all the other statements are both interesting and
instructive. Indeed, outside of the wonderfully silly mistake
as to airwaves and a failure to perceive that sound like any-
thing else must be an entity, the scientists have done much
good work in elucidating and explaining sound.
"Ellen will introduce here the following quotation from the
*Philosophjca] Magazine/ vol. 6, page 245, concerning the
intensity and propagation of sound in gases and other bodies:
* Perolle has made experiments on the intensity of sound in different
gases, which seem to give a result contrary to those of Priestley,
Chladni, and Jacquin jun, Maunoir and Paul, of Geneva, having
inspired hydrogen gas without being incommoded by it, were much
surprised, when they attempted to speak, to find that their voices had
become tihrill and squeaking.
M*erolle has given experiments also respecting the propagation of
sound, by which he shows that arr is not the best medium for conveying
it. He stopped his ears with bits of chewed paper, and, having applied
his watch to them, could not hear the noise of its heating. He
removed the watch, and placed it in contact with a small cyliudrk
piece of wood, the other extremity of which touched one of those
external parts of the head that propagate sound ; such, for example, as
the cartibginonsi parts of the ear; and he then heard the beating of the
watch.
* He suspended the watch in the middle of a glass jar, and found
that the sound reached him ; but having filled the jar with water, the
sound was much stronger. The joints of the watch had been luted.
He placed the watch on different bodies, such as wood, a marble table
etc., and found that the latter transmitted the sound faintly, while the
286 ELLEN OR THE
former transmitted it with greater or less force. He thence concludes
that the sound of musical instruments, such as violins, harps, harpsi-
chords, etc., depends on the property which wood has of transmitting
sounds ; and that houses built of marble or stone are less sonorous,
because these bodies are worse conductors of sound.*
**In 'Nicholson's Journal,' vol. 2 (1805), the following state-
ment is made by M. Hassenfratz in regard to the propagation
of sound :
* By the side of the high road that leads from the Place de la Con-
corde to Chaillot along the bank of the Seine, on the stone wharf of St.
Leir, opposite the steam engine of Gras-Caillon, is placed a railing 210
paces in length, formed of 31 pieces of timber separated by four large
IX)sts. The blow of a hammer at one extremity of this railing was
heard distinctly at the other, though through the air it was audible only
1 20 paces. At the distance at which both the sounds were audible,
that through the w^ood was heard long before the other ; and when
standing at the greatest distance from the place of the blow, I heard
the sound transmitted through the timber, the velocity of its transmis-
sion was so great that it was ditBcuIt to distinguish any interval
between the perception of the sound by the ear and the motion of the
hammer by the eye.' "
"But what docs it all mean. Kllcn," I asked, "that an
increased number of vibrations varies the pitch? The old Pine
would suppose that if vibration makes sound, more vibrations
would make more sound."
"And so it would," she answered, "and that it docs not
shows that it docs not make sound. It can no more make
sound than the saw can the lumber whose shape it defines.
But there arc different kinds of sound, just as there are of other
WHISPERINC^S or AN uLh I'lNE
287
"things. Thus vvc have not only the different kinds of trees
or plants which are made at different mills; but also the
different species of the same genus made at the same mills.
That is, the mills are similar, with the machinery slightly
changed, by which different kinds of the same tiling are pro-
duced. This, too, is one of nature's fundamental and universal
laws. And so there is an infinite variety of sounds, to make
which there has to be the machinery. And this machinery
consists, in part certainly and perhaps entirely, in the vibration
of elastic bodies.
"Ami thus bv appropriate machinery nature makes all
things; and Hllen thinks it is a most marvelously complete and
excellent system. The law governing it ts precisely the same in
the things made by man. There isn't the slightest difference^
nor is there anywhere in the great laws of nature. Their
operation is continuous and universal, and dips down into the
domain of man as gracefully and as easily as a fwan rides upon
the waves, h^llen has referred to this before. Thus a chair
factory, by adding a little machinery, makes different kinds of
chairs, and piano factories different pianos. By these we can
see exactly the principle that works and how it works.
**Thus nature does with sounds. And so she does with the
pattering rain drops, for they are of very different sizes and
character, though they are all rain-drops. Sometimes they are
awfully big and sometimes they are awfully small, little bits of
tiny ones, so fine that they almost frighten Ellen, for they get
all over her clothes and into her hair. And it's just the same
with the snow. The flakes are of many sizes and descriptions.
There is the snow sifted by the wind, caught in its embrace
• r
s
r-i- TJ
:_-- -1-=. jv:
w-1
•^TiiruT:*?
288 ELLEN OR THE
and whirled over the drifts ; and then there are the great white
snow-flakes that balance themselves so daintily, and act as if
they were sure that they were the most graceful thing in
existence."
"But they are not," I said; **in gracefulness and in beauty
Ellen will give them points and beat them all ; for her step is
as light as the zephyrs that caress her feet, nor is the dawn ol
the morning more beautiful."
**The old Pine is always flattering Ellen," she answered, "as
the sunlight flatters the hillside. And Ellen has to get along
the best she can with all this flattery. But the old Pine will
see that sounds are varied, as all things else, by addition
or changes in the machinery that makes them. And none of
them or anything else is ever made without machinery, though
often the machinery is very simple."
" But often," I said, " the different kinds of things come from
different materials used, do they not, Ellen?"
"Yes," she said. "These are the two great laws by which
things may be varied — a change in the machinery that makes
them, or in the material of which they arc made. The two laws
are universal, and, as Ellen thinks, apply to all things. And
thus the pitch of sounds is altered by an increase in the number
of vibrations. But the quantity, which represents the intensity,
follows the universal law. If there are several sources of
sound, there is more sound; and the whole amount is always
exactly the sum of the different amounts produced. It also
diminishes with the wear that comes from time."
**But, Ellen," I said, "the text books and scientists are con-
stantly speaking of pitch being due to the number of vibrations
1
■
THF HEW YORK
PUBLIC LIBRARY 1
Abroa. LtH9A AH*
9^ t
^
WHISPERTNGS OF AN OLD PINE
291
tn a second. Is it necessary that a body should vibrate a
second in order to be heard? *'
*' Ellen thinks not,** she answered ; '* sound should be thrown
off by the first vibration, though it is quite possible there might
not be enough for us to hear. For» as Ellen has before said,
we hear by an aggregate of sound, just as we see by an aggre-
gate of light. *'
***Then Ellen thinks vibration shapes and throws off sound?"
** Ellen thinks this/' she answered, *' that the sounds of the
world are made by the elastic bodies of the world, the process
being first, shock or disturbance of an elastic body, which creates
sound; that this sound consists of electrical matter; that all
elastic bodies are so constituted that this matter which has a
power of motion will circulate in, or through them, thus pro-
ducmg vibration of the body, the nature of which depends
upon its construction. The pitch of the sound at least is
determined by the vibration. The sounds are then thrown off
by the sounding body, generally into the air» whence they enter
animal bodies by the different way., provided for this purpose
and form a system of signals that convey information to the in-
telligence dwelling in such body whether that of man or beast.
" Sound is endowed in some way with a principle of move-
ment. Thus water is endowed by gravitation, but the action of
this force is only in one direction, whilst sound goes with equal
facility in all directions; as do also light or electricity. They
are therefore not under the control of gravitation.
*' Rain is another thing that moves, carried in the clouds,
and these are borne by the air whose motion is the result of
elastic force. Nor. if the speed of sound is due to the elastic
292 ELLEN OR THE
force of the air, is there any possible reason for sound going
faster than clouds; and therefore the speed of sound is not due
to the elastic force of the air. The assertion that the velocity
of sound is due to the elastic force of the air, when it is per-
fectly evident that it is not. is one of the many inexplicable
features of this theory, which at all points reminds one of the
remarkable experiences of Baron Munchausen:
* The only circumstance/ says the Baron, ' which happened on our
voyage worth relating was the wonderful effects of a storm, which had
torn up by the roots a great number of trees of enormous bulk and
height, in an island where we lay at anchor to take in wood and water;
some of these trees weighed many tons, yet they were carried by the
wind so amazingly high that they appeared like the feathers of small
birds floating in the air, for they were at least five miles above the earth ;
however, as soon as the storm subsided they all fell perpendicularly into
their respective places, and took root again, except the largest, which
happened, when it was blown into the air, to have a man and his wife, a
very honest old couple, upon its branches, gathering cucumbers ( in
this part of the globe that useful vegetable grows upon trees ) : the
weight of this couple, as the tree descended, overbalanced the trunk,
and brought it down in a horizontal position : it fell upon the chief
man of the island, and killed him on the spot.'
"Sound spreads in all directions, so that as Lord Bacon ex-
pressed it, it is in every part of the air, as well as in all the air.
That it should thus spread is most natural because it can then
better perform the purposes for which it exists. Thus mist or
fog may be in every part of the air, as well as in all the air.
"Sound is produced in elastic bodies and may be conducted
from them by other bodies which arc in contact, the chief
WHISPERINGS OF AN OLD PINE 293
of which. SO far as man is interested, is air. But sound
may also be conducted from the producing bodies to
solid bodies whose action can be partially observed. Thus»
if the handle of a tuning fork is placed against a wooden
rod the sound may be conveyed through the rod to the brain,
and we can feel the tremor of the rod as the sound goes
through it This tremor appears to be precisely the same
as that which occurs in a sounding board, and presumably
sound is conducted through the air, or other gas, in similar
manner. This tremor in the sounding board or rod is gener-
ally called a vibration, but Ellen notices it is very different
from the vibration of the prongs of the tuning fork or any
body that is in what is called normal vibration. Try it ; take
a tuning fork, vibrate it, and hold the stem on a table; then,
with the same fork, strike the table and thus throw it into normal
vibration* The difference in the action of the table is as wide
as that between noonday and darkness, and it would be impos-
sible to suppose that the two results were produced by the
same conditions. In a fork and string the vibrations are
reciprocal and very nearly equal, like those of an oscillating
pendulum. And, as Ellen thinks, this is the case with all
bodies in normal vibration. But when sound is constantly
advancing it is very ccrum tliat it docs not vibrate to and
fro."
*'And how,** I asked, '* is sound so much increased by sound-
ing boards, as that of the tuning fork by the table? "
*'The whole subject of the machinery for the production of
sound, and its manner of operation. Ellen will discuss in connec-
tion with the telephone and graphophone. It is certain
294 ELLEN OR THE
that the sound ceases when the original vibrating body
ceases to vibrate. It is certain, too, that the prongs of a tuning
fork stop vibrating more quickly when the stem of the fork
comes in contact with a solid body. And experiment
shows that the fork ceases to vibrate sooner when the stem
is placed upon wood than when it is placed upon stone,
suggesting that the result does not come from resistance, but,
as will be shown later, from the conducting power of the body
on which it is placed."
"And what is the cause of sympathetic vibration?"
" The character of the shores and bed of the channels through
which sound passes. Ellen will make this very plain later.
Thus usually a stream of water flows in straight course, but
entering such a conformation as produces an eddy, a part of the
water moves in a circle, whilst a part continues in its course.
And thus streams of sound usually flow in straight lines, but
entering certain bodies whose bed and shores are similar to those
of the body by whose vibration the sound is made, a part of the
sound is reflected back and forth, thus causing what is called
sympathetic vibration. Fluids act that way just as dogs bark
and bite, because it's their nature to. And they never consult
scientists. They don't care anything about scientists. Awfully
funny things, fluids are. They arc not a bit polite; just as
soon run over Ellen's feet as anywhere else. And the fluid of
electricity is as wavering in its course as the roots of a tree,
moving where there's the least resistance; — thus the lightning.
And all fluids do the same thing; for that is the way they
are made.
'* Surely the old Pine doesn't suppose that either eddies or
WtllSPEHINGS OF AN OLD PINE
295
sympathetic vibration take place without cause, does he,
or that the cause has something to do with the rings of Saturn,
or the hiding of Moses in the bulrushes? Or does he think
with the scientists that the cause is the hitting of these bodies
by air waves that never had existence, or» if they did exist»
would be entirely unable to make such bodies vibrate?"
**0h* no/* 1 said; *' the old Pine knows that nothing takes
place without a cause, and that all causes must be sufficient
and closely connected with their phenomena. And he sees
that the cause of an eddy is the nature of its bed and shores.
And he sees, too, that the cause of sympathetic vibration must
be, as Ellen says, in the nature of the channels of the body in
which it takes place."
"Sensible old Pine," she said* '*In a somewhat similar
manner the flowing of streams In^ pools or basins of lower
level is explained. And thus electricity flows from a higher
to a lower potential ; nor docs Ellen see why such a feature
with streams of sound need be more remarkable than the
similar action of other streams.
**For within certain limits sound, like light or heat or elec-
tricity, is distributed evenly through the atmosphere and all
bodies conducting it* Nor is it controlled by the laws of
gravitation. And this is one of the remarkable things con-
nected with that division of matter which we arc now con-
sidering, that it appears to be outside of the action of
gravitation* Nor can Ellen see anything remarkable in this;
for gravitation, in whatever it consists, exists for certain
purposes. Nor is there any reason to suppose that its action
extends beyond these purposes. But Ellen does not think at
296 ELLEN OR THE
all that the laws of the universe are coincident with those of
gravitation. For gravitation, as Ellen thinks, is but the flowing
of streams of subtle matter, whose function is to hold in their
places certain other portions of matter, which, especially, include
the heavenly spheres, and all material things perceivable by us.
It is ponderable bodies, and those only, which come under
the influence of gravitation. They include all those things
which are most intimately known to us, but, as Ellen thinks,
they include a very small part of the immensity of the
universe. For it is not reasonable to think that more than a
small part should be revealed to an understanding hampered
as ours is, and limited to a duration so brief.
"Ellen now approaches a chapter in Mr. Tyndall's book that
for ways that are dark and tricks that are vain is peculiar. It
is the chapter on resonance, the principal statement in which
is essentially false, and, as would appear, intentionally mis-
leading. Ellen will quote :
*The series of timing forks now before you have had their rates of
vibration determined by the siren. One, you will remember, vibrates
256 times in a second, the length of its sonorous wave being four feet
four inches. It is detached from its case, so that when struck against
a pad you hardly hear it. When held over this glass jar, a u, fig. 14,
18 inches deep, you still fail to hear the sound of the fork. Preserving
the fork in its position, I pour water with the least possible noise into
the jar. The column of air underneath the fork shortens, the sound
augments in intensity, and when the water has reached a certain level
it bursts forth with extraordinary power. A greater quantity of water
causes the soimd to sink, and become finally inaudible, as at first. By
pouring the water carefully out a point is reached where the reenforce-
ment of the sound again occurs. Experimenting thus, we learn that
WH1S!'ERINGS OF AX OIJ) PINE
297
there is one particular length of the column of air which, when the fork
h placed above it, produces a maximum augmentation of the sound*
This reenforcement of the sound is named resonance.
'Ofierating in the same way with ail the forks in succession, a column
of air is found for each, which yields a maximum resonance. These
columns become shorter as the rapidity of vibration increases.
'What is the physical meaning of this very wonderful effect? To
!4olve this question we must revive our knowledge of the relation of the
motion of the fork itself to the motion *'f the sonorous wave produced
Kig. 14.
by ihe fork. Supposing a prong of this fork, which executes 256 vibra-
tions in a second, to vibrate between the points a and A, fig. 15, in its
motion from r^ to ^ the fork generates half a sonorous wave, and as the
length of the whole wave emitted by this fork is four feet four inches,
at the moment the prong reaches ^ the foremost point of the sonorous
wave will be at c, two feet two inches distant from the fork. The
298 ELLEN OR THE
motion of the wave, then, is vastly greater than that of the fork. In
fact, the distance a b is, in this case, not more than one-twentieth of an
inch, while the wave has passed over a distance of twenty-six inches.
With forks of lower pitch the difference would be still greater.
* Our next question is, what is the length of the column of air which
resounds to this fork ? By measurement with a two-foot rule it is found
to be thirteen inches. But the length of the wave emitted by the fork
is fifty- two inches ; hence the length of the column of air which
resounds to the fork is equal to one-fourth of the length of the sound
wave produced by the fork. This rule is general, and might be illus-
trated by any other of the forks instead of this one.
' Reflecting on what we have now learned, you would have little diffi-
culty in solving the following beautiful problem : You are provided with
a B
-ze inches >c
V
Fig. 15.
a tuning fork and a siren, and are required by means of these two
instruments to determine the velocity of sound in air. 1\) solve this
jnoblem you lack, if anything, the mere power o{ manipulation which
practice imparts. You would first determine, by means of tlie siren»
the number of vibrations executed by the tuning fork in a second ; you
would then determine the length of the column of air which resounds
to the fork. This length multiplied by four would give you, approxi-
mately, the wave length of the fork, and the wave length multiplied by
the number of vibrations in a second would give you the velocity in a
second. Without quitting your private room, therefore, you could solve
WHISPERINGS OF AN OLD PINE
299
this important problem. We will go on, if you please, in this fashion,
making our footing sure as we advance/
** These conclusions are entirely false» because they teach that
resonance is due to a certain length of jar. and that this length
is proportional to that of the hypothetical air waves, and for
a perfect result is exactly one-quarter of their length; the truth
being, as is self-evident, that the}- hav^e no relation whatever,
not the slightest, with the supposed lengtli of these hypo-
thetical air waves.
**The effect of resonance does not necessarily depend upon
the height of the jar above which the fork is sounded. It
depends upon the general shape of the jar. With a fork of
256 vibrations Ellen obtained the greatest resonance from a
glass pitcher with handsome swelling form of eight and one-
half inches in height, (fig. 16) ; the next best resonance was
from a pitcher of different shape and somewhat lower. Good
results were got all the way from one-half inch to nineteen
inches from the same tin tube. With a regulation cylinder
(of brass) having a diameter of two and seven-eighths
300 ELLEN OR THE
inches and eighteen inches long, furnished by instrument
makers, the greatest reinforcement was at twelve inches
instead of the theoretical height of thirteen inches. Prob-
ably a cylinder could be made that would fit the theory,
but this would mean that the resonance jar might be of any
height. It follows as regards the speed of sound in different
bodies, that the estimates depending upon the supposition that
the best effects of resonance come from a jar one quarter of
the length of these hypothetical air waves are wholly worthless.
"The word resonance as applied to sound has two mean-
ings. It may come from the reflection of sounds as in rooms,
or, as in these experiments, it may be the result of an increased
amount of vibration. It is the air that vibrates in jars, and it is
essential that the jar should be of such shape that the* air within
it may vibrate synchronously with the sounding body. Ellen's
experiments proved that the air in jars of very different shapes
would thus vibrate, and that the greatest resonance is obtained,
not from any particular length, but from certain conformations.
"In the last chapter Mr. Tyndall refers to what is called
interference of sound, or the supposed coincidence of air waves.
It is stated that sound is thus increased in intensity or
destroyed; and that always similar instruments of the same
pitch, if placed a wave's length apart, will reinforce, and, if half
a wave length, will destroy sound.
"These statements are not true; but when a vibrating
tuning fork, held near the ear or near a resounding vessel, is
turned around, a marked difference in the sound takes place.
It is also in evidence that the diminution of sound connects
with the vibration of the two prongs. For if something is
WiilSPEKlNGS OF AN OLD PINE
30t
placed bctw^een the prongs of the fork, the sound is immediately
increased.
•*The two iUustrations given are of sound acting in two very
different positions. For entering the ear it finds its way to
the auditory nen^c and is so conveyed to the soul ; but enter-
ing the resonant vessel it causes the air within this vessel to
vibrate synchronously with the sounding body, and so to pro-
duce more sound. But in this they are alike, that in each case
it is a question of sound entering or not entering the ear or
resounding vessel/*
"And what is the explanation of the diminution m sound,
Ellen?*' I asked.
**This is owing to the fork being inclined differently to the
opening of the ear. Of course the corners could throw off
but comparatively little sound, and of course, too, the most
sound enters the car when the flat part of the fork is towards
its opening, thus throwing the sound directly into the car.
When something is placed bet%veen the prongs, the sound is
immediately increased, evidently because the paper guides the
sound thrown off by the fork towards and into the ear.
"This is the favorite experiment used to illustrate so-called
wave interference, although there is no separation by a half
wave or a whole wave, but, instead, by a distance varying with
different forks and generally quite small As every one can
sec, it is completely and far mdre accurately explained by the
corpuscular theory.
302 ELLEN OR THE
XIX.
^^DUT, Ellen," I said, "do not some scientists claim that
*--^ the velocity of sound constantly varies ? '*
"The different experiments to test the velocity of sound,"
she answered, ** which Ellen has been able to find, are as fol-
lows. Ganot says :
'Since the propagation of sound waves is gradual, sound requires a
certain time for its transmission from one place to another, as is seen
in numerous phenomena. For example, the sound of thunder is only
heard some time after the flash of lightning has been seen, although
both the sound and the light are produced simultaneously ; and in like
manner we see a mason at a distance in the act of striking a stone
before hearing the sound.
'The velocity of sound in air has often been the subject of experi-
mental determination. The most accurate of the direct measurements
was made by Moll and Van Beck in 1823. Two hills, near Amsterdam,
Kooltjesberg and Zevenboomen, were chosen as stations : their dis-
tance from each other as determined trigonometrically was 57,971 feet,
or nearly eleven miles. Cannons were fired at stated intervals simul-
taneously at each station, and the time which elapsed between seeing
the flash and hearing the sound was noted by chronometers. This
time could be taken as that which the sound required to travel between
the two stations ; for it will be subsequently seen that light takes an
inappreciable time to traverse the above distance. Introducing cor-
rections for the barometric pressure, temperature, and hygrometric
state, and eliminating the influence of the wind, Moll and Van Beck's
■
THE (lEW YORK
PUBLIC LIBRARY
titDKH rouNeAti#ift
r^H
ULD Vim
results as recalculated by Schroder van der Kolk gave 1,092^78 feet as
the velocity of sound in one second in dr}' air at o'' C. and under a
pressure of 760 mm. Kendall, in a North Pole expedition, found that
the velocity of sound at a temperature of-40** was 314 metres, or 1050 4
feet. Stone's determinations, made at the Cape of Good Hope with
very great care, gave 1090*57 feet, or 332*4 metres, as the velocity of
sound at o**,
'The velocity of sound at zero may be taken at 1,093 fc^*» or 333
metres. This velocity increases with the increase of temperature and
may be calculated for a temperature /° from the formula
v^ i,o93v'( I +0-0036 65/)
where 1,093 is the velocity In feet at 0° C, and 0-003665 the coefficient
of expansion for 1** C. This amounts to an increase of nearly two feet
for every degree Centigrade For the same temperature it ts inde-
pendent of the density of the air, and consequently of the pressure.
It is the same for the same temperature with all sounds, whether they
be strong or weak, deep or acute. Biot found, in his experiments on
the conductivity of sound in tubes, that when a well-known air was
played on a flute at one end of a tube 1,040 yards long, it was heard
without alteration at the other end, from which he concluded that the
velocity of different sounds is the same. For the same reason the tune
played by a band is heard at a great distance without alteration, except
in loudness, which could not be the case if sounds differing in pitch
and intensity travelled with different velocities.
'This cannot, however, be admitted as universally true. Earnshaw,
by a mathematical investigation of the laws of the propagation of sound,
concludes that the velocity of a sound depends on its strength; and,
accordingly, that a violent sound oufjht to be propagated with greater
velocity than a gentler one. This conclusion is confirmed by an
observation made by Captain Parr>^ on his Arctic expedition. During
artillery practice it was found, by persons stationed at a considerable
306 ELLEN OR THE
distance from the guns, that the report of the cannon was heard before
the command to fire given by the officer. And, more recently, MaUet
made a series of experiments on the velocity with which sound is propa-
gated in rocks, by observing the times which elapsed before blastings,
made at Holyhead, were heard at a distance. He found that the larger
the charge of gunpowder, and therefore the louder the report, the
more rapid was the transmission. With a charge of 2,000 pounds of
gunpowder the velocity was 967 feet in a second, while with a charge
of 12,000 it was 1,210 feet in the same time.
'Jacques made a series of experiments by firing different weights of
powder from a cannon, and determining the velocity of the report at
different distances from the gun by means of an electrical arrangement.
He thus found that, close to the gun, the velocity is least, increasing to
a certain maximum which is considerably greater than the average
velocity. The velocity is also greater with the heavier charge. Thus
wiih a charge of ij4 pounds the velocity was 1,187, ^^^ with a charge
of J4 pound it was 1,032 at a distance of from 30 to 50 feet; while at
a distance of 70 to §0 it was 1,267 ^^^ 1,120 ; and at 90 to 100 feet it
was 1,262 and 1,114 respectively.
'Bravais and Martins found, in 1844, that sound traveled with the
same velocity from the base to the summit of the Faulhorn as from the
summit to the base.'
" It will be seen that in this matter of the speed of sound,
the scientists do not know whether they are on foot or horse-
back. They seem to be a very ignorant kind of people."
"Yes," I said, "some go one road and some go another, led
by theory and experiment."
"And ICllcn notices," she said, "that they don't lack long for
an experiment to match a theory. So that, if they can decide
what theory they want, they will soon be ready for the journey.
WHISPERINGS OF AN OLD PINE
307
"The statement made by M, Ganot that *this cannot be
admitted as universally true/ is unusually stupid. It is like
saying that water is influenced by the action of gravity, but
that this cannot be admitted as universally true. The mathe-
matical investig^ation by Earnshaw, showing that sounds of dif-
ferent intensity have different velocities, assumes Lapface*s
explanation of the difference between theory and experiment
in the velocity of sound to be correct; but in truth proves, as
must be evident to an\- one with good sense, that it is incorrect.
'*The experiments by Jacques, barring errors, give the
velocity of d pulse. The assumption that this is the same as
that of sound is another illustration of the frequent inability
of scientists to correctly interpret phenomena.
**The experiments of M. Jacques are thus described in the
* American Journal of Science,' vol. 117:
*In the midst of a large level field was placed a six-]>uund brass
field-piece. In the rear of this, at distances of 10, 30, 50, 70, 90 and
110 feet from mouth of cannon, were placed the membranes elevated
about 5 feet alwve the groimtl. These membranes consisted of a hoop
c^" in diameter over which was stretched a sheet of thin riibben To
the center of the membranes and on the side toward the cannon was
attached a very small shelf of polished brass. Upon this rested one
end of a delicate steel spring, the other end being fixed to an inde-
pendent support.
•The wire that brought the current of electricity from the chrono-
graph house was connected with the spring, and from the shelf a second
wire relumed to the chronograph. When the spring rested upon the
shelf| the circuit was closed. The passage of the sound wave, how-
ever, would move the membrane and break the circuit, causing a regis-
ter on the chronograph. When the spring fell it rested upon the
3o8
ELLEN OR THE
contact point from which a wire ran to the next membrane of the
series, so that the circuit, immediately after being broken at the first
membrane, was made again through the second before the sound wave
reached it. In this way the current could be transferred to all the
membranes of the series and the successive breakings and makings of
contact, as the sound wave passed each one, could be registered on a
chronograph placed at a distance.
TABLE OF RESULTS, WITH VELOCITY REDUCED TO 0° C.
Rear of Cannon.
Distance from
Side
of C^annon.
Mouth of Cannon.
Charge, i^^o lbs.
Charge, }.» lb.
10-30 feet.
1076
30- 50 "
1 187
1032
1067
50- 70 **
1240
1091
1162
70- 90 "
1267
1 1 20
I20I
90-110 "
1262
1114
1 188
* Had the cannon been turned in the direction of the line of mem-
branes, the retardation would i)robably have become an acceleration.
The experiment was of course impracticable. The conclusions are
from these experiments : i. That the velocity of sound is a function of
its intensity. 2. That experiments upon the velocity of sound in which
a cannon is used contain an error, probably due to the bodily motion
of the air near the cannon. Evidently a musical sound of low intensity
must be used to obtain the correct velocity of sound.'
"The conclusions are of course utter nonsense, and arise
from confusing a pulse of air with sound.
**Prof. David Thompson, in his article on 'Acoustics/ in the
Encyclopaedia Britannica says:
*The experimental determination of the velocity of sound in air
has been carried out by ascertaining accurately the time intervening
WIIISFERIXGS OF AN OLD PINK
309
between the flash and report of a gun as observed at a given distance,
and dividing the distance by the lime. A discussion ot the many
experiments conducted on this principle in various coimtries and at
various periods, by Van Der Kolk {LontL a$uf Edin, P/tiL Ma^,, July ,
1865), assigns to the velocity of sound in dry air at 32** Fahr., 1091
feet S inches per second, with a probable error of i 3*7 feet ; ami still
more recently (in 1871) Mr, Stone, the Astronomer Royal at the Cape
of Good Hope, has found 1,090*6 as the result of careful experiments
by himself there. The coincidence of these numbers with that we have
already obtained theoretically sufFicienlly establishes the general accu-
racy of the theory.
'Still it cannot be overlooked that the formula for V is founded on
assumptions which, though approximately, are not strictly correct.
Thus, the air is not a perfect gas, nor is the varialiou of elastic force
caused by the i>assage through it of a wave of <listurbanre always very
small in comparison with the elastic force of the undisturbed air.
Earnshaw {1S5S) first drew attention to these points, and came to the
conclusion that the velocity of sound increases with its luudness, that is,
with the violence of the disturbance. In confirmation of this statement
he appeals to a singular fact, viz., that, during experiments raade by
Captain Parry, in the North Polar Regions, for determining the velocity
of sound, it was invariably found that the report of the discharge of
cannon was heard, at a distance of 2}4 miles^ perceptibly earlier than
the sound of the word Jirf, which, of course, preceded the discharge.*
•*The facts in regard to the expcrinicnts made by Cii plain
Parry arc thus reported by Rev. George Fisher, the astronomer
of the expedition (Appendix to *Farry*s Second Voyage/
page 239):
•The experiments on the 9th of Febryary, 1822, were attended with
a singular circumstance, which was, the officer's word nf command
3IQ ELLEN OR THE
" Fire I '* was several times distinctly heard by Captain Parry and myself,
about one beat of the chronometer (nearly half a second) after the
report of the gun ; from which it would appear that the velocity of
sound depended, in some measure, upon its intensity. The word " fire "
was never heard during any of the other experiments. Upon this occa-
sion the night was calm and clear, the thermometer 250 below zero,
the barometer 28.84 inches, which was lower than it had ever been
observed before at Winter Island.'
*'Thc statement of Mr. Thompson that the word 'fire' of
course preceded the discharge is unwarranted. The occur-
rence referred to was noticed on but one occasion, and might
most naturally be accounted for on the supposition that the
cannon was inadvertently fired before the word was given.
In the nature of the case, as there would be several warnings,
the gunner would know about the time the word was to be
spoken, and might naturally anticipate it.
** In the* Royal Transactions,' vol. 20» Mr. Walker says:
* The Academy del Cimcnta caused six aniuehiises and six cham-
bers to be fired one after another at the distance of 5739 English feet,
and from the flash to the arrival of the report of each was five seconds.
And repeating the experiment at the midway, the motion was in
exactly half the time.
* Mersennus and the Academy liel Cimenia conclude that sounds are
all of the same quickness, whether they be great or small. But Kircher
from several experiments infers that loud sounds are quicker than little
ones. Kircher says that an echo which repeated 14 syllables at night,
repeated but seven in the day, which seems very odd.
* Because there seems to be so great affinity betwixt the undulation
of water and the propagation of sound, therefore the Academy del
Cimenia tried some experiments about the first : and they tell us that
WHISPERINGS OF AN OLD PINE
;i T
the larger the stone is, which is thrown into the water, and the greater
the force, by so much is the undulation swifter; though Gassendus had
before affirmed that the nndnlations of water are equally swift/
**Mr Geo, B. Air\', in his book 'On Sound/ says:
'The firet of the obvious laws of sound in general is, that it dimin-
ishes with the distance. The accurate law of diminution will be con-
sidered hereafter when we have applied mathematical investigation to
the theory* The second law, which is less obvious, but which is suffi-
ciently well known, and has been remarked by observant persons in all
ages (see, for instance, Lucretius, VL 169, etc.) is, that the propaga-
tion of sound to a distance occupies time, and that the lime required is
sensibly proportional to the distance to be traversed. It is also
well known that sounds of different pitch antl of difTerent loudness
travel with sensibly the same speed : the soumls of a ring of bells, at
whatever distance they are heard, fall on the ear in the same order.
ll\e velocity may be stated roughly to lie between looo feet and 1200
feet per second. The numbers, and their variation under certain cir-
cumstances, will be given with greater accuracy when we treat of the
theoretical investigation.'
"Mr, W. M, [fifjgins. in 'Philosophy of Sound/ says:
* The whole science of music may in one sense be said to depend on
the fact that all sounds have the same velocity. If the velocity of
sound changed with the pitch, nothing but discord would be heard by
one who listened to music at a distance. On a still night music may
be heard far away, and especially if the performers and listeners ht
separated by water, and yet the harmony is preserved. The timt
required for conduction is altogether independent of the pitch.
Imagine it to be otherwise ; suppose the high notes to move fastei
than the lower ones, and w^hat a chaos of sound would be produced bi
312 ELLEN OR THE
the performance of a large band. We may, however, stand at any dis-
tance and can discover no want of harmony from this cause ; there are
no notes which are running before, and none that are lagging behind ;
they are all of the same relative duration, and separated by the same
interval of time, at a distance where they can be only just heard, and
on the spot where drawn from the instruments that gave them birth.'
" In vol. 27 of the * London, Edinburgh and Dublin Philo-
sophical Magazine,' Professor J. LcConte says :
'On a fine and still evening of June, 1858, the Messiah was per-
formed in a tent^ and the Hallelujah Chorus was distinctly heard, without
loss of harmony^ at a distance of two English miles. As it is well
known that the human ear appreciates, with the greatest nicety, the
slightest differences in musical intervals, these facts may be considered
as establishing the absolute consistency of the velocity of all sounds em-
braced within the musical scale.'
"Sir J. F. Herschel, in an article on * Sound' in the Ency-
clopa,^dia Metropolitana, says :
' In a paper communicated to the Royal Society in 1708 by Dr. Dur-
ham, the subject of the velocity of sound is investigated more fully and
distinctly than had J)efore been done, and with some degree of attention
to a variety of circumstances, such as : i. The direction and velocity of
the wind ; 2, Amount of barometric pressure ; 3, Temperature of the
air; 4, State of moisture and dryness; 5, Weather, whether fog, rain,
snow, etc. ; 6, Nature of sound, how produced, by blow, quaintest
voice, or musical instrument ; its pitch, quality and intensity ; 7, Orig-
inal direction impressed on the sound by turning, for instance^ the
muzzle of a gun one way or the other ; 8, Nature and position of surface
over which sound is conveyed.
* To all these circumstances, except the wind, Durham attributes no
1
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PUHLIC LIBRARY
M k
^^B
1
WHISPKRINGS OF AN
nf
effect on the velcx:ity, though many, indeed all, have a powerful effect
upon its intensity or loudness.
' The cannonade of a sea fight between the English and Uutch in
1672 was heard across Englanrl as far as Shrewsbury, and even in
Wales, upwards of 200 miles,
'That sounds of all pitches and every quality, travel with equal s])eed,
we have a convincing proof in the performance of a rapid piece of music
by a band at a distance. Were there the slightest difference of velocity
in the different notes> they could not reach our ears in the same precise
fsrder, and at the exact intervals of time in which they are played \ nor
would the component notes of a harmony, in which several sounds of
fkfTerent pitch concur, arrive at once. M. Biot caused several airs to
be played on a flute at the end of a pipe 3,120 feet long, which w^ere
distinctly heard by him at the other end, without the slightest disar-
rangement in the order or intervals of the high and low notes.
'A very material difference, however, is obsen'ed in the intensity
with which sounds are propagated, or the ilistances to which they may
he heard with equal distinctness according to a great variety of circum*
stances. Thus, if a sountl l>e prevented from spreading and losing
itself in the air, whether by a pipe, or wall, or otherwise, it may he con*
veyed to very great distances with little diminution of force/
" Hutton'*^ Mathematical Dictionary. 1795, f>ays:
'By the accounts published by M. Cassini de Thury, in ihe
"Memoirs of the Royal Academy of Sciences at Paris," 173S, where
cannon were fired at various as well as great distances, under many
varieties of weather, wind, and other circumstances, and where the
measures of the different places had been settled with the utmost
exactness, it was found that sound was propagated, on a medium, at
the rate of 1,038 French feet in a second of time* But 1,038 French
3l6 ELLEN OR THE
feet are equal to 1,107 English feet. Therefore the difference of the
measures of Derham and Cassini is 35 English feet, or 33 French feet,
in a second.'
*' In the * Proceedings of the Royal Society of London,' vol.
113, page 96 (1823), an article by John Goldingham says:
'A scientific writer (Robertson) in a standard work, states that
some of the most eminent philosophers, judging that the knowledge of
the flight of sound might be of use on various occasions, have been at
extraordinary pains and expense to measure the rate at which it moved ;
and the result of their experiments, particularly of those which were
best conducted, is as follows :
' I. That the velocity of sound is the same, whether by sea or by
land, in dry or in rainy weather, by day or by night, in winter or
summer.
' 2. That sound, whether more or less strong, flies with the same
swiftness. For by experiments a cannon fired with a half-pound charge
of powder, was heard at about the distance of 17I2 miles in the same
time after the flash was seen as it was when fired with a charge of six
pounds.
'3. That the times in which sound is heard are pr()i)ortional to the
distance ; that is, at a double distance it is heard in twice the time ; at
a triple distance, in thrice the time, etc.
'This, however, is not supported at a// points by the experiments I
am about to detail ; nor indeed could we expect it would be, from the
manner in which sound is conveyed ; as this leads us to the conclusion,
that the more dense and less elastic the atmosphere, the slower sound
would travel.*
" D. G. Gregory, in ' Economy of Nature,' says:
* Some curious experiments were made relative to sound by MM.
de Thury Maraldi and de la Caille upon a line 14,636 fathoms in length.
WHISPERINGS OF AN OLD HNE 317
having the tower of Mount Liberi at one end anil the pyramid of Mont-
martre at the other. Their observatory was placeil between the two
objects. The results of their observations were : i. That sound moves
173 French fathoms (1,106^ English feet) in a second when the air is
calm. 2. That sound moves with the same degree of swiftness,
whether it be strong or weak. An explosion of half a pound of ix)wder,
discharged in a lx)x, having been heard in the same space of time as
the report of a great gun charged with nearly six poimds of jKJwder.
3. That the motion of sound is uniform, its velocity neither accelerating
nor diminishing through the whole course of its progress. 4. That
sound traveled at the same rate whether the gun be pointed perpen-
dicular to the horizon, or towards the person who hears the report, or
from him. By other experiments, however, the progress of sound
appeared to be impeded by a strong wind.*
** These statements are quite complete and specific that
sounds of different intensities travel at the same speed, and that
this speed is independent of distance, nor do there appear to
have been any well authenticated experiments to disprove this."
3l8 ELLEN OR THE
XX.
^^T^HIS theory of sound seems to be very stupid," I
^ said.
" Awfully stupid," she replied; ** and it's everywhere stupid.
The only merit Ellen ever found in it was its consistency in
stupidity. Without exception the evidence is against it
wherever examined, so that to believe it to be true, one has to
believe something true which every particle of evidence contra-
dicts; and that, of course, no person with any sense would do.
**The theory is a crude one, built on the fact that sounds are
generally hcan^ in air. It is said to have been handed down
from the time of Pythagoras, the great Greek philosopher,
or before ; and if so, hails from the same quarter and time as
the Ptolemaic system of astronomy, which held that the sun
went around the earth, and for 2000 years or more was univer-
sally taught.
**More accurately, this theory in its present form teaches
that sound is propagated through the air from the center of
disturbance or sounding body, by a so-called wave motion —
that is, a motion similar to that which takes place in still water,
when a stone or other body is thrown into it.
"This introduces a subject of great beauty, both of vision
and melody, — that of waves. In the article on waves Chambers'
Encyclop.iedia says :
'We next come to what are called oscillatory waves in water
or other liquids. To this class belong all waves whose length from
WHISl'ERINGS OF AN OLD I'lNE
319
crest to crest is small compared with lUe depth of the liquid ;
from ripples on a pool to the long roll of the Atlantic, They are never
observed as solitary' waves, their general characteristic being their peri-
odical recurrence. And, by watching a piece of cork floating on the
surface, we see that it moves forwards when at the crest of the wave,
and backwards through an equal amount when in the trough. Also it
rises while passing from trough to crest, and sinks from crest to trough.
Mathematical investigation, confirmed by experiments with floats at sea,
and with short waves in the glazed box before described, shows that
each particle of the water describes a drcie about its position of rest
in the vertical plane in which the wave is advancing. Particles at
greater and greater depths describe smaller and smaller circles. The
diameters of these circles diminish with extreme rapidity. At a ilepth
equal to the distance from crest to crest (i. e., the length of the wave),
the displacement of the water is already only 1-5 35th of that at the
surface. At the depth of two wave-lengths, it is about i -300,000th of
that at the surface. Thus we may see to how small a depth the ocean
is agitated even by the most tremendous wind- waves ; for, according
to Scoresby, 43 feet is about the utmost diflference of level between
crest and trough in ocean- waves. If the wave-length be 300 feet
(which is a large estimate), then at a depth of 300 feet the water- par tide*
describe circles whose radii are only the 2i.5*535th of a foot, or about
four-tenths of an inch; and at 600 feet this is reduced to i-i 200th of
an inch ; while the depth of the Atlantic is in many parts more than
three or fotir miles. In this case, the velocity of propagation of the
wave has been shown to be
where ^ is 32*2 feet ; / is the wave-length in feet ; and ir is the ratio
of the circumference of a circle to its diameter. Thus, the velocity of
an oscillatory wave in deep water is proportional to the square root of
its length. • • •
320 ELLEN OR THE
' When the depth is not infinitely great compared with the length of
a wave, theory and experiment agree in showing that the motion of
each particle takes place in an ellipse whose major axis is horizontal.
These ellipses diminish rapidly in length as we descend in the liquid,
but still more rapidly in breadth ; so that, as was to be expected, the
particles at the bottom oscillate in horizontal straight lines. The ex-
pression for the velocity of propagation is now by no means so simple
as in the previous cases — but it is easily shown to include the valuer
already given.
* So far, the first approximation. A section of the surface made by a
vertical plane in the direction of the wave*s motion, is shown to be
bounded by the Harmonic Curve, or Curve of Sines^ the form assumed
by a vibrating string ; from which it follows that the crests are
similar to the troughs. The second approximation makes the troughs
flatter, and the crests steeper, and also shows that the particles
are, on the whole, carried forward by each successive wave. The
amount of this progression diminishes rapidly with the depth below the
surface. A third approximation shows that the velocity is, ceteris pari-
busy greater the greater is the height of the waves.
'When waves advance toward the shore, their circumstances change
in general gradually, from those of oscillatory waves to those of waves
of translation, as the depth of the water becomes less and less consid-
erable in comparison with the length of the wave ; and it is found by
experiment that they "break," as it is railed, when the depth of the
water is about equal to the height of the crest above the undisturbed
level. All the curious phenomena of breakers are thus easily explained
by the results we have already given, when they are considered with
reference to the gradual alteration of the depth of the water.
'Finally, we must notice a singular phenomenon often observed, viz.,
that of a series of waves breaking on the coast, every eighth, or ninth,
or tenth, etc., is seen to be higher than its predecessors or successors.
WHfSPERINGS OF AN OLD PINE
The explanation is simple enough, and points to the siraultiineous exist- ,
ence of two or more sets of oscillatory waves of different lengths, due
in general to quite distinct causes, which reach the shore together.*
"The assumption of scientists is that sound is carried in the
air by air waves, resembling water waves. Thus l*rofessor
Hehiiholtz, the highest scientific authority, says:
'Suppose a stone to be thrown into a piece of calm water. Round
the spot struck there forms a little ring of wave, which, ail%'ancing
equally in all directions, expands lo a constantly increasing circle^
Corresponding to this ring of wave sotmd also proceeds in the air from
the excited point, and advances in all directions as far as the limits of
the mass of air extend. The process in the air is essentially identical
with that on the surface of water. ♦ • • phe ]>rocess which goes
on in the atmospheric ocean about us is of a precisely similar nature,
• * • The waves of air ♦ • * transport the tremor to the
human car exactly in the same way.* — Setisaiion\' of 7)>ne^ pages 14, 15.
**Thc popular acceptance of the undulatory theories has
unquestionably been largely due to this comparison with water
waves, and the inference that the waves considered, whether of
sound or light, are essentially the same. It reduced the
theory to a practical condition, and was especially satisfactory,
because the manner in which water waves apparently pass each
other, was supposed to represent the manner in which sounds
pass each other. To further illustrate this fact, Ellen will quote
as follows ;
"First, from the ' Circle of Sciences,' vol. i, pages 13, 14, 52:
' Quitting the material theory of heat, or, as it has been sometimes
called, the " corpuscular/' because corpuscles, or small particles, of
322 ELLEN OR THE
this quasi- material were supposed to emanate from heated bodies — we
now proceed to investigate what has been termed the "undulatory
theory/* or that which explains the production and effects of Heat,
Light, etc., on the supposition that an "^-///^r," by its wave-like or
undulatory motion, is their mutual cause.
'The term undulatory has been derived from the Latin word unda^ a
wave ; and the reader will understand the nature of the whole undu-
latory theory by performing what at first sight may seem a most childish
experiment ; but which has, in its application, as much effect on the
scientific theories of the present day, as had the notable one observed
by Newton — namely, the falling of an apple.
' On casting a pebble into a still pond, it will be observed that the
water forms a series of circles, all of which have the point where the
stone first touched the water as their common centre. These waves, or
undulations, thus created, continue to be produced, until the edge or
bank of the pond prevents their further propagation. At first sight it
would seem that the water really moved in a horizontal direction from
the center : but, on a careful examination, such will not be found to
be the case. Each particle of water communicates its motion to that
next to it ; and thus each particle is scarcely disturbed horizontally :
the action rather raises the particles in an upright or vertical posi-
tion ; and thus the apparent and actual motion afford a i)aradox, and
also a refutation to the general idea "that seeing is believing."
'A very familiar illustration of the fact, that the body or mass of the
water does not move, is found in the case of a swan or other bird float-
ing on ruflled water. Instead of the bird moving in the apparent
direction of the waves, in the absence of li.le or current, its body will
retain its horizontal^ although its vertical or perpendicular position will
undergo continual change.
' By refining the ideas or imagination, and supposing the existence of
an extremely rare substance, which has been called "^///<fr," undula-
WHISPRRI?
OX
32i
lions in this material have been suggested as the cause of the forces of
which we have now to speak ; and, as we shall presently show, that
although the idea or theory has no exact foundalion, still it has the
inestimable advantage of explaining a variety of phenomena for which
we have no equally suitable expression.
•Taking as a postulate the existence of an ether, we proceed to speak
of its motion as the cause of forces; and we may here remark, that
whilst the undulations of the ether may be proximate causes^ wc
assume the existence of some unknown force, the action or suspension
of which is the uUimatt cause of the proximate. Of the ultimate cause
we are ignorant ; we can only assign its origin to the First Cause, of
whom it has been recorded ^ —
**Go(l said, Let there be light, and there was light."
'When two pebbles arc cast into the same still sheet of water, it will
be found that the waves produced destroy each other when they come
in contact in certain positions. Transferring our attention to the
undulations of ether in a binary or two- fold form, we can thus explain
the cause of interference and polarization ; and assuming that any
number of undulations may be produced by a similar number of
initiative motions, we can, by applying the doctrine, explain a vast
variety of the phenomena of the forces now under discussion. The
reader will do well to study the eflfects produced by casting stones into
still water, and by watching the results afforded when the radial waves
intersect each other. Indeed, we cannot recommend any plan so
effective for inducing an appreciative idea of the various laws to which
the undulations of a fluid are subject.'
"Seconds from Professor TyndalFs Book • On Sound/ pages
3S4-3S7:
* From a boat in Cowes Harbor, in moderate weather, I have often
watched the masts and ropes of the ships, as mirrored in the water.
324 ELLEN OR THE
The images of the ropes revealed the condition of the surface, indi*-
eating by long and wide protuberances the passage of the larger rollers,
and, by smaller indentations, the ripples which crept like parasites over
the sides of the larger waves. The sea was able to accommodate itself
to the requirements of all its undulations, great and small. When the
surface was touched with an oar, or when drops were permitted to fall
from the oar into the water, there was also room for the tiny wavelets
thus generated. This carving of the surface by waves and ripples had
its limit only in my powers of observation ; every wave and every ripple
asserted its right of place, and retained its individual existence, amid
the crowd of other motions which agitated the water.
*The law that rules this chasing of the sea, this crossing and inter-
mingling of innumerable small waves, is that the resultant motion of
every particle of 7uater is the sum of the ituUvidual motions imparted
to it. If a particle be acted on at the same moment by two impulses,
both of which tend to raise it, it will be lifted by a force equal to the
sum of both. If acted upon by two impulses, one of which tends to
raise it, and the other to depress it, it will be acted upon by a force
equal to the ditlerence of both. When, therefore, the sum of the
motions is spoken of, the algebraic sum is meant — the motions whiih
tend to raise the particle being regarded as positive, and those which
tend to depress it as negative.
* When two stones are cast into smooth water, 20 or ^^o feet apart
round each stone is formed a series of expanding circular waves, every
one of which consists of a ridge and a furrow. The waves touch, cross
each other, and carve the surface into little eminences and depressions.
Where ridge coincides with ridge, we have the water raised to a double
height ; where furrow coincides with furrow, we have it depressed to a
double depth ; where ridge coincides with furrow, we have the water
reduced to its average level. The resultant motion of the water at
every point is, as above stated, the algebraic sum of the motions im-
THF NFW YCRK
piU-iU: LIBRARY
- . e > ■'.; I A N L
WinsrEKIXCJS OF A3Sr OLD TINE
1^7
pressed ujioii that i>oiiU. And if, instead of two sowrces of disturbance,
we had leii, or a hundred, or a thousand, the ronse([uence would be the
same ; the actual result might transrend out powers of observation^ but
the law above enunriated would still hold good*
• Instead of the intersection of waves from two distinct centres of dis-
liirbame, we may cause direct and reflected waves, from the same
centre, to cross each other. Many of you know the beauty of the
effects produced when light is reflected from np[»les of water. When
mercur>^ is employed the effect is more brilliant stilt. Here, by a
proper mode of agitation, direct and reflected waves may be caused to
cross and interlace, and by the most wonderful self-analysis to untie
their knotted scrolls.
'This power of water to accept and transmit uuiltitudinous impulses is
shared by air, which concedes the right of space and motion to any
number of sonorous waves. The same air is competent to accept and
transmit the vibrations of a thousand instmments at the same time.
When we try to visualize the motion of that air — ^to present to the eye
of the min I the battling of the pulses direct and reverberated — the
imaginjlion retires ba*Tled from the attempt. Still, amid all the com-
plexity, the lav¥ ab3ve enunciated /holiis good, every particle of air
being animated by a resultant motion, which is the algebraic sum of all
the individual motions imparted to it. And the most wonderful thing
of all is, that the human ear, though acted on only by a cylinder of that
air, which does not exceed the thickness of a quill, can detect the com-
ponents of the motion, and, by an act of attention, can even isolate
from the aerial entanglement any particular sound*'
**The trouble with this law of resultant motions, given as the
explanation ol the action of these waves, is that the thing to be
explained is two or more systems of waves passing each other,
while a resultant motion would only at the best explain a single
system. For a resultant motion is but one motion, and if the
328 ELLEN OK THE
motions of all the particles are reduced to resultant motions^
there could be but one system of waves instead of two or more.
Evidently, then, although there may be resultant motions
among the particles, as in those which rise to double height,
and others, this does not explain the progression of the waves.
"With the multitude the effect of this legerdemain of waves,
so long as it is not understood, is very great. The boy, greatly
frightened by a barking dog, replied, when his mother asked if
he did not know that barking dogs never bite, * Yes, he knew,
but he was afraid the dog didn't know.' And so the spectator
watching water waves knows that no particle can go two dif-
ferent ways at the same time ; but he is afraid that the particles
don't know it.
" But as those who have claimed this similarity between
water waves and hypothetical air waves, not to mention
assumed sound waves in earth, iron, steel, and other solid
bodies, are of that class of men known as scientists, that Ellen
has so often warned the old Pine against, who arc very reckless
in statement, often asserting things that arc not only not true,
but impossible, it will be necessary to examine and find out
whctlicr it is possible for such similarity to exist, as this which
has been universally proclaimed by physicists, both in text
books and lectures, to exist between water waves and ima^nnary
air waves.
"The claim that sound proceeds by waves from the excited
point, in a manner essentially identical with waves on the
surface of water, may be tested in water itself. P\)r water
is one of the mediums in which sound moves, and with
a rate of speed about three and one-half times that in air.
WHISPERINGS OF AN OLD PINK
329
If, then, sound is carried by waves essentially identical to water
waves, that fact should be and must be illustrated in water
itself. And if this was a fact, we would suppose that a sound
caused by a stone falling into the water would be carried by the
waves produced at the same moment and by the same cause.
But nothing of this sort happens; for whilst the water waves
are circling at the slow rate of six or eight feet in a second, the
sound is propagated by the water in all directions^ by some
method entirely invisible to the human eye^ at a rate of about
4,000 feet. This would seem to be sufficient proof that waves
similar to water waves have nothing whatever to do with sound ;
for if sound does not make or use this kind of wave in water, it
certainly does not anywhere else. It also becomes manifest that
if sound is propagated by waves, there are two entirely distinct
systems in water — the ordinary surface wave with which air
waves have been compared, and another entirely invisible in
regard to which nothing whatever is known.
"Mr* TyndalFs last statement that *this power of water to
accept and transmit multitudinous impulses is shared by air,
which concedes the right of space and motion to any number
of sonorous waves,* is as purely imaginary as the explana-
tion of the water waves. Air does nothing of the kind, and
has nothing whatever to do with sonorous waves. The
conception that the car could detect the components of
the extraordinary and complicated motion supposed, is
an illustration of the possible conceptions of folly. It
could no more do it than, by the undulations of the sup-
posed ether, it could understand conversation going on in
the fixed stars,
330 ELLEN OR THE
"Again, all water waves have a depth, which is called
their amplitude, from crest to sinus (hollow), or sinus to
crest, of about one to ten as compared with their length.
This is an indispensable characteristic of water waves, as much
as sphericity is of a sphere, or roundness of a circle. The
old Pine will see, then, that if any waves whatever are possible
in connection with sound they are essentially dissimilar to
water waves. Indeed he will see that waves similar to water
waves cannot possibly be used in the propagation of sound, for
if they were their action would be perceived in water, iron, steel,
and many other solids through which sound is conveyed.
But this is not the case.
*' Disturbances made in the water below the surface spread
but a little way toward the top. The disturbance made by a
fish is seen only when the fish is near the surface, and good-
sized stones or other bodies which, thrown into a pond,
would cause a system of waves that would extend many rods
will, when dragged upon the bottom at four to six feet of
depth, cause no waves upon its surface.
'*The water waves arc all right. Ellen has had lots of fun in
throwing stones into a pond and watching the rings of waves
circle on every side, and especially in watching different rings
apparently pass through each other. The water is pressed
downwards and laterally by the stone, which thus starts the first
ring of waves. In this ring there is quite a movement of the
water thrown up by the stone. This is illustrated in throwing
a stone beyond a chip or other article floating on the water, to
bring it shoreward. Immediately, because of gravity, the
water rushes in to fill the space through which the stone
WHISPERINGS OF AN OLD PINE
33t
passed. In doing this it rises above the normal level, thus
startinf^ the second ring of waves. The water is again
drawn down by gravity and between the two forces (the motion
first caused by th^ pushing of the stone, and gravity) oscillates
a number of times^ forming each time a ring of waves, whose
height decreases as the rings enlarge.
** But the motion of water waves is not chiefly accomplished
by one particle pushing another. Nor is any continuous
motion thus accomphshed. The water is started b\' the
pressure of the stone, and so forced above the level
and onto a ridge or crest. From this crest it is
pulled back by gravity into a maelstrom of agitated
water. Gravity pulls down another particle on the other or
advanced side of this first formed ridge, and this particle
by its momentum and the action of other particles, is carried
up and helps form another ridge, when gravity pulls It back
into the first trough following that made by the stone. In
the meantime a second inner ridge is formed by the same
forces» when immediately and of necessity gravity again begins
its work. And so the different ridges are formed, and by
the nature of tlie conditions each one is carried outward with
a widening circle. And so another and another particle of
water is caught by gravity and pulled down in front of each
advanced ridge, then urged by momentum to help form another
ridge. And thus the circle of waves is continued, only, of
course, it is not made by single particles of water, but by
millions of them, all moved in a similar manner. The whole
operation is as deceptive as a mirage. It*s a chopped-up
performance, in which the star performers are gravity and
332 ELLEN OR THE
momentum, with the water particles as puppets. Nor could it
be continued at all except for the action of gravity."
"Then/* I said, **the different systems of waves do not pass
through each other?"
"Not at all," she said; "the whole thing is a delusion,
or illusion. Different circles may meet each other, and
thus the particles of colliding circles hit, when they will
obey the laws of all colliding bodies, stopping, reflecting,
or assisting each other according to the conditions under
which they meet. But gravity doesn't care how the ridges
from which it pulls the water drops are formed, whether by
the performances of one ring of waves, or two, or more; the
higher its ridges the better its pull. So it continues its part
of the work, and now the particles which advancing were carry-
ing on one system, receding are sustaining the other. This is
practically true from the start. The whole performance is a dis-
connected one, but in which the different parts fit so perfectly,
that its discontinuity is not apparent. In time the ridges
and the surface of the water coincide, or the rings arc dashed
upon the shore, when all the pull which gravity has is that
back into the water. Reflected waves arc made and continued
in the same manner.
'* The old Pine will sec how utterly erroneous it is to com-
pare a system of waves like these with that of the hypothetical
sound waves. With the nature of water waves understood, no
one with good sense would attempt it. Certainly, with their
nature understood, no one would be deceived by any such
comparison.
"This ends the theory of sound; destroys the illusion, and
WHISPERINGS OF AN OLD PINE 333
shows people how they have been deceived. For with the
manner in which water waves are made understood, they have
no more resemblance to the hypothetical air waves, than a
squash vine has to the north star. For in not a single
feature is there any similarity. The one takes place upon the
surface of a fluid, the other in the body of a fluid. The fluids
are entirely different. Water waves are the result of conditions
which take place nowhere else. Their only possible signifi-
cance in this connection is in their illusory or deceptive char-
acter. That is, so long as the world is ignorant of the manner
in which they are made, it can be deceived in regard to them,
and made to think that they constitute a new system for the
propagation of motion that might be used in the propagation
of sound. With their true character understood, and the
impossibility oi sound or light being propagated by similar
motion, the undulatory theories as now taught, disappear.
For, in the popular estimation or in fact, all the foundation
these theories ever had was in their supposed resemblance to
water waves."
334 ELLEN OR TUB
XXI.
^^OUT why, Ellen/' I asked, "should the scientists deceiye
'^ the world in such a matter, leading them to bdieVe
what is entirely false? Do they not profess above all otheiB
to be seekers after truth, following the most exact methods?**
"Yes," she said, "Ellen has thought that sometimes thcgr
do profess too much. But largely it is because of their own
ignorance. They are themselves deceived. Certain it is that
no text book or writer in physics, so far as Ellen knows, has
ever explained the nature of water waves, so that it might be
generally understood. This explained, as Ellen has said, the
undulatory theories are gone. The old Pine will see that it is
impossible for waves like water waves to exist in air."
"But the old Pine has noticed pictures of them in books on
sound," I said.
"Oh, yes," she answered; "the physicists draw a very per-
fectly undulating line, embellish it with ordinates, and an axis
of abscissas, and call it a sound wave. It is very amusing to
Ellen to see them spend so much time describing something
that not only doesn't exist, but can't exist, although they seem
to be as well satisfied in discussing it, as though it really
existed. And then those of them that have a smattering of
mathematics will undertake to show how such a wave might be
propagated."
WHISPERINGS OK AN OLl> VWE
337
"And tlic old Pine also saw recently," I said, **an account of
the photography of sound wavesj assuming to give both, illus-
trations of these waves and of their reflection/*
**Yes/' she answered, '* Ellen saw the article, in which dis-
turbances made by explosions and by electricity are supposed
to be sound waves. Ellen has already exposed the erroneous
character of the assumption that disturbances in air made by
explosions are sound. The supposition that those made by
electricity are sound is substantially another phase of the same
delusion. The gentleman furnishing the article in question
claims to have photographed the sound wave caused by the
crack of an electric spark, by the hght of another spark. An
electric spark on a small scale is precisely similar to a flash
of lightning, and its crack to a thunderbolt. It is in the nature
of electricity to violently disturb the particles of matter intt^
which it enters. This is illustrated in the rending of any body
struck by lightning* The following quotation from Ganot
refers to this propcrt>\ and demonstrates how the same result
takes place when electricity enters a gas :
*The mechanical effects are the violent lacerations, fractures, and
sudden expansions whit h ensue when a powerful discharge is passed
through a badly conducting substance. Glass is perforated, wood and
stones are fractured, and gases an<l liquids are violenlly disturbed.
The mechanical effects of the electric spark may be demonstrated by a
variety of experiments. Thus the perturbation and sudden expansion
which the discharge produces may be illustrated by means of what is
known as Kinntrsk/s thtrmomckr. This consists of two glass lubes
which fit into metallic caps and communicate with each other. At the
top of the large tube is a rod terminating in a knob, and moving in
a sniffing' box, and at the bottom there is a similar rod with a knob.
338 ELLEN OR THE
The apparatus contains water up to the level of the lower knob. When
the electric discharge passes between the two knobs, the water is driven
out of the larger tube and rises to a slight extent in the small one.
The level is immediately re-established, and therefore the phenomenon
is not due to a rise of temperature.*
**It would appear by the illustrations in the article, that the
gentleman furnishing it very ingeniously succeeded in photo-
graphing the disturbance thus made among the particles of
air by the passage of an electric spark. The radiant quality of
such particles would appear to be very fully illustrated in these
photographs; and in the action of these particles we may also
see illustrated that of the very much more subtle particles
which compose sound. Whether by improved methods of
photography it may yet be possible to photograph a sound
mist, spreading in air, as it unquestionably does, in all directions
from the sounding body, and reflecting after the wonderful
character of radiant matter, as is fully illustrated by echoes,
Ellen will not undertake to say ; but the air particles pushed
by explosive gases, or excited into activity by electricity, are
no more sound than a ball is sound that comes back from a
barn against which it is thrown.
** Ellen is very much obliged to the professor who made these
experiments, for the very beautiful illustrations he has given of
the reflecting qualities of particles of air, and hopes that he may
yet be successful in photographing sound, although, should
that be accomplished, it would be as superfluous to call it
sound waves as it would be to refer to mist, or fog, or clouds,
as mist waves, or fog waves, or cloud waves. The word wave
pertains to a surface, and has no legitimate use anywhere else."
\VHISrERINX.S OF AN OLD IMNE
339
**Thcn there are no waves in air?"
•'Not similar to water waves; the thing is impossible/'
*• Hut there are differences of condensation?"
*' Constantly, and in every conceivable form and place.
And therefore the air would be entirely ynsuitcd to the carry-
ing of symbols. Rut the physicists^ not being at all respon-
!^ible for results, assume and teach that it is so used; that by
sin arrangement of its molecules all the beauties of sound^
including its innumerable differences of tone and inflection, are
conveyed, often fur miles, through wind and rain, and the
thousands of different interferences that they must constantly
meet. Otherwise all this happens without cause. Mr. Tyndall
admits that the mind retires baOled from the attempt to con-
ceive how air waves could do this. And w^ell it may. for it
would be impossible for them to do it. But all this happens;
and it certainly does not take place without a cause, and a
sufficient cause, And thus, as needed, the forces of radiant
matter enter into the economy of nature, easily accomplishing
the phenomena to which they are adapted. New forces, then,
arc introduced ; but man, not being able to see them, plays the
fool, and imagines that things are accomplished without an
adequate cause — something that never happens in all this
great universe.
'* Al! of this is very wonderful ; but it is possible. Ellen can
well believe the wonderful, but she refuses to believe the
impossible. It is indeed very wonderful that by such in fin-
itesimal particles can be carried all the harmonics and inflec-
tions of sound, but Ellen hardly believes that this is any more
wonderful than are all the phenomena of nature; certainly not
340 ELLEN OR THE
SO wonderful as that the old Pine and Ellen can think, nor any-
more wonderful to Ellen than the beauties that gaze out upon
her from a flower."
"But why does Ellen say that anything is impossible? "
** Because with her mind she perceives it to be so. For mind
can easily distinguish the possible from the impossible in
nature. And there is no part of nature, so Ellen thinks,
nothing in this material universe, which it is not able to com-
prehend."
**But it might be mistaken, might it not?"
"Ellen doesn't think that in its higher perception it can be
mistaken. From this it looks off upon all material existence
and sees it plainly and truly. But it is demonstrable that the
sort of result supposed by this theory to be accomplished,
cannot take place in unconfincd air. The claim is that the
vibration of a tuning fork, or the motion of anything, whether
in vibration or otherwise, in unconfincd air, will condense
this air, as the air in a tube is condensed by the shoving
in of a tightly fitting piston. And the further claim is
made that the pulse thus formed in unconfincd air will be
propagated by clastic force the same as a pulse made in the
tube. This is the contention, and to fortify this position the
scientists claim that the speed of a pulse in a tube is the same
as that of sound. They also claim that the speed of all pulses
is the same, whatever the force making them, and that they
will be transmitted with uniform velocity. Thus Thomas
Young, who with Huyghens invented the undulatory theory of
light, says ('Miscellaneous Works,' edited by George Peacock,
vol. I , page 79) :
WHISPERINGS OF AN OLD PINE 34 1
*The uniformity of the motion of light in the same metlium^ which is
a difficulty in the Newtonian theory, favors the atlmission of the ITuy-
ghenians ; as all impressions are known to be transmitted through an
elastic fluid with the same velocity,*
*' And again :
' It has been demonstrated by M, De la Grange and others that any
impression whatever communicated to one particle of an elastic fluid
will be transmitted through that fluid with an uniform velocity, depend-
ing on the constitution of the fluid, without reference to any supposed
laws of the continuation of that impression/*'
"And docs not Ellen think that all of this is true?"
"Ellen knows that it is not true. In the first place sound
has nothing in common with a pulse in a tube. It rs some-
thing entirely distinct and governed by wholly different laws.
The pulse in a tube, by whatever force started, will go with
varying velocity throughout its course, the velocity at first
depending upon the manner in which it is made. In this
respect it is precisely opposite to what the scientists and
mathematicians have for over a century asserted to be a fact."
**But/* I said, "are not the velocities of the different pulses
uniform, as Mr, Young claimed?'*
"Not at all," she answered. "Instead of being uniform,
every one varies according to the intensity of the force which
makes it."
"But why," I asked, "should so eminent a scientist and
mathematician as Dr, Young blunder so badly?"
" It is precisely such that make the trouble," she replied,
"Ellen has quoted before that famous remark attributed to
Socrates by Plato that it is not those who do not know, and
342 ELLEN OR THE
know that they do not know, who make the trouble, but those
who do not know and think they do."
** And Ellen thinks that a pulse started in unconfined air will
not act like a pulse in a tube?*'
"She is sure that it will not."
"But," I said, "is not the undulatory theory of sound
founded upon the supposition that it will and does?"
** Certainly," she answered, "this is its whole and only basis,
though it is inconceivable how any sensible person could sup-
pose it. For it is as open as the day that a pulse in a tube
behaves as it does, because of the tube. The tube operates to
take away from the air its mobility, giving to it a certain
solidity.
** Wc know how a pulse of air acts, confined in a tube.
Thus, suppose a long tube and a piston, tightly fitted, shoved
in at one end. The pulse will pass very quickly through the
tube, and exactly as much air come out of the further end as
was pushed in by the piston. So through the whole length of
the tube, all the particles of air are shoved along this distance.
In this case the air acts as a stick, one end of which would go
out of the tube as far as the other end was pushed in, and
nearly at the same moment; and so the whole stick would be
advanced through the tube. The action of the air in the tube
is evidently produced by motion going through the tube,
just as motion goes through the stick.
" For in some way motion enters into the different
particles of a body, so as to carry them, and when it carries all
of them it of necessity carries the body which they form.
Thus, if all the planks and timbers forming a ship are
WIllSrERlNGS OV AN OLD I'lNE
343
carried, the ship is carried. And if all the particles forming a
stick are carried, the stick is carried. In thus entering a body,
motion seems to act as a fluid. It is stated that i( an iron rail
reached from the earth to the sun, and were pushed at one
end, it would take 1,075 ^^ly^ ^^^ the other end to move.
** Motion is divided into that of translation when all parts of
a body move at once in parallel lines; motion of rotation when
the different paints of the body describe concentnc circles
about its center; and a combination of these two,"
•*But what is the motion called oscillatory?" I asked.
"Ellen cannot see that oscillatory motion can exist anywhere
excepting as there are two reciprocally operating forces. Thus
a pendulum oscillates, influenced by the two forces of gravity
and momentum. In water waves, gravity and momentum act
as in a pendulum. Momentum is Mr. Newton's principle of
inertia of motion, or supposed inability of a body to alter the
condition in which it exists. But this so-called inertia of
motion, as Ellen thinks, is the result of a moving sub-
stance connected with the body that moves. That is, it is the
result of unbalanced motion, motion itself being matter. When
this unbalanced motion is withdrawn we have the inertia of rest*
Thus a ship moves because of the motion imparted to it by its
sails. And thus the ship acquires the inertia of motion.
Withdraw the sails and it may acquire the inertia of rest. Thus
a chip upon a stream moves whilst the stream exists, but if the
stream dries up, the chip's movement is stopped. It is not true
that the chip has no power of movement of its own, for it has.
And so everything has, but it is a slow motion* and the result of
disintegration. So that, as a chip, it may be said to have no
344 ELLEN OR THE
such motion. In its entirety it can be moved, but cannot move
itself. But all motion is a property of matter, the same as exten-
sion is, or mobility, or impenetrability, or elasticity.
"There is no question in regard to the transmission of
motion through elastic bodies. Take two equal elastic balls,
hung with threads, and let them fall from equal heights in the
arc of a pendulum. Each bounds back equally, theoretically
the distance that it fell, practically a little less, some motion hav-
ing been lost by friction. If these balls fall in the same arc from
unequal distances, they will apparently swap motions perfectly,
the one falling in the shorter arc returning in the arc of the
other, and the one falling in the longer arc returning in the
shorter one, thus apparently showing that what takes place is
an interchange of motions, by which each motion continues
its course unobstructed by the other. The same results seem
to take place when one ball is stationary, and single balls
of same size arc let fall from equal distances on each side.
And in all cases where balls of equal size arc dropped there
would appear to be a transfer of motion. In all of these cases
the motion is the result of gravity, but it would act the same,
however originating.
''But when balls of unequal sizes collide, the results appear
different. A small ball, thrown against a large one at rest,
rebounds, as a ball thrown against a barn or wall rebounds, only
not quite so much. And by careful experiments with balls of
different sizes, and under many different conditions, it appears
that in such cases pressure produces motion, and always the
motion produced by a moving body is in proportion to
momentum, that is, to the mass of the body multiplied by the
WHISPERINGS OF .\N OI.U PINE
345
velocity with which it is moving* And the motion thus pro-
duced is in the direction of the moving body; or, if one of tlie
bodies is stationar>% the motion caused by the resistance of the
stationary body is in opposition to that of the body which
strikes it. This law and the further one that opposite motions
destroy each other, while partially opposing motions produce
resuhants, appear to be the laws of all motion,
*' But motions are substances ; that is, they are matter in one
or more of its phases. And therefore, like all matter, they arc
indestructible. But motion is energy, and hence energy is
indestructible That it h so is a great truth which modern
science has blundered upon, though not perceiving that it is
but another way of proclaiming the indestructibility of
matter.
'*The fundamental and universal law of motion is that
it is rectilinear; though the old Pine mustn't be confused
in its possibilities, as it may be rectilinear in any direction.
And this with the law of resultants provides for motion every-
where, or in any direction. Surely these are very simple laws
for such wonderful results. It is these that make the old Pine's
whisperings. For his leaves are ever moving like a restless
sea. Thus, then, comes all motion ; and this includes that of
electricity and sound. For the motion that passes through air
in a tube, or the motion that passes Into and through a stick,
when it is pushed, causing it to move; or the motion that
passes through a train of cars when they arc pushed, causing
them to move, — all motion is a result of pressure, and pressure
is a result of contact. It's an awfully simple way to get up
motion, isn't it?*'
346 ELLEN OR THE
"Yes," I replied; ** there couldn't be any simpler method.
But when opposing motions meet and destroy each other, what
becomes of them?**
"They are changed into something else — probably heat.
We know that at the same time heat is produced. Possibly a
certain part of such motion is changed into something besides
heat. Ellen does not know, but apparently the most of
it, if not all, is changed into heat. And thus again is evident
the transformation of matter."
"But is not the transformation too sudden," I asked, '•to
represent that of matter?"
"Not at all. For the transformations of matter, so far as
we can perceive, are not limited in time. With some things,
as rocks, or mountains, or spheres, ages arc consumed in
the process of decay. With others, as animals and plants, a few-
brief years, more or less. And again, as soap bubbles, or
gases, or in many chemical changes, that by electricity for
instance, or in light or heat, the transformation may be nearly
instantaneous. As the world is full of collisions, there must be
a constant supply of heat being produced."
**And what becomes of the surplus heat?"
"Probably under pressure it is in part drawn upon to form
motion. But it is very evident that the different changes
follow, in some form, nature's great system of circulatory
action.
" The destruction or partial destruction of one thing always
precedes the formation of another. For it is the same matter
that makes all ; nor can the same matter make more than one
thing at a time. It cannot be in two different places at the
WHISPERINGS OF AN OLD PINE 347
same time. Ellen understands that the scientists do not recog-
nize this last law, as illustrated in the kinetic theory of gases
and their theories of light, heat, etc., but that is because, like
all those who embrace superstitions, they have entirely lost
their heads."
34^ ELLEN OR THE
XXII.
^^IT is clastic force that pushes the air in the tube, is it not^
1 Ellen?"
** Call it clastic force, or call it motion. It must be similar
to, if not the same as, that which moves the stick."
"Then Ellen doesn't chink that the air in a tube, influenced
by the shoving of a tight-fitting piston, will act the same as the
unconfined air under the same influence?"
**The old Pine ought not to ask Ellen so foolish a question."
**But Ellen will please tell the old Pine how differently it
will act."
*'The difference would be like that between darkness and
day; it would literally be world-wide. For in a tube, the air
being confined would act as ICllcn has said ; but in unconfined
air from the same force there would be very much less notice-
able disturbance, ^^')r because of the mobility of the air the
pressure exerted wtnild spread in all directions and be soon
dissipated. Hy the hypothesis we have the same force, and
the same force will produce the same momentum ; but the
momentum is equal to the mass into the velocity. Then if
the mass increases the velocity must diminish, or if the mass
diminishes the velocity will increase."
"But what becomes of the theory (^f sound, Ellen?"
"There isn't any theor}'," she answered, "except the entity-
theory. For an intelligent explanation of a pulse in a tube
shows that the other never had any existence.
" Ellen will quote to the old Pine a very plain exposition of
the action o! energ)'^ or force, something which every scientist
ought to know as perfectly as a bright schoolboy knows the
multiplication table. It is from * Force,' one of the excellent
scientific books written especially for the young, by Jacob
Abbott :
* Lawrence went on to say that the principle which he referred to was
this: that force was an agency that existed always in definite and
measurable quantities, such that, though it might be transferred from
one place of deposit to another, and so be accumulated or dispersed, it
could not in any way be increased or diminished.
'"Yes/* said John, "it can be increased; for when your grindstone
was spinning round very fast, it exerted a great deal more force than
Rick did by the power of his foot."
'"It exerted more force in any one instant*' said Lawrence, "than
Rick could exert in that instant; but the whole amount of all the im-
pulses that Rick gave to it was equal to all that the grindstone could
exert ; that is, there was in the stone an accumulation of a great many
small forces, and not any increase of the whole amount.
*'* It was like filling a pail with water by pouring in a great many
mugsful from a spring," continued lawrence. " It is true, you may
increase the quantity that is in the pail^ and in that sense we may say
there is an increase; but there is no actual increase on the whole, for
the amount that is in the pail, when it is full, is only made up of the
separate amounts of all the dipperfuls* There can not be, absokitely,
in the whole amount, any increase or diminution/*
* "There might be a diminution,*' said John, "for some of the water
might be spilled."
'"True," replied lawrence, "a part might be spilled, and a part
might dry up; but none of it would cease to exist on that account.
352 ELLEN OR THE
Wherever it went when it was spilled, or wherever the vapor went of
that which was turned into vapor, there it would be. There might be a
diminution of the quantity in the pail, but there could be no diminution
of the actual amount of water employed in the experiment. Preciocly
the same amount, neither any more nor any less, would exist somewhere
at the end of the experiment that existed at the beginning.
'"And it is just so in respect to force," continued I^wrence. "Pre-
cisely the same quantity that we have at the commencement of any
process, or at the entrance, so to speak, of any combination of machin-
ery, exists somewhere at the end of the process; or, in the case of
machinery, must be stored in it, or must issue from it in some way.
There can not possibly be any real gain or loss of force any more than
there can be of water. A great many small or gentle forces may be
combined to make a great one, and, on the other hand, a great one may
be subdivided into many small ones, but there can not, in either case,
be any absolute increase or diminution of the amount." *
*' Again it is evident that this thing force consists, as all
things else, of the same wonderful matter, of which all things.
— force as well as those things which we do not consider as
force, — are made. The law of its creation is the same as that
of an orange, or any other material thing. Faraday says :
'I have long held an oi)inion, almost amounting to conviction, in
common, I believe, with m:iny other laws of natural knowledge, that
the various forms under which the forces of matter are made manifest,
have one common origin ; or, in other words, are so directly related
and mutually dependent, that they are convertible, as it were, one into
another, and possess equivalents of power in their action.'
"But this is true of all matter and is the essential part of the
principle that nothing is or can be destroyed.
WHISPERINGS OF AN OLD PINK
353
"And thus, too» thought and the emotions as manifested to
us arc made, as Ellen thinks, out of the same matter, by the
same law of combination. For they, too, must be made of
something. But in this material universe there is nothing else
but matter to make things of, hence they must be made of
matter. Ihat they are is also evident, because, as Ellen has
said before, we see them. They are plainly visible in the
thoughtful or emotional expression. Nor do we see such
expression except as thought or emotion exists. With the
idiotic all thoughthil expression is absent, and it is absent
because they do not think.
*' Again, all our sensations are the result of material condi-
tions. And it Is equally true that all material things are the
possible source of sensations. And these sensations arc of
every conceivable variety, yielding both pleasure and pain,
instruction and amusement. But thought nnd the emotions
are sources of sensation. And this is further evidence that
they arc material
**And thus all things in this material universe are made of
that substance which we call matter. For God. when lie made
the material, made it sufficient for every purpose.
"And all things are made by machinery^ constructed by mind.
This machinery may be ver>' simple, or it may be quite com-
plex, but always in some form it exists. The machinery which
makes vision is quite complex. That which makes light may
be more simple. That which makes thought, again, is more
complex, connected with the gray matter of the brain. But
there is or can be no thought or emotion made manifest in
fnaterial conditions without the proper machinery to make it.
354 ELLEN OR THE
"All science which does not recognize the distinction
between mind and matter is folly; else, as Ellen has said, the
spade could make the man as well as the man the spade. All
science which does not recognize the universality of nature's
laws, both of mind and matter, is baseless ; for science consists
alone in the order made possible and made certain because
of such laws. And this is what the Bible means nhen it says
that God made man after His own image. And therefore the
perception of the manner in which things are made by us
permits us to know how all things are made. This is the
knowledge that we have of the creation, and all that we have.
Besides this there are only opinions, which are bad, all.
** Is it possible that scientists suppose that a great force, or •
any force, subdivided into many small ones, produces the same
effects as though it was not? According to the undulatorj"
theory of sound they believe exactly this. Wouldn't it be
well for any sensible man, whether scientist or not, to give up
a theory which teaches so great an absurdity?
"Take a pail of water. Does any one suppose that it will act
the same if thrown upon a flat surface, as it would if turned into
a channel? Will it run as fast, or will it go as far? In think-
ing of such self-evident propositions, the intelligent answer to
which entirely does away with all undulatory theories, Ellen is
led again to ask, — In order to be a scientist is it necessary
that one should be a fool?
** Eor scientists and the text books base the undulator\'
theory of sound upon the action of a pulse in a tube; and,
indeed, have absolutely nothing else whatever to base it on.
Thus Ganot says:
WinsrE RINGS OF AN OLD PINE 355
* In order to sirapllly the theory of the propagation of sound in air,
we shall first consider the case in which it is propagated in a cylindrical
tube of indefinite length. Let MN (fig* 17) be a tube filled with air at
a constant pressure and temperaliire, and let P be a piston oscillating
rapidly from A to a. When the piston passes from A to a it com-
presses the air in the tube* But in consequence of the great compres-
sibility, the condensation of the air does not lake place at once through-
out the whole length of the tube, but solely within a certain length, ^H,
which is called the contiensfd wave,
'If the tube MN be supposed to be divided into lengths equal to all,
and each of these lengths divided into layers parallel to the piston, it
Fig. 17-
may be shown by calculation that, when the first layer of the wave ^H
comes to rest, the motion is communicated to the first layer of the
second wave HH', and so on from layer to layer in all parts of H'H^,
H^H'", The condensed wave atlvances in the tube, each of its parts
having successively the same degree of velocity and condensation.*
■*Thc last statement, which in this theory is the essential one,
is not true; but, on the contrary, experiment proves that the
speed of this pulse diminishes throughout its course, and there-
fore each of its parts cannot have successively the same degree
of velocity and condensation,
** Mr. Ganot further says:
* When the piston returns in the direction of <j A, a vacuum is pro-
duced behind it, which causes an expansion of the air in contact with
its postcnor face* The next layer, expanding in tiirn, brings the first
356 ELLEN OR THE
to its original state of condensation, and so on from layer to layer.
Thus when the piston has returned to A, an expanded wave is produced
of the same length as the condensed wave, and directly following it in
the tube where they are propagated together, the corresponding layers
of the two waves possessing equal and contrary velocities.
'The whole of a condensed and expanded wave forms an undulation;
that is, an undulation comprehends that part of the column of air
affected during the backward and forward motion of the piston. The
length of an undulation is the space which sound traverses during a
complete vibration of the body which produces it. This length is less
in proportion as the vibrations are more rapid.'
"These paragraphs must be both untrue, for when the
piston is returned, a much greater rarefaction is produced than
that in advance of the first pulse formed, and therefore that
pulse will cease to advance, being caught in its progress and
drawn back. There can be no question about this if the tube
is long enough, for the speed of the pulse, or, in this case, of
two pulses, will be in proportion to the force acting. But after
the return of the piston the force acting and the only force
acting is the clastic force of the air. And as this will have much
better opportunity to act on the retrogressive pulse, the latter
must soon reach the advance pulse, when the result spoken of
will take place, and all the air of the tube will return to its
original position.
" It follows, that if this theor>^ is true, the rarefactions must
travel faster than the condensations, and therefore it would be
impossible for the two to form the so-called wave length, or to
have any permanent connection with each other. Perceiving
this fact, it has been asserted by some physicists, who were not
WHISPKKINGS OF AN OLD lUNE
357
clear-headed enough to perceive that the whole thing is a
humbug, that sound is accomphshed alone by the condensa-
tions. And the fact that ear drums are concave ^^thhi, so that
they could not bend in without stretching, has been offered as
further proof of this.
"Mr. Robert Moon demonstrates mathematically that rare-
factions would go faster than condensations, as reported in the
•Proceedings ol the Royal Society of London," vol 9, which
says :
'Reverting to the equation of sound, which (neglecting terms of the
second order) may be put under the form
dt-' dx"' dxut
the author next shows that if the initial, disturbance consist of a con-
densation alone, it will be transmitted with the velocity a (/— r) the
direction in which its particles are moving ; and that if it consists of a
rarefaction alone, it will be transmitted with the velocity a (/-f^) in the
direction contrary to that in which its particles are moving. It is here
shown also incidentally, that whether the resistance be taken into
account or not, the particles of a wave of condensation must all move
in the same direction, which will be the direction of transmission ; and
the particles of a wave of rarefaction will all move in the same direc-
tion, which will be contrary lo that of transmission,
*In confirmation of the conclusion that waves of rarefaction arc
transmitted more rapidly than waves of condensation, the author
adduces the fart, that when explosions of gunpowder have taken place,
the glass in wimlows has been observed to break outwards rather than
inwards,
*It is then suggested, that, as when sound is produced, a condensa-
tion and rarefaction of air usually occur in immediate succession, if
358 ELLEN OR THE
both kinds of disturbance were capable of affecting the human ear, we
should hear sounds double ; and as we know practically that this is not
the case, it is contended that only one kind of disturbance, i. e., either
rarefaction alone, or else condensation alone, can stimulate the ear.
'It is shown to be a priori probable, that if one of the two classes of
aerial disturbances is suppressed by the ear, that one would be disturb-
ance by condensation, inasmuch as waves of rarefaction being swifter,
would better perform the duty entrusted to them : and it is pointed out
that if the sensation of sound is produced by aerial rarefactions alone, a
difficulty attending the received theory will be obviated, by reason of
the velocity deduced upon that theory being too small.'
**Mr. Ganot continues :
*It is important to remark that if we consider a single row of par-
ticles, which when at rest occupy a line parallel to the axis of the cyl-
inder— for instance, those along AH" (fig. 17) — we shall find they
will have respectively at tlie same instant all the various velocities which
the piston has had successively while oscillating from A to a and back
l-ig. 18.
to A. So that if in fipj. iS AH' represents the length of one undula-
tion, the curved line H'PQA will rei)rcsent the various velocities which
all the jjoints in the line AH' have simultaneously ; for instance, at the
instant the piston has returned to A, the particle at M will be moving to
the right with a velocity represented by QM ; the particle at N will be
moving to the left with a velocity represented by PX, and so on of the
other particles.'
** There is no truth whatever in any of this, as the experi-
ments of M. Rcgnault and others, which Ellen will give further
WHISPERINGS OF iVN OLD PINE
oti. have demonstrated. Since, as proven, the line AH* does
not represent the length of one undulation, it is not necessary
to consider the imaginar)^ undulatory line.
"Again Ganot says:
* When an undulatory motion is transmitted through a medium, the
motions of any two particles are saitl to be in the same phase when
those particles move with equal velocities in the same direction ; the
motions are said to be in opposife phases when the particles move with
the same velocities in opposite directions. It is plain from an inspec-
tion of fig. 1 8 that when any two particles are separated by a distance
equal to half an undulation, iheir motions are always in opposite phases^
but if their distance equals the length of a complete undulation their
motions are in the same phase, A little consideration will show that in
the condemed wave the condensation will be greatest at the middle of
the wave, and likewise that the expanded wave will be most rarefied at
its middle.'
•* Under no circumstances do particles of a pulse in a tube
move with equal velocities ; and therefore it would be impos-
sible for them to be in the same phase according to this defini-
tion. Nor. the unequal oscillations and consequently unequal
velocities of these particles being admitted, can the last part of
the statement be true,
*'Mr. Ganot continues:
It is an easy transition from the explanation of the motion of sound
waves in a cylinder to that of their motion in an unenclosed medium.
It is simply necessary to apply in all directions to each molecule of the
\ibrating body what has been said about a piston movable in a tube.
A scries of sphencal waves alternately condensed and rarefied is pro-
dnced around each center of disturbance. As these waves are coii'
36o ELLEN OR THE
tained within two concentrical spherical surfaces, whose radii gradually
increase, while the length of the undulation remains the same, their
mass increases with the distance from the center of disturbance, so that
the amplitude of the vibration of the molecules gradually lessens, and
the intensity of the sound diminishes. It is these spherical waves,
alternately condensed and expanded, which in being propagated trans-
mit sound.'
**In the above a pulse has been exploited in a tube and
called a sound wave. The whole conception is one of the
grossest ignorance and is utterly untrue. Now, Mr. Ganot
says that it is an easy transition from the explana-
tion of a fictitious sound wave in a tube to that of a
fictitious one in the open air. This may be true. Who-
ever could talk of the one, might readily of the other, but any
one would have to be densely ignorant of fundamental
mechanical principles to suppose the action of one similar to
that of the other in either velocity or distance passed over.
** There follows the glib remark of one scientist, imitating
other scientists, about spherical waves, of which Mr. Challis,
professor for many years of astronomy in the University of
Oxford, England, and one of the most eminent mathematicians
of the last century, and withal in addition, which is of far more
consequence in the discussion, an honest man, says ('Philo-
sophical Magazine,' vol. 33) :
'Before I proceed with the inquiry carried on in several preceding
numbers of this joumal, I wish briefly to notice the views put forth by
Mr. Stokes in the November number, respecting a supposed remarkable
difficulty in the Theory of Sound which he says that I have pointed out.
What he alludes to I have not myself called a difficulty, nor do I so
VViUSrERLXGS
)LD PINE
regard it. By an investigation contained in the '* Philosophical Maga-
rine" for last April, 1 founrl that the general character of aerial vibrations
is non-divergence, and that the lhto*etical velocity of sound is different
from that usually adopted. Mr. Airy urged against these conclusions,
that my equations represent a particular case of the propagation of
plane waves : in answer to which I proved, by a nductio ad alntirdum^
that plane waves are physically impossible. This proof , which forms the
subject of Mn Stokes's remarks, is given in the " Philosophical Maga-
zine," S. 3, vol. xxxii., from line 16 of page 496 to line 12 of page 497.
The absurdity to which the hypothesis of plane waves conducts is, that
the points of maximum velocity and of no velocity in the same wave
may be at the same ijoinl of s|iace at the same time. Mr. Airy did not
reply. Mr. Stokes, however, undertakes to maintain jjlane waves by
the following considerations. He first finds that 11 point of maximum
velocity of a wave travels at a rate different from that of a point of
no velocity, and consequently that there is at least great danger of one
overtaking the nther. When this absurdity is on the point of being
consummated, the wave, as he coficfiv^s (for there is nothing in the
analysis to indicate such a result), is converted into a breaker. What
the subsequent motion is Mr, Stokes thinks it would not be worth while
to inquire, but jiroceeds to support, by considerations which it is not
necessary to parti< ularize, the possibility of the physical existence of a
surface of discontinuity at the position where the abrupt alteration of
the character of the wave takes place. How then stands the question?
According to my reasoning plane waves are physically impossible;
according to Mr. Stokes's, plane waves are wholly ifuompatible with the
transmission of articulate and musiial sounds. The only conclusion
from either result is, that the h>q)othesis of plane waves is inadmissible,
'It may, however, be urged that spherical waves are physically pos-
sible \ and that as these become plane waves at an infinite distance
from the center, the latter are also physically possible. I have already
364 ELLEN OR THE
met this argument in the communication above referred to; but as the
reasoning is given briefly, and may possibly have been overlooked, I
will repeat it here. I take the results of the hypothesis of spherical
waves as they are given in Poisson's "Trait de M^canique" (vol. i,
page 706, 2d ed.), and as they are commonly admitted. The pressure/
being a^{i -\-a), the following expression is obtained for the condensa-
tion a at the distance r from the center at the time /,
a r
and it is stated that there is no condensation wherever /• is greater than
a/-\-€, and less than a i—t, 2 c being the breadth of the sonorous undu-
lation. Hence, supposing 2 c very small compared to r, and putting for
r outside the function, its value a t corresponding to the middle of the
wave, the quantity of matter existing at any time in the wave beyond
what would occupy the same space in the quiescent state of the fluid, is
very nearly
(f{at-r)Ar
ii - /
the integral being taken from rz^a t—t to r^=^ii t-\-t. Calling A the
constant value of this integral, the expression for the <iuantity of matter
becomes 47rA/. Hence the matter increases in quantity 7vith the time !
Now the very equations from which tliis result is derived are founded
on the supposition that the quantity of matter is constant. There is
consequently no difficulty here which any physical considerations can
explain, but strictly a redueiio ad alnurdiimy which necessitates the
important conclusion that the hypothesis of spherical waves is inadmis-
sible. The physical impossibility of plane waves was proved by the
same kind of reasoning; and any attempt to reconcile the contradiction
in either case is simi)ly illogical. As neither the hypothesis of plane
waves nor that of spherical waves is admissible, the theoretical value of
WHISPERINGS OF AN OLD PINE 365
sound which rests 011 those hypotheses necessarily fails of sui>|iort. I
return now to the consideration of non-divergent waves, or as they may
also be called, ray viif rattans,*
**Mr. Ganot further says:
'If many fKiints are disturbed at the same time, a system of waves is
produced around each point. But all these waves are transmittcil one
through the other without modifying either their lengths or their veloci-
ties. Sometimes condensed or expanded waves coincide with others of
the same nature to produce an effect equal to their sum; sometimes
they meet and produce an effect equal to their difference. If the sur-
face of still water is disturbed at two or more points, the cO'Cxistence
of waves becomes sensible to the eye-'
"And this he says after having distinctly stated in the open-
ing chapter of his book that the intimate character of all these
agents is completely unknown. Ellen will quote again this
remarkable statcmcntt illustrating how very different a scientist
talks when telling the truth from what he docs when teaching
science:
* In the present state of science we cannot say whether they [the so-
called imponderable agents, of which sound is one] are properties
inherent in matter, or whether they result from movements impressed
on the mass of subtle and imponderable forms of matter rliffused through
the universe/
*'The statement that all these waves are transmitted one
through the other without modifying either their length or their
velocities evinces a talent that Baron Munchausen might well
have envied.
366 ELLEN OR THE
** As usual at this emergency, to sustain glaringly impos-
sible conditions, the narrator falls back upon the delusion of
water waves."
"And doesn't Ellen think that the pulse in a tube is moving
at the rate of sound ? "
"She does not; for she thinks that sound moves always at
the same speed as far as it can be heard, and she knows that
the speed of a pulse in a tube varies throughout its course.'*
** And doesn't Ellen think the pulse in a tube sound?"
"She knows that it is not."
"And doesn't she think it carries sound?"
"Not as a pulse. For if it did it would carry it in uncon-
fined air as well, and there would be a great difference in the
speed of the two. But there is no such difference in the speed
of sound.
"But what takes place always when a piston or anything
else is pushed in a tube or in unconfined air, is the propaga-
tion of motion. And Ellen will repeat: in a tube this motion
may extend for a lonj^ distance, in unconfined air but a short
distance, bcin^:^ dissipated in all directions; and in each case the
velocity of the movement would diminish with the distance.
It would hardly be possible to consider a simpler problem
than this."
"It seems to the old Pine," I said, *' that certainly teachers of
science and mathematical principles should not fail to see a
thing so plain."
"The failure is a ridiculous one," she said, "and yet mathe-
maticians will spend much time in ciphering about impossible
wave motion and other absurd theories like that of the tides.
VVinSPERlNGS UV AX *H.I) IMNE
3^7
and publishers ni cncyclopaudias and text books will allow them
to be filled with the nonsense.**
'*And isn't Ellen over severe," I askcdi **in her criticisms of
mathematics and mathematicians?'*
*• Mathematics are a beautiful and delightful study," she
replied ; " a Itttle hard at first to some, though readily mastered
by most with proper application and capable assistance/*
•' But is not mathematics a singular noun?'" 1 asked.
** It is in German, French and Latin, being so spelled, and so
formerly the word mathematic was used in Engh'sh, but as now
in English it has the plural form, and as also in its nature it is
plural, being composed of several parts, Ellen does not care
to follow a usage which would make it singular. If it is
desired to consider it singular, the spelling should conform, as
in other languages*
** A few will learn them without assistance, and many more
with but little. Once on the road to success, the whole of them,
so far as they are known, can be easily acquired, thou3;di pro-
ficiency in their manipulation, that is, in the art of performing
examples, is mainly, like skill in all things, a matter of practice.
It is just as much so in what arc called the higher niathcmatics
as in the lower; in calculus as in arithmetic. Nor with a
reasonable amount of practice is it any more difiicnlt lu per-
form a problem in algebra, in analytical geometr}% or in cal-
culus than in arithmetic; to use l'aylor*s theorem than to use
the multiplication table; the difference being entirely in the fact
that many arc accustomed to add, subtract, and multiply
figures, because of the practical uses of such in life, while few
have reason tu perform the operations of the calculus, equally
simple, when known.
368 ELLEN OR THE
"But there is this difference between the two branches of
mathematics which Ellen has just mentioned, that the one is
accurate and the other not. For the fundamental principle
of the calculus is inaccuracy, in the neglect of what are called
infinitesimals. In many examples this introduces error, so that
the results reached are at the best only approximately correct,
and to this circumstance, and the consequent inability to know
whether the work done has any value or not, is perhaps partly
due the perseverance of mathematicians in so many worthless
theories.
'* Ellen thinks that all mathematical conditions can be cor-
rectly instead of incorrectly analyzed, and in time will be.
Thus, for example, much mathematical work is based upon
the assumption that at their limits the chord and arc of a circle
are equal. A curved line is unquestionably the resultant of
rectilinear forces ; these forces, that is, the lines of which
an arc or a circle is the resultant, may be obtained, and the
mathematics founded on such results are true; but it is not
true that the chord can ever be equal to the arc, for in their
nature they are essential!}' different. It is also true that the
difference in length which exists between them, which may
be a very considerable amount, is composed of these differ-
ences which, by this system of mathematics, are considered
negligible and arc neglected. In many other ways possible
errors enter into such calculations, so that this whole line of
mathematical demonstrations of hypotheses, such as those of
the tides, or of undulatory theories, are intrinsically more or
less worthless, in addition to the fact that the assumptions upon
which these theories are based do not exist."
wnisr'iikixGs of an oij> vise
369
*'But is ft possible/' I asked, ** ihat ihc f^rcat matlicmalicians
would spend quite a share of their lives in useless ciphering?**
*'The old Pine mustn't be too severe,** she answered. **They
arc doing the best they know how, Thc>- are mathematicians.
They are able to do a certain thinjj and do it well. Many of
them are not able to do anything else notable, or at least not
equally well. Under such circumstances it would be foolish to
suj>pose that the}^ wauld stop ciphering. Indeed, this igm^-
ranee itself is an incentive to work, and^ as Ellen thinks, the
fault is not so much with those who [iretend knowledge, which
they do not have, as with those who are foolish enough to be
deceived by such pretenses. And the moral is that we must
accept nothing from human sources, no matter how great or
long continued may be the authority, unless it can stand the
test of common sense.
*• All that Ellen is saying about the limitation of present
knowledge in mathematics, and consequent errors in results
obtained b\- them, none kno^v better than mathematicians
themselves, and those among them who are fair and honorable,
and by nature are seekers after truth, preferring her triumph to
delusive positions and a little vain authority for thcmscK^es,
will point it out. Thus Ellen has noticed the following extracts
from philosophical magazines. Prof, J, Le Conte, formerly of
the University of South Carolina, at Columbia, thus writes in
the ' London, Edinburgh and Dublin Philosophical Magazine/
vol, 27» pages 6 and 7 ;
' The difficMlties and uncertainties embraceil under the sifprnf head
originating in the different physical interpretations of the mathematical
processes and their results^ are of a more intractable Lhanuter. Here
370 ELLEN OR THE
we plunge into the quicksands of equations of partial differentials^ of
discontinuous functions y and of integrals containing arbitrary functions:
the arbitrariness of which has a signification in the applications of the
functions to physical questions. Many of the most interesting and
important dynamical problems involve the consideration of the true
signification of mathematical results which are known to have been
reached by processes which are not rigorously exact. Many of the
equations are utterly unmanageable and incapable of integration unless
certain assumptions are made. Hence questions in relation to the
warrantableness of such assumptions in particular cases are perpetually
arising among the most eminent mathematicians. Such difficulties in
the mathematical theory of sound have been sources of perplexity and
controversy from the time of Lagrange and I^uler to the present period.
It is very questionable whether the vast amount of intellectual energy
and analytical ingenuity recently displayed in the discussions of the
various points bearing on this problem by Challis, Airy, Stokes, Moon,
Rankin, Haughton, Potter, Earnshaw, and others (however instructive
and important in other respects) has made any substantial contribution
towards a clearer reconciliation of the physical with the mathematical
aspects of the questions at issue. It is not my purpose to venture upon
ground rendered historical by the labours of the greatest geometers of
the i>resent century. But I must insist that j)urcly mathematical ques-
tions should be kept (juite distinrt from the physical considerations, —
zxi(\ xX^-xX^ in problcins of fJiis character, wo deduction from analysis is
worthy of confidence icfhich docs not admit of a rational physicial inter-
pretation, capable of bein^ tested by observation or experiment'
** And James Clerk Maxwell, in the 'Transactions of the
Royal Society of Edinburgh,' says:
* There are few parts of mechani( s in which theory has differed more
from experiment than in the theory of elastic solids. Mathematicians,
WHISPERINGS OF AN OLD PINE 37 1
setting out from very plausible assumptions with respect to the consti-
tution of bodies and the laws of molecular action, came to conclusions
which were shown to be erroneous by the observations of experimental
philosophers. The experiments of Oersted proved to be at variance
with the mathematical theories of Navier, Poisson, and Lane and
Clapeyron, and apparently deprived this practically important branch
of mechanics of all assistance from mathematics.'
^72 ELLEN OR THE
XXIII.
^^T^HK most accurate and complete experiments regarding
^ the action of a pulse in a tube were made by the very
celebrated physicist, M. Regnault, of Paris. The following
resume, translated from the French, is given in the * London,
Edinburgh and Dublin Philosophical Magazine,' vol. 35:
* In fact, when we assert that a gas is perfectly elastic, we assume : —
*(i) That it exactly obeys Mariotte's law. Experiment, however,
shows that all gases deviate more or less from this law.
'(2) That its elasticity is not affected by surrounding objects. But
my experiments on the proi)agation of waves in tubes show that the
walls of the tubes exert a very notable influence.
' (3) That the gas does not oppose any inertia to the transmission of
the wave. Now my experiments show that the emission of a strong
wave always causes a true displacement {I'criiable transport) of the first
gaseous layers, which displacement considerably increases the velocity
of the wave's proi)agation, especially through the first portion of its
course.
*(4) In order to make allowance for the acceleration produced bv
the sudden disengagement of heat which takes place at the moment of
the wave's passage, Poisson's law is introduced into the calculation.
But this law is only exact if the gas has perfect elasticity, if it obeys
Mariotte's law, etc.
' Finally, the theoretical calculation assumes that the excess of com-
pression which exists in the wave is infinitely small compared with the
barometric pressure supported by the gas. But the experiments made
WHISPERINGS OF AN OLD PINE
375
to determine tlie rate of sound in free air have been hitherto made by
meanjs of a cannon, and the wave has been reckoned from its source,
namely the cannon's mouth* Now this wave as it leaves the cannon is
under enormous compression — a compression, it is true, which dimin-
ishes very rapidly as the wave spreads spherically through space ; but
during the first part of its course it cannot be supposed that its com-
pression is infiniuiy sma/A
* When the excess of compression in the wave is a sensible fraction of
the compression of the g^aseous medium at rest, we can no longer
employ I^place's formula, but must have recourse to a more complex
formula embracing the true elements of the problem. Even the
formula which 1 have given in my ^femoir is only an approximation j
for it implicitly admits Mariotte's law and all its consequences.
' In short, the mathematical theory has as yet only touched u|>on the
propagation of waves in a perffft gtn — that is to say, in an tdcai fluid
possessing all the properties which had been introduced hypotheticaU}'
into the calculation* It is therefore not surprising that the results of
my experiments often disagree from lheor)%
* I. According to theory, a plane wave in a straight cylindrical
tube should advance to an indefinite distance with a constant velocity.
My experiments show that the intensity of such a wave continually
diminishes, and this the more quickly the less the section of the tube
employed,
* In order to establish this fact conclusively, I created waves of equal
intensity by discharging one gramme of jxiwder from the same pistol at
the orifices of conducting tubes of very different sectional areas, and I
endeavored to ascertain the length necessary to be traversed for the
explosion to become inaudible. I have further endeavored to measure
the much longer path, at the end of which the inaudible wave ceases to
give any indication upon the most sensitive membranes which I have
used.
37^ ELLEN OR THE
* Thus the discharge in a pistol of i gramme of powder gives a vibra-
tion in the air (son) which becomes inaudible when it has traversed
1 150 metres in a tube of the diameter 0.108 metre.
3810 metres in a tube of the diameter 0.300 metre.
9540 metres in a tube of the diameter i.ioo metre.
* These lengths are sensibly proportional to the diameters. It is
nevertheless probable that the path would be longer if the wave was
not subjected to successive reflections which continually diminish it.
*When the wave has no longer sufficient intensity to produce the
sensation of sound upon the ear, or when it has been so far modified as
to be unable to do so, it may nevertheless, even after a very prolonged
course, still mark its* arrival upon the membranes.
' Thus when the wave is produced by a charge of i gramme of pow-
der, it makes its last impression upon a membrane when it has passed
over the following courses : —
4056 metres in a tube of diameter 0.108 metre.
1 1430 metres in a tube of diameter 0.300 metre.
19851 metres in a tube of diameter i.ioo metre.
'But in a pipe of i.ioo diameter, which forms the grand service-pipe
of Villemonble, I have observed paths of much greater length, — the
charge of powder, it is true, being raised in this case to 2.40 grammes.
Thus in the table showing the results of one of the scries of experiments
made with this large tube, the last mark corresponds to a wave which
had traversed 58641 metres; and if the bands of paper were allowed to
remain, it was easy to detect as many as ten returns of the wave to the
membrane A. This is, in effect, a path equivalent to 97735 metres, or
nearly 100 kilometres ; but the bands of blackened paper were then so
long that I found it impossible to collect the indications of more than
six returns ; the band of paper with this number had already reached
the length of 2 7 metres.
^V1IISPERINGS OF AX OLD PINE
m
* What are the causes which thus weaken a plane wave when it is
propagated in a straight cylindrical tube ? They are of several kinds ;
but the chief one undoubtedly depends upon the continual loss by the
wave of a part of its xns viva by the reaction of the elastic sides of the
tube* This is shown distinctly in the great tube of the Saint Michel
sewer, which is supported u|K>n iron columns in a large vaulted gallery.
When the wave first passes, a very loud noise is heard outside, in what-
ever part of the course the observer is situated. Consequently a con-
siderable part of the vis viva is thereby scattered abroad. The same
lakes place at the extremities and at all the openings furnished with
membranes. This loss necessarily continues after the wave has ceased
to have sufficient intensity to affect the ear; and it is, strictly speaking,
sufficient to explain why the sound becomes extinguished, and how the
wave becomes so enfeebled as no longer to disturb the most sensitive
membranes. But I do not think that this is the only cause at work.
There is another which arises from an action of the solid wall upon the
gas, whose elasticity it sensibly diminishes. I sliall give proof of this
immediately.
'II. Laplace's formula does not contain the expression of the
intensity of the wave. According to this formula the rate of propaga-
tion of a wave is the same, whatever its intensity may be. But accord-
ing to the more general formula which I have given, this velocity should
be greater the greater the intensity of the wave.
* Now we have just seen that in a straight cylindrical lube the
intensity of the wave does not remain constant as has been hitherto
sup[>osed, but that it diminishes continually^ and this the more rapidly
the smaller is the section of the tube. The necessary consequence of
this is that the rale of propagation of a wave in a tube ought con-
tinually to diminish as the wave advances; and this diminution should
be the more rapid the smaller is the section of the tube. This iS| in
fact, what occurs in all of my experiments. I shall confine myself here
378
ELLEN OR THE
to the discussion of the mean velocity of a wave produced by the dis-
charge of a ])istol, and which travels through dry air at o® C, such
a wave being measured from its commencement up to the moment
when it ceases to be of sufficient intensity to affect the membranes. I
select from experiments made upon tubes of the diameters o*io8, 0*300
and 1. 10 metre.
irnE OF DIAMETER O.I08 METRE (ROUTE D* I\'RV).
I)ISTANCK„S
TRAVKRSKI).
MEAN
VELOCITIES, v.
jwder 0.3 grm.
DISrANCES
TRAVERSED.
MEAN
VELOCITIES, v.
Charge of l\
Charge of Powder 0.4 grm.
Metres.
• 566.74
1133.48
1700.22
2266.96
2833.70
Metres.
330.99
328.77
328.21
327.04
327.52
Metres.
1351.95
2703.00
4055-85
5407.80
Metres.
329-35
328.20
326.77
323.34
^The diminution of tlic mean velocity of one and the same wave
reckone<l from its origin, but which is examined after traversing longer
and longer paths, is very marke<l.*
** It would seem as if the fact that the sound was heard at one
distance, and that the action upon the sensitive membrane took
place at another and very much greater distance, might have
suggested that these were two different things. And the truth
or falsity of the undulatury theory can be tested right here.
For if a pulse of air in a tube, and sound, are two entirely
different things, a candle will be quenched or duck, whenever
by usual mechanical means a pulse is started, but will not do it
when no such pulse is started, no matter what sound happens
WIIISFEKIXGS OF AX OLD VIXE
at one end of the tube ; the only exception beinj^ when the
candle has a normal vibration the same as that of the sound*
which would not often occur. And therefore the experiment
can be easily and satisfactorily made.
*'ln Regnault and Biot's experiments, a pistol was used,
the firing of which engenders gas, which of necessity starts
a pulse or the theoretical sound wave. So, too, if a piston
is pushed in the tube, a pulse will be started. In the first
case, sound will also take place. In the latter It w^ill not,
though the pulse might be made to go and affect a sensi-
tive membrane placed in its way, as far as or further than the
pulse produced by the pistol of MM. Biot and Regnault.
*' Mr, Regnault, in the above experiments, found out a num-
ber of self-evident truths, or truths that should have been self-
evident to any scientist* — though they with one accord have
refused to sec them since they accepted the undulator\' theories,
— and became himself a wiser man ; although, again, with the
fatuity that follows believing by authority, he was unable to
perceive anything further than was illustrated by his experi-
ments. And his experiments stopped short of the ultimate
demonstration that this pulse in a tube acts as it dt^es because
uf the tube, and, if taking place in the open air, would go a
much shorter distance and have a very different speed. It
would, in other words, follow mechanical laws and be almost
immediately dissipated.
**ThusW. K, Grove, in his celebrated work on *Thc Cor-
relation of Physical Forces/ says:
' If the hand be moved in uncon fined air> the motion of the air would
not be sensible to a person at a few feet distance ; but if a piston of the
38o ELLEN OR THE
same extent of surface as the hand be moved with the same rapidity in
a tube, the blast of air may be distinctly felt at several yards distance.
There is no greater absolute amount of motion in the air in the second
than in the first case, but its direction is restrained, so as to make its
means of detection more facile. By carrying on this restraint, as in the
air gun, we get a power of directing the motion and of moving other
bodies at far greater distances. The puff of air which would in the air
gun project a bullet a quarter of a mile, if allowed to escape without its
direction being restrained, as by the bursting of a bladder, would not be
perceptible at a yard distance, though the same absolute amount of
motion be impressed on the surrounding air.'
** But M. Regnault admits, first, that the results of his experi-
ments disagreed with theory; that is, — with this undulatory
theory which Ellen is combating; second, that they so dis-
agreed in the following respects :
"First. Gases deviate from Mariotte's law. But the formula
for the speed of sound, as worked out by Newton and certain
other later mathematicians, rests entirely upon the assumption
that gases obey this law.
"Second. Elasticity is affected b)- surrounding objects.
*' Third. The gas itself, the air, for example, often moves
bodily at the start instead of making slight oscillations as
assumed in the theory.
*' 1^'ourth. The Laplace formula for the increase of speed
through the action of heat produced in the condensed waves,
which that class of mathematicians who uphold authority have
eagerly adopted, is not correct, and will have to be modified.
"Fifth. The wave, instead of advancing throughout its
course with uniform velocity, as has been explicitly taught in
text books, constanth' varies in its speed.
WHISPERINGS OF AN OI,n PINK
381
"Sixth. Instead of pulses started by different forces going
at the same speed, every one of them goes at different speed,
precisely as Ellen has said that they would and must.
**Such a system of exposures of the postulates of science in
one series of experiments might well make scientists thoughtful.
Had the experiments been continued, M. Regnault would
have found, as some one yet will find, that sound, instead of
being made by the pulse, is something entirely distinct from it,
a thing of itself. That the pulse is entirely disconnected from
sound is demonstrated by the fact that if made by a piston
there is no sound, and further by the fact that when made by
the explosion of a pistol it continues long after the sound has
ceased,
** A somewhat similar line of experiments made by Jacques.
Ellen has already given,
*' Ellen has given the results of M. Regnault s discoveries,
from his uwn standpoint of small experiment; but rising above
this to one of broad comprehension, it is clearly evident that the
experiments, demonstrating the incorrectness of the hypotheses
upon which imdulatory theories are based, entirely disprove
all such theories.
382 ELLEN OK THE
XXIV.
^^IT follows, then, that because of the mobility of the air a
1 pulse will not behave at all in unconfined air as in a tube.
A stick or any solid body pushed would behave practically the
same in a tube or out of a tube. But all those bodies whose
particles do not cohere, but are mobile, will behave very differ-
ently. This is a fact that no one with common sense would
think of overlooking, although scientists care so little for facts
that they overlook it entirely. There could perhaps be no
better illustration of the utter worthlessness of a great part, if
not the larger part, of the science taught in our schools and
colleges. It is simply and purely the vagaries of theorists who
are without common sense or common honesty.
' "Mobility is the great distinction between solids and liquids,
' and because of it many things can be made out of liquids which
I cannot be made out of solids. And so, too, it is equally true
I that many things can be made out of solids which cannot be
I made out of fluids. Liquids arc not good for building
materials.
" Herschel speaks of * the extreme mobility which belongs
I only to the fluid state.' Laplace, in his * Mecanique Celeste,'
vol. r., book i., chap. 4, says:
' To obtain the laws of the equilibrium of each of the Darticles
1 of a fluid, it would be necessary to ascertain their figure, which is impos-
sible ; but as these laws are required only for the fluids considered in a
I
/
WJIISI-KRINUS OF AN OLT( I'INE
385
mass, the knowledge of the ligiire of the ijartieles becomes useless.
Whatever may be these figures, and the drsj>ositions which result in the
separate particles, all fluids, taken in a mass, muist present the same
phenomena, in their equilibrium, and in their motions; so that the
observationti of these phenomena will not enable us to iliscover any-
thing respecting the configuration of the particles of the fluid. T/t^^r
generai phenomena deptnd on the perfect mohility of the particles^ which
yield to the least pressure. This mobility is the characteristic property
of fluids ; it distinguishes them from solid hodies, and senses to define
them. Hence it follows, that to maintain the equiltbrixmi of a fluid
mass, each particle ought to be held in ef|uilibri\im, by means of all
the forces acting on it, and the pressure which it maintains ix\\m the
surrounding particles/'
** Because of this mobility, as Ellen h*Ls before remarked, the
mere blow of any body moving at the rate of ten feet per
second, or less, could not affect the air in front of it except a
trifling way.
**Of coarse a fan would drive and condense the air far more
than the prong of a tuning fork or a stretched string, could;
and a whirlwind infinitely more than all of them, but the last
can move only 150 feet per second. The old Pine mustn*t
forget that m all cases of sound the hypothetical air waves are
supposed to be started by the air particles being pushed by
some body, in exactly the same way as they arc pushed by a
fan or any other body tnoving in air, The idea con-
veyed b\^ Mr. Tyiidall and different text books that the
fork is swiftly advancing is entirely untrue. And the sup-
position held, perhaps, In* triany that the speed of hypo-
thetical sound waves is in any way connected with the
386 ELLEN OR THE
repeated vibrations of a fork or string is entirely erroneous.
With the string each supposed wave must be caused by
a single movement of the string. No second movement
can in the slightest affect it. And this would be true,
by this theory, usually with sound ; the condensed feature of
the wave would be caused by the movement of anything. One
movement of something and return, by the theory, makes the
wave, and each succeeding movement and return makes another
wave; but the first wave is never overtaken or in any way
interfered with by the second, or the second by the third. The
same would be true of the fork, except for the double
prong. The action of cither prong might and probably would
each time affect that of the other.
**But this is all different in a tube. There by the shove of a
piston a pulse is created in the confined air which is communi-
cated through the tube, as it seems, almost instantly to the
further end where, if tight, it is reflected ; but if open it is
not reflected. Nor with an open tube or one of infinite length
would there be any reactionary movement unless the piston
was witlidravvn. In a tube clastic force may continue the
motion in advance for a long distance, but in unconfined
air it cannot because of the mobility of the air, which, as Ellen
has before remarked, physicists rarely ever mention when
talking about sound.
"If elastic force acted in unconfined air as in air in a tube,
every movement of air, with all its amplitude, would be propa-
gated, with the speed of elastic force, for great distances, in all
directions. And as a pulse sent through a tube will blow out a
light at the further end, or, if large enough, knock down a man,
WIllSI'ERINGS OF AN OLD TINE
387
SO there could never be any quiet air, but always pulses moving
in all directions sufficient to overthrow everything existing.
Ellen thinks it is pretty fortunate that the scientists are not per-
mitted to run things. They would destroy us all in five minutes.
For the law of pulses in tubes is that precisely the amount
of air shoved by the piston is moved through the whole length
of the tube and emitted at the open end, If u neon fined air,
when moved, acted in the same way, then a whirlwind, driven
by elastic force, would extend around the worlds destroying
everything in its path* Awfully hicky the scientists, or
physicists, or whatever they call themselves, don't run
things,'*
** Why, yes," I said, '*it is very fortunate that all they are
permitted to do is to talk ; hi that way they make trouble
enough by delaying important discoveries/'
"But if pulses in unconfined air do not form and act as in
tubes, but instead behave in a much more civil and reasonable
manner, because of the mobility of the air, — a quality provided
expressly to prevent destruction and allow things to exist, — then
this theory of sound, which has sur\'ived the conflicts of more
than 2CX)0 years, will survive no longer, but at last die and be
quietly buried/'
'*Ycs/' I said, '*we will have a great funeral and all the
scientists will attend and be the pall bearers/'
'*The old ViiiQ will see that the mobility of the air prevents
all these accumulated troubles which the scientists are deter-
mined to inflict upon us, and that it works most admirably,
allowing peace, quiet, and tranquility to very generally pervade
the earth, except when storms are introduced for clearing up
3^8 ELLEN OR THE
purposes, and these generally are not severe enough to do very
much damage."
'* Yes," I answered, ''the old Pine does see that everything
is very wisely ordered ; that the conditions are altogether
delightful, both for beauty and for comfort. For quiet gen-
erally prevails, and all things are at peace. The pumpkins
and the corn grow in the fields, and the apples upon the trees.
In the universe there are things innumerable, but there is
room for them all ; and, so far as the old Pine can see, room
for more."
"Yes," she said, ** there is plenty of room. And it is upon
those lines that the universe was built — room enough for all.
For the room is husbanded ; it is husbanded so far as this, that
a little will answer when there is not more. But there's enough
for all practical purposes. For many things dwell in harmony,
and do not incommode each other. And when they do, there
is room enough for each, or for enough of each for the econ-
omy of the universe. Thus, there's room enough for light, the
particles of which arc darting everywhere. But TZllen thinks
they don't come any faster than they are wanted ; and they
are not wanted so very fast. For the effect of light, — a ray of
light, — lasts quite a long time, if measured by a short enough
standard. And Ellen doesn't know why it might not be meas-
ured by one standard as well as by another. Light will last and
perform its functions the same as food or drink will, that we
take into the body. Ellen doesn't think that the rays of light,
or, more truthfully, particles of light, are at all continuous,
but that vast spaces intervene between those that come
from the sun, or the fixed stars. Thus, on the cars, in passing
wins PI
PINE
38g
through a covered bridge, one can see through the cracks
of the boards all the landscape complete, although these
cracks are but a very small part of the space, the remainder
being entirely impervious to vision. Ellen has seen it esti*
mated that rays of sunlight are at least 30,000 miles apart.
And the old Pine can sec that if they aroi they will go this
distance in less than one-sixth of a second, going as they do,
in a second, 185,000 miles, more or less. And therefore there
is room enough for all these innumerable rays to be circulating
tn the universe.
" And so there is plenty of room when we get away from
the big universe down upon this little world of ours, with
its lovely oceans and lakes, and the pretty mountains, and,
above all these, the air, where the clouds are draped tn heavy
masses, or lightly gather, and the rainbows arrange tlicm-
selves, and the birds ft\\ In this air where Ellen wanders,
and the old Fine sways; where millions and millions of
insects and all kinds of winged animals arc constantly pass-
ing ; where clouds of dust frequently obscure the vision ; where
the beautiful leaves, all the innumerable number of them, live
and fall; where also, with all these things, are sounds; — there
is room enough for all^ — lots of room. Nor do things interfere
with each other much, but all have a beautiful time.
*' And thus the air is full of sounds, all kinds of sounds, Httlc
sounds and big sounds, sweet sounds and ugly sounds. They
live and die like other things, being what the old Pine and
Ellen would call very short lived. And so they pass each other
like other things; and as they all wander In every direction
they arc all the time passing each other, but being infinites-
390 ELLEN OR THE
imal there is generally plenty of room, just as there is for the
insects, and the horses, and cows, and sheep to pass each other.
** In this way do the sounds circulate ; and in this way do all
things move in the universe. At least they do down here in
our little universe where we can see them. And there isn't
any other way. There never was any other way. All nature's
laws are universal ; and this is one of those laws. It's the way
that things pass each other."
WHISPERINGS OF AN OLI> PINE
XXV.
^^ A ND how does sound operate in a telephone and grapho-
^*^ phonc» Ellen?" I asked,
"The best results," she answered, **are usually obtained
in the Bell magneto electric telephone. Ganot says:
*To the number of instruments depending on induction may be
added the kiepkone^ which is equally remarkable for the surprising char-
acter of the results which it produces, and for the simplicity of the
means by which they are produced. Fig. 19 represents a section of
Graham Bell's telephone.
'It consists essentially of a steel magnet, of alK)ut four inches in
length by half an inch in diameter, enclosed in a wooden case. Kound
one end of this magnet is fitted a thin flat bobbin, BB, of fine insulated
copper wire. For a magnet of this sixe a length of 250 metres of
No. 3S wire, offering a resistance of 350 ohms, is well suited.
'The ends of this coil pass through longitudinal holes, LL, in the
case, and are connected with the binding screws CC. In front of the
magnet, and at a distance which can be regulated by a screw, but which
is something less than a millimetre [.03937 -f of an inch]» is the essential
feature of the instrument, a diaphragm, D, of soft iron, not much
thicker than a sheet of stout letter paper. This diaphragm is screwed
down by the moulh-piece E, which is similar to, though somewhat
larger than, that of a stethoscope.
' The instruments are connected by wires, for one of which the earth
may he substituted, as in ordinary telegraphic communication (908)*
Each instrument can be used either as sender or receiver, though in
actual practice it is more convenient for each oi>erator to have two
WmSHERINGS OF AN OLU I'LNE
393
particular directinn. There is no current so long as the coil and the
magnet are stationary. When, however, the magnet is suddenly with
drawn, a current is produced in the opposite direction* Sinnilar effects
are produced tf, while the magnet is in the coil, its magnetism is by any
means increased or diminished. [In Figure 20 the instrument at the
right is a galvanometer].
* Now in the telephone the magnet and the coil, when once properly
adjusted, remain fixed. But the magnet M magnetises by induction the
soft iron membrane D in front of it — thai is, converts it into a magnet.
When, by the mouthpiece being spoken into, this irou membrane vibrates
backwards and forwards, these vibrations give rise to an alteration in the
number of lines of magnetic induction passing through the coil, the
effect of which is thai currents are produced in alternate directions in
the coil surrounding the pole* These alternating currents, being trans-
mitted through the circuit to the distant coil, alternately atlract, and
cease to attract, the corresponding diafram. They thereby put this in
vibration, and wht^n the mouthpiece of this telephone is held to the ear
these vibrations are jjerreived as sound corresponding to that which is
transmitted. [By this theory the sound is not transmitted, but instead
electric currents^ supposetl to cause vibrations, which reiiroduce sound.
This error may be the fault of the translator]. Hence, whatever sound
produces the vibration of the diafram of the sending instrument is
repeated by that of the receiver*
*The reproduction of the sound in the receiving instrument is perfect
as far as articulation is concerned, but it is considerably enfeebled, as
might be expected. The sound has something of a metallic character,
appearing as if heard through a long length of tubing, while it faithfully
reproduces the characteristics of the person speaking. It does not
result from a series of sharp and distinct makes and breaks, but in each
of the momentary currents there is a continuous rise and fall, cor-
resjionding in every gradation and intlection to the motion of the air
agitated by the speaker.
394 ELLEN OR THE
* Various attempts have been made to improve the loudness of the
sounds produced in the telephone, by varying the form of the various
parts, and using more powerful magnets of horseshoe and circular
forms ; Ader's telephone, which is largely used in France, is constructed
with a circular horseshoe magnet.
*The amplitude of the vibration of the disc is extremely smalL
'The current in a telephone is estimated by De la Rue as not
exceeding that which would be produced by one DanielPs cell in a
circuit of copper wire 4 mm. in diameter of a length sufficient to go
290 times round the earth. This current would have to pass 19 years
through a voltameter, to produce i cc. of detonating gas. This is
about 1 ,000 million times less than the currents in ordinary use. Such
currents are, however, sufficient to cause the contraction of a frog's leg.
* Siemens estimated that not more than xxriinr ^^ ^^^ mass of sound
which the sender receives is produced. That it is possible to perceive
this, is due to the great sensitiveness and range of the ear, which can
endure the sound of a cannon at a distance of 5 yards, and still per-
ceives it at a distance 10,000 times as great. This represents a ratio erf
intensities of one to one hundred millions.
'The extreme delicacy of the telephone is its drawback to speaking
through ordinary telegraph circuits. The currents in adjacent wires,
the vibration of the posts and of the insulators, or the passage of a cart
over the streets, acts by induction on the telephone circuit, and over-
powers its indications. When a telephone circuit was placed at a
distance of 20 metres from a well-insulated line, through which signals
were sent by means of a battery of a few elements, sounds were dis-
tinctly heard in the telephone. Speaking under such circumstances is
like speaking in a storm. The powerful currents used for systems of
electric lighting produce such a roar in an adjacent telephone circuit
that it is impossible to speak through the telephone. The only
effective way of diminishing the inductive action of adjacent systems is
WHISPERINGS OF AN OLD PINE
395
to have two insulated wires close to each other, forming a hop circuiL
They are thus at the same distance from the inducing circuit, and as
one of the wires is used for going and the other for returning, the similar
influences must be in opposite directions, and therefore neutralize
each other.
''Iron wires present a special difficulty in telephoning through long
distances* Telephone circuits are alternating ones, and at each
reversal an extra current is produced, which enfeebles the original
one, and alters its character. This extra current is more pronounced
the longer the circuit, and with iron it is 300 times as strong as with
copper. Hence for long distances a loop circuit of copper or bronze
wire is used, and with such circuits it is possible to telephone through
very long distances. In America, New York and Chicago, a distant e of
930 miles apart, are in telephonic communication ; the greatest distance
in Europe is from Ixjndon to Marseilles, via Paris.
'If a telephone is inserted in the circuit of a Morse's instrument, the
sound of the working is heard, and the messages can be read ; this is
the case also of the telephone in the branch circuit of a Morse. If one
telephone is joined up with the primary, and another with the secondary
wire of an induction coil, communication is almost as good as if the two
apparatus were directly united.
'Telephones have been constructed in which the thin iron plate is
replaced by a thicker one, or by an unmagnetic one ; or if the tele-
phone is held close to the ear, the plate can be dispensed with alto-
gether*
*When a telephone is held to the ear during a thunderstorm, every
lightning flash in the sky is simullaiftously heard to be accompanied by
a sharp crack.
'Dolbear has constracted a telephone in which the electrostatic
action of currents is used. It consists of two circular flat discs of metal
396 ELLEN OR THE
rigidly fixed to each other in an insulated case of ebonite. One of the
discs is in metallic connection with the line wire, in which are a battery
and an induction coil ; in this way, while one disc is electrified posi-
tively, the other is negatively electrified by induction, and if the current
is varied by speaking through a transmitter in 'the circuit their varying
effects are faithfully reproduced, and reappear as sound vibrations on
the receiver.
< * * ♦ When the wires of an electric circuit, in which is inter-
posed a telephone, are broken, and rest loosely on each other, sounds
produced near the point of contact are reproduced and magnified in
the telephone. The microphoney invented by Prof. Hughes, depends
on this fact ; its arrangement may be greatly varied ; one of the
simplest and most convenient forms is that represented in fig. 21. A
piece of thin wood is fitted vertically on a base of the same material ;
two small pieces of gas carbon about \ of an inch thick, are fixed
horizontally in the upright ; they are in metallic connection with
the wires of a circuit in which are a small battery and a tele-
phone ; and in each of them is a cavity. A third piece, of the
same material, and about one inch long, is pointed at each end, one
of which rests in the lower cavity, while the other pivots loosely in
the ui)i)er one. When a watch is placed on the base, its ticking
is heard in the telephone with surprising loudness; the walking of
a fly on the base suggests the stamping of a horse ; the scratching
of a (|uill, the rustling of silk, the beating of the pulse, are perceived in
the telephone at a distance of a hundred miles from the source of
sound ; while a drop of water falling on the base has a loud crashing
sound. To obtain the best results with a particular instrument, the
position of the carbon must be carefully adjusted by trial ; and indeed
the form of the instrument itself must be variously modified for the
special object in view : in some cases great sensitiveness is required, in
others great range. In order to eliminate as far as possible the effect
WHISPERINGS OK AN OLD I'lNE
399
of accidental vibrations due to the supports, the base slir»ul«l irst on
pieces of vulcanized tubing, or on wadding.
* It is known that the compression of a semiconductor, such as
carbon, diminishes its resistance, while a diminution in the compression
increases the resistance. 'I'he action of the microphone is to be
ascribed to this; in consequence of the minute alterations in the
]>ressure and in the degree of contact at the break, the electrical resist-
^5a
Fig. ai.
ance in the circuit varies in accordance with the sound waves, and con-
sequently the strength of the curren t varies too, llie result of this is,
that what we may call undulating currents of electricity are produceil,
whose amplitude, length, and form are in exact correspondence with
the sound waves. The effect of the microphone is to act as a relay,
drawing supplies of energy from the battery, which then appear in the
telephone.
*The fonii of the original microphone has been variously modified.
It is desirable to increase the number of contacts, so as to avoid
scratching noises. The Adcr microphone consists of ten carbon rotls
laid in two sets of five each on three cross-pieces, also of carbon, lixed
to the same piece of wood. Good results are also obtained by using
40O ELLEN OR THE
small fragments or filaments of carbon. One of the best microphones
consists essentially of a thin plate of carbon resting on a packing of the
filaments of incandescent lamps/
" In the fifth paragraph an explanation of the action of the
telephone is attempted. In examining this question we have
for data, first, that sounds made at a transmitter are heard
almost instantly many miles away at the receiver; second, that
only such sounds are heard over the wire, at the receiver,
as are audible at the transmitter. Are the sounds heard at the
receiver those made at the transmitter, or are they made by
vibrations reproduced at the receiver? In either case, wher-
ever made, sound remains equally an entity.
mis PE RINGS
ol
401
XXVI.
^^|N considering what the sound is, heard at the receiver of
^ the telephone, Ellen will return and discuss the statement
made by Mr. Tyndall from Poisson's Traite de Mecanique,
Vol, II., p3Lge 707, that the intensity of a sound depends upon
the density of the air in which the sound is generated, and nut
on that of the air in which it is heard.*
** Referring to this principle the Encyclopedia Britannica, in
article on Acoustics, says;
*ll is a well known fact that, in all but very exceptional cases, the
loudness of any soimd is less as the distance increases between the
source uf sound and the ear. The law according to which this decay
takes place is the same as obtains in other natural piienomena, viz., that
in an unhmited and uniform medium the loudness or intensity of the
sound proceeding from a very ssinall sounding Uxly (strictly speaking, a
pomt) vanes inversely as the square of the distance. • • • Xhis
'A*
follows from considering that the ear A C receives only the conical por*
tion OAC of the whole volume of sound emanating from O, and that
in order that an ear BD, placed at a greater distanre from O, may
admit the same quantity^ its area must be to that of AC : as
• See page 183-
402 ELLEN OR THE
0B3 : 0A2. But if A'^AC be situated at same distance as BD,
the amount of sound received by it and by B 0 (and therefore by
A C) will be as the area of A' or A C to that of B D. Hence, the
intensities of the sound as heard by the same ear at the distances O A
and OB are to each other as OB^ to OA^.
' In order to verify the above law when the atmosphere forms the in-
tervening medium, it would be necessary to test it at a considerable
elevation above the earth's surface, the ear and the source of sound
being separated by air of constant density. As the density of the air
diminishes, we should then find that the loudness of the sound at a
given distance would decrease, as is the case in the air-pump experi-
ment previously described. This arises from the decrease of the quan-
tity of matter impinging on the ear, and the consequent diminution of
its vis-viva. The decay of sound due to this cause is observable in the
rarefied air of high mountainous regions. De Saussure, the celebrated
Alpine traveler, mentions that the report of a pistol at a great elevation
appeared no louder than would a smaller cracker at a lower level.
* But it is to be remarked that, ac( ording to Poisson, when air-strata
of different densities are interposed between the scource of sound and
the ear placed at a given distance, the intensity depends only on the
<iensity of the air at the source itself; whence it follows that sounds
proceeding from the surface of the earth may be heard at equal dis-
tances as distinctly by a i)erson in a (loating balloon as by one situated
on the surface itself; whereas any noise originating in the balloon would
be heard at the surface as faintly as if the ear was placed in the rare-
fied air on a level with the balloon. This was exemplified during a
balloon ascent by Glaisher and Coxwell, who, when at an elevation of
20,000 feet, heard with great distinctness the whistle of a locomotive
passing beneath them.*
'*The statement in the second paragraph that 'This arises
from the decrease of the quantity of matter, etc.,* is entirely
\VIMS1*EI
403
incorrect, the evidence in the next paragraph proving it to
be so. For if it was true it must ahvays be true of two equal
sounds, heard at a point equally distant from both. But this
is not the fact,
"Thus draw the square A B C D. C D being on the surface
of the earth, and A B at th^ height above the earth where
the air is of half density Let equal sounds be made at A
and D, and we will suppose A R to be where the test referred
to in the Encyclop;i^dia article above was made» A being the
source of sound and l\ the location of tlie ear,
'* Because the intensity of sound depends upon the density ul
the air where it is made, the intensity of the sound at D
will be double at B that of the equal sound at A, also equally
distant And therefore the loudness of a sound has nothing
to do with the decrease of the quantity of the matter impinging
on the ear For, as Ellen has said, if it was true in one
instance it would be in all
B
**Evidently this writer gave the explanation because in accord
with the undulatory theories. For if they were true it would
be true. That it is not true is a demonstration that all undu-
latory tlieories are fictitious.
**This last statement cannot be too strongly made, or carefully
404 ELLEN OR THE
considered. For this undulatory theory of sound couldn't
be true without its following as a sequence that the intensity of
sound depended upon the density of the air where it was heard
**The eminent physicist who writes the article on sound in the
Encyclopaedia Britannica, further says: *The decay of sounds
due to this cause [i. e. a decrease of quantity of matter imping-
ing on the ear, and consequent diminution of the vis-vival, is
observable in the rarefied air of high mountainous regions.'
** Ellen repeats, the fact that the intensity of sound depends
upon the density of the air where it is made, instead of that
where it is heard, makes the undulatory theory of sound
impossible ; and is a practical demonstration that sound is an
entity, made like everything else in this material universe by
the combination of matter in its different conditions and
proportions. For it is impossible to explain the conditions
except that sound is made, in full or in part, from the material
which exists in the air or other gases.
"And this makes two demonstrations, neither of which
admit of any possible answer, that the undulatory theories
cannot be true; first, that the action of sound is inconsistent
with such theories, and second, that sound is an entity. Ellen
says undulatory theories, because it is well known that if one
falls, they both fall.
"The great English physicist Huxley in speaking of hypoth-
eses,— and this undulatory theory of sound was never any-
thing more, though most dishonestly taught in many schools
and all colleges as true, — says :
' Every hypothesis is bound to explain, or at any rate not to be incon-
sistent with, the whole of the facts it professes to account for ; and if
WHISI'ERINGS OF AN OLD PINE
40s
there is a single one of these facts which can be shown to be inconsist-
ent with (I do not merely mean inexplicable by, but contrary to) the
hypothesis, such hypothesis falls to the ground— it is worth nothing.
One fact with which it is positively inconsistent is worth as muchj and
h as powerful in negativing the hypothesis, as Kive hundred.'*'
** And cannot sound be made under water?** I asked,
**Yes," she replied^ "but its intensity, when heard in air, is
much lessened, although Ellen understands if heard by an ear
underwater it is louder than if made in air. And this suggests
that sound like electricity follows a path of least resistance,
changing slowly from one medium to another This is illus-
trated in the sound made in a toning fork, which is thrown off
slowly from the fork into the air, but will run rapidly from
the bottom of the fork into a sounding board or other similar
medium. So long as it remains in the fork it circulates through
it, causing it to vibrate, but as soon as it enters a uniform
medium of extended dimensions, as the air, it usually spreads
in all directions like a cloud ; but if conducted into a body
extending in but one direction, as a wire, it will practically
confine itself to that channel, going as far as its length of life
permits. Later Ellen will give experiments showing the differ-
ent time in which the sound may run out from such fork.
"The above facts also show that the sound we hear is made
by the initial sounding body, Ellen once suggested, foolishly
accepting, without examination, the scientific or text-book
explanation of the action of sound at a telephone, that perhaps
additional supplies might take place in the spreading of sound*
as in a conflagration of fire from the burning of new material.
But we see from the Poisson experiment that this is not true.
406 ELLEN OR THE
And it follows that the sound/ which is transferred in all direc-
tions through the air, is made where its cause takes place, in
quantities sufficient to be distributed in all directions the dis-
tance which it extends.
*' In this respect it would be like a hill of potatoes. And so
most things are made, at least many things. A stream bubbles
up from under a rock, from which water is distributed to the
neighboring localities, and, in its abundance, may flow for quite
long distances, but the supplies sent out from that spring can-
not create other springs, except by supplying the water. There
is no kindling of a conflagration of waters through the action
of water upon new material, as in a conflagration of fire.
**The cloud that furnishes rain moves in many directions, or
may, over the country, and Ellen thinks is increased by the
conditions of the atmosphere which form new clouds, just as a
stream from a spring is increased, or maybe, by supplies from
other springs, but these supplies have no direct connection with
the original spring or cloud. That is, it is not the original
sj)ring or cloud which causes them, but the same conditions
which caused the original spring or cloud.
"The same is true of the hill of potatoes. If there is an in-
creased suj)ply it comes from other hills of potatoes, which are
not at all dependent upon the existence of any particular
hill. And this, as VAlcn thinks, is the general law. But it is
not so with the conflagration started by a match. Such con-
flagration would not take place but for another conflagration,
that of the match. And in this case, or all similar cases, the
amount of conflagration, as an aggregate, depends upon the
material at hand from which to make new conflagration. That
WHISPERINGS OF AN OLD PINE
407
Is, the result is dependent upon the amount of new material
which may be brought into combustion. And the status of the
fire^ at any one place, depends entirely upon the amount of
such new material obtainable at that place, and not upon the
amount of conflagration made by the match which started it.
''*This is very different with sound. It is made at some par-
ticular place, by some particular body, and is distributed in all
directions as rapidly as it is formed."
'* But/* I said, 'Uhe same sounds might be made by other
bodies, as is shown by the graphophone."
"Yes/' she answered, ** the graphophone records show this,
but these records have to be made before they can utter
sound, and the making of them is one thing and their uttering
sound another. But when played upon they will repeat a sim-
ilar sound, to that of the sound which made them, only of much
diminished intensity, — which shows" it to be intended for some
different purpose than the original, A new mill for the manu-
facture of sound is made, but no law is changed, and no new
law expounded. The sound which makes the instrument, or
record, from which precisely similar sounds as itself may be
repeatedly repeated, has nothing further to do with it, any
more than the oak with the acorn which it produces, nor, as
Ellen says, can there be any sound made from the record thus
made, until the proper instrument, or machinery for doing it,
is brought into actian. And this is always at some future
time.
"The conditions are not at all tike those of a prairie fire or
any conflagration. But instead the production of sound is
accomplished by the sounding body at once and completely,
408 ELLEN OK THE
when at once also the sound spreads practically in all directions
at a fixed rate, according to conditions."
"But how can Ellen imagine that any substance could be
produced which would spread in all directions, and be in
sufficient quantity, often, to reach many miles?"
*'By the power of God," she answered. " Ellen knows full
well that the power which can decree that an oak shall develop
from an acorn, and all plants from a seed, would be abundantly
able to create a substance that should spread in all directions,
moving at a fixed rate, and performing the phenomena of
sound."
'* The old Pine sees," I said, *' Ellen's argument, but he
wonders if perhaps that which causes vibration in the initiatory-
body, might not enter contiguous bodies, causing them to
vibrate, and thus produce more sound ; and thus continue doing
as it spreads throughout the atmosphere, but adapting itself
each time to the condition of the bodies which it enters, so as
to vibrate a bigger quantity of air in a contiguous body, that is,
a longer body of air, if the air became less dense, and in this
way continue the average intensity of sound in spite of the fact
that the air was constantly becoming less dense?"
"Ellon thinks the old Pine more ingenious than wise in such
suggestion. It is certain that nature performs no such peculiar
antics, but that her operations are both straightforward and
simple.
•'In the first place it is a fundamental principle of sound, that
it cannot cause another body to vibrate unless one having the
same normal vibration as itself. And this principle, alone,
would prevent any sound from making other bodies vibrate.
WHISPERiJ^GS OF AN OLD PINE
409
except in very exceptional cases. And Ellen wants the old
Pine to remember this, as it will have much to do with the
explanation given by scientists of the action of sound in a
telephone or graphophone,
"The supplies, then» of sound are made by the original
sounding body, or bodies^ and cannot be made by any other.
They are all gathered from the operation of separate bodies,
that are entirely independent of each other, as Ellen has said»
as much as apples come from the aggregation of fruit borne by
different trees that are entirely independent of each other."
"And does Ellen know,** I asked. '* where all of this leads? *
" She knows very well," she answered, " as she has suggested,
but let it lead where it will, the fact she is after now is the action
of sound in its ordinary conditions. The old Pine is thinking
of the telephone? "
** Yes,*' I said^ *' and he is thinking again how sound will make
a record which will repeat sounds, the same sounds, not once
but many times.**
•' And each time/* she answered, ** the sounds repeated are
scattered by their own energies in precisely the same manner as
other sounds/*
'* That is all true,*' I said, but the graphophone shows that it
is possible to repeat sounds. Then may not nature in some
similar way constantly increase the supply?"
*' Ellen thinks not," she answered, '* Nature makes a great
many sound-producing instruments, but she never makes
them unnecessarily, nor ever designs that any one or every
one, should perform the work of all. The thing is absurd
and incredible.**
4IO ELLEN OR THE
XXVII.
^^ A ^^ ^^^ about the telephone, Ellen? Whence come the
^•^ sounds heard at the receiver? "
'* Ellen was leading up to that/' she answered. **The expla-
nation given by Mr. Ganot, and universally accepted in science,
was, that the sounds heard at the receiver were made by vibra-
tions reproduced in its diafram by the electric current. And
when it was found that the sounds might be heard when there
were no diaf rams, it was suggested that the so-called vibrations,
said to originate with the sound uttered into the receiving tele-
phone, were repeated by the vibration of other portions of the
receiving instrument, as the magnet, or when that was out, the
helix, or coils of wire, and when magnet and helix were both
out, the sounds still being heard, the box was supposed to thus
vibrate and repeat them, although it would be absolutely impos-
sible for any one of these things to vibrate, so as to repeat any
sound, unless one having the same vibration."
**Hut sound will make a body vibrate, will it not Ellen? "
**U made in the body, or entering a bod\' having the same
normal vibration, otherwise not. When sound itself passes
through a body it makes a trembling motion in that body. And
such motion might affect the diafram ; Ellen does not know.
But she does knuw that ordinarily no such movement will cause
a diafram or anything else to repeat a sound, unless such diafram
j
": ]
■
w
1
1'
^B ^K^^S
■
1
1
kT ^^^^^^I
^^^H
fl
'>^^^S
1
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J
^INGS OF
4T3
or thing vibrates in tinisoii^ or nearly so» with the body in which
the sound originated. The principle being that the sounds must
be the same or perhaps may differ by an octave or a fifth* *
And therefore the talk about the electric current or any other
force making one body vibrate identically with another^ and thus
repeat every sound, or practically any sound, is one of the vcr>'
many things that scientists know which are not so. The electric
current could just as easily harness a horse, or play a game of
base balh There are quite a good many things which the electric
current cannot do \ and talking or repeating sound is one of them.
•* Whatever the electric current does, — as moving cars, turning
machinery, producing heat and light, reducing ores, taking or
reproducing photographs, — is done through magneto-electric
action by the aid of a make and break, or by resistance to the
current when passing through a poor conductor, or by its
power to produce chemical changes. At first glance the most
complicated of these operations would appear to be telegraph-
ing, and the reproduction of photographs at a distance. Here
however the only thing the current docs is to act through a
helix upon an armature, which^ in the reproduction of photo-
graphs, opens to a greater or less extent a shutter, thus admit-
ting more or less light onto a sensitive filmi by which the details
of the reproduced photograph are brought out,
** Such things as these it is entirely evident the current can do.
It couldn't directly make the clicks, or take the picture, but
the armature is at hand to do the one, and light to do the other ;
either of which, with proper arrangements, they can do without
any current. But there are no sound-producing instruments at
• See Appendix, pages 721-727,
414 ELLEN OR THE
the receiver to make sounds, whether or not the electric current
can set in vibration the diafram or any other part of the receiv-
ing instrument. Ellen does not believe the current does this,
or can do it under the circumstances."
*'But Ellen has just said that the current acts on the electro-
magnet so as to open and close a shutter in such a way that the
varying light reproduces a picture with much perfection."
"In this case," she replied, "the current passes through
selenium, the conducting power of which is regulated by light.
And therefore as light falls on the selenium, the magnet, strength-
ened by the increased current, acts on the shutter, which is
opened a little and thus admits amounts of light at the receiving
station which are duplicates of the amounts shining on the sele-
nium, after passing through a film photograph, at the transmit-
ting station. But Ellen denies that sound can make similar varia-
tions in the current. All evidence obtained shows it cannot."
"Then why," I asked, "should the scientists claim that any
of these bodies, diafram, core of mai^nct, helix, or box, may
vibrate so as to repeat sound?"
"Because of the cxi^^cncics of their theory," she answered.
"There is but one natural or indeed possible explanation of
the operation of sound at a telephone, — that the sound is carried
through the wire by the electric current. But this requires
giving up the undulatory theory, as it is clearly impossible that
air waves, some of which are supposed to be over seventy feet
long, or anything representing them, could thus be carried. And
therefore the ingenious suggestion was made, by what scientist
Ellen docs not know, but it appears to have been immediately
accepted by all, that the vibrations, and thus the sounds, were
nSPERINGS OF AN OLD TINE
415
repeated instantaneously at the receiving telephone through the
agency of electricity^ by the weakening and strengthening of the
magnet at the receiver.
**The full explanation formerly was that the diafram at the
transmitter vibrated from the effect of air waves ; that the v^ibra-
tion strengthened and weakened the magnet, by which changes
small electric currents were added to and subtracted from the
constant current of electricity passing through the wire, the
effect of which was to strengthen and weaken the magnet at the
receiver and thus reproduce vibrations in the diafram of the
receiver, precisely similar to those produced in the diafram of
the transmitter; and these similar vibrations were supposed to
reproduce the sounds which were heard.
"This is worded with so much assurance as to command the
credence of the thoughful, but a little careful thought suggests,
as Ellen has shown the impossibility of a diafram, or anything
not especially made for the purpose, repeating sounds. The
thing is incredible and absolutely fatal to the theory.
** It is, too, noticeable how constantly the theorists change
their theory. Thus in the most exact language it is said that the
vibration of the transmitting diafram strengthens and weakens
the magnet, etc. But when the sounds continued with no diafram
ill either transmitter or receiver, it was then stated that the pole
of the magnet vibrated at the transmitter, this, too, being an
hypothesis, though stated as a fact; and again at the receiver
these hypothetical vibrations are supposed lobe repeated, though
there is less said about it ; and finally, when the sounds continue
with diaframs and magnets both out^ there is very near a dead
silence, but no attempt to find out what has really happened.
4^6 ELLEN OR THE
"The record of a graphophone, by a very ingenious con-
trivance, may be made by sound. If a megaphone is connected
with a recorder, articulate speech, uttered many feet or even
rods away, will be strongly reproduced in the record. That
there is no movement here of the diafram of the recorder, by
air, can be proven by holding a lighted candle at the small end
of the megaphone. The light is not stirred, for the distance
is too great for the air to pass over.
**And it is equally true that there is no movement of the
diafram, unless it vibrates in unison with some one of the pass-
ing sounds, which, because of its peculiar character, is practi-
cally impossible, and under any circumstances could only
take place for one sound."
**But," I said Ellen, "these supposed sound air waves are of
a peculiar kind, are they not?"
"Peculiar enough to be impossible," she replied. "To
illustrate them the water waves and ripples which occur on the
surface of a pond, caused b}^ the forces of momentum and
gravity, when a stone or other body is thrown into it, are
paraded, although it would be impossible for them or anything
like them to take place in air. The comparison was one of
extreme stupidity unless intended to perpetuate a fraud.
Accurately speaking no possible waves could take place in air
any more than in the body of the ocean. Waves belong to a
surface.
"Sound is at home in air. Its infinitesimal particles per-
meate it in all directions. Constantly are they dying and con-
stantly are they being renewed. The scientist who said that
the drum of the ear appeared to be of no use, would find that
WHISPERINGS OF AN (MJ» PINK
4f7
it is exactly adapted to gathering up these particles of sound for
introduction to the soul; just as well adapted as the mouth is
to introduce food into the body, or the nose odor. The shape
of the ear alone is worth more to decide the nature of sound
than all the hypotheses of all the philosophers that ever lived.
** If it was true that the diafram at the receiver repro-
duces the soundSp by repeating the vibrations of the diafram at
the transmitter, then the diafram at the transmitter, where one
is used, should and must make the same sounds, articulate
speech or otheru'ise. And this, because of its position nearer
the original vibrating body, it must do more distinctly than
the receiving diafram. This is a self-evident proposition,
though Ellen has seen no mention of it by scientists. For
nowhere has she found any intelligent discussion of the subject.
•* But if the diafram at the transmitter talks, no one ever
heard it, although resonance, which takes place close to the
original sounding body, is plainly enough heard. As a matter
of fact it doesn't talk. It's as dumb as a post, or anything that
wasn't made to talk ; and so is the diafram of the receiver.
**And this again, it would seem, must follow: If the trans-
mitting diafram talked, every substance into which sound enters,
must reproduce sound, which would mean that all sound is con-
stantly reproducing itself^ And this practically means that
everything at times talks, plays the piano^ laughs^ cries, crows
barks, and makes the hundreds of thousands of other sounds
that the world is heir to. And all of these sounds they make
equally well with the instruments or things whicli arc made to
make them.
•* The whole theory starte with the rotten assumption that
41 8 ELLEN OR THE
sound consists of air waves, if any one can imagine what these
arc. It certainly consists of something which can be gathered
in megaphones, or ear trumpets, or sent through talking tubes.
In neither case could it possibly be these hypothetical air
waves, some of which, as Ellen has said, are supposed to be over
seventy feet long. This air wave theory with every sensible
person, scientist or otherwise, is dead ; but this hypothesis, that
the sound heard in a telephone is the result of vibrations in the
receiving diafram, if there is one, and if there isn't, in the vibra-
tion of anything in the receiver, including the box, is built up
from the air wave theory, and but for that would never have
been conceived.
" That sound, unless continuous, takes place successively,
that is, that it ceases at one point when heard at a more dis-
tant one, is a matter of universal experience. Thus, if we see
at a distance the steam escaping from a whistle, we know that
at the point where the sound is made it is heard when the
steam begins to escape, though in each case it is heard by us
later, the difference in time depending upon the distance. And
we know that as it stops at the point where it is started, so it
continues to stop at each successive point, until, like all
material things, it has ceased to exist, being transformed into
something else.
" Kllcn cannot see that the old Pine has any telephone, but
Ellen has one ; and when she talks with a friend over in Rox-
bur\', she has been quite annoyed in hearing other people talk,
not on her line, but on another contiguous line, for in the inter-
ests of economy both lines are fastened to the same poles.
Well, she hears the talk on the other line, and she has no
WHISPERINGS OF AN OLD PINE
419
doubt that those who are on the other line hear the talk, more
or less, on her line. And she understands this condition is
general where lines are so situated,
** Ellen \\rill not undertake to say just where or how these
sounds are brought to her house, but in some way it is certain
they are side-tracked from another wire. She supposes there
was sound enough in this other wire» to keep up the corres-
pondence in both wires. She knows that the cross- talk she
heard were the words of those who talked/'
•'Then the scientific opinion that the words heard at the
receiving instrument, are re-created by the diafram of that
instrument* through the action of electricity and the magnet, is
not correct?"
•* It is not correct. The fact that sound passes, or words
pass, from wire to contiguous wire or wires, shows to Ellen that
those sounds or words are carried by the currents or streams
of electricity, very much as logs, floated upon a stream.
" And Ellen thinks the two cases are very similar. The logs
arc absolutely independent of the stream ; they have no con-
nection whatever, excepting that they may be floated down
the stream. And so it is with the particles of sound.
•*And, as it is found ver}' convenient in the economies of
business to float the logs down stream, so it is found very con-
venient to float the sounds, especially words, down, on. or in
the stream or current of electricity.
" And as logs in different ways may be stranded upon the
shores or shoals of streams, so sounds, w^ords or otherwise
may get stranded upon the shores or shoals of electricity, or
carried by cross currents to other wires/'
420 ELLEN OR THE
** And the secret of sound?"
** Is no longer a secret. For it is no more certain that the
apple's rosy cheek, and the apple itself, is formed by com-
binations of matter, than that sound is made in the same
manner.
•* And it is no more certain that logs are carried along the
river or stranded upon its banks, than that sound, the particles
of sound, are borne on, or in, the current of electricity in a
wire, and doubtless often are scattered along its banks ; cer-
tainly frequently transposed to other wires. It is very evident
that these entities of sound are at home in electricity; that
they are in their nature electrical.
" The question is why or how at the telephone we hear one
talk who is many miles distant. But for the erroneous theory
of sound taught in the schools this would hardly have ever
been asked, its answer would be so self-evident: That the
words of the speaker, that is, the particles of matter which,
introduced into our cars, cause within us the sensation of artic-
ulate speech, are brought instantaneously through the wire by
the current of electricity, and, through adequate means pro-
vided for that purpose conducted into our cars.
** But for the teaching of science this would be self-evident;
for every requisite is supplied: The telegraph wire between
the speaker and auditor; the electrical current, which is know^n
to flow thus instantaneously through the wire, and which is
known, too, to be absolutely essential to the result; the proper
arrangements, loose contact, for the sound particles to get into
the electric current ; and the proper arrangements for them
to get out, and into the listener's ear. It is known, too, that
WHISPERINGS OF AN OLD PINE 42 1
to the natural speed of sound in air has to be added that of
the wind.
**It is doubtful if there was ever a phenomenon in the world,
which explained itself more perfectly. The question why, or
how, the Florida oranges get in so short a time from Florida —
they couldn't have done it in old stage times — to Vermont,
where they enter the mouth, instead of the ears, of the purchas-
ers, and through the sensation of taste, instead of sound, create
a very pleasurable and healthy result, is hardly more easily
answered.
*' And still the whole world is taught by supposed authority
in such matters, that an iron diafram has suddenly become
endowed with speech and can repeat every sound in the world.
Where are the superstitions of religion, oh, ye scientists? Was
there ever one conceived that was more absolute folly?"
422 £LLSN OR TIU
XXVIII.
^^TT begins to look a little dark for the scientists,'' I said
^ *' but the old Pine would like to know what is the usual
explanation of the transfer of sound from one wire to another?'
" None that is intelligible," she answered. " It was at first
said to be the result of electromagnetic induction, but this was
shown to be incorrect, and the theory substituted that it was
by electrostatic induction, which certainly has the advantage
of the other, by two letters in the spelling.
'* Ellen refers to these differences of opinion to show how
constantly the statements or explanations made by scientists
about these matters are entirely hypotheses, ingeniously
arranged to sustain their theories, without any other support
whatever; none attempted, and none pretended. And in fact
they are frequently, if not generally, entirely erroneous."
*' But what is the difference between these two inductions,
Ellen?" I asked.
** It is pretty difficult to follow all the operations of elec-
tricity, or magnetism," she replied. **But, as Ellen under-
stands, electromagnetic induction takes place because of a
variable magnetic field of force around a wire through which
IVinM'ij iNos
AN iHA} PINK
a current is flowing; and electrostatic induction is attributed
more directly to the action of two live wires upon each
other.
" In electromagnetic induction the induced current flows
from end to end of a wire. In electrostatic it divides at the
central point lengthwise of the wire, flowing thence to the
ground connection at each end. The result being that a tele-
phone placed at the middle cf a wire through which an electro-
static current is flowing, will hear no sound ; although at tele-
phon*!s placed at each end the sound can be plainly heard. If
the induced or cross current is electromagnetic, sound will be
heard at all three of the telephones on the second wire.
'* Very thorough experiments were made by a practical enj^i-
neer of New York City> Mr. J. J, Carty, and let in quite a bit
of light on the subject of cross-talk.
** These experiments showed that in the disturbed telephone
w ire, where cros5*talk was heard at end telephones, it was not
heard at a telephone placed at the centre; showing the cross
current to be electrostatic.
**Thc old Tine will see that though certain things arc shown
here, it Is not slKJN\n in what either kind of induction consists,
or why it consists. Action at a distance certainly docs not
take place; Ellen means action with no intermediate cause*
•' In such case there would appear to be a certain amount of
electricity between two held currents, very much as a certain
amount of moisture might circulate in the air» but not enough
to make clouds or rain, Ellen sees nothing strange that for a
certain distance between all bodies charged with electricity a cer-
tain amount of this should circulate, proportional to the distance
42^ ELLEN OR THE
'* Certainly in some way the sound passes, and the expeii-
ment with the telephones shows that it follows a connecting
current between the two wires.
"This current is said to be caused by electrostatic induction
or at least those were so in the experiments made by Mr
Carty.
"Mr. Carty says : ' I go so far as to set forth that the effects
of electromagnetic induction between parallel telephone wires
may be neglected. That is that when a man is talking on one
wire and his speech is heard by induction on a parallel wire,
that that speech finds its way between the two wires by virtue
of electrostatic induction, and that electromagnetic induction is
entirely negligible.'
"Mr. Carty thus describes sounds which he heard in his
experiments :
" ' Sometimes it sounded as if myriads of birds flew twittering
by; again sounds like the rustling of leaves and the croaking
of frogs, would plainly be heard ; at other times the noises
resembled the hissing of steam and the boiling of water.*
"It is very certain that the leaves didn't rustle, or the frogs
croak, into a telephone, but at some place of loose contact, or
partially broken connection, these sounds got into the wire.
"In speaking of lightning Mr. Kempster B. Miller in his ex-
cellent work "American Telephone Practice" says:
* The noises due to these natural phenomena, whatever their tme
cause may be, are chiefly annoying on long lines, short lines being
only disturbed during heavy electrical storms. This is not the case,
however, with the noises arising from the proximity of other wires
carrying varying electric currents. Telegraphic signals can be plainly
WHJSPERING«J OF AN OLD PINE
heard in a telephone instniment on a line running iiarallel with a neigh-
boring telegraph line for a very short distance^ The establishment of
an electric railway or electric lighting plant in a town using gronn^led
telephone lines will always cause serious noises in the telephones, and
if the lighting current is alternating the use of llie telephones is
wholly out of the question at night lime while the plant is running.*"
** And the graphophonc, Ellen/' I asked, '* how is the record
made in that? "
*' The beginning is with the nicgaphone>" she answered,
*' the small end of which is fastened to a metal tube, which
extends two inches, more .or less, then, turning at right angles
opens to a space covered by a diafram of glass or mica, to
which is attached a small glass instrument called a stylus, one
end of which is fastened to the diafram, the other resting
upon a hollow cylinder of paraffin and wax.
** This cylinder is rotated by clock-work, whilst at the same
time the stylus is moved longitudinally, and thus cuts a spiral
groove in the paraffin and wax,
** If sound enters the megaphone it will be conducted to the
metal tube» and through this to the open space under the dia-
fram, passing through which, as it does when returning from
the graphophonc record, it will follow the stylus into the par-
affin and wax ; and there leave its record. The old Pine must
always remember that this sound is infinitesimal particles of
electrical matter thrown off by the sounding body/'
**Then," 1 said, *'the statement in science that the record
is made by the stylus moved by the diafram is not true?**
**No/ she said, '* it is not true. It is made by the particlei
of sound themselves, as Ellen will show later.
428 ELLEN OR THE
** And as the oak makes the acorn, so sound makes each
indenture. And as the acorn will produce another and similar
oak; so each of these indentures will produce the sound which
made it. And as the particles of sound make the forms which
will reproduce them — all accomplished in infinitesimals, — so the
oak, using its whole vitality, introduces in infinitesimals, into
the acorn, the embryo of another oak, which develops slowly
but surely if circumstances are favorable. And, the oak pro-
ducing many acorns, the perpetuation of its species is reason-
ably assured.
*' In its onward movement sound cannot vibrate, in the sense
of equal vibration to and fro, though, as may be perceived
from its passage through wood and other bodies, it moves with
trembling motion ; which may be owing to the nature of the
body through which it flows."
''And does the sound make the diafram vibrate?" I asked.
"It has been found impossible to prove that sound makes a
diafram move. i\s ICllcn has said it certainly doesn't make it
vibrate, with any accurate interpretation of the word, except
when in s}Mnpathetic vibration with it."
"But," I said, "the old Pine thou^^ht that in the Reis experi-
ment a make and break was made in the circuit by talking
against the diafram of the sending instrument?"
" This is probably done by the breath," she answered, "which
in talking affects the air in a similar manner as when we
blow out a candle. Possibly a suflicient quantity of .sound,
spoken against the diafram, would make it move, but as Ellen
has said, it cannot make it vibrate unless the two have the same
normal vibration.
WHISPERINGS OF AN OLD TINE
429
'*As sound contains within itself a power of movement, and
as its particles certainly pass through the diafram, it might
cause it to move^ but as sound is very infinitesimal, it may
get through the interstices without moving the diafram.
"Vibration certainly plays an important part in the moulding
of sound. It would appear to be the mills at work throughout
the universe, at least that part of it that Ellen and the old Pine
are acquainted with, which take sound in the rough and pre-
pare it for the market*
*' Some of the finest of these mills are situated in the human
body — ^the vocal organs; and some are in the throats of
birds, producing most exquisite music. But sounds, like every*
thing else in this universe are individualized. And thus Nature
furnishes an infinite variety of sounds,
*' The things which appeal to the sight, to the taste, to the
smell, as Ellen thinks, are no more wonderful, and hardly more
useful, than those which appeal to hearing. And in all these,
phenomena are accomplished in a similar manner.
" That is, in every case sensations are produced in the spirit,
or soul, by the operations uf matter. That of vision, through a
picture in the eye. That of touch by contact; that of taste,
odor and sound, by the introduction of particles of matter
into the head.
*' Nor is it any more remarkable that sound should thus affect
the soul, than that a peach or apple should, through the sensa-
tion of taste; or beautiful things through that of vision ; or
odorous ones by that of smell/*
"And how," I asked, "are these sounds reproduced from the
record?"
41^ ELLEN OR THE
"hy 'r-. glas= bead of ab<:ut the same ^izc of the >t\*Ius, and
fas:er.':d to a similar diafram. passing over this record, with
similar movement of machinery-. Ellen says over, but it is im-
portant that this repr* -djcer enter the record. And this can be
reproduced many time- in the same manner, showing that the
record :- firmly held by the material of which it is made.
This means that the record is an instmment capable of being
played upon like any other instrument.
"And the record is made by sound, as much as an acorn is
made by an oak. And from it sound may be reproduced ver>'
similarly and with the same certainty that an oak is from an
acorn. The record certainly is not any more wonderful than
the oak. Both are the operation of the same intelligence, and
both are on very similar lines. Ellen thinks it was dreadfully
cute to have oaks made by oaks, and sound made by sound.
•*Thus flowers arc made by flowers, a!l of them, and animals
by animals. That is their bodies are s<» made, and thus each,
UfV.'Avln'^ certain lav.s, reproduces its kind.
•• In a certain sense at Ica^t thi-^ law w«)u:d appear to be uni-
ver-^al. For a picture can be made of anything;, and from the
pict'.ire a similar thin;^ be prot^luccd : which is all that takes
place in sound. For not the same particles of sound arc
repeated, but similar particles are made, which, through sensa-
tion, affect the soul similarly, and therefore we speak of them
as the same sounds.
"And thus it is with odor. The beautiful sweet peas, which
throw their odor into Ellen's face, do so again and again, and
every time it comes to her the same. She can see no difference,
so perfect arc the laws of nature which make things. The odor
WHISPEKJiNGS OF AN OLD PINE
43 r
mills of the pinks arc equally good. And lhiis» too, are those
of the roses. A million or a thousand million particles of
odor are made and every one alike. At least they are alike to
Ellen/^
'* But why/' I askedi "should this record, when thus played
upon, produce the same sounds ? **
•' There can be but one answer to this question/* she replied;
*' because the sounds uttered into it make the necessary
machinery.
'* And this in infinitesimals^ a system used in nature, univer.
sally possible, and illustrated in the perfect impression of an
outside universe upon the retina of the eye. It is illustrated
too, in the operation of homeopathy; and again, as Ellen has
suggested, in the development of an oak irom an acorn, or any
plant from a seed.
** For, as Ellen thinks, not any of these things could take
place without first, every feature of the developed tree, or cver>^
variation of the completed sound, being contained in the seed.
And by seed Ellen means the thing from which each phenonf-
cnon arises. And second, the proper cause or condition for the
development of the seed, whether oak or sound. For this,
earth and moisture is nccessar}- for the oak, and some instru-
rumcnt to pass through the record for the sound. And by
sound Ellen means that which entering the ear, and thus being
brought in contact with, or into the presence of the soul or
spirit, produces in this latter the sensation of hearing. For it
is in this manner that this universe, in which the old Pine and
Ellen existSi is made.
"That is, so far as intelligent beings exist in a material
4S2 ELLEN OR THE
universe they derive their knowledge through sensation, and the
sensations are accomplished, so far as we can perceive, abso-
lutely and entirely through the agency of matter, and it would
appear that this can be done by the infinitesimals of matter;
indeed it would appear that instruction and the more inteUigent
action are accomplished entirely through them.
'' So far as matter affects the body, or supplies the wants of
that body, its operations are sufficiently clear to us. For it is
separated into an infinite number of different ingredients, or
things. And these different things are so made that th^ are
constantly disintegrating, and thus made available again for new
combinations. And many of these combinations are introduced
into the body, to supply its material wants. Back of this, is
the effect of matter upon spirit, or its connection with spirit ;
the spiritual being something within us entirely separate and
distinct from the material, as Ellen has shown, as much so as
the engineer is distinct from the engine which he manages."
"But why," I asked, ** to this wonderful essence, this im-
mortal principle of knowledge, power, and action, should mat-
ter be so essential ? "
" Ellen can see that a substance with an infinite power to act
must have something to act upon," she replied, "or, with
an infinite power to use, must have something to use, if it
would exercise that power; and this, to a certain extent, ex-
plains the nature, and object of matter. Or, accepting the
principle, certainly a most reasonable one, that intelligence
doesn't mean knowledge of everything, or, indeed, necessarily
of anything, but rather a power of acquiring knowledge; mat-
ter, so far as Ellen can see, might as well be used for such
WHISPERINGS OF AN OLD PINE 433
purposes, as any thing else. Indeed, it would bother Ellen
to get up any better scheme for acquiring information, or
obtaining such things as are necessary or desirable for the use
of intelligence, certainly in material conditions. It seems to
work remarkably well, and on a pretty big scale.
434
ELLEN OR THE
XXlX.
^^f N quite a similar manner as the graphophone is made, a
^ piano, melodeon, trumpet, drum, all sound -producing
instruments, are made. And thus everything artificial is made,
and nffust be made complete in its essential conditions, before it
can operate successfully, if at all. Ellen knows of no exception
to this law, and she doesn't believe that there is any,
"A rocket rises high in the air, delivering both sound
and fire, perhaps in different tones, colors and shapes. Cer-
tainly for every such variation there is a cause in the rocket;
and all causes for material things are material; there are no
other known to us.
** Well Ellen sees that the graphophone, and the telegraphone
are the production of sound, as much as the acorn is the pro-
duction of an oak, and she thinks that undoubtedly still more
wonderful sound-instruments are made by nature for different
purposes, and especially to be added to the records of memory
in the brain, as suggested by Mr. Hooke, a contemporary of
Newton, and of whom the Chambers Enclycopedia says that
no person has appeared before or since, whose intuitions of the
nature of things, were so remarkable as his — which Ellen has
referred to before.
** But as Ellen doesn't know of anything which will produce
an oak except an acorn, or a scion, either root or branch, from
WHISPERlNt.^ Oh AN OLD PINE
the oak — with the law of their development as fixed as that of
their production — so she dues not believe it is any different
with sound, but that there, too, and indeed everywhere, the law
of the use of instruments desiFned for any purpose, is as fixed
aSt and entirely distinct from, the law of their production.
** Order is nature's first law.
"Every instrument used in the economies of nature is made,
and made for a purpose, but in no case can that purpose be
performed until after the instrument is made.
**What would the old Pine think of rockets, going off whilst
being made, or anything else acting in that way?
•*And again, things made for a certain purpose, as a rule,
don't do other things, or when they do, do them poorly. Elien
has a lamp arranged to give light. There is very little else
it is good for. She has a plate to eat her meals on, and there
is very little else it is good for. And so a piano to play on, a
rug for a floor ; and little else they are good for. Everything
made is for a purpose, and most things certainly, if not all,
are poorly prepared for any other purpose.
*"What does the old Pine think that the vocal organs are
for, whether of man, or other animals?"
"To make certain sounds," I said, *' useful in many ways."
** Made on purpose to do this? '*
-Yes/'
**And they perform their functions well?**
** Most remarkably so. The note of the bobolink is one of
the sweetest things in nature. The power of the human
voice and its usefulness, especially in oratory to persuade and
control, make it one of the most desirable, as well as
43^ ELLEN OR THE
remarkable functions of man. And so, too, the voices of
many animals have great power, and of many birds great
sweetness."
** And do any of these animals look like a diafram?"
*' They have very little resemblance to any diafram the old
Pine has ever seen," I answered, ** whether of iron, wood or
mica."
**0r do the vocal organs of any of these animals look like a
diafram?"
'* So far as the old Pine has knowledge, certainly," I said,
** they do not."
" And does the old Pine think that these diaframs can repeat
the sounds made by all animals, so perfectly that, in the case
of man, each individual voice is recognized?"
"As Ellen has illustrated the matter the old Pine perceives,"
I said, **that the thing is impossible."
** Certainly," she said, " it is impossible, and Ellen thinks
that the old Pine can distinguish the difference between a
graphophone or tclcf^raphone record doing this ; or something
else doing it, not previously made for such purpose.
" And he can sec, too, from the analogy of nature, that
such an instrument must have a certain stability and perma-
nence. That is, only an instrument so made that it can
manufacture the particles of matter which make or represent
every possible sound, and by which only every possible sound
can be represented, could accomplish this result."
*'The old Pine can certainly see all this," 1 answered,
** thanks to Ellen's thorough analysis of the conditions; and he
begins to see that Ellen's hypothesis is correct — that the
^HlsrERINGS OF
sounds heard at the receiver of a telephone arc the sounds
littered into the sending instrument, transferred by the elec-
tric current/*
" Rut Ellen doesn't deal in hypotheses." she answered, *' she-
detests them, preferring, instead, knowledge, something that
we can all get on any subject, if we seek, and as long as we
continue to seek; so that there is no excuse for guessing.
••The time to talk is wlien we have knowledge, and only as
we have it. When wc haven't knowledge is the time not to
talk. Guesses, in all such matters, are worthless, or worse. For
almost always they arc the seed of error. And from them
more than all other causes, is due those blunders in science,
which must soon force all text*books to be destroyed or revised.
For the science of to-day throughout the world is to quite an
extent the densest ignorance.
•' The great English physicist Faraday, remarkable for his
good sense and sound judgment, in a letter dated Jan. 25,
1844, to his publisher, Richard Taylor, said:
* But it is always safe and philosophic to distinguish, as inuch as in
our power, fact from theory ; the experience of past ages is sufficient
to show us the wisdom of such a course ; and considering the constant
tendency of the mind to rest on an assumption, and when it answers
every present purpose, to forget that it, in such cases, becomes 3
prejudice, and inevitably interferes, more or less, with a clear sighted
judgment, I cannot Jouht but that he, who, as a wise philosopher, has
most power of penetrating the secrets of nature, and guessing by
hypotheses at her mode of working, will also be most careful, for his
own safe progress and that of others, to distingtiish that which consists
of assumption, by which I mean theory and hypothesis, from that which
440 ELLEN OR THE
is the knowledge of facts and laws ; never raising the former to the
diginity or authority of the latter, nor confusing ihe latter more than is
inevitable with the former.'
" In the present case Ellen thinks that these experiments
from Poisson's Mccaniquc, which she has reported, demon-
strate y that always the sound which is heard is that of the original
sounding body, except where there is sympathetic vibration,
which takes place but rarely, and in the telephone or grapho-
phone is practically impossible.
"Thus Ellen sees that sound may be a valuable assistant in
making an instrument that may reproduce sound, any par-
ticular sound ; and possibly with all conditions favorable it
might do this so well that the new instrument would reproduce
sounds equal to the original, though she has never heard them ;
but the usual sounds now heard at the telephone are entirely-
similar to those of the speaker, for the full and sufficient reason
that they arc the same sounds.
*' Ellen hardly thinks it would be possible for sound to make
a record, such as a graphophonc, which could repeat the
sounds anywhere near as loud as those made by the original
sounding body.
"Without artificial aids, such as the diafram and megaphone
the sounds of a graphophone record would be very weak. Rut
we know that these sounds come from the record for they
can be heard, though both megaphone and diafram are
removed.
'* And it is very evident that the part of the diafram in the
receiving telephone, like that of a megaphone, is to collect
and magnify sound, though, of course, if the diafram at the
^VIKSl'ERINGS t)F AN OLD I'lNE
441
telephone made sound, the diafram at the f^raphophone should
do the same thing."
'*But how can diaframs magnif}' sound?'*
'*Hy increasing the supply; but there is but one law in
nature by which anything can be increased, and that is in the
accumulation of itself » and therefore it must accumulate 8ound
as in a reservoir, from which it pours forth in increased quantity.
Different instruments are used to increase sound, that is* to
gather it, as the drum of the ear, or artificially an ear trumpet,
era megaphone. A tube will pre\t'nt it fn»m scattering, and
conduct it. A diafram would appear to act with sound very
much as a stove does with heat. The stove cannot t*f itself
make heat, but it is a great aid in collccling and distributing it
And so a diafram connected with a telephone or a grapho-
phone is of great assistance in collecting and distributing sound.
''The use of the diafram in these experiments of sound ts
suggested by the membrane of the car, which helps U> conduct
the sound from the outside world to the soul or spirit; and it
would be as sensible to say that the stomach, which is but a
part of the machinery that introduces food to the system, made
the food, the potatoes or the corn, and all other, which it assists
in digesting, as to say that this membrane or the diafram copied
from iU made the sound whtch it assists in introducing to the
soul or spirit — that intellectual part of man, in which, and which
alone, man consists,
"A mirror does not make hght, but it will reflect it. The
drum of the ear is very useful, perhaps absolutely necessary in
hearing, but it does it by gathering the particles of sound
floating near it, thus increasing the effect of sound when brought
44- ELLEN OR THE
in contact with the soul ; not at all by making it The moon,
too, reflects, but does not make light.
"And the object of a graphophone is not to manufacture that
which can be better done by the original sounding body, but
for the reproduction of sounds when the original sounding body
is not at command. And, as Ellen has suggested, she thinks
such arrangements may be made especially for the purposes of
memor>'. They can also be used in other ways."
'* But why do scientists say that the diaframs can talk," I
asked ?
'• Kllen doesn't think that they ever did." she replied, " until
dazed by the operation of the telephone. Then this absurd
explanation was given. For it was inconceivable, as Ellen has
before remarked, even to those who taught the undulatory
theory of sound, that the so-called air waves should enter and
be carried through the electric current.
" Hut the old, broken-down, di-^credited and practically obso-
1-te air wave theory is still taii^Mit. so far as Kllen knows, in all
the schools and collc^^cs in the world, where science is taught,
and hence a necessity vt defending this vital point, and a bias
in believing that the explanation given might be true.
" And so wonderful are the phenomena connected with
clectricit}', that Kllen at first was disposed to accept this scien-
tific explanation of the action of the telephone, seeing that it
did not antagonize the fact that sound was an entity. Rut as
soon as she took time to consider it, she saw that it was in
violation of fundamental principles and could not be true.
" l^lectricity is one of the phases of matter, and, so far a.s
known, one of its most wonderful phases. It belongs, too, to
WHISPERINGS OF AN OLD PINE
443
that hidden part of matter, the borderland only of which comes
within the scope of our vision. It is of course a substance and
would appear to consist of an infinite number of infinitesimal
particles, which are capable of great speedj as illustrated in
the lightning, or the aurora, or the telegraph,
•* In the telegraph or telephone wire, electricity tlows in a
current with what seems to us wonderful rapidity; and, as
manipulated by man, performs some very remarkable and use-
ful service.
'* MUen has not the time to discuss today with the old Pine
all the known phenomena connected with the operations of
electricity flowing in w^ircs, which is the only phase of it we
are now considering, but in their study it was discovered that,
by the aid of another principle, that of magnetism, very closely
connected with electricity, a current of electricity in a wire,
could be used to make signals, instantaneously, a longer or
shorter distance away/'
** And how* was this done? " I asked.
*' By an electro-magnet/' she replied. '^A magnet has
the quality of attracting or repelling certain things, as, for
instance, iron. And a current of electricit>' passed through
a wire surrounding an iron core or bar of iron at the dis-
tant station will magnetize this bar, — then called an electro-
magnet,— so that it will attract an iron armature, placed
near it. But if this current of electricity is shut off, the bar
instantly ceases to be a magnet, and drops the armature.
•' In doing this a click is made each time by the moved arm-
ature, and as the current may be constantly and almost instan-
taneously changed, that is, let on or shut off, these clicks
444 ELLEN Ok THE
varying in their inter\'als of time, by arrangement, may be used
(or an alphabet, and thus messages sent instantly over the
ivorld.
** About I 840 Prof. S. F. B. Morse established successfully
this method of telegraphing.
**The old Pine will see, that, the principles of electricitj" and
magnetism being accepted as facts, the operation of telegraphy
is very plain and simple, as are all the phenomena of nature
when correctly understood. No fundamental laws are violated
or absurd happenings supposed to take place in either. Of
course the operations of the telephone and graphophone are
equally plain and simple, the absurdities which scientists
advance, being entirely a product of their imagination, disquali-
fied for correct reasoning by an erroneous theor>- of sound.
** In 1854 Charles Bourscul, a Frenchman, predicted the
transmission of speech, publishing the same in * L' Illustra*
tion ' of Paris, \'ol. XXIV., Aug. 16, 1854, as follows:
** * I have asked myself, f<»r example, if the spoken word itself
could not be transmitted by electricity, in a word, if what was
spoken in \'ienna may n(»t be heard in Paris? The thing is
practicable in this way:
*•• Suppose that a man speaks near a movable disc, sufficient-
ly flexible to l<>se n<nie (»f the vibrations of the voice, that this
disc alternately makes and breaks the connecticm from a bat-
tery: you ma\' have at a distance another disc which will sini-
ultaneousl}' execute the same vibrations.'
"This, so far as Kllen knows, is the first suggestion of such a
result. It was natural enou^i;h, in the astonishment caused by
the success of the telegraph, that such an idea as the above
WHISPERINGS OF AN tJLl* PINE
44S
should havre sut^gcsted itself to sonic one, and especially with
ihe theory then held of sound.
'*In referring to the above Mr. KenipstcrB. Miller in Ameri-
can Telephone Practice, continues:
"'In i86t Phelps Reis, a (Jerraan inventor, constructed what he
tailed a telephone, following implicitly the path outlined by Bourseul,
He mounted a flexible diafram over an n])ening in a wooden box, and
on ihe centre of the diafram fastened a small j>iece uf platinmn. Near
this he mounted a heavy brass spring, with which the platinum
alternately made and broke contact, when the diafram was caused to
vibrate. These contact points formed the terminals of a circuit con-
taining a 1>atter)' and the receiving instrument. His receiver assumed
various foons, prominent among which w^as a knitting needle wrapped
with silk insulated copper wire, and mounted on a cigar box for a
sounding boanL !ts oi>eration was as follows: The sound waves set
up in the air struck against the tliafram of Ihe transmitter, causing it
to vibrate with them. This caused the alternate making and lireaking
of the circuit at the point of contact between the platinum and the
spring, and allowed intermittent currents to flow through the receiver.
This caused a series of sounds in the knitting needle. The sounding
boards vilirated in unison with the molecular vibrations of the needle,
and the sound was thus greatly am[jlified.* *'
**But wh)/' I asked, *' didn't the experiment succeed?"
"Because the diafram had never learned to talk/* she
answered, '*cou!dn*t talk; can't talk. The experiment was
thoroughly tried for the benefit of those who did not know the
ignorance of the diafram, and was satisfactor)- to them. For
cver>' requirement of the theory was conformed w^ith. That is
the diafram moved* opening and closing the current, and the
44<^ ELLEN OR THE
movement must have been repeated by the diafram of the
receiving instrument, the same as the telegraph signals are
repeated. The trouble was in the theory that the diafram
could talk, or be made to talk, and the demonstration was
complete that it cannot do it. Ellen assumes that, with
the great amount of trouble taken in the preparations, the
experiment must have been thoroughly tried."
*'But was there no sound heard," I asked.
** Yes," she answered, ** sound enough, for this is the way to
make sound, as the sound of a telegraph, and very possibly,
indeed, most probably, some words, got through whilst the
current flowed, though the statements in regard to this are said
to differ; Ellen thinks they must, but nothing could be more
certain than that, if the words heard at the receiving telephone
are the words of the speaker at the sending instrument, carried
by the current, they could not be heard when there was no cur-
rent. That is, it is absolutely essential for the successful work-
ing of the telephone that the current should be continuous.
Two other thini^s are necc>sar\', that the particles of sound
should be able to i;ci into tlic current, and also to get out
where they could be heard.
•* Loose contact in front of the transmitter is evidently a good
arraiv^a^mcnl, if not the best, for them to i;et in; and the usual
receiver to c^^et out, and into the listener's ear."
"The article on Telephone in the Kncyclopa-dia Britannica
says :
* Reis caused a membrane to oi^jen and close an electric circuit at each
vibration, thus transmitting as many electric pulses through the circuit
as there were vibrations in the sound. These electric pulses were made
WHISPERINGS OF AN OLD PINE
447
to acton an electromagnet at the receiving station, which in accordance
with Page's discovery gave out a sound of a pitch corresponding to the
number of times it was magnetized or demagnetized per second. Reis*
object was to reproduce at a distance not only music hnt also human
speech ; but that he did not wholly succeed is clear from the following
extract from his lecture : " Hitherto it has not been possilde to reproduce
human speech with sufficient distinctness." Considering the time at
which he wrote, Reis seemed to have understood very well the nature
of the vibrations he had to reproduce, but he failed lo comprehend how
they could he reproduced by electricity. His fundamental idea — the
interniption of the current— was ^ ftital misiake which was not at that
lime properly understood.'
**The EncyclopLt;dia Britannica in article on Telegraph says:
*The first requisite for electro-telegraphic coniTTiuuication between
two localities is an insulated conductor extending from one lo the
other. This with proper apparatus for originating electric currents at one
end and for discovering the effects produced by them at the other end
constitute an electric telegraph. Faraday's term '* Electrode*' literally
a way for electricity to travel along, might be well applied to designate
the insulated conductor along which the electric messenger is dispatclied.
It is, however, more conmionly and familiarly called '*lhe wire*' or
*Mhe line."'
** Repeatedly Ellen has demonstrated her proposition, that
sound consists of electrical matter thrown off by the sounding
body. First, in the demonstration that the intensity of sound
does not necessarily depend upon the density of the air where it
is heard ; second, that it depends upon the density of the air
where it is made; third, in the demonstration that sound is
made by the initial sounding body; fourth, in the cross talk of
448 ELLEN OR THE
neighboring wires; and fifth in the above Reis experiment.
The principle, too, so well expressed by Newton that nature
doesn't do unnecessary work ; and last, but not least, the great
principle of the universality of natural law, which is always
before us if we will but study it, a key to all knowledge ; are
both additional demonstrations.
**In her argument Ellen has shown that the wonderful law
through which, and through which only, nature re-creates each
thing after its kind, is, first, that each kind re-creates itself, and
second that the thing rc-crcatcd is developed later, in part at
least, and with material things entirely, by other agencies. Ellen
instances the re-creation of all plants or animals, from a seed
or scion. Thus the oak is fairly responsible for the acorn, but
not for its development.
*' Ellen might include in this category that as there is a lens
to collect light and increase the power of vision ; and different
bodies, like a slovc, to collect and reflect heat; so in accord-
ance with the principle of the universality of natural law, there
should be sonielhin.c,^ similar to collect and reflect sound.
"The graphophone, which we know does reproduce sounds,
is made very different from a diafram. The diafram, from its
quality and shape, we might well suppose was made to reflect
or gather sound, but the graphophonc record, we can well
imagine, is made to repeat it. Common sense should be
always a great help in finding out things. And we might easily
be assured that if a graphophonc record could repeat sound,
a diafram couldn't. Neither would any one ever conceive a
graphophonc record was made to collect or reflect sound.
*' Again, so far as Ellen knows, there is no sufficient evidence
449
tumished by science, and never has been, that the diafram at the
receiver moves at all, in the present system of telephones.
As Ellen has said it may move by the passage of the particles
of sound through it, but it is quite possible that these particles
arc so small as to get through its interstices without moving it/'
"Then Ellen thinks/* I said> "that the particles of sound
caused by shocks move through elastic bodies, to and fro, and
make them vibrate* because there are channels or interstices in
them, through which they can move? **
** It is impossible to see how they could make them vibrate
without/' she replied^ **or how that anvthing can ever get
through another, as light through glass, or sound through any-
thing, or a boy through a fence, if not breaking it, unless there is
an opening. And therefore there is no known reason why sound
should move the diafram; but as possibly in going through,
the particles of sound touch it more or less, that is, squeeze
their way through^ the question will have to be decided by the
best evidence that can be had ; and this is practically com-
plete that they do not move it, And certainly with a possible
exception of a single sound vibrating in unison, they do not
and cannot make it vibrate, so as to produce sound. *
* Fur very accurate experimentj conceming the vibratioiu of disfr&mii, »ec pages
620-621.
J&^
ELLKN "k I HE
XXX.
^^NTATL'RE'S way to make sound i? by suund-producing
* ^ instruments. And she has no other. Included in
these are records of sound, made by sound, and which may
be playc'd ujK-n so as to repn.duce the sounds which made
them. IVjt no diafram or anything el-e. not made to do it, can
repeat >oun(!.
'• Kllen has referred to cro-s-talk in a telephone from other
wire--, a tiling of very common occurrence, and which it is
absolutely imjios-ible to explain intelli[;ently, excepting that
-ound is an entity which may ^ei into any wire where sfeams
of electricity arc flowing, and thus frequent!}' crosses from one
wire t ' an^'tht.r. I'or a- i- wcil known Lleciricit}- han^s over
and aro::iul tr.f different wires, as f« :,.- .rr.d m«.i-ture often rise
above and ni'-rL- i^r le-s envelfpc -irL-ams ^r b«'dies of water.
All of nat::rt'- law- are universal anJ. ibis is one of them which
appertain- l'» lli:id<. Ami .-•> b^^lwetn a!; >Lrcams, there are
irc^jij' nlly M"-^ -trcanis. e-iK'ciall\- if the streams arc near
to;;etlier. and the-L- cro^s stream- nitiy carry an\tliinjj^ that will
fl'^at in th' m. ^-r at least snmc thin;>,s lb at wiil. fn»m t»ne stream
to anoth'.T.
'• ICxjjlain thi- ^'entlemcn. Net with h\j)«>theses which have
no ba-i- in either common sense <»r fact, but with demonstration
that will .-tand the racket of the- a;^es ; or rr\\c up your tlieory.
WHISPERINGS OF AN OLD PINE
"Ellen boldly charges that no where hitherto have you pro-
duced a single jot or tittle of evidence to support your theor}'
that sound is something mythical that you call atr waves.
** And you haven't because you couldn't. There is no other
possible reason. Nor can you now. You know nothing what-
ever about the action of sound in a telephone. The explana-
tions which you have hitherto attempted to give, every one of
them discredited by experiments which should have been tried
before the explanations were given, and everyone of them
founded upon the theory that grapes may be gathered from
thorns, or figs from thistles, demonstrate this,
'* And now will the old Pine tell Ellen what sound is?"
"Infinitesimal particles of matter,*' I replied.
** Certainly it is,*' she answered. "To any one who understands
the universality of natural law. it couldn't be anything else. In
these odor consists, and light, as Newton demonstratedi and as
all able thinkers again accept. Nor is there any other known
cause of sensation excepting matter, whose different effects arc
due to its different combinations; that is, each particular sensa-
tion is caused by a certain combination of matter, and all
sensations by some combination. Always, too, the same com-
binations produce the same sensation.
** And as we have seen these particles of sound are electrical.
Our knowledge, too, is that whilst they exist they continue to
move. We know also, that they are carried by the wind, blown
away from us in a big wind, so that we cannot hear them ; and
we know that every sound uttered into a telephone enters the
wire, for this is proven by the box and string or wire telephone.
"Again, Ellen sees, that in the economies of the universe
454 ELLEN OR THE
there is. a proper field for a graphophone, or any similar
instrument, for repeating sounds when the original sounding
body is absent. The arrangement that ail things, by a simple
process, can be made to re-create themselves, is of far reaching
importance, and in line with the grandeur and perfectness
of design by which this universe was created. But there is
ho reason why all the sound-producing instruments of the world
should be made over, billions and hundreds of billions of
times, — an infinite amount of useless work.
" In Mr. Bell's first telephones, transmitter and receiver were
alike, but by experiment it was found that a much better
arrangement in the transmitter was one of loose contact in the
current, called a variable resistance transmitter. This was first
got by connecting the current at one point by water, but after
various experiments the present transmitter, having a field of
variable resistance connecting the ends of the circuit, formed
by loose particles of carbon thrown in a box, has proven to be
the best yet tried.
" From all of which it appears, first, that a continual current
of electricity is absolutely essential to any successful telephone ;
and, second, that in the transmitting instrument and close to
where the words are uttered, a field of variable resistance, that
is, a partially interrupted current, is desirable; precisely the
conditions that would be expected, if the sound, made by the
sounding body, enters the electric current, and is borne by it
to the receiving instrument, where the arrangements arie such
that it leaves the current, is gathered and thus magnified by the
diafram, conducted to the ear of the listener, and frequently,
more or less, enters the room where the receiver is.
WHIJSPERINGS OF AN OLD TINE
455
** It would hardly be possible to have a more complete dem-
onstration ol the action of the telephone, or the nature of sound,"
** Eltcn has repeatedly proven her contention/' I said, *' and
eventually, at least, it must be accepted. Bui what the old Ptnc
is the most surprised about is that it has not been before
explained, not by one. but by ten thousand,"
** NothintJ remarkable about that,'* she answered, ** Practi-
cally the whole world becomes ' tongue-tied by authority/
But Ellen hasn't be^nin to give the whole argument yet, fcjr it
is all one side, and there is much more of it."
'• But the old Pine understands,*' I said, ** that there is a new
kind of graphophonc called the tclegraphune, that talks back,
repeating all sounds, words or otherwise, made into it, but has
no record, at least none that can be seen. How does Ellen
explain this? "
*• The old Fine has explained it," she saidt "in the qualify-
ing phrase, * none that can be seen.* But there is just as much
a record in this machine as in a graphophone; a record upon
a wire. And, as in the graphophone, the telegraphone record
is made at one time, and operated at another. Like all
sound-producing instruments it must be made before it can be
played* And it is only when the necessary agency is applied
to this record that its records can be reproduced. But with
such arrangement, as with the graphophone. it can be repro-
duced many times. The sounds, too. are gathered similarly as
those of the graphophone and brought to the listening ear."
•* And arc they as distinct and loud,'* I asked, *• as those of
the graphophone or telephone? *'
** As distinct, perhaps,** she answered* *'but not as loud, not
4S6 ELLEN OR THE
near as loud, and yet loud enough to be valuable. In both of
these instruments, without the aid of the diafram and mega-
phone, the sounds would be far less loud than those of the
voice."
"But exactly how," I asked, *'is this telegraphone made?"
"In the first place Ellen would say that this instrument, as
nearly or quite all other instruments, is made by man, the intelli-
gence ol man, and would not be made at all otherwise. A very
small steel wire through machinery is unwound from a bobbin
and passes between two magnets, very close to them. If now
some one talks into the instrument in which this is being done,
a record is made, through the voice, by magnetic action upon
the wire, which then becomes a sound-producing instrument,
that, by a new arrangement of machinery, may be played upon,
and will repeat the sounds, not once only, but many times.
"That is, man, with his intelligence, can make such an instru-
ment, using the forces of electricit}', magnetism, and sound, as
he does those of water or wind when he builds a water or a
wind mill ; or those of steam to run an engine. But everything
of this kind is done within the laws of order which rule in the
universe. The old Pine knows, and the scientists may yet
learn, that whilst these laws will permit sound-instruments and
many other instruments, as telescopes, cameras, etc., to be made
by man, they do not permit him, much less any material thing,
to change the order of the universe. And that will be as much
changed when diaframs, or chimneys, or nails, are made to talk,
as though thistles, or burdocks, or cabbages, were made to
bear grapes.
"Sound then is an entity, produced by certain contrivances,
WIUSPERINGS OF AN OLD PINE
457
and entlowed with certain attributes, among the most important
of which is a power of circulatiorii and this includes floating in
an electric current But still more wonderful is a power of use
by Spirits which very greatly increases the opportunities of the
latter for useful and desirable existence in material conditions.
** And this is what sound is for. It is what all things are for.
As Ellen has repeatedly said* intelligence creates all things.
and all things which it creates are for the uses of intelligence.
Intelligence, too, is always individualized. That is the nature
of existence ; it is all arranged that way. But sound might be
used by many individual intelligences* educated to its use, just
as all other things may be. For this universe is a common one,
made for all
'*And Ellen thinks it very possible," she continued, ** indeed
almost certain* that other very remarkable conditions for the
making of records, or the use of records, may arise, but she
knows that nothing can alter the foundation principles by
which sound is created. For every km w * instance proves, that
following the universal law of material creation, sound is made
by the combination of matter; that it consists of particles so
small, that according to our conception a host of them can run
up the point of the finest needle, — for this Ellen has proven by
experiment, and a most remarkable demonstration it was of the
character of sound, including its wonderful minuteness of size, —
that these particles have the innate power to spread in all direc-
tions, like a mist, permeating the atmosphere, and permeating
equally anj^hing which they enter. They are great travelers,
going in all directions, and some of them make long trips. But
their great chance is when they get into the electric current,
45^ ELLEN OR THE
where they are so politely helped in and out. Then they may
see a large extent of country, and tell their stories to new
acquaintances.
*' Ellen has told the old Pine of the sound of bells off the coast
of Brazil, at the distance of lOO miles from where the bells
were rung, brought to focus by a sail, and heard distinctly by
all when passing a particular part of the deck ; and she doesn't
think that there is anyone who can be stupid enough, or ignor-
ant enough, to suppose that the remnants of sound gathered in
the cavity of that sail were composed of air, however formed.
But this instance alone is decisive as to the character of sound,
and is a demonstration that it must be composed of some
substance which may float in the atmosphere for lOO miles,
more or less, and then be accumulated in a pocket in suf-
ficient amount to make itself audible.*
" And so the sound gathered by the flange and poured down
the tube of an ear trumpet into the ear, or indeed that gathered
by the drum of the car and conducted into the car, or again,
that which is uttered into the larger end of a megaphone, or
gathered by the larger end and conducted into the ear by the
smaller, — demonstrate the same thing.
"These illustrations arc as good as a million, — either one of
them — to prove and do prove that sound is a material thing,
and of such consistency that it can be gathered like corn in a
hopper, and poured through a funnel. For it isn't nature which
undertakes the impossible.
''Possibly the scientists never knew, or have forgotten, that
always increased effects come from increased amounts. And
♦ See page 203.
WHISPERINGS OF AN OLD PINE 459
therefore is it that the drum of the ear assists in the sensation
of hearing, for it gathers the particles of sound floating in the
atmosphere, thus conducting increased amounts into the ear.
** Ellen saw recqntly the remark made in a scientific journal
that apparently the drum of the ear was useless. In such a
case nature is never the fool. Good sense would teach any
one that, and prevent them from accepting any hypotheses
which suggested it.
**The impossible is never undertaken by nature, but it would
be as impossible to collect the so-called air waves that sound
is represented to be, and so increase the effect of sound, that
is, so increase sound, as it would to make ropes of sand, or
ladders of sunshine ''
4^X) ELLEN OR THE
XXXf.
^^ A ^D can Ellen tell," I asked, *'thc distance that sound
-**" was ever known to be heard ? "
** Ellen will reply," she said, '* by quotinjj from Professor
Silliman of Yale College, who, in ' Principles of Physics.* pub-
lished by him, second edition. 1866, says:
'The distance at which sounds are audible does not admit of precise
measurement. In general, it may be stated, that a sound will be
heard further, the greater its original intensity, and the denser the
medium in which it is propagated. It also depends, greatly, on the
delicacy of hearing of dilTerent individuals. The intensity of sound,
like that of .ill forces acting in lines, diminishes in the inverse ratio of
the Sfjuarcs of tlie distant c <jf the sounding body. Thus, if the linear
dimensions of a theatre be doubled, the \olunie of the performers'
voices at any part of the circunu'erenc e will be diminished in a fourfold
proj)ortion.
*Tluit the difference of the agitating im])ressi()n is the true cause, is
shown by confining the air on all sides in a tube. IJiot experimented
with 2860 feet of the water-j)ii)es of Paris. At this distance the lowest
whisi)er made at one end was accurately heard at the other extremity
ot the tube.
* A j)Owerfui human voi(X^ in the ojien air, at the ordinary tempera-
ture is audible at the distance of seven hundred feet. In a frosty air,
undisturbed by winds or current, sound is heard at a much greater dis-
tan("e with surprising distinctness. Lieut. Korster, in the third polar
WHISPERINGS OF AN OLD PINE
4<53
cx|>e(iilion of Capt. Parry, held a conversation with a man across the
harbor of Port Bowen, a distance of one and a quarler miles. Dr.
Voung states, on the authority of Derhara» that the watchword ** all's
well '* has been distinctly heard from Old to New (libraltar, a distance
often miles. The marching of a company of soldiers may be heard,
on a still night, at from five hundred and eighty to eight hundred and
thirty paces ; a squadron of cavalry at foot pace, at seven hundred and
fifty paces ; trotting, or galloping, one thousand and eighty paces dis-
tant. When the air is cahii and dry, the report of a musket is audible
at eight thousand paces. The sound of the cannonading at Waterloo
was heard at Dover.
* Sounds travel further on the earth^s surface than through the atmos-
phere. Thus it is said, that at the siege of Antwerp in 1S32, the can-
nonading was heard in the mines of Saxony, which are about three
htmdred and seventy miles distant. The cannonading at the battle of
Jena was heard feebly in the open fields near Dresden, 92 miles dis-
tant, but in the casemates of the fortifications it was heard with great
distinctness. The noise of a sea fight between the English and the
Dutch in 1672, was heard at Shrewsbury^ a distance of two hundred
miles. Sound has been carried by the atmosphere to the distance of
three hundred and forty-five miles» and it is asserted that the very violent
explosions of the volcano at St. Vincent's have been heard at Demarara.
'Sir Stamford Rafflns records however a similar, though much more
extraordinary, fact. The eruption in Tombers, in Sumbawa, was per-
haps the most violent volcanic action recorded ; occasional paroxysms
were heard, he says, more than nine hundred miles distant.'
•*Mr. Sillimaii has the following on the length of what he calls
sonorous waves:
'Length of sonorous waves,^ — It is easy to ascertain the length of
a sonorous vibration, if we know the number of vibrations made in a
464 ELLEN OR THE
second. For, as sound travels at the rate of 1 1 1 8 feet per second, if
but one vibration is made in that time, the length of the wave must be
1 1 18 feet; if two vibrations, the length of each must be half of 11 18,
=559 feet, &c.
*C corresponds, as we have seen, to 128 vibrations per second; the
length of its waves is, therefore, (1118 -r- 128) =8.73 feet.
*The following table indicates the length of the waves corresponding
to the C of successive scales :
Length of waves in feet. Number of vibrations ''n a second.
C-3 70. 16
C-2 35 32
C-i 17.5 64
Ci 8.73 128
C2 4.375 256
C3 2.187 512
C4 1 093 1024
" The utter impossibility of this theory being true, is again
illustrated by the assumed length of these supposed air waves.
For two things are positively stated in text-books, the length
of the waves, as above, and the further fact that these waves
are the correlative of sound, and as such that every part of the
wave has its effect upon, that is, helps make, the sound.
" Thus it is universally stated in the different text-books of
ph}'sics that the loudness of a note depends on the width,
height and length of the oscillations producing it, and the timbre
upon the /or;;/ of the vibration of the aerial particles by which
sound is transmitted, which doesn't mean anything to any sensi-
ble person, but is supposed to mean something to a physicist. *
* See pages 197, 198, 270-274.
WHISPERINGS OF AN OLD PINE
46s
** But whilst these facts are definitely and fully staled, that
every part of diese waves, varying rrom one to seventy feet
in length, assists in making the sound, and is absolutely essen-
tial to such sound's completeness, every person on earth knows,
or can know by experiment, that the sounds are perfectly
made and perfccdy understood, if spoken direcUy into the ear,
with but at the most two or three inches space to extend in.
And still full grown men by the thousands and tens of thous-
ands will stand up, or sit down, and teach this stuff, apparently
unconscious that in doing it they demonstrate themselves to
be idiots or fools, There are not words strong enough in the
English language for Ellen to express her abhorrence and
contempt for such teachings,
'*Odur, too, is infinitesimal particles of matter thrown off by
the odoriferous body, permeating equally the atmosphere, the
odoriferous body lasting at times for months with no apparent
diminution.**
**And how does Ellen explain this?*' I afeked.
'*As Ellen thinks the explanation is in our ignorance of the
true conditions, and perhaps is entirely connected with the
limits of our vision. Far enough off, the greatest sphere is a
mere speck in the sky, and man does not know this until he
learns it — the child reaches for the moon as well as for a ball —
which shows the illusive nature of vision. A sudden explo-
sion of steam or dynamite shows the possible expansion which
exists in apparently small space. And therefore Ellen assumes
that anything of this kind can occur, because she knows that
some such things do occur. In the infinitely small there would
appear to be no limits, as well as in the infinitely large. This
466 ELLEN OR THE
Ellen has repeatedly spoken of. And she thinks the conditions
are illustrated in the failure of eyesight, when those things which
had been plainly visible grow to us smaller and smaller, until
they disappear. By aids to vision they will become larger
and larger ; nor does Ellen think that there is any limit in either
direction to these conditions; and, if there is not, the hopeless
task of counting those things which we do not see, or estimating
correctly their number or size, may be imagined.
"Sound then, any sound, has the power of movement, but,
like everything else material, its life is limited. And yet,
where apparently there is none, it may be gathered by proper
machinery in sufficient quantity to be heard. And this illus-
trates that principle in nature which Ellen has repeatedly
referred to, that effect is proportionate to amount.
*'Dust is frequently scattered into the air so that it seems to
fill the whole of it. A flock of birds may seem to do the
same thing. Thus light permeates, its particles being thrown
out in sufficient quantities from the illuminating body, though
it is said that there is a large distance between the successive
particles of light which come from the sun ; and this again
illustrates the illusion or delusion of vision.
**\Vell, sound is thus poured out in quantities from the initial
sounding body, with a power of spreading over quite an ex-
tended space.
*• It is proven that artificially instruments may be made with
which to repeat it. And these may be made in different
ways, how many l^llen knows not. Some of them, like the
graphophone or telegraphone, are wonderfully simple, and quite
capable ; but these as well as all other instruments, as a
WHISPERINGS OF AN OLD PINE
4^7
drum, a fife, a piano, or a violin, all instruments which produce
sound:4, Ellen thinks there is no exception, have to be manipu-
lated or played upon to make sound. The same is true of the
human voice, or the leaves of the forest, or waters of the sea.
And all may repeat certain sounds whilst they last. But none
of them can repeat any sound excepting the one kind they
were made to repeat.**
** And what/' I asked, **is the operation of a sounding board?
The old Pine has noticed that they will throw off numerous
sounds at the same time?'*
** But can make none of them/* she replied. ** Sound from
the sounding instrument goes into the mounding board, fmm
which It more readily enters the air, perhaps solely because the
sounding board presents much more surface to the air The
audible sound is at once very loudly increased, but stops in-
stantly with the sounding body. Nor is it possible to get the
same sound from the sounding board, unless it is supplied by
the sounding body made to produce such sound.
** These sounds flow into a sounding board, as streams or
rivulets into a pond, and will cover it completely over, nor will
they mix, but each retains its own character
•*In this respect the sounding board is entirely different from
the record, for that will constantl}' repeat each individual sound
which it represents. That is, each particular part of the record
will repeat its own sound ; and is therefore an initial sound-
ing body.
*' Such a repeating sounding body as this Ellen can under-
stand. For, in the first place, it isn't an hypothesis, but a
known fact, which makes a thousand to one in its favor,''
468 ELLEN OR THE
"But." I said, **thc diafram of the graphophone, as well as
the sounding board, increases the effect of the sound thrown
off by the sounding body."
**Ycs," she answered, ** and, as Ellen thinks, by gathering
sound, as water is gathered in a mill pond, and thus increasing
its onward flow. And therefore membranes and diaframs add
to the effect of sounds, as car trumpets or megaphones do, by
increasing its quantity at a particular point. With the sound-
ing board there may be also increased effect from reverbera-
tion. But, whatever happens, the origin of the sound is the
sounding body made expressly to make such sound.
*' So far as Ellen knows, every phenomenon of sound is
explained fully and readily by the principle that all sound,
except a very little that comes from unison vibration, is made by
the initiatory sounding bodies. Nor is there a single phenom-
enon but is instantaneously and completely explained on the
assumption that sound is an entity, and not one of them that
can be explained in an\' other wa\'. h^)r the onl}' other pos-
sible explanation is, that a diafram talks with great skill and
fluency, which is manifestly absurd.
"A diafram, which is supposed to make all sound, contains
none of the machinery b}' which these sounds arc made. No-
body pretends it does, such as the strings or wires of a piano,
the different stops of a llute, the vocal organs of animals, in-
sects or birds, or an\'thing else of the sound-making machinery
of the world. These must be created in the diafram, should it
repeat such sounds. That, under favorable conditions, ma-
chinery nu'ght be made on purpose to repeat each individual
sound spoken or made, isn't to Ellen especially strange, for
WHISPEKTNGS OF AN OLD PINE
she knows that sound consists of particles of matter, in
some way forced together; and she knows, too, that each
individual particle is made^ in part at least, from material that
exists everywhere in the atmosphere, and she can imagine
that machinery, very infinitesimal in sixe, might be made to
produce such result. All of this she can imagine because it is
in accordance with natural laws; but she knows that these
results cannot be brought about without machinery, and she
does not believe that such machiner}' could operate simulta*
neously with its being made. As Ellen has said* neither the
graphophone or telegraphone record does this. But both act
as all such instruments do, whether made naturally or artificially.
That is, they arc first made and then, at a future time, with
extraneous assistance, repeat their parts."
•*And how is sound maide?" I asked.
" It is made by shock or disturbance," she replied. *' And it
would seem that the sound made by a blow was all the supply
there was until more was made by another blow, or disturb-
ance. For the vibration of the fork, which is made by sound,
starts with the blow, and diminishes in exact proportion with
the diminishing or throwing off of the sound; which Ellen
considers a demonstration that shock alone makes the sound.
*' Electricity, magnetism, and sound, combined, can in
no way assist in repeating sound, excepting what they can
make themselves, in any otlier way than by making a sound-
repeating instrument. No such instrument is made of the
diafram at the telephones or elsewhere, nor is there any
pretense by anyone that there is, or any possibility thut there
can be.
47^ ELLEN OR THE
"Thus Sylvanus P. Thompson of London, England, very
high scientific authority, says :
'In 1876 Graham Bell invented the magneto-telephone. In thia m-
stniment the speaker talks to an elastic plate of thin sheet iron, ifliich
vibrates and transmits its every movement electrically to a similar plate
in a similar telephone at a distant station, causing it to vibrate in an
identical manner, and thereby to emit identical sound*'
''This statement, as Ellen has shown, is entirely erroneous.
The elastic plate, said to be talked to, and the similar plate at
the receiving telephone, soon come to their limits. And these
are that the magnet at the receiving instrument may be
strengthened and weakened by the intermittent action of the
electric current, so as to make signals with the receiving dia-
fram, as in . telegraphy. This it does in accordance with the
laws which govern electricity and magnetism. All the rest
is guess work, in support of an erroneous theory, and is
wholly incorrect. Ellen wants no further evidence of this,
for what takes place is self-evident. But if any want it the
et^idence is, that sound will be heard at the receiver, although
the transmitter has no diafram, and in some cases will be heard
equally well.
** But whether the sound was heard equally well or not, if it
was heard at all, Ellen would like to know by what theory.
Ellen has already repeated numerous experiments which show
that the explanation given by Mr. Thompson does not explain
She will now read from a book which she finds does practically
explain the different things — at least several of them — supposed
to vibrate so as to talk and repeat sound. The old Pine will
WHISPERINGS OF AN OLD PINE 47 1
see that this includes a chimney, fireplace, flag-stone, live wire
and nails. Quite an assortment, and being unusually intelli-
gent it makes no difference to them what language is used.
**And so Ellen, in walking the streets at Washington heard
all kinds of things talking, that is, she heard all kinds of talk.
And so she does everywhere she goes, especially when she
passes folks. But she always supposed it was the people that
were talking ; never thought of its being the shop windows and
the houses and curbstones.
472 ELLEN OR THE
XXXIT.
^^ FALLEN will now quote from a book called, * The Modern
-■— ' Applications of Electricity,* by E. Ilospitalicr, trans-
lated and enlarged by Julius Maier, Ph. D., and published by
D. Appleton& Co., New^ York, 1883.
SPKCI A I. TET .KPHON KS.
* In all the telei)hones described in the ])receding pages, we invari-
ably find a magneti(^ transmitter, either carbon or microphonic trans-
mitter, sending an undnlatory current along the line, and this undalatory
current acting on a receiving tele])hone, in which we always find as
essential parts: i, a vi])rating ])late ; 2, a magnetic core, and some
times nn electro-magnet ; 3, a coil.
' Not one of these parts can be said to be indisj^ensable for the
reception of articulate sounds in the telephone. Certain receiving
a])])aratus do not employ even a single one of them ; in some tele-
j>honic transmissions the words have been heard without a receiver ; in
others, as in I)eirs photophone, transmission is elTected without wire,
by the help of a luminous ray ; in other tele]>hones the receivers
assume irregular forms, — the princi])les on whi( h they are constructed
are not ])ased on niagnetic action ; in some we have physiological
actions, as in (iray's receivers; in others, chemical action, as in
■
■
m
TBERKWTOMK
PUBLIC LIBRART
AStORi LKM9X AKI>
IILDSN rOUiJDAtlOMI
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^^1
1
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WHISPEI
475
Edison's electro-motograph, etc. We are going to examine the most
important and most original of the apparatus.
* Telephones without Vibrating Plate. — The first simplification to be
applied to BelFs telephone consists in the suppression of the vibrating
plate. In that case words are no longer distinctly transmitted if the
transmitter is a magnetic telephone, but the receiver articulates on
using a carlxjn transmitter and induced currents, as in Kdison's tel-
ephone. The words, however, are very faint ; but liu Moncel, who
has made a great many experiments on this suhjectj has found that the
effect is the more Intense the more strongly the core is magnetized and
the smaller its .size.
*By employing a thoroughly magnetized watch-spring with a coil of
fine wire at the end, Du Moncel has been al>le to hear spoken words
with Bell's magnetic telephone. This fact and a number of others, the
results of various experiments, will be considered hereafter.
* By the side of these telephones without diafram, Brcguet's experi-
ments may conveniently be mentioned, in which the thickness of the
membrane has been increased up to fifteen centimeters without def^riv-
ing the telephone of its power or its faculty of articulation. In the
former there is no plate at all, in the latter there is too much of it, and
the telephone articulates in either case.
'Telephones without Membrane and Magnet. Ader's Experiments
— The pressure of a magnetized core in the receiver is not indispensa-
ble, and we have seen that Ader's electrophone em'ploys small micro-
scopical electro- magnets of soft iron. Whilst making experiments with
these apparatus, Ader was led to construct a receiver composed of one
siii'iplc iron rod of one tuillimeter diameter, surrounded by a coil of
fine wire, and has been able, under these conditions, to transmit words
with great clearness. ITie small irOD wire was stuck into a board, and
he found that, by applying a heavy mass to the free end of the wire,
the intensity of the sounds was more than iloublcd.
476 ELLEN OR THE
' He then constructed the simple receiver represented in Ilgiiie 50, *
formed, of a handle 6, a soft-iron rod CC of one millimetre diameter
stack into a pine block PP five centimetres wide, and a small bobbin
A rolled round a goose quill. The transmitter employed by Ader ma
that of his electrophone, but the telephone thus constructed will
speak with any carbon transmitter. A very amusing spiritualistic
trick can be performed with this little instrument by &stening the iron
wire CC to the reverse of a table-board, carefully concesling tte ogo-
ducting wires, and having a confederate speaking into a transmitter m
a distant room. If the trick is performed in silence, the whde table
speaks — ^it can be heard by all those standing round.'
'' In this case the individual sounds flow into the table-board by
the wire ; these, as in all such cases, preserve their individuali^.^
'Continuing his experiments, Ader constructed a second, still simpler,
telephone (Figure 51). It consists of a small board AB and a coil C
fastened to the board, round which a fine wire is loosely wound. This
apparatus speaks under the influence of a carbon transmitter and three
Leclanch^ elements. If the spirals of the coil are too close or too thickly
coated with gum, the telephone no longer speaks, but on introducing in-
to the coil a nail D, a small iron wire, or a magnetized needle pressing
against the board, the words are immediately heard with perfect clear-
ness. On taking the nail out, the telephone again becomes mute.
'Telephone without Membrane, Magnet and Coil— The following
telephone is simpler still : — It consists of a soft- iron rod A (Figure 52)
and a small wooden bar B. By applying the bar B to the ear, and a
heavy metallic mass to the other end of wire A, Ader has reproduced
words by employing a carbon transmitter. De la Rive, in 1846, had
found that sounds eould be produced under similar conditions by in-
termittent currents, but Ader was the first who produced articulate
sounds by such simple means.
♦ See Figures 50-52, page 728, Appendix.
WHISPERINGS OF AN OLD PINE
477
'Since Ader's experiments, Boiidette of Paris has constructed a
receiving telephone similar to the one represented in Fig. 51, in which
the wooden board is replaced by a steel diafrara. This apparatus
reprotluces words with the microphone speaker of the same inventor, by
employing a single Leclanch^* Percival Jenns has also constructed a
receiving telephone without membrane or magnet, formed of a coil
with iron wire. The apparatus reproduces words by employing Edison's
carbon transmitter as speaker,
• Microphone Transmitters used as Receivers. — ^Preecc attributes 10
similar causes the phenomena observed for the first time by Hughes,
shortly after the discovery of the microphone. Hughes showed thai
the microphone was reversible, like the magnetic telephone, capable of
transmitting as well as receiving vibrations. There w^as no further need
of plate, or coil, or magnet, or magnetic wire ; nothing but two pieces
of carbon at each station, connected by two conducting wires with a
battery interpolated in the circuit/
** Apparently there is no mouth-piece or anything excepting
two pieces of carbon touching each other, each connected with
the wire and thus forming a circuit, in which there is a single
cell. This is evidently quite similar to the experiment given on
page 549 of transmitting sound by loose electrical contact
*The experiment is rather delicate, and all microphones do not in
the same degree reproduce the phenomena we have mentioned.
Boudet's microphone gives the best results, but the two identical appa-
ratuses, speaker and receiver, must be adjtisted to perfection for the
purfiose. A single Leclanch^ is then sufficient to produce these effects,
'Pollard and Garnier, too, have obtained words from their carbon
transmitters, and Carlo Resio, of Genoa, has used his liquid transmitter
as receiver. It is impossible, in the present state of science, exactly
to explain what happens in these telephonic transmissions.
4/8 ELLEN OR THE
'Blythe*s Speaking Microphone. — Into a flat box of thirty centi
meters by twenty centimeters, Blythe places some gas cinders and two
plates of sheet iron at the extremities of the box ; this constitutes the
microphone. According to Blythe, by placing two of his microphones
in the circuit of a battery of two Grove's elements, words pronounced
before one of the microphones can be heard in the other, which acts as
receiver. Du Moncel has modified Blythe's apparatus by employing
large fragments of coke and two electrodes, one of zinc, the other of
copper. By putting water into the box and connecting the two elec-
trodes of the apparatus with the two terminals of a Bell's telephone, a
telephone system is formed, in which the battery serves as transmitter
and the transmitter serves as batter>\
*Antoine Breguet's Mercury Telephone. — Brdguet's apparatus utilizes
electro-capillary forces and the electric currents produced by them.
The phenomenon which led to the construction of this instrument is
absolutely reversible ; the transmitter and the receiver are, therefore,
two identical apparatus. ♦ * *
'Telephone without Receiver. — Some ver}' curious experiments made
by a French officer of the Engineers at Lun<5ville, have shown that the
words emitted by the transmitter can be heard at the receiving station
without any telephone whatever. M. Ocpaux gave the following
account of these ex])eriments at a meeting of the Soci(^t(} d'Kncourage-
ment on the 13th of June, i^'jg :
* ''There exists at Luneville a tele])honic system established under
rather ])rimitive conditions. The live wire is of galvanized iron, three
millimetres thick, and tightly stretched. It is fixed to a post at the top
of a hay-loft, and runs in an obtuse angle along the chimney-stack of a
neighboring house at a distance of about ten metres. The chimney-
stack naturally corresi)onds with the fire-])lace of a room in the first
fioor of the building. On s])eaking into the tele])hone from one station
to the other, not only the receiver s])eaks and can be heard on holding
it close to the ear, but, and this is most inex])licable, the chimney along
WHISPEPJNGS or AN OLD PINE 479
which the wire runs speaks, the fire -place speaks, and a person lying in
()ed in the room hears from his bed all the words transmitted to the
w>e more distinctly than those who at the end of the line use the
receiving apparatus. It is imjKJssible to deny this fact, of which I have
been a fre<pient witness. The wire of Ihe chimney-stack has been in-
sulated by glass plates, and yet the words have been heard as before ;
at the most remote station, at a distance of about 200 to 250 metres, a
simiiar tact has been observed.
*"The earth wire foUow*s in its path a zinc drainage pipe, this pipe
has ramifications leading to the flagstone ; the flag-stone speaks.
* '* 1 have been told that at each connecting point the live wire
speaks; by bending it several times around a nail fixed in the wall
the knot thus produced speaks.
*"It is probable that the fact, which I warrant to be correct, is only
produced in the neighborhood of the jxiint of convention and of
contact,*' '
••Any of the above facts is a demonstration that the articu-
late speech heard at a receiving telephone is that of the person
talking into the sending instrument. For this explains every
experiment, and all possible conditions, and nothing else will
or can.
" Ellen will repeat the great English scientist Huxley's remark
about hypotheses:
* Every hypothesis is bound to explain, or at any rate not to be incon-
sistent with, the whole of the facts it professes to account for ; and if
there is a single one of thei^e facts which can be shown to be inconsist-
ent with (1 do not merely mean inexplicable by, but contrary to> the
h>Tx>thesis, such hypothesis falls to the ground— it is worth nothing.
One fact with which it is positively inconsistent is worth as much, and
is as i>owcrful in negativing the hypothesis, as five hundred,*
48o
ELLEN OR nil
XXXUl.
^^f N the first place, and sufficient to demolish a million hypo-
^ theses like this, is the supposition, that a thing can per-
form any important function that it was not made to perform,
as that a diafram, or the core of a magnet, or a coil of wire, or
chimney, or a curbstone, or a nail, or live wire, could not only
do what man can, provided with vocal organs, one of the most
remarkable of all the contrivances of nature, — utter articulate
speech; but also, in the way of sound, could double distance
man's ability so many times that he wouldn't be in it at all, —
utter not a million only but a hundred millions other sounds,
including that of every musical instrument, in the world, cer^
tainly, if not in the universe; of every bird; of every insect; of
every beast; of every trembling leaf; of every trickling drop of
water, swelling river or roaring billow; of every breath of air,
from the lovely strains of an ^Eolian harp, to the wild march
of a hurricane; Ellen hasn't begun to enumerate the amount of
melody that the diafram can make, or the curbstone or nail, or
whatever else happens to be connected with an electric
current, the supposition being that the function of an electric
current is to make anything, or anything it chooses, repeat
sound.
" Well the scientists had two chances ; all of this for the
diafram to do, or their air waves to get into the electric current;
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and get out again ready for business after their ride of a thous-
and miles more or less. And they chose the lesser evil. Ellen
thinks they were right in their judgment. No one would have
been deceived that the air waves got into the electric current;
but many have been deceived in regard to the ability of the
diafram.
** The whole question grows too sickening for discussion.
There is nothing to do but to admit that we were deceived be-
cause we didn*t consider, — and re-adjust our physics.
*' In connection Ellen would call attention to the fact men-
tioned by Ganot that when a telephone is held to the ear during
a thunderstorm every lightning flash in the sky is simultaneous-
ly heard to be accompanied by a sharp crack.
*• And she would call attention, too, to the fact that particles
of sound may be transmitted by a ray of light And un-
doubtedly, as Ellen thinks, sound will yet be sent through a
wireless telephone.
**But more than this, we find that every sound can make an
instrument that will reproduce itself, if only arrangement is sup*
plied by which it can leave an impression of itself upon material
of such a consistency that the impression becomes enduring.
And this would appear to mean that sound in its form, if not in
its size, is a copy of the instrument which makes it. Nor
does Ellen know why it might not be, fur it must be of some
form and it might be of this form. This is true of the off-spring
ol all animals, and of all plants. In these cases the form starts
the samCi and for a certain period increases in sijte, that is» in-
creases to a certain size, the form being preserved. For aught
Ellen knows the beautiful snow^ flakes, or the rain drops, may
484 ELLEN OK THE
do the same thing. Such an arrangement is remarkable, but
not at all inharmonious or inconsistent with the method by
which other things are made. Indeed Ellen begins to think
it is the universal law. That it is thus that the lovely shells are
made, and the beautiful stones often rounded so sweetly. In
all things the period of growth may be very quick, or very
slow, for in all the duration of life varies. But every material
thing may be fashioned, so far as Ellen knows, by its prototype.
At any rate many are, included among which is the category of
sounds."
"And the eagle's wing?" I said.
" Is the off-spring of another eagle's wing, with all its power
and majesty, and so the wings of the smaller birds, with all their
delicacy and beauty. The fruit too, which adorns the trees, and
the flowers that float upon the air ; all are but reproductions
in a universe where existence as a whole is made up of such
changing phases."
"But the spiritual, Ellen?"
** Rises above all this, studies and uses it, and in that consists
its existence. And its conditions are equally changing. For
all existence is cliange. But, as Ellen thinks, the changes in
spiritual existence arc always under the control, or largely so,
of spirit, which is individualized, and to which belongs the prin-
ciple of choice. And therefore, to a certain extent, each in-
dividual works out his own destiny.
"The radius that generates half the circumference, at one
point, only, makes right angles. And so there is but (yie sound
which can make the instrument that can make the same sound.
Unquestionably other sounds will approach very near to it in
WHISPERINGS OF AN OLD PINE
making the vibration that it makes, Vcn^ near, but it only
reaches the goal/*
*' But why?'' 1 asked, ** should sound be able to make an in-
strument which will repeat the sound?*'
"Because the instrument that made it, made it like itself;
not in size, but in form. Ellen cannot think of any other
possible reason,
"And Ellen thinks that always a sound-producing instru-
ment makes sound after its own pattern only smaller, and the
soimd may make another sound-producing instrument modeled
after itself; and so this smaller instrument makes a still smaller
sounds one image receding after the other in this order, until the
little machine is reached which records in the brain the memory
of sounds.
"The old Pine can see how infinitesimal it all becomes.
But whether such infinity is accomplished by the effect of dis-
tance, or how, Ellen does not know. It is a part of the crea-
tion, no less real than the tuning fork, but why under such dif-
ferent colors, Ellen docs not know. She is suspicious that the
glamour may be in the changing cye» not in the changing
thing. For the distant tree may be smaller to Ellen, but as
large as the one that leans over her. And the star grows
infinitely small, not changing itself, but left in the wake of
distance. But whatever may be the explanation of appear-
ances, one fact is clear to the mind, that either sound, or sound
in motion, is in form a fac-similt of the instrument which
made it, — because its record or impression makes another simi-
lar sound-producing instrument.
•* And thus as Ellen has suggestedi all things visible may be
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486 ELLEN OR THE
instantaneously duplicated, by reflection in all its different
phases, or through the agency of man by the camera, or
in slower process by a painting.
"All of these wonderful things are constantly done in
nature. Indeed, it is in such marvelous things that nature
consists.
" But in no case is such a thing accomplished exc^ttng* by
something made expressly to do it. Throughout the universe
the old Pine will find no exception to this. Law and order
govern the whole. It is equally true to-day as when Christ
spoke, that men cannot gather grapes from thorns, or figs
of thistles. The grapes will grow upon the grape vine» and
the figs upon the fig tree. And so that instrument and that
only whicli was made to make any particular sound, will
make it
"Neither the diafram that was formed to collect and reflect
sound, will do it; nor the pole of the magnet adapted to
very different work ; nor any other contrivance which by acci-
dent may belong to a receiving telephone ; nothiitg but an
instrument made to make that particular sound, and this, only
in accordance with a law of performance as fixed as that of its
creation, entirely independent of that creation, and of necessity
succeeding it."
"But exactly how is the record of the graphophone repro-
duced?" I asked.
** Practically, as Ellen has said, by a reversal of the opera-
tion which made it Thus a glass bead, of right size to enter
the record, is fastened to a similar diafram, and passes over
this record with similar movement of machinery. In doing
WHISPERINGS OF AN OLD PINE
487
this it re-creates the sounds, evidently because the indentures
have the same normal vibrations, as those by which the original
sounds were made. And this means, as Hllen has said, that
each sound, or else the impression of it whilst in motion, is of
the same form as the instrument which made it,
*• Ellen doesn*t say that it is composed of the same material,
nor that it is of the same size, but that its shape is sucli as
to create the same sound, which is a su^'gestion that all sound
is produced, ur may be, in a matrix or mold ; every sound
in its own peculiar matrix or mold. Ellen uses this word in a
broad sense, — that which gives form or modifies anything,
** In this sense a saw-mill is a mold, giving dimensions, that
is, shape, to the different things which it distributes. And it
distributes goods of many descriptions, boards and planks of
different thicknesses and widths, clapboards, shingles and staves.
The same is true of an infinite number of other mills, including
certain ones of sound as a piano, or organ — complicated
instruments, producing sounds of different pitch and different
intensity. Indeed they all come under the same category, and,
in certain respects, are governed by the same laws. Nor da
any of them produce the material from which they make their
goods. Whether logs, cotton, wool, silk or any other material,
it ail comes from outside sources.
'* And so with a sound mill, as is easily demonstrated by a
tuning fork. Gathered from the great forests of electricity suund
is brought together by shock, and delivered to the mills, where
it is fashioned by vibration, and distributed for its various uses.
" But whether the distribution of things is by a saw-mill or
sound mill, the effect upon spirit or the soul of man varies with
488 ELLEN OR THE
the thing, each individual thing, and not more so in those
things perceived by vision than in those furnished by sound.
** In each case the peculiar sensation received' is due to the
particular thing causing it, the slightest variation of the thing
making a corresponding sensation upon the soul. But, as Ellen
says, there is nothing at all strange in this, as every sensation
which the soul experiences in this life is accomplished in the
same way; that is by different combinations of matter brought
in contact with it. And always the same combination produces
the same sensation. Thus a pumpkin pie, a peach, or a g^ass
of water, always represents practically the same combination of
matter, and always delights or affects the soul similarly.
''And Ellen thinks it is far better that each particular
sound should be produced by a particular instrument, than
that all sound should be produced by every instrument.
"And Ellen thinks, too, that the last method would be impos-
sible, as much so, and similarly so, as it would for every manu-
facturing establishment to make everything; as that a piano
manufactory should make mowing machines, and butter tubs,
and every known thing that is manufactured in the world, as
well as pianos ; and also every manufacturinpr establishment
do the same.
"It is evident that the piano manufactory couldn't make
mowing machines, without adding the necessary machinery, nor
butter tubs or anything else without doing the same. Nor
could any other manufacturing establishment. None of them
«an make anything unless they have the machinery to make it.
Nor would it be possible for any of them to add much foreign
machinery without the establishment was extended. And there-
WIIlsrERINGS or** AN (J|J> PINE
489
iSr^ach addilion would make practically a new establishment,
and ior many reasons this would be most inconsistent, and soon
impossible.
•* It*s the same with sound. The diafram couldn't repeat
articulate speech or sounds ol any kind» without the machinery
for doing it. This w^ould be equally true u( the core of the
magnet, or the helix, or a chimney, or curbstone, or any
thing else. For this is the way the universe is made, always a
sufficient cause for any effecL And always wherever any-
thing is made.^there must be the necessary machinery to
make it
**This is so self-evident that we believe practically everyone
will see that the scientific explanation of the action of sound at
a telephone,— that the diafram or any other thing at the
receiving telephone, not made to do it, repeats sounds, — is not
only entirely erroneousi but impossible. And this is a demon-
stration, as every honest and sensible scientist or layman, who
looks into the matter, will see. that sound is an entity, which,
in a telephone, is earned instantaneously through the wire by
the electric current; for the repeating of sounds by the diafram
or any other thing at the receiving telephone being impossible,
this is the only explanation that remains.
**And this means that nearly every sound is made by the
initial sounding body. The conception of the scientists to have
everything repeating sound, all sounds, might answer to deceive
the unwary in the acceptance of absurd scientific theories, but
can have no other use, being opposed to all law, and therefore
impossible,
**For» as KUcn has said, nature provides that the sounds of
490 ELLEN OR THE
the world shall be made by a certain number of iastniiiients»
and the number is innumerable, literally as the sands of the
seashore, for pretty much everything there is, is capable ^f
emitting some sound, although there are but comparatively few
things which make beautiful sounds. And always the same
instrument makes the same sound. And these sounds are
infinitesimal particles of matter thrown off by the sounding;
body. In a similar manner nature provides for the odors of the
world, infinitesimal particles of matter, thrown off by the
odoriferous bodies. And these entering the surrounding
atmosphere, find their way by the nose to the soul or spirit
dwelling within every body, thus producing the sensation of
smell. On the other hand, the infinitesimal particles of sound
thrown off by the sounding body, find their way by the ear,
to the soul or spirit, and thus produce the sensation of hear-
ing. Nor are the sounds repeated by everything any more
than the odors are. That is, a diafram doesn't sing like a
Jenny Lind ; any more than a stump smells like a sweet pea.
And one would be just as sensible and just as possible as the
other.
"Doesn't the old Pine like the way that sounds are made? "
"Why yes," I said, "he not only likes the way, but he is
beginning to think that Ellen is right as to what the way is."
"In The Principia," she continued, "Sir Isaac Newton says:
* We are to admit no more causes of natural things, than such as are
both true and sufficient to explain their appearance.
*To this purpose the philosophers say, that nature does nothing in
vain, and more is in vain where less will serve. For nature is pleased
with simplicity and affects not the pomp of superfluous causes.'
Winsj^ERINGS OF AN OIJJ PINE
491
*' Surely the old Pine can easily perceive that to arrange a
system so that every diafram, or microphone of loose contact,
and indeed everything — for if anything so repeats sound every*
thing must — should repeat sound, would be the most egregious
instance possible to conceive^ of nature creating unnecessary
causes.
'*And therefore again can we see why each particular
sound of the world should be made by a particular body* and
then scattered by some appropriate law, rather than that every
body, or even a number, more or less, should repeat every
sound* And therefore also can we see why sound is always
made by instruments ; any particular sound by a particular
instrument. This we know to be a fact as we arc able to see
the instruments, whether pianos or vocal organs. And there-
fore if a diafram talks, it must include vocal organs, or some-
thing, which can produce the particles of sound made by
vocal organs. Practically such a system would mean that every
body, or many bodies, would have to be supplicdi not with one
instrument to make a particular sound, but with a thousand
million instruments to make that many different sounds. And
then the arrangements would have to be made to circulate
these different sounds. Certainly it would be of no use to make
them if they were not circulated. And if the way to circulate
them was to have everything near repeat them, everything about
them would have to be provided with this innumerable number
of instruments. Nor is tt possible for Ellen to conceive where
in any repeating instrument, whether a diafram or an old shoe,
room could be found for all this machinery, however infinitesi*
mal it might be. But aside from all this Ellen realizes the
49^
ELLEN OR THE
want of harmony and intolerable stupidity of such conception,
and that it is the scienlitic or scientists* way of providing the
universe with sound, — not Nature's. And she realizes that it
is subversive of all order, and means the destruction of the
universe whilst being builL Indeed Ellen has never had any
confidence that the scientists could make a universe* though
she has no doubt they would talk it off fine before they began
and if allowed would start in. They would walk boldl)' where
angels fear to tread, until they were destroyed. And then there
wouldn't be any scientists; just the universe and common folk,
who never spend their time in teaching things which are not so.
The whole theory is absurd and impossible/'
'* And how about fire? *' I asked, ■* That would appear to
be catching and thus spreading."
" Fire is something of a very different character/' she an-
swered, " very differently caused. To start a fire requires an
instrument, made in a particular way. For fire is the result of
chemical combinations. So far as Ellen knows, any material
thing might be destroyed by fire. All that is needed is the fire,
and enough of it. The old Pine will see at once that the
two conditions are not comparable. For there is no special
preparation required for anything to burn, but there is prepara-
tion required for anything to make sound, although but little
for the simpler sounds
" Should there be any to suggest that in some way an instru-
ment is made in the diafram to repeat sounds, Ellen says first,
that none such is made, under the circumstances the thing is
impossible ; and second, that so far as the argument is con-
cerned, it would make no difference, as the sound will take
BRINGS OF Al
PINE
493
place, without the diafram* as Ellen has abundantly shown, and
will still more abundantly show/'
'*lt is evident," I answered, '*that there is no instrument
made in the diafram or elsewhere, but is it entirely evident that
a precisely similar movement in two different things may not
create the same sound, this sound being an entity made from
material existing in the air, — rjr possibly, in part, in the
diafram or other body, — as Ellen once suj^gested to the old
Pine?"
** Ellen knows she did, following the statement of the scientists
without sufficicntl}' examining it. But with a very little ex-
amination, she saw that this was a mistake; a mistake, too,
largely due to ignorance of the nature of a graphophonc record.
For as soon as we study tliis we find that a graphophone is
as much a sound-producing instrument as any, and as much
a creation by intellect, its object being to repeat certain
sounds*
"The old Pine asks if a precisely similar movement in t\i'o
different things may not create the same sound? Unquestion-
ably it may, as is illustrated in sympathetic vibration. That is,
precisely similar vibrations can do this. And perhaps it is this
perception which has mislead the scientists. But unquestion-
ably precisely similar vibrations \n different bodies arc very
rare, and never take place unless both bodies wxre created to
make the same sound. And therefore all bodies would have to
be alike, if all made the same sound; and there would only be
one sound in the universe, and nothing else, as all bodies would
be occupied in making this sound/*
494 ELLEX OR THE
XXXIV.
^^ r^UT docs not the graphophonc record show, or may it
-■— ^ not show," I asked, "that a certain movement of any-
thing, or at least of some things, will produce certain sounds^
articulate speech, or other sound?"
** It shows," she answered, **that a certain instrument, made
for the purpose, properly handled, will produce certain sounds,
and it shows nothing else. This was a fact that Ellen knew be-
fore, and that we all know. The instrument was made in a
remarkable manner; the tclcgraphone in, perhaps, a still more
remarkable manner; and I-lllcn thinks that doubtless there are
other methods, even more remarkable than these, by which
sound instruments may be made.
"But whatever new souiul-i)r(»(liicing instrument maybe dis-
covered, or may exist, all must conftnin, as all do conform, to
the laws governing sound. Certainly they have not been
changed to help scientists out of tlieir blunders. The sounds
of the world are still made by the sound-producing instruments;
each sound by some particular instrument. Nor can any one
of these instruments make any sound except that which it was
made to make, and with most things, like diaframs, or chim-
neys, or curbstones, or line wires, or nails, all made for very
different purposes, that means very plain sounds. And this is
just as true of a graphophone or telegraphone record as of any
other sound-producing instrument.
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ITSPERINGS OK
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497
**Itis equally true that the purposes for which instruments
were made Uicy will continue to accomplish. Thus a diafram
will continue to gather and distribute sound in such a way as to
increase its effects, and a wire will continue to carry it The
curb stone will remain perfectly quiet unless struck by something.
So w*ill the nails magnet and coils of wire*
"And now Ellen will give another demonstration, that sound
consists of infinitesimal particles of matter, and, in the telephone
is carried instantaneously through the wire by the electric
current. And this is the action of the box telephone, which
has been in use successfully to convey sound for over 250 years,
"This consisted of two small boxes connected by a string or
wire. At the bottom of each box, at the centre, was a mem-
brane, or diafram, through the center of which the string or
wire passed and was fastened in the inside,
*'The correspondence was carried on by a person at one end
talking into the bux, to a person at the other end holding the
box to the ear, the same boxes answering for sending or
receiving instrument. The sound went through the string or
wire.
*' Practically the operation is precisely similar to the modern
telephone, except the electric current and magnet are lacking.
Because they were lacking, the use of the box telephone was
limited, as the sound couldn't go fast enough through the
string or wire to last for a very long distance.
**This proves that sound under such cunditions enters a wire
or string, and passes along or through it, until its force is
expended, which last is a mere question of time. It also proves
that sound, with such conditions, will get out at the other end
498 ELLEN OR THE
of the line, or anywhere else if given opportunity, and enter
the listener's ear.
**It follows that it must do the same in the modern telephone,
where, just as in the air to the speed of sound must be added
the speed of the wind, there must be added here the speed of
the electric current. And therefore, and for no other reason,
the distance of its journey is immensely increased.
"And this is a demonstration that the sound heard at the
telephone is that which enters the sending instrument."
**And will not Ellen repeat," I asked, **this demonstration?"
**The demonstration is," she replied, *'that sound, articulate
speech or otherwise, does get into a wire and run along through
it, always, when an arrangement like that of a telephone trans-
mitter exists. And therefore it must get into the wire of a
telephone. It follows as a matter of necessity, that it is carried
instantaneously through this wire by the current to where it can
<^ct out, unless it is dcslro\'cd by the curreiU, and we know it
is not destroyed but carried through. There could hardly be
any more complete demonstration.
*' So far as ICllcn knows ihcir was fornierl}' no pretence made
in the use of the box telephone that the diafram or membrane
repeated the sound, thcnigh they acted then precisely as
they do now, and now precisely as they did then. Hut in
recent years this is sometimes added, so as to make it coin-
cide with the statement in rei^ard to the present telephone,
and sometimes not. It is so evidently absurd that only the
necessities of the air wave theor\' of sound could have ever
suggested it."
*'Then I^llen thinks," I said, "that the membrane or diafram
WinsFERINGS OF AN OLD F'lNL
499
assists in gathering and delivering sound, the sound itself mak-
ing its own journey througli the string or wire/'
•*She knows such are the facts/' she answered,
'*Thc Modern Apph*cations of Electricity, published by D.
Applcton & Co*. New York, says:
•The first telephone deserving of this name was the string telephone,
the invention of which dates back more than two centuries ; in fact,
there is no doubt that among the natives of India this device was of
still greater antif]i)ity.
'The simplest method is to take two cylindrical ttibes of metal or
cardboard, to rlose one of the extremiliesi of each tube with a mem-
brane of paper, parchment, or thin cardlmard, and to connect the
two vibrating sheets thus formed by a string fixed in the centre by a
knot.
* When the string which joins the two parts is well stretched, and not
too long, and one of the tubes is held to the ear whilst another person
is speaking very close to ihe mouth-piece of the other tube, all the
words are transmitted by the string to the membrane of the receiveti
and a conversation can be earned on, with a very low voice. Speech
can thus be transmitted as far as 200 metres* By using diaframs of
very thin iron, and insulating the wire on glass supports, Huntley,
who made the exi^criment, was heard at a distance of 2450 feet, in
spite of the zigzags of the line. String telephones have for a long time
remained in oblivion/'*
**And yet/' I said, "KUen can see that in the graphophone
record, and the still more wonderful telegraphone record, nature
does provide for the repeating of such sounds/'
*• Yes/* she replied. **In furnishing the world provision has
been made for the reduplication of all material things, and by
wonderful processes; but having one wa)* for this, and that a
4
ELLEN OR THE
kiost remarkable one and always of a similar character; that
ich sound, the ^ame as each animal or each tree« should
^^f-creatc itself, in re-creating the instrument which can repeat
it, Is verj' different from having a million more or less unneces-
sary ways.
"Thus, as Ellen has said, the oak makes the acorn which
reproduces the oak, but all the part in this the oak ha^, is to
produce the acorn. So all the part that sound has is to produce
a record. And, as Ellen has also said, the acorn and the sound
are built upon similar principles, in this respect, that every part
existing in the tree, or in the s;ound, Is included in the acorn
and in the record.
*'Did the old Pine ever know an oak to grow except from
another oak, either by an acorn or a scion ; or any tree or
flower except by similar method? But whether or not it mightr
be possible for intelligence, — aside from that intelligence which
made the oak, including its power of producing the acorn from
which might develop another oak, — to make another oak, or
another acorn; Ellen doubts not that the machinery which
makes every sound, and that means the instrument by which
any sound is made, might be made by the intelligence of man»
if only he had the model. And possibly this he may be able
to get from the different records made by sound, although
these are very infinitesimal."
**But is sound," I asked, "entirely a material thing? That
is, are the vocal chords which utter articulate speech, or such
an instrument as makes the notes of a bobolink, as completely-
material as a piano or violin? "
*' Unquestionably they are," she answered. '*The graphor
WmSPERlNGS OF AN OLD PINE
5or
pho^c record which may repeat sounds wilh absolute fidelity
demonstrates they are/*
** And if there is nothing in voice," I asked, " but the sound
of a material instrument, in what consists the power and action
of the soul?"
'^ In the using of such sounds, or instruments. That is, in the
using of material things, all of which are fashioned for the use
of intelligence, and by which only can the spiritual accomplish
anything, at least whilst in material conditions, Ellen admits
that the soul is hampered in its present conditions, though she
believes it may rise above all such restraints.
'* Ellen has shown that the spiritual and material arc as inde-
pendent oi each other as an engine and engineer. This is
always true. The line between them is most distinctly and
accurately drawn, as is plainly evident in this matter of sound,
For» as Ellen says, every possible sound belongs to the material
part of creation, even to the most trivial inflection of a voice.
Ami provision has been made for the uttering of these sounds,
\n the instruments to make them, and the intelligence using
these instruments.
*'This much at least Ellen is sure of: If every tone uttered
into a graphophone can be repeated with absolute accuracy by
that instrument; then every possible tone that may be uttered
by man may also be made by a material instrument> and if
this is so any possible sound may be made by a material in-
strument, utterly regardless whether any per on or iutclh'gent
being Is present or not
'*Thc lustre of sound will appear equally with that of a jeweh
or the beauty of a flower. Neither, so far as Ellen can sec, of
02 ELLEN fMC THE
jcessit}' depends in the slightest degree upon any individual
feUigencc present/*
ft** And does Ellen think that every tone uttered into the
graphophone can be accurately repeated ?'*
^**She does think so. For so far as the ear can detect many
:hcm are* some of these as remarkable as any; and greater
and greater accuracy would appear to be constantly attained/'
** But/* I asked, **does Ellen think that those sounds which
would appear to be made — at least guided — by intelligence,
such as articulate speech, or the voices of the birds, would ever
be heard at all, if not first made by the action of intelligence ? "
*' Possibly not/' she answered, ** but Ellen cannot see that
that is the important point under discussion. That they arc
heard at all would appear to be because they are possible
materially. Perhaps the sounds made by the human voice, or
any other voice, might never take place but for the intellect
controlling the machiner\' which makes them. For as Ellen
has repeatedly said all sound-instruments are made before they
are played, and Ellen will add, whilst intelligence may be
necessary, perhaps, in most cases— possibly in all — to do the
playing, and certainly in all to create the instrument ; still if
there was not material— matter— to make these instruments of,
there could be no instrument; nor can there be any sound
without an instrument/'
**Then," I said, "intelligence and matter are equally neces-
sary ? "
"Yes," she answered, "in material conditions. And although
it is true that no instrument can be made without intelligence,
somewhere, to make it; it is equally true that there is no sound
WHISPERINCS OF AN Ol.D PfNE
503
possible to material conditions, but what there is» or may be, a
material instrument to make it,
*'Thus if a person wishes to utter words of endearment, there
are such words, and the means at hand to utter them, and these
means include every possible modulation of voice, — the choice
of which being entirely with the person.
'* Man is a creature of inspirations, but whether he would
have any if it was not for matter, Ellen does not know. That
matter in all its different phases suggests them is unquestion-
able. Nor would it be possible for any of them to be realized
without it.
''To the soul belongs the choice of the different material
things, or instruments, by which its feelings may be made
known. If it would tell its affection it must use the material
langauge — the language of sound/"
*'Then this language,'* 1 said, ** might be entirely indepcnd-
cnl of any particular person, and, in such case, be useless if not
meaningless?**
'* Yes,*' she answered, "and in an}* case meaningless without
education ; at least this is the case with most sounds, but the call
of a mother to her young is, perhaps, instantly understood,
**God has provided that all expression of feeling or of fact,
should be made in material conditions b\* an instrument which
is entirely material; and should consist as well of a substance
e<[ually material Wiihout this the beloved could never hear,
and might never know, that he or she was beloved, unless
such knowledge was got from the other sensations.
** From which, as Ellen thinks, the old Pine will see. first, that
sensations are most important to cither the happiness, or reality
5^4 ELLEN OR THE
of living, and second, that without matter, by which these sen-
sations are caused, there could be no life as known to us. And
this means, as Ellen thinks, as known in material conditions."
"But what again," I asked, "is the soul that can be resolved
so readily into non-existence? Or how is.it possible that the
order o1 a vibration, which, at the best, is the result of one
material thing moving upon another, should be able to express
the strongest passions ? "
"Because it is made to do it," she answered. "For sound
as everything else, as Ellen has suggested, is designed by in-
telligence for the uses of intelligence. This is the one and only
explanation, when sound affects spirit in the way the old Pine
suggests. It was made to do it. Nor, as Ellen thinks, is there
any possible sound whose effect has not been estimated. For
it correlates thought, so perfectly is this universe made in all
its features.
"Neither is there any possible sound but what is made by
some instrument according to the hiw for the manufacturing of
sound. The instrument comes first, and then the sound ;
and, as we have seen this sound may make another instrument,
which will repeat the same sound."
"And is it necessary," I asked, "that intelli*^ence should
exist where sounds are made?"
'*Not at all," she answered; "as ICllen has often said, the
two principles of matter and intelligence, are entirely independ-
ent of each other.
*• Sound is made for the uses of intelligence all right, and
by intelligence. But it is free as the air is. Every particle of
matter is free to be made over and over again into millions of
WHISPERING^ OF AN OLD IINK
SOS
different things, and some of these particles will never be
handled or come in contact with intelligence, certainly not the
intelligence of man. Nor need thfa make any difference in any
material thing, or its destiny.
* Full many a gem of purest ray serene.
The tlark unfathomed eaves of ocean bear ;
Full many a flower is born to blush unseen.
And waste its sweetness on the desert air/"
*'Biit can man make the principles,*' I asked, "b}* which this
machinery, or an\' niachincr)-, tjpcratcs?
''That is. can man make an oak, or rather can he make the
material from which the oak, or piano, or bobolink's note is
made? Can he make matter?"
'*Kllen thinks she has said several linus that lie conid not,"
she answxTcd. *" But if the material emanates from the spiritual,
as it may, she does not know wh\' it mi^^ht not be possible for
man's intelligence to make it, as well as to make all sound-
priiducing instrnments. Neither could be done without the
knowledge how, but perhaps either might be done with that
knowledge; and if so. the acquiring of such knowledge, cither
by accident or by search, might always be possible.
** But neither sound, t:lectricity» or magnetism* or all together,
can make the diafram talk. For it can't talk. Sound, a particu-
lar sound* as we have seen, can raake a moilcl. which* under
favorable conditions, can repeat the sound tiiat made it. liut
that is a very different thing from making anything talk.
The one is possible, the «)ther beyond the Ijound*^ of possibility*
The oak can make an acorn, which, under favorable circum-
506 ELLEN OR THE
Stances, may be developed into an oak, but it cannot delegate
its power to a fence post, or to any other tree. Neither can
it make a squash bear cocoanuts or in any way change its
character.
"Good Words, 1878, page 280, says:
*\Ve are now in a position to understand the acoustic principles up-
on which these two principle telephones rest. And in passing it may
be well to guard the reader against a popular misapprehension that
these telephones have anything in common with a little toy that may
now be seen in some of the streets and shops of London. These little
instruments, it may be true, transmit speech to distances out of the
range of the unaided voice with sur])rising clearness ; but as they con-
vey sonorous vibrations by mere mechanical means, it is evident that
we soon reach a limit beyond which it is impossible to employ such an
arrangement.* "
'*Biit what docs this author mean by sonorous vibrations?" I
asked.
"Ellen thinks he doesn't know what ho docs mean. That's
his trouble, he doesn't know what he is talking about.
"For scientists arc tr\ing to talk about sound, which is infini-
tesimal particles of electrical matter, thrown off by sounding
bodies. Hut they suppose they are talking about something
the\- call air waves, concerning which it would be impossible for
anyone to have any intelligent idea. For the whole theor}- is
absolutely inconceivable, the wc^rk of a fool.
"The nearest to sonorous vibration that FJlen can find in her
dictionary is, * Sonorous figures, figures formed by the vibrations
produced by sound, as when the bow of a violin is drawn along
WHISPERINGS OF
SO7
the edge o( a piece of glass or metal on which sand is strewed,
and the sand arranges itself in figures according to the musical
tune ; — called also acoustic figures/
"The resemblance of these sonorous figures to magnetic
figures and their lines of magnetic force is most noticeable.
There are too, electric figures and electric lines of force; all
of these showing an intimate relation to each other."
"* But what is the meaning of the words * mere mechanical
means?"' I asked.
*'The dictionary defines mechanical. *In accordance w*ith the
laws of motion/ she answered. And the suggestion is that
sound thus moving wouldn't go very far. But that two sound
carr}'ing arrangements, operating in all respects, but one. in a
precisely similar manner, have something in common with each
other, wouldn't appear to be a popular misapprehension to a
man of average intelligence. It is only the stupidity of science
that is at fault here. Indeed the action of sound with a box
telephone is another demonstration of similar action in the
electric telephone, as Ellen has pointed out; that is, that the
sound uttered into an ordinary telephone goes into the wire,
where, as a matter of course, it must be carried w^ith the speed
of the electric current whilst it exists, or until it can get out.
**This article further says, page 282:
•Two or three years later, in 1865, a skillful instrument maker in Dub.
lin, Mr. Veates, showed to the [Philosophical Society in that city a modi-
fication of Re is* telephone, wherein a near, though accidental, approach
was made to the true principle of an articulating telephone — nau)ely,
the employment of a continuous electric current of varying strength*
This was obtained, though the primary object was different^ by imttint?
S08 ELLEN OR THE
a drop of water on a fragment of moistened paper between ibc metal
disc on the membrane and the adjacent platinum point which com-
pleted the electric circuit Articulation of an imperfect kind was thus
obtained.'
"These words 'varying strength' are also added to assist in
floating the moribund theory of sound, and have no significance
whafever as the words a 'continuous electric current' are
sufficient."
'It will be needless to trace the successive stages in the discoveiy of
the articulating telephone, as they have already been frequently dc^tsiled
by Professor Bell and others. We will confine ourselves to the descrip-
tion of the last and highest stage in the process of evolntioa of this
instrument As in Reis' telephone a membrane is caused to vibrate by
the action of the voice. This membrane however is no longer of skin^
but consists of a thin disc of iron. Behind the iron disc is a small
straight magnet; round that pole which adjoins the disc is wound
several coils ot very fine insulated wire, and the ends of the wire are
carried to screws conveniently placed for the attachment of the line
and return wire leading to and from the distant and precisely similar
instrument. As is usual in telegraphy instead of a return wire, connec-
tion is made with the bar magnet that must be made to slide stiffly
in the hole in the lK)bbin. The ends of the fine wire are joined to
binding screws, which can be procured at an optician's for a trifling
sum and to these again are fastened the wires leading to and from the
distant and similar instrument ; or a gas-pipe may be used instead of
the return wire. It will be noticed no battery is in circuit, for none
is required, and that, unique among telegraphic instruments, the sender
and the receiver are identical in construction. * * * *
* And now in conclusion let us endeavor to understand how the won-
derful doable transformation is effected ; first of the voice, into electric
WinSI'EKlNGS OF AN OLH VISE
509
pulsations, and then how these electric quivers are brought back into
s|>eech once more. Under the influence of the neighboring magnet the
iron discs become themselves magnetic. When a magnet is made to
approach a coil of wire, the ends of which are united, a wave of elec-
tricity flows through the wire, and when the magnet is made to recede
from the coil another electric wave is set up in a reverse direction.
This was the memorable discovery which Faraday gave to the world, a
discovery that has been turned into enormous practical utility and upon
which vast fortunes have been reared by those who wisely enough have
patented some of its various practical applications which their ingenuity
has devised. Professor Bell's patent embraces more than a mere appli-
cation of this discovery, it is virtually a new discovery in itself ; for it
re\*eals the fact that swift and subtle as are the vil>rations of the iron
disc under the influence of the voice each infinitesimal motion of the
disc gives birth to an electric wave of correspontling strength antl dura-
tion. These waves traverse the line and circulate round the distant
coil. Then they create proportional variations in the strength of the
magnetic regioii adjoining the con pan ion iron disc. At each fluctua-
tron of magnetic intensity the iron disc is attracted slightly towards or
repelled slightly from the pole of its magnet. And this motion can take
place many thousands of times in a second, so that even if one disc
quivers to and fro as rapidly as the wings of a buz/Jng gnat, the com*
panion disc will faithfully imitate the motion and hence give forth the
sound of the buzzing gnat. The chief point of interest Is, however, •
this: not only the rate of vibration is transmitted and reproduced but
the mode of vibration of one disc repeats itself on the other. But as
we have seen in the early part of this article if we can transmit any
mode of vibration, or, what is the same thing, any peculiar wave form, we
can transmit speech which depends on the peculiar mode of vibration
of the vocal chords in the speaker and of the tympanum membrane in
the listener. Thtis the pitch of a note and the rpiality of a note are
ELLEN OK THE
oUuced, the two chief eJements in every soimtL Hence not onl>'
1 musical airs electrically transmitted but the peculiar lone of each
jument, whether violtn, harp^ jiianoforte, tntmpet, organ or %vhat
I, Speech k heard and the mdividuality of the speaker is recognized,
::hanging moods are even discemibla in delicate shades of expression
. all this though the speaker may be in London and the listener
Edinburgh or Aberdeen.'
^* Here are a number of things which this scientist knows, like
most of his class,— there are very few exceptions, — which are
not so. But the final explanation is, and it is impossible to
come to any other, unless the undidatory theory of sound 13
surrendered, that the disk at the receiving station, * faithfully
imitates the motion oi the sending disc and hence gives forth
the sound;' which in plain words means that a diafram talks or
repeats sound, and, as Ellen Has shown, it does not and cannot
do iL It is noticeable, too, that this author seeks relief from
ignorance by eulogizing Farada>'.
"This is an unusually complete illustration of drawing upon
imagination for facts. Out of a condition of ignorance as
dense as Egyptian darkness numerous myths are evolved, a
sufficient answer to which is that the sounds could be heard
equally well or better without the diafram of the sending-
instrument which this scientist has made responsible for them.
So, too, a wooden diafram, non-magnetic, would answer the pur-
pose at the receiving instrument, by which, in the above, all
the operations supposed to be performed by these electric waves
would be elimnated.
" Certain things mentioned, under certain conditions, take
place. Thus it is true that if a live magnet is thruFt into a bob*
WHISPERINGS OF AN OLD PINE
bin of wire it will cause aa electric current to flow through the
wire, and if withdrawn the current will be reversed — thus mim-
icking the gallant excursion of the king of Spain, who, with
20,000 men» marched up the hill, and then marched down again,
*'(>iir author however is at home tn anatomy and doubtless
accurate, and also appears very well as a humorist. Thus he
continues:
* The mechanism by which speeeh is produced in our own botlies
naturally suggested the first melhod of making a speak ing-niathinc.
Let us consider for a uwineut how the human voice originates. If we
place our finger on the lower prirt of our throat we shall feel the car-
tilaginous hoops of the trachea or wind -pipe ; passing upwards we reach
a grisdy V-shaped projei tion, the point of the V being in fronts consti-
tuting what is commonly called Adam*s apple and known to physiologists
as the thyroid cartilage. This is the front portion of the chamber called
the larynx, which forms the summit of the wind-pipe, and within which
chamber is the seat of our voice. The larynx opens into the mouth
immediately behind the tongue by an aperture called the glottis
capable of being closed by a sort of lid, the e])iglottis, or by the shutting
together of two elastic cushions attached to the larynx immediately
tjelow the epiglottis. These cushions are the so-called vocaJ chords,
which when at rest assume a V- shape, but can be drawn parallel, and
more or less stretched by appropriate muscles. When in this state of
tension a current of air, forced from the lungs, wiil cause the vocal
chords to quiver with a rapidity great enough to generate sonorous
vibrations ; the range of a person's voice depending, in fact, on the
tlifference of tension which can be given to the vocal chords, The
greater the tension the more swiftly ihey vibrate, nnd the higher the
pilch of the voice. The mere vibration of the chords cannot, however,
produce speech, which is effected by the modulation of the voice
through the agency of the tonguei lips, and cavity of the mouth.
5 I- ELLEN OR THE
*It is possible to make a rough imitation of the larynx by simply
rolling a sheet of foolscap into a narrow tube, and over one end tying
side by side a couple of strips of thin india-rubber ; on blowing through
the tube a musical note is obtained, which can be varied in pitch by
squeezing the tube, and so altering the tension of the india-rubber vocal
chords. Nay, more, when speech has been lost by disease or removal
of the natural vocal chords, artificial ones, formed of a vibrating tongue
for " reed " of metal or ivory, have been made, and inserted in the
larynx of the sufferer, restoring to him at once the power of speech.
In fact, so successful is this artificial substitute, that the only difference
noticeable appears to be the peculiar monotone of the speaker ; who,
however, has the advantage of having a variety of voices at command,
for by selecting a grave **reed" to-day he can roar like Bottom the
weaver, and by using a high pitch to-morrow speak with the shrillness
of a shrew.'
**ln speaking of the phonograph this author writes:
'It needed the ex|)erience of an actual trial of the machine to con-
vince the ])rescnt writer tliat its (\a])al)i!ities liad not been grossly
exaggerated. rV)r when we call to mind the extreme eom|>lexity of the
sonorous waves [sound] generated l)v the act ot speaking, it seemed
hardly ])ossil)le that the subtle movements of the aerial particles could
in- any ade'iuate manner transcribe the nature of their motion upon a
^,hrr'. o: tin foil, so that the foil <(>ul(l ai^ain give forth the words it
had embalmed : and thi> dimply through the instrumentality of a disc of
metal with a style attached to onc.^ j)oinl on its surface.'
"Our friend is entircl\' correct. It wouldn't be possible for
the movement of aerial particles, subtle or otherwise, to do
an}'thing of tlie kind. Hut the infinitesimal particles of electri-
cal matter of which sound is composed, can do it most success-
full}'. These are two very different propositions."
J-^'i- NKW YORK
OLD PINE
XXXV.
fc^nPHE old Pine notices again," I said, **that this author uses
^ the words sonorous vibrations instead of the plain word
sound?"
'* Yes/' she replied, **a fraud always has to be nursed to keep
it alive. If the theory was sensible, that is, if it was true, they
would be called sound. Hut the theory being erroneous, if the\'
were habitually called sound, it would kill it, because constantl}'
calling attention to its absurdities, and want of foundation. And
besides it is asking too much of anyone, however devoted he
may be to the principles or want of principles in science, to
word a lie in plain terms. Sound is something that we all
have ideas about, and would have a great many more if we
were not misled : but sonorous waves are entirely mythical, and
therefore a good refuge for those considering an erroneous
h\'pothesis.
"Of course the membrane of the ear has nothing to do with
the making of sounds. Its function is to assist in their deliver).
The membrane of the ear is a part of the machinery which
digests sound as the stomach does food* and it would be as
sensible to say that the stomach makes the food it digests, as
that the membrane makes the sound it helps to deliver. But
the diafram of a telephone was suggested by the membrane of
the car, and is supposed to perform the same functions,
**Thc making of the graphophonc record is thus described:
5l6 ELLEN OR THE
'Speaking into the mouth-piece in a distinct and ddibcnitc Yoioe^
and at the same time turning the cylinder by clockwork or by luhndt Ae
sonorous vibrations communicated to the disc record tfaemaelnBS od die
foil in the shape of minute indentations. When the sentence has been
spoken, the disc and style are drawn aside, the cylinder tmned beck to
its starting point, and the disc and style again placed in the
they first occupied. Once more rotating the cylinder, the wtylt
and falls as the now embossed foil passes beneath it, and the motion
given to the style is communicated to the disc and thence to the air
around. The air is thus thrown into a state of vibration similar to that
to which the words originally gave rise.'
''The whole subject of the graphophone record Ellen will
discuss later. We recognize that the sound must have made an
indentation or record of itself, very possibly whilst in motion.
Such record is one of excavation, and means that sound
has left in the paraffin and wax its impression, or such
a path as it makes when moving. And if a proper instru-
ment is passed through this record the record will repeat the
sounds which made it. It is perhaps extraordinary enough that
an instrument, following the line of indentation made by this
sound, should re-create the sound, but common sense would
suggest that it is more natural to think that it might do it by
following this line than another line which had no connection
with the sound.
*'But common sense explains more, that the result is accom*
plished by the manufacturing in the machiner}' of this record
the sound, infinitesimal particles of matter, the same as
those which created the record. And, as I^llen thinks, they are
always made in large quantity with a remarkable capability of
BRINGS ()F
b\A) IIM-:
SI7
spreading. For sound spreads in the same medium* equally in
a!l directions. But the sound of the second second* can never
overtake that of the first. All it can do is to reduplicate it
** Ellen sa>'s it cannot overtake the previous sound, because
all experiment would seem t<> prove that all sound has the same
speed in the same medium.
•*And, as Ellen has suggested before* the production of
sound- producing instruments by sound is vcr\' suggestive of
the methods used in the perpetuation or reproduction of each
species after its kind. The force of an oak is so concentrated
in an acorn as to make the nucleus from wliich readily, easily
and naturally developcs another oak. Ellen cannot .^ec any-
thing very remarkable about ihis. Ccrtainl)' not more remark-
able than that the oak should exist at all And indeed there
wouldn't appear to be any sufficient object why the oak should
exist at all, if it couldn*t reproduce its kind. And if the oak,
any other tree, or any flower, or for that matter the material
part of any animal — the body.
•'One thing continues another. Hut the old Pine mustn't
get things mixed, sound doesn't re-create sound, but a record,
that h, an instrument, which will reproduce sound; each sound
an instrument which will reproduce itself. There is a marked
distinction here, for, with another instrument there are two
sound*producing instruments* where before there was but one.
**\Vhen things work this way we have a creation, continuous
and eternal, And an\' other kind of creation, as Ellen thinks,
would be an abortion. The light would hardly be worth the
candle. It would be so soon over, and nothing left but the
debris of a dead rreation.
ause of a theory of sound v^hich he has not yet learned is
I Lse^ He conlinaes:
r'Once more rotating the cvlinder the sU^k rmes and falls as the
Eaiow embossed foil passes beneath it, and the molion given to the st>'Je
is communicateil to the disc and thence to the air ;utmmt/
^^■^ ** Nothing of the kind takes place*
M "What takes place, as we have seen, is, the reproduction or
■ reappearance of the original sound, with all ks peculiarities and
I characteristics. And this is jnBnitesimal particles of matter,
^^H endowed with a power of motion. The sounds are caused by
^^V the record as may plainly be d em onj^t rated by listening. They
^^H are conducted from the record to the diafram, and through this
^^H into the megaphone, which introduces them into the room
^^H where they are heard*
" That the cause of reproduction of sound in a graphophon
is entirely connected with the record, may be tested by anyone.
For the sound can be heard when a reproducer is passed over
the record, although the record is entirely disconnected from
the diafram. Ellen destroyed the diafram, but the sounds
were reproduced, the style being pressed down upon the recbrd.
All any diafram can do, as Ellen has shown, is to assist in
collecting, and by that means increasing the effect of sounds,
made by some sound-producing instrument.
'*ln speaking of these blunders of scientists, Ellen says there
are but few exceptions. By which she means that those who
only seek truth, and for the love of it work assiduously and de-
votedly, letting go all other considerations are very few. Mr.
WHISPERINGS OF AN OLD PINE
519
Newton went straight on the question of light, into which he
looked more carefully. It's the men of smaller caliber and the
less conscientious that make or perpetuate gross blunders, those
that don't know and think they do ; or worse yet, those who
care nothing at all whether they know or not, if they can make
people think they know. Unfortunately there are quite a good
many of these who assume to lead, riding rough shod over all
truth and sometimes escaping detection (or quite a while. It is
these that are the most reckless in their statements: It is this
class that in the undulatory theories bring in that most mon-
strous of lies the assumption that these hypothetical air waves
are like water-waves or ripples upon the surface of a pond*
But in the end it is all of no avail,
*Tnuh crushed to earth will rise again.
'The eternal years of God are hers,*
'* Ellen will mention another luyal and really great man,
Huxley. And still another, who, perhaps, belonged to that
class of whom Christ said :
* Blessed are the meek, for they shall inherit the earth/
*'Ellen refers now to Mr. Faraday, whose search after truth
was so constant and sincere, so bright and perfect, that like a
touch of feeling, it made the world akin,
" Faraday was remarkable for the persistency and thorough-
ness with which he made experiments in his search for scien-
tific truth. Again and again he would return^ without result, but
he never gave up until sickness ami death closed his work here,
and he never made any pretense of finding anything until he did
find it ; and constantly he discovered valuable facts.
520 ELLEN OR THE
«<From 'Michael Faraday His Life and Woil^ 1901/ by Syl-
vanus P. Thompson, we quote the following:
'On the sand of September, 1791, was bom, at Neinogtan
then an oadying Surrey village, but since long surrounded and 1
lowed up within the area of Greater London, the boy Michael Faimd«f •
He was the third child of his parents, James and Maiguet Fandaj^
who had but recently migrated to London from the little YoAahire
village of Clapham. Clapham lies under the shadow of Ing1eboIO^^g|^
on the western border of the county, midway between Setde and Kirkby
Lonsdale. The father, James Faraday, was a working bbcksmith ; the
mother, daughter of a farmer of Mallerstang, the ronumtic valley iriiich
runs past Pendragon Castle to Kirkby Stephen. James Famday was
one of the ten children of a Robert Faraday, who in 1756 had married
Elizabeth Dean, the owner of a small homestead known as Qapluuii
Wood Hall, since pulled down. All Robert Faraday's sons appear to
have been brought up to trades, one being a shoemal^er, another a
grocer, another a farmer, another a flaxworker, and another a ahcyp-
keeper. Descendants of some of these still live in the district.
'After Michaers birth, his parents moved to the north side of the
Thames, living for a short time in Gilbert Street, but removing in 1796
to rooms over a coach-house in Jacob's Well Mews, Charles Street,
Manchester Square, where they lived till 1809. In that year, young
Michael being now nearly eighteen years old, they moved to 18, Wey-
mouth Street, Portland Place. Here in the succeeding year James
Faraday, who had long been an invalid, died; his widow, who for
some years remained on at Weymouth Street, maintaining herself
by taking in lodgers until her sons could support themselves and her,
survived till 1838. Though a capable w^oman and a good mother,
she was quite uneducated. In her declining years she was wholly sup-
ported by her son, of whom she was very proud, and to w^hom she was
devoted. * *
WHISPERINGS OF AN OLD PINE
SSI
*In 1804 he went on trial for twelve months as errand-boy to a book-
seller and stationer at No. 2 Blandford Street — N!r» George Riebau. ♦ •
' Faraday was apprenticed as errand boy to a lx)oksel!er in London
when thirteen years old, and this apprenticeship lasted seven years* * •
'Down to the year 1830 Faraday continued to undertake, at pro-
fessional fees, chemical analyses and expert work m the law-courts,
and thereby added considerably to the verj* slender emolument of his
position ; but, finding this work to make increasing demands on his
time, which he could ill spare from the absorbing pursuit of original
researches, he decided to abandon a practice which would have made
him rich, and withdraw from expert practice. • • •
* He might easily have made j£$,ooo a year had he chosen to culti-
vate ihe professional connection thus formed ; and as he continued,
with little intermission, in activity till i860, he might have died a
wealthy man. Hut he chose otherwise ; and his first reward came in
the autumn of i8ji, in the great discovery of magneto-electric cur-
rents— the principle upon which all our mofiern dynamos and trans-
formers are based, the foundation of all Ihe electric lighting and elec-
tric transmission of |>Dwer. • • •
' But the immense body of patient scientific work thus done for the
love of science was not accomplished without sacrifices of a more than
pecuniary kind. He withdrew more ami more from society, declined
to dine in company, ceased to give dinners, withdrew from all social
and philanthropic organizations; even withdrew from taking any part
in the management of any of the learned so ieties/
* In a letter to Prof. G. de la Rive of Geneva, Faraday wrote :
"'You partly reproach us herewith not sufficiently esteeming Ampere's
experiments on electroraagnetism. Alow me to extenuate your opin-
ion a little on this point. With regard to the experiments, 1 hope and
trust that due weight is allowed to ihem; but these you know are few,
and theory makes up the great part of what M. Ampere has published,
S22
ELLEN OR THE
and theory in a great many points unsupported by ex(>6rImeBts when
they ought to have been addticed."
' And in same letter :
' " I find all the usual attractions and repulsions of the magnetic needle
by the conjunctive wire are deceptions, the motions being not aitxac*
tions or repulsions, nor the result of any attractive or repulsive forc^
but the result of a force in the wire, which instead of bringing the pole
of the needle nearer to, or further from the wire, endeavors to make it
move round it in a never ending circle and motion whilst the battery
remains in action. I have succeeded not only in showing the existence
of this motion theoretically, but experimentally, and have been able to
make the wire revolve round a magnetic pole, or a magnetic pole round
the wire, at pleasure."
^ And again same letter i
"^Now 1 have been able, experimentally, to trace this motion into its
various forms as exhibited by Ampere, Nelice, etc., and in all cases
to show that the attractions and repulsions are only appearances due to
this circulation of the pole, to show that dissimilar poles repel as well
as attract, and that similar poles attract as well as repel, and to make, I
think, the analogy between the helix and common bar magnet fiur
stronger than before. But yet I am by no means decided that tiieie
are currents of electricity in the common magnet." ♦ ♦ ♦
*With the year 1 831 begins the period of the celebrated ** Elxperi-
mental Researches in Electricity and Magnetism." Dm-ing the years
which had elapsed since his discovery of the electromagnetic rotations
in 1823, Faraday, though occupied, as we have seen, with other mat-
ters, had not ceased to ponder the relation between the magnet and
the electric current. The great discoveries of Oersted, Amp&re, and
Arago had culminated m England in two results : in Faraday's discxyr*
WHISPERINGS OF AN OLD PINE
S23
ery that the wire which carries an electric current tends to revolve
around the pole of a neighboring magnet ; and in Smrgeon*s invention
of the soft' iron electromagnet, a core of iron surrounded by a coil of
copper wire, capable of acting as a magnet at will when the electric
current is transmitted to the coil and so caused to circulate around the
iron core.
*This production of magnetism from electncity, at will, and at a dis-
tance, by the simple device of sending the electricity to circulate as a
current around the central core of iron was then, as now, a cause of
much speculation. The iron core which is to be made temporarily
into a magnet stands alone, isolated. Though surrounded outwardly
by the magnetising coil of copper wire, it does not touch it ; nay, must
be screened from contact with it by appropriate insulation- The elec-
tric current entering the copper coil at one end is confined from leav-
ing the copper wire by any lateral path ; it must circulate around each
and every convolution, nor be permitted to flow back by the return-
wire until it has performed the required amount of circulation. That
the mere external circulation of electric current around a totally dis-
connected interior core of iron should magnetise that core; that the
magnetisation should be maintained so long as the circulation of elec-
tricity is maintained ; and that the magnetising forces should cease so
soon as the cunent is stopped, are facts, familiar enough to every
beginner in the science, but mysterious enough from the abstract point
of view. Faraday was firmly persuaded that, great as had been these
discoveries of the production of magnetism and magnetic motions
from electricity, there remained other relations of no less importance
to be discovered, Again and again his mind recurred to the subject.
If it was jx>ssible to use electricity to prcKluce magnetism, why should
not the converse be true ? In 1822 his notebook suggestion was, as
we have seen, ** Convert magnetism into electricity.'* Yes, but how?
$94 ELLEN OR THE
'The cause of aO the earlier. failures was^.then, that hdtfi magnet and
coil were at rest The magnet might . lie in or near the coQ for a oeo-
tuiy and cause no effect. But while moving towards the coO; or ftons
it, or by spinning near it, electric currents were at once indiioed.'
" Nothing strange, as Ellen thinks, that these should be' pro-
duced by movement. Thus, air in motion moves the ship,
while that at rest does not
<We here come upon those "lines of force" which plajred ao
important a part in these and many of Faraday's later inveatigatioiUL
They were . known before Farady's time — ^had, in &ct, been known fiir
two hundred years. Descartes had seen in them evidence for his
hypothetical vortices. Musschenbroek had mapped them. But it was
reserved to Faraday to point out their true significance. To the TCiy
end of his life he continued to speculate and experin^ent upon them.
'Mr. Faraday to R. Phillips, Brighton, November 29, 183 1 :
* " § I. When an electric current is passed through one or two parallel
wires it causes at first a current in the opposite direction through the
other, but this induced current does not last a moment, notwithstanding
the inducing current (from the Voltaic battery) is continued, all seems
unchanged except that the principal current continues its course, but
when the current is stopped then a return current occurs in the wire
under induction of about the same intensity and momentary duration
but in the opposite direction to that first found. Electrcity in currents
therefore exerts an inductive action like ordinary electricity but subject
to peculiar laws : the effects are a current in the opposite direction when
the induction is established : a reverse current when the current ceases
and 2. peculiar state in the interim. Common electricity probably does
the same thing but as it is at present impossible to separate the begin-
ning and the end of a si)ark or discharge from each other, all the effects
are simultaneous and neutralize each other —
wmSI'ERINGS OF AN OLIl PINE
S2S
*"§ 11. Then I found that magnets would induce just like voltaic cur-
rents, and by bringing hcHccs and wires and jackets up to the poles of
magnets, electrical currents were produced in them, these currents
being able to deflect the galvanometer, or to make, by means of the
helixj magnetic needles^ or in one case even to give a spark* Hence
the evolution of eiectridty frt^m magfutisntn The currents were not
permanent^ they ceased the moment the wires ceased to approach the
magnet because the new and apparently quiescent state was assumed
just as in the case of the induction of currents. But when the magnet
was removed j and its induction therefore ceased, the return currents
appeared as before. These Ivvo kinds of induction I have distinguished
by the terms Valia-eiectnc and Magneio-eiectric induction. Their
identity of action and results is, I think, a very powerfyl proof of the
truth of M. Ampere's theory of magnetism.
***§ II L The new electrical condition which intervenes by induction
between the beginning and end of the inducing current gives rise to
some very curious results. It explains why chemical action or other
results of electricity have never been as yet obtained in trials with the
magnet. In fact, the currents have no sensible duration. The rondi-
tion of matter 1 have dignified by the term Eitctrotomi\ The Elkc-
TKDTONIC StA'I E. • • •
* " It is quite comfortable to me to find that experiment need not quail
Ijefore mathematics, but is quite competent to rival it in discovery ;
and I am amused to find that what the high mathematicians have
announced as the essential condition to the rotation — namely, that time
is re^uired^has so little foundation, that if the time could by possi-
bih"ty be anticipated instead of being required — i.f. if the currents
could be formed /^e/ore the magnet came over the place instead of after
— the effect would equally ensue.*' '
* These currents, it is evident, are a result of increased resist-
k
ELLEN OR TlIE
r
i^motion, however slight it may be, thus caused. Thus
I apparently still morning if we drive rapidly, plenty of air
sar to be stirring.
erefore, the words, Electrotonic State, as referring to
P^couuitions of matter are very appropriate, this whole mat-
'nduced currents connecting and that most naturally with
i electrical action.
^/ *'It will be seen, that P^araday rose above ^ny fear of mathe-
matics, although he had never studied them* He was thiiiker
enough to hold them in proper place, and criticise their misuse,
^ " Returning to this subject oi the Electrotonic State Mr.
mipson says :
' Faraday, to whom the idea of mere action at a distance was abhor-
rent^ if no! unthinkable, conceived all these force** of attraction and
repulsion as effects taking place by something going on in /ke r>^r-
vemng mrdiumj as effects propagated from point to point continuously
through space. Id his earlier work on the electromagnetic rotations
he had grown to regard the space around the conducting wire as being
affected by the so-called current; and the space about the poles of -a
magnet he knew to be traversed by curved magnetic lines, invisible
indeed, but real, needing only the simplest of expedients — the sprink-
ling of iron filings — to reveal their existence and trend. When, diete<^
fore, he found that these new effects of the induction of one electzie.
current by another could likewise cross an intervening space, whe^ier
empty or filled with material bodies, he instinctively sought to ascribe
this propagation of the effect to a property or state of the medium^
And finding that state to be different from any state previously knpwat^
different from the state existing between two magnets at rest, oc
between two stationary electric charges, he followed the entirely philo.
sophical course of exploring its properties and of denoting it by a tuuoie
"WHISPERINGS
OLD PINE
527
which he deemed appropriate. As we shall see, ihis idea of an elec-
trotoDic state recurred in his later researches with new and important
connections.' • • •
"Again Mn Thompson says:
' Faraday's mind was of a ver)* individual turn ; he could not walk
along the beaten tracks, but must pursue truth wherever it led him.
His dogged tenacity for exact fact was accomp>anied by a perfect fear-
lessness of speculation. He %vould throw overboard without hesitation
the most deeply-rooted notions if experimental evidence pointed to
newer ideas. He had learned to doobt the ideas of poles ; so he out-
grew the idea of atoms, which he considered an arbitrary conception.
Many who heard his bold speculations and his free coinage of new
terms deemed him vague and loose in thought Nothing could be
more untnie. He let his mind play freely about the facts j he framed
thousands of hj^otheses, only to let them go by if they were not sui>-
ported by facts. *' He is the wisest philosopher," he said in a lecture
on the nature of matter, " who holds his theory with some doubt — who
is able to proportion his judgment and confidence to the value of the
evidence set before hira, taking a fact for a fact and a supixjsition for a
supposition, as much as possible keeping his mind free from all source
of prejudice; or, where he cannot do this (as in the case of a theory),
remembering that such a source is there,'*
* In one of his later experimental researches he wrote :—
"* As an experimentalist, I feel bound to let experiment guide me into
any train of thought which it may justify ; being satisfied that experi-
ment, hke analysis, must lead to strict truth if nghtly interpreted ; and
believing also that it is in its nature far more suggestive of new trains
of thought and new conditions of natural power. • • •
***lt puzzles me greatly to know what makes the successful philos-
opher. Is it industry and perseverance with a moderate proportion of
f
intelligence? Is not a moderate assurance or earoest-
ness a requisite? Do not many fail because they look rather to the
renown to be acquired than lo the pure acquisition of knowledge, and
the delight which the contented mind has in acquiring it for its own
sake? I am sure I have seen many who would have been good and
successful pursuers of science, and have gained themselves a high name,
but that it was the name and the reward they were always looking for-
ward to— the reward of the worldVs j>raise. In such there is always a
shade of envy or regret over their minds, and I cannot imagine a man
making discoveries in science under these feelings,*' ^
*' Ellen will close these quotations from Mr. Thompson's
book, — who throughout the whole has shown his own excellent
qualities of correct perception and appreciation of hoiiest \%'ork,
and fearless thought built upon it, — ^with the following, which
throws light upon the frailties so common to man, and which go
far to explain the errors that so constantly enter scientfric
work, for it is no more true that those who seek will find, fhnn
that they will find what they seek. But those who seek for
fame are not in the lines which lead to Truth:
' Faraday has himself left on record that when he Wrote to Davv
asking to be taken into his employment, his motive was his desire
" to escape from trade, which I thought vicious and selfish, and to enter
into the service of Science, which, I imagined, made its pursuers amia-
ble and liberal." Davy had smiled at this boyish notion, and had
told him that the experience of a few years would correct his ideas.
Years afterwards he spoke of that matter to Mrs. Andrew Crosse in an
interview which she has recorded : —
'"After viewing the ample appliances for experimental research, and
feeling much impressed by the scientific atmosphere of the phure. I
turned and said, ' Mr. Faraday, you must be very happy in your posi-
WHISPERINGS OF .\N OLD P[NE
529
don and with your pursuits, which elevate you entirely out of the meaner
aspects and lower aims of common life/
*"He shook his head, and with that wonderful mobility of coun*>
nance which was characteristic, his expression of joyousness changed to
one of profound sadness, and he replied. * When 1 quitted business an 1
took to science as a career, I thought 1 load left behind me all the petty
meannesses and small jealousies which hinder man in his moral prog-
ress ; but I found myself raised into another sphere, only to find poor
human nature just the same everywhere — subject to the same weak-
nesses and the same self-seeking, however exalted the intellect.'
"* These were his words as well as I can recollect; and, looking at
that good and great man I thought I bad never seen a countenance
which so impressed me with the characteristic of perfect unwoildliness/* *
"Only such men as these are fit to kad at all, or to write text-
books of science, and their number is exceedingly small.
Whilst on the other hand the least reliable, because both the
least conscientious and the least capable, are apt to forge to the
front both in text-books and writing. Their object generally
being to make money, or vanity, or both, whilst that of such
men as Faraday or Newton is simply a search for Truth.
•* If the work done on sound had been done in the spirit that
Faraday always exemplified, and with his thoroughness. FJlen
might have been taking care of her garden, or driving her
horses; for there would have been no necessity for her to dis-
cuss so fully with the old Pine this theory of sound, which
she does wholly to correct error that hangs like a patl over,
and retards, indeed largely prevents, the advance of knowledge
throughout the world.
530 ELLEN OR THE
XXXVI.
^^nPHE Popular Science Monthly, in an article headed *The
^ Telephone, with a sketch of its inventor, Philip Reis,
by Wm. H. Channing, M.D.,' Vol. XXIII, page 540, gives
a short biography of Johann Philip Reis, born Jan. 7, 1834,
son of a farmer in Cascl, Germany. Mr. Reis died of con-
sumption Jan. 14, 1874.
**The article thus discusses Mr. Reis* telephone:
*The description of Reis' telephone is divided naturally into two
sections. Here, fully illustrated in Professor ITiompson's booky we
have ten forms of transmitter, all imitating the mechanism of the ear,
and applying the vibrations of an artificial tympanum to vary or modulate
a current of electricity, by varying the degree of contact at a loose
joint in the circuit one or both of the members at this point of contact
having an elastic bearing. This is the essential principle and method,
leaving out certain adjuncts, of the most approved modern transmitters.
In the very first transmitter made by Reis, in 1S60 or 1861, a little
curved lever is attached by one end to the center of an elastic tym-
I)anum, while the other end makes varying contact with a delicate
spring, regulated l)y an adjusting screw — the surfaces of contact being
of platinum — and the lever and spring included in a telephonic circuit
e(iuipi)ed with a galvanic battery and receiver.
*()f the receivers four forms are given. The first receiver made by
Reis consisted of a knitting-needle wound with a helix of silk-covered
copj)er wire, rme end of which knitting-needle was thrust into the bridge
of a violin, which served as a sounding box. This instrument was given
to Reis for the purpose by Herr Peter, the music-teacher of Gamier
WHISPERINGS OF AN ULD PINE
533
institute and it is now preserved with other relics in the museum of that
institution/
"Nature^ July 30, 1885, page 29S, says:
'A telephone has just been brought to this country from America
which is absolutely independent of electricity so that batteries, coils,
and cells are quite dispensed with. This obviously greatly simplifies
the working of the instrument. In this "mechanical telephone*' which
was recently subjected to a severe test, simplicity and distinctness are
claimed as its chief characteristics. The instniment consists of a
diafram, or sounding board made of strips of willow wood which has
been found by experiment to possess remarkable sensitiveness to &ound
vibrations. These strips of wood are closely woven together and var-
nished. In the centre of the diafram a small disc of metal is placedi
from which the wire proceeds to any point desired u}) to two miles. In
recent trials the instrument freely answered to all demands upon it, the
ticking of a watch, musical sounds, whispering, etc., being heard with
great distinctness.*
*' Nature, Aug. 6, 1885, says, page 316:
* Having observed in this week*s Nature a notice of a " mechanical
ti-lephone" said to be brought from America, I may state that as far
back as 1S7S I experimented on the transmission of stiunds by wires, .
and communicated the results obtained, from a large number of experi-
ments, to the Physical Society of London in March, 1S78 ; the papet
being afterwards published in the Philosophical Magazine for August,
1878. These experiments are referred to by the Count du Moncel in
his book on ** The Telephone," published in 1879. I found no difficulty
in carrying on a conversation through wires laid in various wa>^ from
room to room of a house ; and musical sounds, breathing, and whistling,
were also readily transmitted, and through most unlikely arrangements,
such as a common wire fence. Various materials were tried for th^
534 ELLEN OR THE
transmitting and receiving ends^-discs of card board set in deepish
rims being found to give excellent results with a No. i6 copper wire.
In one of my experiments I found that the discs were not required, the
wire itself picking up and transmitting the sounds. The results obtained
were most interesting ; but as the range was necessarily limited, it did
not seem to me that there was much scope for practical application.
W. J. Millar.
loo Wellington Street, Glascow, July 31/
**The above is a very complete illustration of the facility with
which sound enters a wire, any kind of wire, and can be heard
by it much fur.hcr than the ordinary voice is heard through the
air.
** Ellen would call especial attention to the fact mentioned
by Mr. Millar that he found disks were not required, the wire
itself picking up and transmitting the sounds. As Kllen has
said, their function is one of assistance, not of necessity, though
under certain conditions it iiiii^ht become very essential, as an
car trumpet is to a vcvy deaf person. And, as Ellen has also
said she thinks, tliat the diafram or a membrane acts to collect
sound, as a clam does water, and thus furnishes an increased
suppl)'.
"The article referred to above by Mr. Millar, headed • On
the Transmission of Vocal and other Sounds by Wires,' was
published in the Philosophical Magazine, Vol. VI, 1 878, as
follows :
OnjKt. r OK PAI^ER.
* I. The object of the present paper is the description of a series of
experiments made by the author ui)on the transmission of vocal and
other sounds by wires, and the results obtained from these experiments.
WHISPERINGS OF AN OLD J'INE
535
* 2. Transmission of Sound in Gekeral.^ — The transmission of sound
by various media is familiarly illustrated from day to day ; and the
readiness with which these media are affected has been made the subject
of many experiments.
'One familiar illustralion of the transmission of sound from air to
solids and thence back to the air is that which occurs in the vertical and
horizontal (lartiiions between roomn, such as partition walls and floor
and ceiling spaces — the sounds originating in one room being thus
transmitted to the adjoining room without having recourse directly to
air communication/
**This is a practical demonstration, and would have always
been accepted as such but for the ignorance of science, that
sound is an entity of infinitesimal size which readily finds its
way through the interstices of walls. The conceit that it is air
waves, some of them seventy feet long, and many of them, or
most much longer than the thickness of the wall, and that
these swap over twice in going through, is an expression of
folly that it wouldn't be supposed any sane person could
make,
* From a consideration of the latter, as also from other phenomena,
the author has for some iiu;e been convinced that vocal sounds might
be transmitted by solid bodies, such as wires, and that to considerable
distances,
•After several unsuccessful attempts, the author during the month of
January last, having orcasion to use some fine copper wire, carried a
portion of it out from the house to a distance of about 20 yards, and
attached a couple of pastelx)ard disks with low rims to the ends of the
wire: the transmission of vocal sounds was then found to be easily
effected, conversation being readily carried on through this length of
wire.
^Mm
c
I
Lce that time the author has made marty experitneots with vafioos
Lbinations and under various circumstances. The principle upon
f all more or less appear to depend, so far as the rendermg
the sounds, is that of the tuning-fork and sound in g*box^ lo
I I sound from the vibratory tnovetnents of a metal body is
£1 biy intensified when the body is placed upon a sonoiotis
e affecting the air in its vicinitv.
* J- Notes of some oE the more mipor ant experiments,
'(i). No, 35 copper wire was stretched between windows outside of
a house and attachments at right angles made to rooms through tbe
windows. Speaking in one room was then heard in the other» the
dislance was about ao yards. Pianoforte music was easily traiisniitted
by placing an ear-piece inside the instrument and carrying the other
end of the wire outside the house,
* (2). No. 40 copper wire fitted up in a building passing from room
to room* Six attachments and angles.
* Distance about 50 yards. Conversation, singing, whistling, breathing,
and the sound of a light C tuning-fork (2j^ inches in fork) readily
transmitted.
'Various similar arrangements were also made in house from zoom to
room, and finally carried to a distance outside, where all the above
effects, as also the transmission of whispering, were clearly demonstrate^
the persons at either end being quite out of hearing in the oidinazy
manner.
'The communication was not limited to the persons at either end oi
the wire ; additional connections were occasionally made, where tfuee
or more individuals could communicate with each other.
*(3). Carried about 7 yards of No. 23 copper wire from one room
through an adjoining one to a room beyond, the wire in its comse
passing below two doors shut above it, and for the most part in .oonttf^
with the carpet, but fastened at the ends so as to produce some tetisiofu
WHISPERINGS OF AN OLD PINE
537
Made two connections of No. 40 copper wire at angles with the main
wire ; conversation was then readily c:arriefl on to all the phenomena
already descrilied produced. Subsequent experiments with No* 16
copper wire arranged as above were found to yield better results,
*A somewhat similar and equally Spuccessful experiment was made by
carrying the same size of wire down stairs^ passing below two doors and
partly resting on carpet and wood, A positive advantage is gained by
resting the heavy wire in this manner, the words being clearer and more
distinct, and free from the rumbling sound occurring with a suspended
IV ire free to move about.
*(4). Fastened No, 23 copper wire to telegraph wire, made another
and similar attachment 75 yards further on, but within two posts*
Breathing, whistling, and tuning-fork sounds readily transmitted.
'(5). Carried the latter attachment to 150 yards^ thus passing one
post. Breathing, whistling, singing, and the sound of the light C
tuning-fork, formerly mentioned readily transmitted. No apparent loss
though passing the support (the latter was of the usual china*ware cup
with l)inding-wire). The speaking was not so distinct, although the
different wonl-sounds were discernible. This can be accounted for by
the fact that, as the poles were about 14 feet high, the attachment ends
were free to swing about, which, combined with the exposed situation of
the main line, gave rise to a considerable vibratory action due to other
causes than the vo<al sounds.
'(6). About 50 yards of No. 23 copper wire was laid out so as to
rest partly on grass, and fastened up at the ends to pins ; attachments
were made, and vo<?al sounds transmitted ; whistling and the tuning-
fork sounds very clearly heard, although a high wind was blowing at the
time.
'4. The MntrrH and Ear Pieces. — The mouth and ear pieces used
in these experiments have been of various materials and forms. The
materials tried have been pasteboard, wooil, gutta-percha, india-rubber,
parchment, iron, tin< and zinc. ITiesc have generally been arranged as
S38
ELLEN OR TlIE
disea or dnims, having a more or less extended rim around thetB to
confine the sounds. This rim has been of cyliiidrical, conical > andoUier
forms,
'In general, greater volurae of sound accompanied increased depth
of rim ; but the sounds were hardly so distinct as when the rim was
kept shallow.
I *The wire was usually attached to the centre of disc ; but in some
cases good results were got where the wire was led through a cylindric^
hollow piece of wood and terminated close to the disc ; indeed a hollow
piece of wood without a disc did very well
* As a rule, the effects seemed better where the wire was let! oiit&ule
of the house,
* High-pitched voices are more easily heard than deep strong \^oices*
*ln the experiments with the telegraph wire one of the discs used
was of thin sheet iron 5J4 inches in diameter. Set in a wooden rim
about J4 inch deep, the wire was fastened into a small piece of wood,
which in turn was cemented down to centre of disc. The tun in g- fork
smin-rls were very w<^l! heni-'l with thi^ armiu^^^^men^ : r^n<l on*> l^eruHariiy
was that, on the wooden fastening accidentally breaking aw/ ftom the
iron, the sounds could again be heard by holding the disc in Oi?e hand
and pressing the wooden termination of the wire upon the disc with
the other.
*5. Wires. — The wires, as a rule, require to be more or less tightened
up ; but this varies with the heaviness of the wire.
. *The sound is increased with a tight wire.
'The volume of sound appears to be increased with a heavy wiie.
Thus in the telegraph wire about one-eighth inch thick, probably No* S»
the sounds were stronger and fuller than in the thinner wires andL
probably owing to the high tension of the former, faint sounds
more readily transmitted : thus the accidental or intentional
of the tuning-fork with the rim of the mouth-piece, causing a sludit
clicking soimd, was distinctly heard through the ear-piece at a ^jjgf^np^
WHISPERINGS OF AN OLD PINE
539
of ISO yards — and this, even although the two attachments of copper
wire were practically at right angles to the main »viie, whereby part of
the sountl would pass away onwards up and down the line.
*6. The great delicacy of the action may be inferred "^om the fact
that fine sand strewn upon the disc of the ear-piece is unaffected by
conversation thrcnigh lengths of about seven yards* The sensitiveness
also of the mouth-piece was shown by sounds not spoken into it being
readily transmitted, such as coughing, laughing, or remarks made by
persons standing beside the instrument Indeed, in some cases an
advantage is obtained by keeping back from the mouth or ear-piece :
and the author has sometimes thought an improvement was obtained
by holding the ear-piece slightly inciinet^ to the ear,
* In all cases the individual voice could easily be distinguished
though modified more o^ le»i by the structure and material of the
niouth and ea ^pieces.
*The mouth and ear-pieces were usually of the same form and
material, and were therefore used for either speaking or hearing. Some
forms, however, do better as ear* pieces, others as mouth-pieces.
•In conclusion, the author believes that many interesting physical
questions may be st tidied by means of these arrangements, and that
practical application may be made where communication of this nature
is required/
'* * Practical Telephony,' by James Bell, 1898, says:
' M, Monadier made a large number of experiments with various
kinds of disks, from which he concludes that telephones with iron disks
are much louder than others, and that the effect is chiefly due to mag-
netic induction. Copper and aluminum disks reproduce the timbre
very much better than those of iron. Iron disks an inch thick reduce
the intensity, but do not affect the clearness of speech. Discs made of
thick pieces of lead, zinc, glass, and steel have also been tried, and all
these substances act, Wood also reproduces the sound, and the
540 ELLEN OR THE
intensity increases with its thickness up to one and one-half inches.
A half- inch cork has been used, also an empty wooden box, also a
razor-stone t\^'0 inches thick. By dispensing with the disk and apply-
ing the ear very close to the pole of the magnet a faint sound has been
heard. Messrs. Edison, Blythe and Preece have also shown that sound
may be reproduced, although the disk [at receiving telephone] is non-
magnetic. Du Moncel tried water and mercury on the disks to provi
whether the disks really vibrated at all or not. He was unable to dis-
cover any signs of vibration even when luminous reflections were em-
ployed to detect them ; but the more sensitive photographers' plates
have shown that vibrations are really produced in the disk of the
receiving telephone. * ♦ *
' It has been found that a small flat lx)x filled with coke, with t^-o tin
electrodes fixed to the ends, is one of the best arrangements for a
microphone, and that even a single piece of cork will make a micro-
phone capable of transmitting speech. The microphone can not onlv
transmit speech, but it can also under certain conditions repro<iuce it,
and consequently supply the place of the receiving telephone • but
experiments in this direction have not been very successful. A micro-
phone conii)osed of two pieces of lead pencil placed in a watch case.
and connected by a piece of money, was exhibited at Rouen in 1878.'
" I'^llcn would call attention here to the statement that a
microphone can under certain conditions reproduce speech
and supply the place of the receiving telephone. Undoubtedly
experiments were tried in which the particles of sound came
through the wire and were delivered by a microphone. Ellen
calls attention, too, to the fact that sound was heard at the
receiver although the disk (diafram) was not magnetic, and also
when there was no disk, as disk and magnetism had been largely
relied upon previously to explain the phenomena.
WHISPERINGS OF AN OLD I'INE
541
•
" It also appears, as in other accounts, that the vibrations of
the diaframs under ordinary, or even extraordinary conditions^
are imperceptible. Against this is the statement, giving neither
names, dates, or places, that the more sensitive photographers'
plates have shown that vibrations are produced, Ellen has
seen this same statement elsewhere, but in tliis indefinite form.
That is, it is the worst kind of hearsay evidence, which would
not be admitted m law, although it would appear to be satis-
factory to science.
**In *Thc Problem of Human Life,* Mr, Hall says:
* Some of our greatest physical investigators do not hesitate to claim
that even the more delicate telephonic effects i>ro(Juced through the
Bell diafram can not be attributed to its mechanical or l>OLlilv vibra*
tions toward and from the pole of the magnetized bar* The eminent
Scotch physicist, R. \L Ferguson, Ph. D., F. R. S. E., distinctly takes
this position in a lecture on the telephone recently delivered before the
Royal Scottish Society of Arts, as copied into the ** Scientific Aoierican
Supplement," No, tao.
* Dr, Ferguson shows, by the most convincing arguments, that the
merhauiral oscillation of this iron disc is wholly insufficient to account
for some of the effects produced in the transmission of articulate
speech ; though he admits that these bodily movements of the mem*
brane add to the loudness and distinctness of the message. As a
proof that but a portion of these effects can come from the vibra-
tory motion of the transmitting membrane, he notes the fact that a
solid iron plate, an ifuh thick^ in place of the membrane, has produced
distinct transmissions of speech^ and that even the naked end of the
magnetized bar has done the same thing without the intervention of
any kind of diafram or plate. • • • In speaking of the common
explanation tl the telephone, as given by all writers on the subject, —
542 ELLEN OR THE
that is, that the transmission of speech depends entireljr upon the me-
chanical vibration of the transmitting membnmei— the Doctor lemaika:
* " This explanation is beautiful and simple, and one ivould wish it
true ; it must always remain the popular one. Undoabtedlj, however,
when narrowly examined, it is found to be a mere hjrpodiesii^ and to
have as yet no experimental confirmation. * * * I would, in the
first place, take exception to the vibratory theory of Bell, vis,, that it is
the vibrations of the disc to and from the pole of the noa^gnet, m exntr-
sions proportionate to the intensity, pitch, and quaHty e^ tike vpcal
sounds, that electrically affect the instrument ; and in so doing I only
express the dissatisfaction with it of almost every one wbo deals with the
telephone." '
" From the facts as here stated it is Very plain that the sounds
go through the wire. The Doctor's idia, that the sound heard
was that repeated by the diafram, would always remain the
popular explanation was entirely gratuitous ; for with a very lit-
tle intelligent examination of the subject it won't remain at all.
WHISPERINGS OK AN OLD PINE
545
XXXVII.
^^T^HE following experiments, with a telephone, Ellen has
^ tried herself:
**If one speaks close to the mouth-piece of the transmitter^
the sound will be much louder at the receiver (evidently because
more of the sound goes through), but not so distinct (appar-
ently because not so well arranged for effect).
'* The louder one talks at the transmitter the louder is the
sound heard at the receiver » but the difference would appear to
be not nearly so great at the receiver as it is where the sounds
are made. Experiments showed that the ordinary voice at the
transmitter would not produce a graphophone record at the
receiver, although a megaphone at the receiver was used to
assist; but a graphophone record was made with a loud
whisper spoken directly into the megaphone. The sound of
a dinner bell rung loudly at the transmitter produced a grapho-
phone record at the receiver, but not a loud one. In all these
cases the transmitter was twelve miles distant from the receiver.
"Two persons, or more, speaking at the same time near the
transmitter can be heard at the receiver, which illustrates how in
a graphophone record each voice uttered into the instrument
makes an independent record.
"And this acts precisely as the different notes of a piano
lowing into a sounding-board, each retaining through its exist-
' cnce its individuality. This is a quality that all sound always
546 ELLEN OR THE
has ; it never mixes. And Ellen thinks the old I^ne will
that it never mixes because its maker designed that it shouldn'L
''The idea of those who believe in the diafram talking is that
it can talk for two or many, or play on fifty instruments, more
or less, at the same time."
"The graphophone record does that, does it not, Ellen?*'
I asked.
'' It does, indeed/' she answered, ** because it is composed not
of one but of many indentures, each representing a sound
uttered into the gpraphophone, many of which may be uttered
at the same time, and these are repeated at the same time.
That is, a graphophone record will repeat the sounds uttered
into it, and in the order uttered. The diafram can repeat none.
" Did the old Pine suppose that a graphophone record could do
anything more or different than what it had been made to do, the
same as a piano or any other musical instrument made by man/*
"But did man make this instrument?" I asked.
"Surely the old Pine didn't think it made itself/' she answered.
" If it could make itself perhaps a diafram might talk, because
anything might happen."
"Sound makes it, does it not Ellen?" I asked.
"With the assistance of man, and not without," she answered.
'*For sound could not make this record without such assistance,
any more than a diafram could talk."
"Then Ellen thinks the diafram can't talk?"
" She knows it can't talk, any more than, of its own movement,
it could fly, or build a house, or set up in business for a wholesale
grocer. Surely the old Pine didn't suppose the diafram could
do everything, did he ; chop wood, for instance, and get out ice ?"
WHISPERINGS OF AN OLD PINE
547
**No/* I said, '*and the old Pine begins to think that the
diafram cannot do anything except play the part of a diafiam.
•*And the old Pine thinks if man makes the graphophone
record there's certainly no such record in the diafram."
" Indeed there is not/' she answered » ** or any power whatever
to repeat any sound except that made by its normal vibration.
''Ellen will now return to the experiments. In making a
graphophone record many voices or sounds can be recorded at
the same time. And this means that each particle of sound
acts independently. Whether vocal or instrumental it is
created independently, enters the graphophone independently
and emerges from it independently.
**But beyond this it means that the universal explanation of
the manner in which a graphophone record is made is another
oi those things which the scientists know that arc not so.
*'The explanation is that the diafram, itself moved by the
different sounds, causes the stylus, which is fastened to it, to
make the indentures in the paraflfin and wax. If it was possible
for the diafram to vibrate synchronously with every vibrating
body it might perhaps consecutively make the record of every
conceivable sound. But we know it cannot so vibrate* And in
addition to this, if directly or indirectly it made the record of
a graphophone. it would have often to vibrate at the same time
with a hundred more or less instruments, all having different
vibrations. Ellen knows that those who believe in undulatory
theories can swallow this and a good deal more, but no sensible
person will whose attention is called to it.
** For if different forces affected it at the same time, its move*
mcnt would be that of the resultant of these forces.
^^^Sm
548 ELLEN OR THE
**It follows," as Ellen has said, *'that graphophone records
are not made by the diafram influenced by sound, and therefore
must be made by the sounds themselves, — infinitesimal particles
of electrical matter.
"In experiments with different diaframs at the receiver it
was found: first, that with a thin piece of sheet iron tinned on
the outside placed directly against the pole of the magnet, the
conversation was plainly audible, not quite as loud but other
wise very like that heard with the usual diafram ; second, that
with a pine diafram seven-eighths of an inch thick placed in the
usual position of the diafram, sound was heard. With a spruce
diafram one-third of an inch thick, it was also heard, but not
quite as well. A twenty-penny nail held with the head against
the pole of the magnet and the other end between the
teeth, gave no sound when held* stationary, but when the
nail was moved so as to vary its contact with the magnet,
sounds at the transmitter were plainly heard. This was one
of the most remarkable experiments that Ellen tried. At
times, whilst moving the nail, the words would be very distinct,
and then would be entirely lost. One or two experiments in
which the teeth were held against the poles of the magnet,
gave no sound. A tuning fork E (320 vibrations), when
sounded at the transmitter, was distinctly heard at the receiver.
"In the later Bell instrument what is called a microphone
was used ; it was without a diafram, and gave better results
than did the old transmitter with diafram. In this microphone
transmitter there is no magnet, but an arrangement of carbon
rods forming a part of the circuit through which the current of
electricity passes.
WHISPERINGS OF AN OLD PINE
** There is this distinction in the supposed results obtained
with these two transmitters : in the one duplicate vibrations of
a diafram are supposed to be produced at the receiver; in the
other duplicate vibrations of pieces of carbon*
'*In either case or in any case if vibrations were reproduced
at the receiver, and any sounds made by them, they must first
be made by a vibrating body at the transmitter; that is, by the
body whose vibrations are supposed to be reproduced. I*'or
nothing can be more certain than that if a transmitting diafram
does not make sound, the repeating of its vibrations by another
similar diafram will not make sound. And so if the vibration
of carbon rods or anything else at the transmitter does not
produce sound, the reproduction of these vibrations at the
receiver will not produce sound. Kllen calls attention to this
necessary sequence to show the absurdity of the whole concep-
tion.
**The following paper upon the 'Transmission of Sound by
Loose Electrical Contact * was read before the Royal Society of
Edinburgh by James Blythe, M. A., July 27, 1879:
* In a paper published in the Transactions of this Society for Session
1877— 7 tS, I described an experiment which showed that if a moder*
ately strong current stich as that from four or five Bimsen cells be led
through two jam-pot^s filled with fragments of carbon, and if any sound
be uttered strongly in the one jam-pot it will be reproduced distinctly,
although faintly* in the other. In this experiment it has been found
that the fragments of carbon may be replaced by any kind of loose
contact, such as microphones, or a handful of screw-nails put into each
jam-pot, or vibrating springs beating against metallic stops, or nails laid
^SiggSSg^mmMm
^^s^gi
5 so ELLEN OR THE
across each other in log-hut fashion, and that in each case an effect
similar in kind, although it may be differing greatly in degree, is pro-
duced. Hence it may be almost laid down as a general experimental
result, that if an electric circuit conveying a tolerably strong current
contain two places of loose contact, A and B, and if any sound be pro-
duced loud enough at A a similar sound will be heard proceeding
from B.
* To all appearance this phenomenon can only arise from the altered
resistance produced at A by the sound waves, and it becomes a problem
to explain how this altered resistance at A so affects the materials in
contact at B as to make them give forth waves which convey a similar
sound to the ear. No satisfactory solution of this problem has as yet
been given, and it was in hopes of getting some information on the sub-
ject that I made the following experiments.
* Experiment i . — Four strong Bunsen cells were included in the cir-
cuit, and the loose contacts A and B placed in different rooms, so that
the sound uttered g-t A could not be directly heard at B. (Throughout
we shall understand by A the sending, and B the receiving station.) In
order to make tlie alteration of resistance at A as great as j)Ossible,
an actual make-and-break was there inserted. A toothed wheel driven
round against a s])ring or any one of the ordinary loud-sounding auto-
matic kinds would do ; but what served my purpose best in this experi-
ment was made in the following way : One of the terminal wires of
the circuit was firmly attached to a tin can and the other to a common
round file. A hole was then pierced through the bottom of the can at
its center, and the file driven backwards and forwards in the hole as if
for the purpose of making it larger. At the receiving end B a precisely
similar can and file were used, and the file allowed to rest lightly in the
hole. Every to-and-fro rasp of the file at A was distinctly heard at B,
even when the can was at some distance from the ear. The same
sound was heard when the file at A was laid against any part of the
WHISPERINGS OF AN OLD PIKE
551
can, hot most loudly when it happened to he against a comer or other
sharp edge. It was remarkable also, that the sound was heard dis-
tinclly even when the fate did not touch the can at all, but was merely
laid against the wire attached to it, so as to complete the electric cir-
cuit without including the can in it. It would seem from this that
some mechanical tremor is set up at the loose contact of the file with
the wire which is transmitted along the wiit to the can. As a variety
of this experiment, I removed the can from the wire, and substituted in
its place a poker, having the circuit wire firmly attached to its point.
When the other end of the poker w^as put to the ear, and the file
applied to the jKjker at any point, the sound of the distant rasping was
distinctly heard. The same was the case when a long brass tube was
substituted for the poker, all which very strongly suggests the idea of
a mechanical tremor transmitted through the metal from the point of
loose contact.
* Experiment 2. — In this experiment a common automatic make-and-
break, consisting of a vibrating spring worked by a small electro-magnet,
was introduced into the circuit at A, and a similar spring, only without
the electro- magnet, at B. At B the sound of the vibrations of the
springs at A was so distinctly heartl, as to at once suggest the idea that
the spring at B was itself vibrating. However, I was unable to detect
any such vibration, either with the aid of a microscope, or by attaching
a small polished bead to the spring and observing in it the reflection of
a light. Still it would be rash, I think, to assert that such vibrations
were not present, and it is possible that, by more refined experimental
means, they may yet be manifest. It was very noticeable in this
experiment that the sound at B got less and less loud as the pressure
on the vibrating spring was increased, until it ceased altogether when
the contact was made perfectly tight.
* Experiment j, — ^The sound from the poker in Experiment i was so
like that produced by the Trevelyan rocker, that it immediately sug-
552 ELLEN OR THE
gested the employment of that apparatus as the loose contact at B.
For this purpose the current was led through the lead block, the rocker,
and a brass plate, on which the ball at the end of the rocker rested.
When this was done, and the make-and-break set agoing at A, a dis-
tinct sound was heard at B, suggesting very strongly the idea that the
rocker was in actual vibratory motion. To test this in some measure, I
heated the rocker and laid it on the lead block, when two sounds were
distinctly heard, one due to the make-and-break, and the other to the
heat effect. The one did not seem in the least to interfere with the
other. Still farther to test the idea of actual vibration, it occurred to
me to try if one rocker could not be made to act as the make-and-
break to agitate the other. For this purpose two precisely similar
rockers were taken, consisting of two long flat files. These were put
edgewise on the lead blocks, with their tails resting on the edges of
three- cornered files. The current was sent through the rockers by
means of these lead blocks and three cornered files. One of these
rockers was placed at A along with the automatic make-and-break,
while the other was placed at B. An arrangement was provided
whereby the make-and-break could be at any moment shunted out of
the circuit without interrupting the current. The make-and-break was
then started, and having asccrLiincd that the rockers at A and B were
both sounding, the make-and-break was shunted ofT in hopes of hearing
A and B still continuing to sound from the one acting as make-and-
break to the other. These hopes, however, were doomed to disap-
pointment, as, after many trials, I failed to hear any sound after the
shunt was made.
'ExPKRiMENr 4. — Being still not satisfied that there was not an
actual vibration at B in these experiments, I determined to test for it
in another way. This time I took a tin can and riveted into the center
of its bottom a pointed i)iece of steel wire. The can was fixed to a
wooden board, and an arrangement made whereby another pointed
WHISPERINGS OF AN OLD PINE
553
piece of steel wire could be moved up opposite to the former piece,
and as close to it as might be desired. The current was now led
through the can and these pieces of steel, and the make-and-break
started as usual, when %'ery minute to-and-fro vibrations of the can
were observable, especially when the steel |>oints were not pressing hard
against each other but loosely m contact, so that little sparks could be
seen l>etween them. To make ijerfectly certain of this obser\'ation, I
hope to repeat the experiment w*ith still greater care,
' From this experiment, notwithstanding the negative evidence of the
others, it seems not unlikely that when a strong interrupted current is
sent through a circuit where there is a loose contact, more or less of an
actual separation of the surfaces there takes place, so as to make some-
thing of a make-and-break similar to the original make-and-break
which causes the interrupted current. Should this suggestion be estab-
lished, it will follow that it is something of the same kind, but only
differing in degree, which sends the undulatory currents which transmit
musical sounds and articulate speech from any form of microphone
transmitter to a similar form of microphone receiver*
* As to the cause or causes of this separation of the surface at the
loose contact B, or of whatever agitation else it may be which gives
forth the sound, it is impossible in the present state of knowledge to
speak with confidence, I am inclined^ however, to look for one cause
at least in that produced by the current at the loose contact. There
the resistance and, in consequence, the rise of temperature produced
by the current is greatest, and an effect similar to the Trevelyan rocker
will be set up, although immensely smaller in amount.
' Experiment 5. — This experiment has reference to the sounds heard
in a telephone by means of a microphone transmitter. It is well
known that these can be heard with a very weak battery in the circuit,
and even with no battery at all, provided the points of the microphone
carbon be a little moist, I find that sounds can be heard in the tele-
554 ELLEN OR THE
phone without a battery, and with the carbons apparently qmte diy, if
we rub the carbons hard together. This rubbing is distinctly heard, axid
it seems that it must arise in part at least from thermo-electric currents
produced by the friction. That such are produced is readily shown by
attaching two wires to the terminals of a Thomson's reflecting gahanom-
eter, and to the ends of these wires any two conducting substancesu
When these substances are rubbed against each other the movements of
the spot of light clearly indicate the production of currents. I have
roughly tested these currents, and find that they are stronger in pro-
portion as the metals rubbed are wider apart on the thermo-electric
scale ; but I have found no two substances, even of the same kind,
which do not give them slightly. It is just possible, however, that sach
currents may not be wholly thermo-electric, but that some may be due*
as I mentioned in a recent paper to the society, to the currents sug-
gested by Sir ^Uiam Thomson as the cause of friction.'
"All of which is suggestive that sound is carried by the elec-
tric current
"Sound is distributed in all directions, usually only by the
air. But if solid bodies come in contact with the sounding
body they are also used for carrying away the sounds.
"To illustrate, strike a tuning fork. The result of the blow
is sound and vibration. And however the sound is caused
it spreads into the air. But if the end of the fork is placed
upon a table or board, the sound is rapidly conducted from
the fork to the board and thence more freely passes into
the air. And so if this end is placed against any solid body,
the sound is conducted more or less quickly, and generally
also more or less of it passes to the air. Ellen finds in
'Silliman's Journal/ Vol. 105, page 125, a statement of Prof.
A. M. Mayer, as follows:
WHISPERINGS OF AN OLD PINE
sss
*In the SmithsoDian Report for 1S57 will be found an account of
very interesting and valuable experiments by Prof. J. Henry, bearing on
"Acoustics Applied to Public Building^/' In these investigatons Prof,
Henry determined the relative powers of various substances to reflect,
transmit, and absorb sonorous vibrations, by placing on the bodies the
foot of a tuning fork, and comparing the duration of its sound when
thus placed with that given when the fork was suspended in the free air
by a fine cambric thread. Thus suspended the fork vibrated during
252 seconds. Placed on a large thin pine board its vibrations lasted
about 10 seconds. In this case "the shortness of duration was com-
pensated for by the greater intensity of effect produced." The fork
having been placed successively on a marble slab» a solid brick wall, and
on a wall of lath and plaster its vibrations lasted respectively 115, 88
and 18 seconds, FHaced on a cube of india-rubber, the sound emitted
by the fork was scarcely greater than when it was suspended from the
cambric thread, but its duration was only 40 seconds. What became
of the impulses lo^?t by the tuning fork? They were neither transmitted
through the rubber nor given off to the air in form of sound : but prob-
ably produced a change in the matter of the rubber, or were changed to
heat, or both/
•* Ellen has seen no explanation by scientists why the
vibrations of the fork should be thus differently affected.
These experiments prove that this is not because of the resist-
ance of these bodies. For contact with marble or brick, if this
was the cause, should obstruct the fork as much as, or more
than, contact with the board. And therefore, the stoppage
of vibration in the fork is not principally due to resistance
of the body in contact. It must then be due to the conducting
away from the fork of the force or forces which make it vibrate.
Rut it is sound that is conducted away, and hence it must be
556 ELLEN OR THE
sound that causes the vibrations. And this, that sound causes
the vibrations, is the great secret of sound, explaining all its
phenomena, including the remarkable one of sympathetic vibra-
tion never before explained. For it is evident that whatever
would cause one body to vibrate, should make vibrate all
bodies having the same vibration.
" A condition similar to this spoken of by Mr. Henry is con-
nected with the telephone. Thus * The Dynamic Theory,' by
James B. Alexander, page 1026, says:
* Dr. Konig showed that if the diafram be removed and a tuning
fork set in vibration near the end of the magnet, the disturbance of the
lines of force took place the same as with the vibratory disc, and a fork
of the same pitch or differing by octaves, when placed near the magnet
of the receiving instrument, whose disc was also removed, took up the
vibration and gave its fundamental sound.'
" It is evident, here, that the particles of sound arc carried
from the transmitting to the reccivini^ instrument."
''And does l^llcn think that sound can make vibration, and
vibration sound ? "
'' She thinks sound can make vibration and vibration help
define the character of sound. Thus from a cloud falls rain,
hail or snow, but the character of the drops, or of the pretty
snowflakcs wliich have a million different forms and all of them
as perfect, beautiful, and wonderful as that of a tree, or of a
flower, is determined by temperature, in part, if not entirely.
And they
' Fall as the leaves fall when Summer is ended.'
*' And here where the old Pine and Ellen are, they are every
WHISPERINGS OF AN OLD PINE
557
bit as plenty as sounds, and, as Ellen thinks, just as wonderful
in their conformations. And thus great clouds of sound are
formed within bodies by shock, and its character, in part at
least, is defined by vibration. Thus sound, if properly con-
fined, may vibrate in air. And so the material of which any
particular sound is made is always the same, combined or set
into action by shock.
'* Similarly, as KUen has quoted, Mr. Newton suggested that
the action of electric bodies was due to an elastic fluid, and
the emission of it to the vibratory motion of the parts of the
excited bodies.*
** This great principle, that vibration is made by sound, is
illustrated again in the operations of resonance. Thus take a
tumbler, (a larger vessel perhaps would do better), and partly
cover its opening so that when a vibrating fork is held ov^er
this opening the loudest resonance is obtained. Changing now
the capacity of air in the vessel by pouring in water, resonance
may still be got, and by the same fork, but the opening must
be lessened ; and by repeated experiments it becomes evident
that for best results the opening must be proportional to the
space in which the air vibrates ; and this means that a fixed
amount of sound is necessary for the purposes of resonance —
always a fixed amount, and that amount proportional to the
space where the resonance takes place,
* See page 192.
558 ELLEN OR THE
XXXVIII.
^^T^HE following experiments, reported by Mr. T)nidall,
•1 illustrate further the remarkable action of sounding
boards :
* The transmission of musical sounds through solid bodies is also
capable of easy and agreeable illustration. Before you is a wooden rod,
thirty feet long, passing from the table through a window in the ceih'ng,
into the open air above. The lower end of the rod rests upon a
wooden tray, to which the musical vibrations of a body applied to the
upper end of the rod are to be transferred. An assistant is above, with
a tuning fork in his hand. He strikes the fork against a pad ; it
vibrates, but you hear nothing. He now applies the stem of the fork
to the end of the rod, and instantly the wooden tray upon the table is
rendered musical. The pitch of the sound, moreover, is exactly that
of the tuning fork; the wood has been passive as regards pitch.
With anolher fork a note of another pitch is obtained. Thus fifty forks
might be employed instead of two, and ^^oo feet of wood instead of
thirty ; the rod would transmit the precise vibrations imparted to it,
and no other.
^ We are now prepared to ap|)reciate an extremely beautiful experi-
ment, for which we are indebted to Sir Charles Wheatstone. In a
room underneath this, and separated from it by two floors, is a piano.
Through the two floors passes a tin tube two and one-half inches in
diameter, and along the axis of this tube jkisscs a rod of deal, the end
of which emerges from the floor in front of the lecture table. The rod
WHISPERINGS OF AN OLD PINE
S6l
is clasped by India rubber bands, which entirely close the tin tube.
The lower end of the rod rests upon the sound board of the piano, its
upper end being exposed before you. An artist is at this moment
engaged at the instrument, but you hear no sound. When, however, a
violin is placed upon the end of the rod, the instrument becomes
instantly musical, not, however, with the vibrations of its own stnngs,
but with those of the piano. When the violin is removed, the sound
ceasec ; putting in its place a giu'tar. the music revives. For the violin
and guitar we may substitute a plain wooden tray, which is also
rendered musical. Here, finally, is a harp, against the sound board of
which the end of the deal rod is caused to press ; every note of the
piano is reproduced before you. On lifting the harp so as to break the
connection with the piano, the sound vanishes ; but the moment the
sound board is caused to press upon the rod the music is restored.
The sound of the piano so far resembles that of the harp that it is hard
to resist the impression that the music you hear is that of the latter
instrument. An uneducated ear might well believe that witchcraft or
"spiritualism" is concerned in the production of this music*
'* The violin, or guitar, or tray performs precisely the same
office in these experiments that a sounding board docs upon
which the bottom of a vibrating tuning fork rests. That is, the
sounds flow from the piano, each different sound by a separate
stream, into these instruments and thence pass into the air.
'* Ellen illustrated this as follows: She placed the stem of a
vibrating tuning fork upon a smooth spruce board of moderate
size She then took a small spruce rod about one foot in length,
and having a cross section about one-half by one-fourth inch.
She held one end between her teethe and let the other approach
very near but not touch the sounding board. No sound was
heard through the stick; but when one end of the stick rested
S62 ELLEN OR THE
upon the board, the sound was immediately conducted by the
stick and teeth to the auditory nerve. Ellen now placed two
and then three vibrating forks upon the board, plainly hearing
and distinguishing the three by the stick and teeth when the
stick rested upon the board. Then she put a small nail in one
end of the stick, filed it to a point, and placed the point upon
the board. The sound of the three forks was plainly heard
and distinguished as before. She then fastened a pin, smaller
and sharper than the nail, in another similar stick, and placed
the point lightly upon the board. The sound of the three
forks was again plainly distinguishable but less loud, evidently
because of the smaller dimensions of the pin point and pin.
She then tried a third stick, with a fine cambric needle smaller
and sharper than the pin, and placed the point of the needle
lightly upon the board. All the sounds were again plainly
heard, but still less loud, and it was evident, first, that no sound
passed through the stick unless it or the needle came in con-
tact with the board; second, that although a small needle
was sufficient to carry all the sounds from the board to the
stick, the amount of sound thus carried was proportional to
the size (^f such needle. In all cases it made no appre-
ciable difference in the sound upon what part of the board
the needle was placed. And this shows that sounds spread
in all directions upon a board, as they do in the air.
*'Nor do they in the slightest degree mix any more
than the\' do in air. And this is one of the most remarkable
things in connection with sound, that sound is a fluid, every
sojnd at times moving in a channel, antl they will all tumble
along close together, spreading like water over a large
WHISPERINGS OF AN OLD PINE 563
surface, but they never mix, whether on the surface or in the
air.
'*They mix no more than the spheres of heaven mix, or
animals, or plants, or grains of sand, or the lovely shells which
gather within them the sounds of ocean. Nothing mixes ever
in this vast universe that wasn't made to mix, but lives out its
individual existence, ever ready to perform the part for which
it was created.
564 ELLEN OR THE
XXXIX.
^^IN order to still better perceive what happens in sound,
^ let us consider the laws that have to do with the manu*
facture and distribution of things. And in the first place the old
Pine must remember that all things are made by machinery.
For it would be impossible for things to come into existence
without a cause. First, then, always is the machinery, or cause,
by which things are made, and always in the material universe
this machinery is material. For all material things are com-
posed of this wonderful thing, matter, whose possibilities for
results would seem to be limitless. For from it is constructed
equally the large and the small, the beautiful and the plain, the
sweet and the sour, the pleasant and the disagreeable, the health-
ful and the poisonous, the fragrant and the odorless, the bois-
terous and the still.
"Here is our first knowledge; and the second is the manner
of production, that all these things are made from this matter
by one and only one method or law, — that of its combination
in different elements and different proportions.
"Then comes the places of manufacture and the laws of dis-
tribution. Things are variously distributed. Some things, as
the air or earth or water, are distributed very widely, and
others, as different families or species of animals and plants, in
more limited spaces. And so a particular rain-storm or snow-
storm is limited in its extent
■
THE HEW YORK
PUBLIC LIBRARY
^H
,
WHISPERINGS OF AN OLD PINE
567
*'Not only, too, are things made m different ways, but the
shops where they are made are differently placed. Some are
fixed and cannot be moved. There are many things, some of
which are widely spread, which are made at stationary mills.
Seeds arc thus made, and they are scattered in many different
w*ays, though always in some form carried, for they cannot
walk or run as Ellen can. But there may be a great many
different factories for their manufacture, placed at a great many
different points. Odors, too, are so made, and are carried or
move for a certain distance.
** Other things are made by moving mills, as rain or snow or
hail. And these things themselves, after being produced, do
not move as much, for it isn't necessary. The snowflakes sail
about some, but the rain drops come pretty straight down,
tlie clouds move and distribute the rain and the snow where
they are needed, so that they may accomplish the purposes
for which they are made. For Ellen has told the old Pine
before that there is nothing made except for a purpose. The
old Pine will see that either of these systems of distribution
may be used.
**In certain cases the mills of production are close together
and in otliers quite a distance apart. Where they are close
together the things produced naturally do not extend or spread
far, for it isn't necessary. These are the methods for manu-
facture and distribution, and the mills of sound sometimes move,
and at others arc stationary."
**But how would Ellen account for the echoes?'* I
asked.
**By reflection,** she said.
568 ELLEN OR THE
*' And would there not be the same objection that Ellen found
with the reflection of waves? "
"Not at all," she replied. "The difficulty then was, and it
was fatal to the theory, that waves constituted the correlative
of sound. And they could be reflected only in reverse or
broken form, when the correlative would be destroyed* and
with it the sound. 3ut in this theory the reflection would be
of a solid substance, subject to the laws of reflection."
"And how does Ellen explain the speed?"
"That it is inherent. For a Substance maybe imagined
which carries its own energy. Or, as Ellen thinks, motion,
being an attribute of matter, varies as other attributes. Thus,
some bodies are far more elaistic than others, some harder,
some more dense, and others more porous. And so this qual-
ity of motion varies, but enters into the composition of all mat-
ter, as illustrated by the flnal disintegration of matter. But
in all of these qualities the difference is that between extremes,
and may therefore be very great. Thus in elasticity it is from
the extremely elastic to the inelastic. Hardness varies from
the very hard to the soft. And so, in the quality of motion,
conditions exist so marked in their action that matter would
seem to be rather a property of energy, than energy of matter.
This is not at all the condition of sound. And yet, as Ellen
thinks, its speed is one of its properties."
" It is thus in the kinetic theory of gases that particles are
supposed to move, is it not, lilllen?" I asked.
** Ellen does not care to be responsible for the kinetic theory
of gases," she replied, "and so must refer the old Pine to the
scientists for an answer to this question or others regarding it.
WHISPERINGS OF AN OLD TINE
569
**An animal may b€ supposed to control its speed, A
locomotive may maintain practically the same rate of speed for
some time, though finally left to itself, the force driving it
being expended, it will gradually stop. Motion, constant, rapid,
and long continued, would appear to be the characteristic of
radiant matter, and sound belongs to this class of matter*
Light, electricity, heat, are other members of the class, all
notably endowed with a power of speed that, certainly for a
time, is both constant and remarkable, And so sound moves
with a speed of uniform character, but at different rates, accord-
ing to the path over which it moves.
"Sound, then» like everything else, is an 'entity, made out of
matter by the universal law of its combination in certain pro-
portions.
"This entity is furnished in great quantities and great
variety, In this respect it is similar to other things furnished by
naturet as the different varieties of trees and plants, or the differ-
ent varieties of animals or insects, or those of stones or shells.
'* These varieties of sound, as well as of trees, or plants, or
animals, or insects, or stones, or shells, arc the material forms
of sensations; and, as such, include in their forms every
possible change or variety which the soul is capable of receiv-
ing from the phenomena of sound. And as always, if the
material form of sensation, as of a tree, or plant, or shell, or
flower, is injured in the slightest degree, the sensation pro-
duced by it will be similarly injured ; so if the material form of
sound is injured, the sensation from it will be similarly incom-
plete. And thus it is that the soul distinguishes the character
of speech, its intonations and inflections. And thus, too, it is
570 ELLEN OR THE
evident that the matter from which sound is formed, although
in its nature short-lived, has, while it lasts, a wonderful tenacity
of form."
*'But, Ellen," I asked, *'do not the different sensations of
sound, flavor, odor, and touch, come from the quality rather
than the form of the material used?"
'That is very possible," she replied, ''perhaps, indeed, most
probable. Certainly it is true of all things which we see.
That is, the sensations of sight come from both form and sub-
stance. This, too, is true of taste, and perhaps Ellen would
say unquestionably also of hearing.
"The peach and the meat of the walnut are composed of
very different combinations of matter; hence their different
taste. Whether any particular form enters into this result or
not, Ellen docs not know. She cannot see why it necessarily
should, nor does she know that it certainly does not. But she
docs know that form of some kind it must have, as well as sub-
stance, and she is willing to believe that always the form, as
well as the substance, chosen in nature, is tlic best possible for
the result sought.
"Sound enters or is poured into the ears like grain into a
hopper, and thus carried to the seat of the soul. In what
manner it affects the soul Ellen does not know, any more than
she does how the other sensations, — all of which are brought
in some similar way before its presence, — may affect it ; ex-
cepting that it would appear to be done in each case by the
great law of contact, apparently the universal law of nature in
the creation of its phenomena.
"Nor, in the nature of creation, does it seem to Ellen at all
WHISPERINGS OF AN OLD PINE
57i
extraordinary, that there should be a thinking substance suscep-
tible to every possible change in matter which comes in con-
tact with it.
** For the intimate relation of every particle of matter to every
other particle is very evident. That it should have the same
relation to another substance, and that a thinking substance, is
no more remarkable, as far as Ellen can see, than that it should
be thus intimately related with itself. And this, especially
when she believes that the thinking substance was created by,
or derived from, a higher intelligence, and that matter was
created for the use of this thinking substance, and other intel-
ligences.
** There is such a thinking substance^ and when by sensation
the different conditions of matter are brought in contact with
it, they affect it in these different ways, and, so far as Ellen
knows, it is not affected in any other way,
'*Thu5 all the sensibilities of souls which dwell in material
conditions, whether of feeling or intelligence, would appear to
be produced. If the old Pine can imagine any better method
for the instruction of individual existences, Ellen will be very
much pleased to hear it.
'* It seems to Ellen that the method which exists is exceed-
ingly comprehensive, producing, in infinite variety, both feeling
and thought,
•'And therefore again would it appear that it is as well
devised for the purposes of creation in material conditions as it
can be/'
'•But Ellen thinks," I said, "that beyond these material
conditions there is a more glorious state of existence; and
572 ELLEN OR THE
beyond the intelligences with which we are acquainted, there
are other intelligences with far greater powers both of knowl-
edge and feeling?"
'* She has no doubt of it," she replied.
" Culminating," I continued, ** in the highest Intelligence, by
Whom all others have been created ? "
"It must culminate," she replied "in such an Intelligence.
Without such this universe could never have been ; without such
it could not continue.
'From Eternity to Eternity Thou art God.'
WHISPERINGS OF AN OLD PINE
57S
XL.
^^f ITTEL'S Living Age, 1878, pages 761, 762, 763, m
^ an article on The Telephone, taken from the Westmin-
ster Review, says ;
'Of all modern inventions coivnected with the transmission of tele-
graphic signals, the telephone, devised by Mr* Alexander Graham
Bell, has excited the most widespread interest and wonder. Wherever
Mr. Bell has appeared before the public to give an account of his
invention and the researches w^hich have led up to it, crowds have
assembled to hear him. Nor is this astonishing; for the telephone
professes not only to convey intelligible signals to great distances
without the use of a battery, but to transmit in facsimile the tones
of the human voice, so that a voice shall be as certainly recognized
when heard over a distance of a few hundreds of miles as if its owner
were speaking in the room by our side, .*\nd the telephone does
not fall short of its profession. Scientific men have had their wonder
and curiosity aroused even more than the unscientific public, since a
scientific man appreciates the enormous difficulties to be overcome be-
fore such an instrument can be realized. Had any hardy speculator a
few years ago proposed a telephone which should act on the principle,
and be constructed in the form, of Mr. BelPs instnmient, he would
probv^bly have been considered a lunatic. The effects are so marvel-
ous J the exciting causes at first sight so entirely inadequate to produce
them.*
•* These last remarks arc utter nonsense, except so far as they
576 ELLEN OR THE
might be aimed against erroneous theories of sound, for nothing
could be simpler than that sound, which is an entity consisting
of infinitesimal particles of electrical matter, thrown off by the
sounding body, when placed where it must enter a wire, should
be carried instantaneously through the wire to where arrange-
ment was made for it again entering the air, and that
having done this it should appear precisely as it did before it
entered the wire, except somewhat weakened by the trip, and
perform the same phenomena. And this is exactly what takes
place in the telephone. A person's speech is transferred, and
being the same speech, that is, the same particles of matter,
appears the same in the atmosphere to which it is carried, as it
did in that from which it is brought, and is as readily recognized
in one place as in the other as the voice of the speaker. In-
deed, it would be impossible that all of this should not be true.
'* As we have seen under parallel circumstances speech can-
not be kept from entering a wire, any more than it can from
cntcrini^ the air. The cause of wonder and the only cause is the
ridiculous tlicory of sound that tlie scientists have fastened
upon themselves.
M.ct us enriuire for a moment what is the nature of the apparatus
which we have been using for the last thirty or forty years for the trans-
mission of telegraphic signals. The instruments chiefly employed have
been the single-needle telegraph, and the Morse instrument. In the
former a (^oil of wire surrounds a magnetized needle, which is susi)enderl
in a vertical position. When an elec trical current j)asses through the
coil, the needle is deflected, to right or left, according to the direction
of the current. The sender l)y means of a handle can pass either posi-
tive or negative (nirrents into the circuit. Tlie right and left deflections
WHISPERINGS OF AN OLD PINE
577
of the needle are combined in various ways to form the letters of the
alphabet, and the letters form words. Thus at the sending station a
message is broken up into little bits, each bit or part of a bit trans-
mitted separately, and the process of building these up again performed
at the receiving station. Some of the letters of the alphabet are indi-
cated by a single movement of the neetlle, that is by a single current ;
for others, as many as four are required. In the Morse instrument only
one current is utilised, which may be either positive or negative, and
the requisite variety is obtained by allowing the current to pass through
the circuit for a longer or shorter inlen^al The esi»ential pari of the
instrument consists of an electro- magnet with an iron armature attached
to one end of a lever. At the end of the lever is a pointer or pencil,
and a paper ribbon moves at a constant rate in front of the end of the
pointer. When the coils of the electro- magnet are traversed by a cur-
rent, the iron armature is attracted, and the pointer comes in contact
with the paper ribl)on, on which it makes a mark, long or short, accord-
ing to the duration of the current. Thus are produced the dots and
dashes. These are combined in a similar way to the right and left
movement of the needle in the needle instrument. In some of the
most refined instruments letters are indicated and even printed directly
at the receiving station. This is of course a great simplification : but
with such arrangement we cannot have more than this* The page of
print represents the limit of what such instruments and methods can do
for us. It is true that a skilled operator with the Morse instniment can
interpret the signals as they arrive without looking at the marks on the
paper, simply by using his ears. Every time the circuit is made or
broken a click is heard* and long practice has taught him to rely on
the evidence of his ears with as much confidence as one less accus-
tomed to the work would Irust his eyes. Nevertheless he hears only a
succession of clicks which must be interpreted before they become
intelligible to any one but himself.
^
3
ELLEN OR THE
I these forms of apparatus, H will be observed^ the currents are
:iit ; each current, circulating throuj^h the coil, is foUowed by
Tal of rest- They begin and end abruptly, and all perform the
kind of work ; that is, they deflect a needle, or produce marks on
jce of paper.'
'*Thus far thi? scientist, for we recognize him as such, and no
bt he stands high in his profession, has confined himself to
s, but now, the necessity having ariseui he cuts loose from
I lese and shows himself an expert in teaching things which arc
»t so; thus continuhig;
H 'Telephonic currents, on the other hand, rise and fall, ebb and flow,
tge in intenjjity within comparatively wide limits^ but preserve their
itmuity so long as continuous sounds are being uttered in the neigh-
borhood of the telephone. They are called undulatory currents, to
distinguish them from the intermittent currents of the ordinary tele-
graphic apparatus, and their peculiar character is an essential feature
of the telephone.* '' j^^^^^^
"Then Ellen doesn't believe in these telephonic currents?"
"It's pure romancing," she replied, ** but Ellen doesn't care
to discuss it further here than to point out the folly of it. It
is an attempt to explain what causes a diafram, or any other
inanimate thing not made to do it to repeat the sounds of
other bodies. But the assumed fact of its repeating sound
being impossible, the attempted explanations of its movements
are without significance.
"Under the heading * Theory of the Telephone,' Modem
Applications of Electricity says :
'The theory of the transmitter presents no difficulty, and has been
WHISPERINGS OF
579
explained several times in Ihe preceding pages; we need not refer to
it again. The discussions which arose on the theory of the telephone
especially referred to the receiving apparatus. How does a receiver —
Bell's telephone, for instance — transform an undulatory current into an
articulate sound? What are the physical phenomena which bring
about this transformation?
*We have admitted as a provisional theory, convenient lor the explana-
tion of the apparatus, that the undulatory current produced in the
receiver a successivfe strengthening and weaking of the magnetic force
of the magnet^ which manifested itself by greater or lesser attractions
of the plate, which then vibrated s>ti chronically with the undulations
of the current and the magnetic po\i^er of the magnetized bar.
*This plausible explanation is sometimes verified in battery tele-
phones with the Carlson transmitters, but it is inadmissible with BelPs
telephone. Count du Mancel, who from the outset rejected this
exjilanation, has seen his ideas partly confirmed by the numerous experi-
ments which have followed Bell's invention ; nowadays his theory is
almost universally adopted, an<l we are going to put it before our
readers in a few words.
'Numerous experiments and measurements made by Warren de la
Rue, Brough, Galileo, Ferrari, and others, have proved that the intensity
of the currents developed by Bellas telephone does not exceed that of a
Dani ell's element after having traversed io,ooo»ooo kilometres of tele-
graph wire^ — that is to say, 100,000,000 ohms — which represents a
telegraphic circuit of a length equal to 250 times the circumference of
the earth.
*This makes it very diflficull to believe that the difference of magnet-
ism produced in the magnetized bar by currents of such feeble intensity
could manifest themselves by variations in the attraction of the vibrating
plate placed at a distance.
* Br^guet's experiments, nude with plates of fifteen centimetres thick-
58o ELLEN OR THE
ness, and Ader's, who employed no plate at all, put an explanation
based on magnetic attractions alone out of the question.
* Page's experiments have shown that an iron rod placed in a bobbin
vibrates under the influence of internipted currents. Reis' musical
telephone is, as we have seen, a practical application of this phenome-
non. These vibrations are occasioned in the very core itself by suc-
cessive changes of magnetization of the core.
'This second phenomenon, however, is not sufficient to explain
Ader's telephone without magnetic core ; a third influence must be
admitted, due to the action of the spirals of the helix upon each other.
In other cases the helix and the magnetised bar act upon one another,
and this contributes to the production of sounds.
* Sometimes a fifth influence of purely mechanical origin is at work,
manifesting itself in the same way as the transmission of sound through
solid bodies. Crcpaux's experiments are the most curious and most
remarkable instance of this.
* These various considerations will sufficiently show that the theory of
the telephone is very complicated, and that it is very difficult exactly
to define the part played by each of the aiijencies at work. In any case
it is (piite certain that molecular artion, which is as yet so imperfectly
known, plays an important part in a( oustic phenomena, and that the
telephone, like the phonograph, will give a new impetus to research in
this direction, by oj)ening u|) for that branch of physical science a hori-
zon as vast as it is unknown.'
" \Vc have here experiment after experiment showing that
previous exi)lanatic)ns did not explain, and a man ready to give
a number more of similar character ; but the evidence is that
there is only one way to stop the sounds in a telephone and that
is to stop the current. Vou may take the diafram out of the
instruments; take the magnets out and the helix or bobbin of
WHISPERINGS OF AN OLD PINE
$61
wire about the magnet out; still the sounds will go through,
articulate speech or other sound. But stop the current and
always you will stop the sounds. Why? Because the cur-
rent carries the sound, and when that stops there is no tele-
phone.
"That the sounds are transferred by the current explains
fully and instantly every experiment that ever was tried, and
no other theory will explain satisfactorily a single one.
** Ellen will return to the article from the Westminster Review :
'At the Newport torpedo station, in Rhode Island, speaking was
carried on through a line, including five miles of submerged cable
and an equal length of land wire. Resistance coils were added two
thousand ohms at a time, until twelve thousand ohms were introduced
into the circuiti without interfering with the transmission of speech.
The importance of this test will be understood when it is remembered
that the resistance of the Atlantic cable is equal to seven thousand
ohms only. The experiments at New-port were continued by the
addition of a total resistance of thirty thousand ohms, but beyond
twelve thousand ohms the sound was found lo diminish in intensity.
Mr. Dell stales that the maximum amount of resistance through which
the undulating currents vvHl pass, and yet retain sufficient force to
produce an audible sound at the distant end, has yet to be determined.
In the laboratory he has conversed through a resistance of sixty thous-
and ohms.'
•* All this talk of resistances to be overcome resolves itself into
whether or not there is sufficient current to carry the sound,
and in such case the intensity is proportional to the sound car-
ried through.
"The writer continues:
r^i^i
ELLEN OR THE
There is a practical difficulty m transmitting telephonic signals
jgh a telegraph wire running parallel to a number of other wires
£h are being used for ordinary telegraphic purposes. Induction
ts are produced in the telephone wire, which greatly interfere
|tfte distinctness of the sounds. The diflficulty is said to be over-
f having an extra return wire, instead of utilising the earth for
li of the circuilj as is ordinarily done. The two wires arc put side
„ide in close proximity, and the detiimental effect of the induclive
currents is thus disposed oL
'The constmction of the telephone is remarkably simple : It consists
a steel cylindrical magnet, about five inches long and three-etghlhs
m inch in diameter, encircled at one extremity by a short bobbin of
>od or elwnite, on which is wound a quantity of very fine insulated
copper wire* The magnet and coil are contained in a wooden cylindri-
cal case* The two ends of the coil are soldered to thicker piei'cs of
coppjer wire, which traverse the ^*ooden envelope from one end to the
otherj and terminate in the binding screws at its extremity. Immediately
in front of the magnet is a thin circular iron plate, which is kept tn its
place by being jammed between the main portion of the wooden case,
and a wooden cap causing the mouth or ear trumpet These two parts
are screwed together. The latter is cut away at the centre so as to
expose a portion of the iron plate, about half an inch in diameter. In
the experiments which Mr. Bell has carried out in order to determine
the influence of the various parts of the telephone on the results pro-
duced, and their relations to each other when the best effects are
obtained, he employed iron plates of various areas and thicknesses, fiom
boiler plate three eighths of an inch in thickness to the thinnest plate
procurable. Wonderful to relate, it appears that scarcely any plate is
too thin or too thick for the purpose, but the best thickness is that
of the ferrotype plate used by photographers. Thin tin-plate also
answers very well. The iron plate is cut into the form of a disc, about
PINE
583
two inches in diameter, and is pbced as near as possible to the extrem*
ity of the steel magnet without actually touching it. The dimensions of
the various parts of the instrument given above are found to be con-
venient, but they are by no means essential. Good results have been
obtained by means of a magnet only an inch and a haU long, and a
working instrument need not be too large for the waist coat pocket.
There is no difference between the transmitting and the receiving
telephone; each instniment serves both purposes. Nevertheless in
order to avoid the inconvenierce of shifting the instniraent backward
and fonvard between the ear and the mouth, it is better to have two
on the circuit at each station. The operator then holds one perma-
nently to his ear, while he talks with the other.
'It will not be supposed that the idea of this roarvelously simple
piece of apparatus was evolved ready formed from the inventor's brain;
very far otherwise. It is the final outcome of a long series of patient
researches carried out by Mr. Bell in the most skillful and philosophical
manner, in which one modification suggested another, accessory after
accessory was discarded, and finally the instrument was pruned down
to its present form and dimensions. Telephones have been long
known. A few years ago a simple arrangement whereby articulate
sounds could be transmitted over a distance of fifty or sixty yards, or
even farther, could be bought in the street for a penny. It consisted
of a pair of pill lioxes, the lx)ttoms of which were connected by a piece
of string stretched tight, while over the mouth of each was pasted tissue
paper. On speaking to one of the pill-boxes the tissue paper and
enclosed air were set in vibration. The vibrations so produced were
communicated to the thread and transmitted to the distant pill-lx)x,
which was held close to the ear, where they affected the air in such a
way as to produce the original sounds/
**This last sentence is a very good illustration of scientific
explanation. 'Affected the air in such a way' — what way?
584 ELLEN Ok THE
Is it the air that produces the original sounds? Do these vibra-
tions of the tissue paper repeat the sound, and if so, those of
the thread and distant pill box? Certainly if the modern tele-
phones repeat them, because repeating the vibrations, there
must be talk all along the line ; and everywhere else ; that is,
everything must talk everywhere, and talk equally well. Isn't
it about time that the scientists did less talking and more think-
ing? Certainly less talking unless they know something about
the subject they discuss.
'The simple a|)paratus was more effective than would be a priori
imagined. Mieclric telephones were devised in this country aboiil the
same time that the telegraph was introduced, but the best of them
dillereil widely from the modern inslriiment. They were capable of
conveying to a distance sounds of various pitch, so that the succession
of notes constituting a melody could be produced many miles away,
but the sperial cliaracter of the voice by which the melody was originated
was (.Mitircly lost. Now the great interest whi(^h attaches to Mr. I Jell's
telcpiione, and the intense wonder :ind curiosity it has aroused are ibie
to its ]>o\ver of ( onveyin,:: absolutely unaltered every peculiarity of the
voice or musical instrument. A violin note reappears as a violin note :
it cannot be mistaken for anything else. And in tlie case of a human
voice, it is not le>s rasy to distinguish one sj^eaker from another than it
would be if the speakers were in the roo:n close by instead of being
miles or even hundreds of iniK.'s :nv ly. This is the charm of the new
telephone; this it is which renders it innne i^urahly superior to any-
thing of the kind whi( h j)recedeil it.
* Mr. r.ell's researches in electric telejihony began with the artificial
production of musical sounds, sugge^te.i by the work in which he was
then engaged in lioston, vi/. : teaching the deaf and dumb to speak.
Deaf mutes are duml) merelv because thev are deif. There is no local
WHISPERINGS OF AN OLD I'INE
585
Icfcct to prevent utterance* Mr, Bell has practically demonstrated by
two thousand of his own pupils that when the deaf and dumb know
how to control the action of their vocal organs, they can articulate with
comparative facility. Striving to perfect his system of teaching, it
occurred to Mr* Bell that if, instead of presenting to the eye of the
deaf mute a system of symbols, he could make visible the vibrations of
the air, the apparatus might be used as a means of leat hing articulation.
In this part of his investigations Mr* Bell derived great assistance from
the phonautograph. He succeeded in vibrating by the voice a style of
w.^od, about a foot in length, attached to the membrane of the phonau-
tograph ; and with this he obtained enlarged tracings of the vibrations
of the air, produced by th* vowel sounds, ufwn a jjlain surface of
smoked glass. Mr. Bell traced a similarity between the manner in
which this piece of wood was vibrated by the membrane of the pho-
nautograph and the mtnner in which theossiculxof the human ear were
moved by the tympanic membrane. Wishing to constrnctan apparatus
closely resembling the human ear, it was suggested to him by Dr.
Clarence J. Blake, a distinguished aurist of Boston, that the human ear
itself would be still better and a specimen wn^ prepare<l,
'The tympanic membrane of the ear is connected with the interna! ear
by a series of little bones called respectively the malleus, the idcus, and
Ihe stapes, from their peculiar shapes. Mr. Bell removed the stapes
and attached to the end of the incus a style of hay alK>ut an inch in
length. Upon singing into the external artificial ear, the style of hay
was thrown into vibration, and tracings were obtained upon a plain
surface of smoked glass passed rapidly underneath. The curves so
obtained are of great interest, each showing peculiarities of its own,
dependent upon the vowel sound that is sung. Whilst engageil in these
experiments Mr. Bell's attention was arrested by observing the wonder-
ful disproportion which exists between the size and weight of the mem-
brane— no thicker than tisstie piper — and the weight of the bones
S86 ELLEN OR THE
vibrated by it, and he was led to inquire whether a thicker membrane
might not be able to vibrate a piece of iron in front of an electro-
magnet. ITie experiment was at once tried. A piece of steel spring
was attached to a stretched membrane of goldbeater's skin and placed
in front of the pole of the magnet. This answered very well, but it was
found that the action of the instrument was improved by increasing the
area of metal, and thus the membrane was done away with and an iron
plate substituted for it.*
** Of course the membrane no thicker than tissue paper
doesn't vibrate the bones. No such absurd thing happens at
all, but it assists the sounds in their course towards the brain,
and doubtless protects the interior passage.
"The statement made that the experiment was at once tried,
whether a thicker membrane might not vibrate a piece of iron,
etc., is not true. The experiment tried being what a steel
spring attached to a membrane might do.
*It was importanl at the same time, to determine the effect pro-
duced by altering the strength of the magnet ; that is, of the current
which passed round the coils. The battery was gradually reduced
from fifty rells to none at all, and still the etTects were observed, but
in a less marked degree. The action was in this latter case doubtless
due to residual miignetism ; hence, in the ])resent form of apparatus a
])ermancnt magnet is employed. Lastly the effect of varying the
dimensions of the rnW was studied, when it was found that the sounds
became louder as its length was diminished; a certain length was.
however, ultimately reached, beyond whic:h no improvement was effected,
and it was found to ])e only nccesssary to enclose one end of the mag-
net in tiie coil of wire.
' Before attempting any explanation of the action of the telephone it
mav be well to draw the attention of our readers to the special charac-
*' '^'
teristics of the htimm voice, and ti those peculiarities which distinguish
one musical note from another. Whatever the differences in question
may depend upon, it is certain that they are transmitted and repro-
duced in the telephone with unerring fidelity and it is therefore import-
ant that we should understand their nature and origin. Take a tuning
fork and set it in vibration by striking or drawing a violoncellu bow
across its prongs. The fork yields its own proper note, which will be
loud or the reverse according as the fork has been struck energetically
or lightly. So long as we use one fork only it is obvious that the only
variation which can be produce I in the sound is a variation of intensily.
If the extent of vibration be small, the resulting sound is feeble ; its
loudness increases with the excursion of the prongs. What is true of
the timing fork is true of any other musical instrument, and hence,
generally the loudness of a musical sound depends ufxjn the amplitude
of vibration of thit which produced i^. Now take two similar tuning
forks of different pitch and suppose that one is exactly an octave above
the other. They raiy be excited in such a way that the notes emitted
are of equal loudness an 1 then the only respect in which they differ
from each other is in pitch. The pitch of a lork depends upon its rate
of vibration. It is conipiratively cisy with suitable apparatus to meas-
ure the rate of vibration of a tuning fork and were we to test the two
forks in question it would be foun I that that giving the higher note
vibrates exactly twice as !ast as the other. If the one performs a
hundred oscillations in a second, the other which is an octave above,
cQmpletes two hundred in the same interval of time. Thus the pitch
of a note yielded by a tuning fork depends upon its rate of vibration
and on nothing else and the same is true of a pianoforte wire, the air
in an organ pipe, harmonium reed, etc. We have now accounted for
two of the characteristics of a musical note, its loudness and its pitch ;
but there is a third, equally, if not more important and by no means
so simple of explanntion. We refer to what is usually spoken of in
k^.^..,a^a
590 ELLEN OR THE
English books on acoustics as the quality of the note ; the French call
it timbre, and the Germans Klangforbe. It is that which constitutes
the difference between a violin and an organ, or between an organ and
a pianoforte, or between two human voices ; indeed between any t^-o
musical sounds which are of the same pitch and loudness, but are still
distinguishable from each other. In order to explain the physical cause
of quality, we will suppose we have a thin metallic wire about a yard
long stretched between two points over a sounding board. When
plucked at its centre the wire vibrates as a whole ; the tu'o ends are
points of rest, and a loop is formed between them. The note emitted
by the wire when vibrating in this manner is called its fundamental
note. If the wire be damped at the centre, by laying on it with slight
pressure the feather of a quill pen and ])lucked at a point half way be-
tween the centre and one end, Ix^th halves will vibrate in the same
manner and independently of each other. That i^ to say, there will be
two ecpial vibrating segments and a point of rest or note at the centre.
But the rapidity of vibration of each segment will be twice as great as
that of the wire when vibrating as a whole and conse(]uently the note
emitted will l)e the <)<'tave of the fundain'Mital. When damped at a
j)oint one third of thj length from either extremity and plucked half
way between that [)oint and the nearer extremity, the wire will vibrate
in three ecjual divisions, just as it vibrates in two divisions in the ]>re-
vioiis ea>e. The rate of vibration will be now three times as great as
at first and the note ])r()(lii(ed will be a twelfth above the fundamental.
Similarly, by damping and plucking at suitable points the wire may \jc
made to vibrate In four i)arts, five parts, six parts, etc., the rate of
vibration increasing to four, five, six et(\, times what it was at first.
Let us suj^pose that when the wire was swinging as a whole and sound-
ing its fundamental note, the number of oscillations performed in a
second was one hundred. Then we see that by taking suitable precau-
tions, the wire can be made to break up into two, three, four, five, six
WIIISPERIXOS OF AN OLD PINE
etc., vibrating segment>, the rates of vibrating being respectively two
hundred, three hundred, four hnndred, five hundred, six hundred, etc,
and the series of notes emitted being the octave above the fundamental^
the fifth above the octave^ the double octave, the third and fifth above
the double octave, and so on,*
**Thus far this writer has distinguished between those things
which he knew and those which he did not. and given some
very interesting information.
* We now come to an important point, which is this — that, the wire
being free, it is practically impossible to strike or pluck it in such a w*ay
as to make it vibrate according to one of the alx)ve systems only. It
will vibrate as a whole, wherever and however it be struck, but this
mode has ak^ays associated with it or superposed upon it some of the
other modes of vibration to which we have just referred. In other
words, the fundamental note is never heard alone, but always in com-
bination wnth a certain number of its overtones, as they are called.
Each form of vibration called into existence sings as it were its own
song, without heeding what is being done by its fellows, and the conse-
quence is that the sound which reaches the ears is not simple but
highly composite in its character. The word clang has been suggested
to denote such a composite sound, the constituent simple sounds, of
which it is the aggregate, being called its first, seconrl, third, etc*,
partial tones. All the possible partial tones are not necessarily present
in a clang, nor of those which are present are the intensities all the
same. For instance, if the wire be struck at the centre, that point
cannot be a node, but mu^t be a point of maximum disturbance ; hence
all the even partial tones are excluded and only the odd ones, the first,
third, fifth and so on are heard. That characteristic of a musical note
or clang which is called its quality, depends upon the number and
relative intensities of the partial tones which go to form it* The tone
592 ELLEN OR THE
of a tuning fork b approximately simple ; eo is that of a 8to|^>ed ^
organ pipe of large aperture blown by only a slight preHure of wind.
Such tones sound sweet and mildi but also tame «nd ipiritlrM In die
clang of the violin, on the other hand, a large number of partial tonei
are represented; hence the vivacious and brilliant character of Om
instrument. The sounds of the human voice arc prodnced hf die
vibrations of the vocal chords, aided by the resonance of tlie moatli.
The size and shape of the cavity of the mouth may be altered by open-
ing and closing the jaws and by tightening or loosening the lipa. We
should expect that these movements would not be without effect on the
resonance of the contained air, and such proves on experiment to be
the fact Hence, when the vocal chords have originated a clang con-
taining numerous well-developed partial tones, the mouth cavity, fay
successively throwing itself into different postures, can fitvpr fay in
resonance first one overtone and then another; at cme moment riii«
group of partial tones, at another that. In this manner endlen varieties
of quality are rendered possible. Any one may prove to himael^ by
making the experiment, that when singing on a given note he can only
change from one vowel sound to another by altering the shape and size
of his mouth cavity.*
** Ellen has proved beyond question, as she will show later,
that sound is produced in bodies by shock or disturbance,
which always takes place before vibration, and causes vibration,
which in turn helps decide the character of the sound emitted.
" Our author although not knowing these facts still keeps fairly-
well within the lines of experiment and truth. But in the next
advance he is hopelessly wrecked by a theory which has wrecked
nearly every one that has touched it. Every statement made
in connection with this theory, which refers to air waves, is not
only untrue but impossible. Every one of them is as incorrect
WHISPERINGH OF AS OLD PTNE
593
as that made in the Encyclopaedia Britannica which Kllen
exposed* *
* Having thus briefly intlicated ihe physical causes of the various
differences in musical notes, and the production of sounds by the organs
of voice, we will devote a few moments to consider how these sounds
are propagated through the air and reach the plate of the telephone.
WTien a disturbance is produced at any point in an aerial medium, the
particles of which are initially at rest, sonorous undulations spread out
from that point in all directions. These undulations are the effect oC
the rapid vibratory motions of the air particles* The analogy of water
waves will help us to undersumd what is taking place under these cir-
cumstances. If a stone be dropped into the still water of a jiond, a
series of consecutive circular waves is produced, each wave consisting
of a crest and a hollow* The waves travel onwards and outwards from
the centre of distu:bance along the surface of the water, while the
drops of water which constitute them have an oscillatory motion in a
vertical direction. That is to say, following any radial line, the water
particles vibrate in a direction at right angles to that in which the wave
is prof>agAted. The distance between two successive crests or two suc-
cessive hollows is called the length of the wave ; the amplitude of vibra-
tion is the distince through which an individual drop moves. In a
similar manner sonorous undulations are propagated through air by the
oscillatory motion of the air particles. But there is this important
difference between the two cases, that, in the latter the vibrating parti-
cles move in the sa-iie direction in which the sound is being propagated.
Consequently such waves are not distinguished by alternate crests and
hollows, but by alternate condensations and rarefactions of the air, the
transmission of which constitutes the transmission of sound. The
wave-length is the distance between two consecutive condensations or
* See pages 401-405
594 ^^^^ ELLEN OR THE
rarefactions. It depends upon the pitch of the transmittoi sound*
being shorter as the sound is more acute, while the extent of vibfatioa
of the air particles increases with the loudness. Such are the peculmii*
ties of the vibratory motion in air corre^jponding to the pitch and Icmd*
ness of the traaismitled sound. But what is there in the character oC
the motion to account for difference in quality? A little consideralion
will show that there is only one thing left to account for these, ajiil
that is the form of the vibration. Let us mentally isolate a pofticle of
air, and follow its movements as the sound passes. If the drstiirbaace
is a simple one, produced, say, by the vibration of a tuning fork, the
motion of the air particle will be simple also, that h^ it will vibrate to
and fro like the bob of a pendoJumi coming to rest at each end of its
excursion and from these points increasing in velocity until it p^^es ila
neutral point Such, however, is clearly not the only mode of vibration
possible* If the disturbance be produced by a clang conaprising a
number of partial tones of various intensities, all excited simultaneoiislv^
it is obviotis that the air particle must vibrate in obedience to every one
of these* Its motion will be the resultant of all the motions due to the
separate partial tones. We may imagine it, starting from its position
of rest, to move forward, then stop short and turn back for an instant,
then on again until it reaches the end of its excursion. In returning it
may perform the same series of to-and-fro motions in the opposite
direction, or it may move in a totally different way. Nevertheless,
however complex its motion may be — and, as, a rule it will be exceed-
ingly complex — its periodic character will be maintained. All the
tremors and perturbations in one wave-length will recur in all the others
*When sonorous undulations impinge upon the iron plate of the tele-
phone, the latter is set in vibration, Its particles move to and fro in
some way or other. The complexity of their motion will depend upon
that of the air from which it was derived. But for the sake of sim-
plicity we will assume that the plate has a simple pendulous motion*
WmSf'ERINGS OF AN OLD PINE
595
It will be remembered ihat the iron plate is placed quite close tO; but
not quite in contact with, the exlremit)^ of the stee! magnet. It be-
comes, therefore, itself a magnet by induction ; and as it vibrates, its
magnetic power is constantly changing, being strengthened when it
approaches the magnetic core, enfeebled as it recedes. Again, when a
magnet moves in the neighborhood of a coil of wire, the ends of which
are connected together, an electrical current is developed in the coil
whose strength depends upon the mpidity with which, and the distance
through which, the magnet moves. In the telephone then, as the plate
moves towards the coil, a current is induced in the latter which traverses
the whole length of wire connecting it with the distant instrument ; the
plate returning, another current with reversed sign follows the first.
The intensity of these currents depends, as we have said, on the rapidity
with which these movements are effected, but is largely influenced also
by the fact that the plate does not retain a constant magnetic strength
throughout its excursions. Under the assumption we have made with
res|iect to the simplicity of the plate's motion it follows that the
induced currents, alternately positive and negative, follow* each other in
a uniform manner, and with a rapidity corresponding to the pitch of
the exciting note. These currents pass along the circuit and circulate
round the coil of the distant telephone. There they modify the mag-
netic relations between the steel magnetic co[e and the iron plate in
such a way that one current— -say the positive — attracts the plate, w^hile
the other— the negative — repels it. And since the arriving currents
follow each other, first positive and then negative, with perfect regular-
ity, the plate will also vibrate in a uniform manner and will perform the
same number of vibrations per second as did the plate of the sending
instrument. Hence the sound heard will be an exact copy, except as
to loudness, of that produced at the sending station. Having thus
followed tlie sequence of phenomena in this simple case, we are enabled
to extend our explanation to the case in which composite sounds of
S96 ELLEN OE THE
more or kai complexity — tiovel looDcis and speech — are tranaanilted-
We are compelled to adntit tJiat every detail tn Uie moiloii cf an air
ptrtkJe, evcfy tsrn and twisty most be passed on izioliefed to ti^ iroo
membfanep aiKl that erer)- modilkatioii oC the loation oC the tsei&bimiie
mtuit bare iti count^mit m a modificstioo ol the induced cmrrente.
nieie in their turn, aHecting the bon pkte of the receiTing telephone
It kXhm* that the pbtes of the two tclefihwies mtist be vibrating in an
thftolaCely idrotkal manner/
**This is perhaps as coinplctc a statement of what the writer
supposes might take place, assttmtng the undulatory theory of
iound to be true, as could well be made/*
*' And Ellen docHU't think that any of the different things take
place here referred to?*'
''Practically none of them/' she answered, **but instead, as
Ellen has said, all sound consists of infinitesimaL particles of
electrical matter thrown off by the sounding body ; and these
particlcj* permeate the air, moving at a fixed rate of speed.
When uttered into a telephone they enter the wire and are
carried by the electric current instantaneously to the receiving
instrument, where they are conducted to the listener's ean
Like all ol nature's operations when understood this is very
simple, and every part of it Ellen proves.
**Thc many tilings mentioned by the voluminous writer*
whom Elljen quotes, are none of them proven, and for the
most part, as Kllen has shown, or will, are not only wholly
incorrect but very ridiculous.
"Their culmination is that the plates of the two tele*
phono** vibrate in an absolutely identical manner; and if this
^
WHISPERINGS OF A^ OLD PINE
597
has any significance it means that the diafram of the recerv-
ing instrument, thus vibrating, repeats the sound — -that is
talks,
** This is the same explanation of the action of sound at a
telephone » that we have had before, and the only one possible
if the undulatory theory of sound is retained. Of course if
one diafram by thus vibrating repeats the sound the other must
'*This idea that the movement of a diafram, mis-called vibra-
tion, if existing, might under any circumstances make the
diafram emit the same sound as some other body, or that any
movement could n^ake any body do this, except in the rare
cases when there is sympathetic vibration, has become one of
the fundamental errors of science. As Ellen has shown it is
entirely without foundation, and is absurd and impossible.
••This writer concludes as follows:
* We can thus follow in a general manner the course of the phenomena
and explain how air vibrations are connected with the vibrations of a
magnetic plate — how these latter give rise to electrical currents, which,
passing over a circuit of hundreds of miles, cause another magnetic
plate to vibrate, every tremor in the first being reprrKluced in facsimile
in the second, and thus excite sonorous undulations which pass on to
the ear. We can understand all this in a general way, but we are not
the less lost in wonder that the sequence of events should be what it is.
That a succession of currents could be transmitted along a telegraph
wire without the aid of a battery, that, by simply talking to a magnetic
membrane in front of a coil of wire, the relations of the magnetic field
between the two could be so far modified as to produce in the coil a
succession of electrical currents of sufficient power to traverse a long
circuit and to reproduce a series of phenomena identical with those by
m^M
598 ELLEN pR THB_
which the currents were brought into exiatem^ would have been a tern
years ago pronounced an impossibility. A man would hanre been
derided who proposed an instrument constructed on sach piincdples.
Nevertheless, here it is realized in our hands. We can no loiq^
doubt, we can only wonder, and admire the sagacity and patience with
which Mr. Bell has worked out his problem to a socceaafiil
'-^-'^r.. LiLSOX AND
WHISPERINGS OF AN OLD I'LNE
601
XLl.
^^T^HIS is a very excellent early account of the telephone.
^ But probably never in the history of the world has the
power of authorit} to hold thought in check been more remark-
ably illustrated, Ellen will repeat several sentences:
*Had any hardy speculator a few years ago proposed a telephone
which should act on the principle, and be constructed in the form of
Mr. Bell's instrument, he would probably have been considered a
lunatic. The effects are so marvelous ; the exciting causes at first sight
so entirely inadequate to produce them.'
"This is evident enough, but why didn't thought break away
from a position so hideously absurd, and find the truthi at least
seek it* For a single gleam of common sense explains the
whole. And it would have been understood almost instantan-
eously by nearly every beholder, only for those who believed
in the air wave theory of sound, and prevented by their imme-
diate suggestions, — ^hypotheses stated as facts, they being the
ones to whom naturally the world at large looked for knowl-
edge,— an intelligible and truthful explanation.
"There was only one, is only one possible explanation, that
the talk of each individual, or the sound of every instrument, is
carried through tlie wire by the electric current. Instantly this
■te«^.,«faA
602 ELLEN OR THE
remarkable phenomenon becomes entirely simple. Why
shouldn't sound be thus carried? In the nature of things it
would be impossible for it not to be. For we know, because
of the universality of natural law ; and equally well because of
the action of the thing itself, as illustrated by the form of the
ear, the natural aid in the phenomena of sound, or the artificial
aids of an ear trumpet, a megaphone or a diafram, how sound
is made ; it couldn't within the scope of reason possibly be any-
thing else than infinitesimal particles of matter, and doubtless
as Oersted discovered electrical matter. And it couldn't possi-
bly help, under the conditions, going into the wire, when it
would be caught instantly by the current, and would as certainly
get out at any opportunity, for it moves naturally in all direc-
tions.
** This writer further says :
'The words are repeated by the instrument at the other end of the
circuit with the same pitch, the same cadences, and the same relative
loudness. But what strikes one the most is that the character of the
speaker's voice is faithfully preserved and reproduced. Thus one voice
is readily distinguished from another. No i)eculiarity of inflection is
lost. ♦ * * I happened to know some of the parties in PVance
[this was in England] and was able to recognize their voices. They
also recognized mine, and told immediately, a lady spoke, that it was a
female voice.'
** And all of this was said to be accomplished by a piece of
iron ; or if not by that, by some other thing, as the core of a
magnet, or a helix, or a box, all made for other purposes. As
well suppose a wagon, or a bushel basket, would perform the
functions of a piano.
WHISPERINGS OF AN OLD PINE
603
'* There is nothing strange that an instrument might be
created which would repeat sounds. Hand organs have long
done it, and many instruments might be made to do it* But in
all such cases an instrument is made in accordance with the
laws by which all sound-producing instruments are made.
Here nothing of the kind takes place or possibly can, and the
scientific explanation is that an effect takes place without any
adequate cause. It is not true.
** Always a cause exists for an effect. Always that cause is
appropriate. Always it is the same, — other things being
equal, — so exact and perfect is the method of law and order by
which the Universe is made. Easily intelligence can correctly
interpret these relations. Certainly no intelligence which can-
not, is of any use in writing text-books, or endeavoring to
explain natural phenomena."
*'The old Pine sees that Ellen is entirely right in regard to
the action of sound in a telephone^ and he hopes to see her
make equally clear the laws of sound through which a grapho-
phone record is made and reproduced/'
'* Ellen has already referred to these laws/' she answered,
**but she and the old Pine will now attempt to examine them
more fully.
** Ellen has shown how intimately connected^ — indeed how
absolutely essential in the production of sound, at least so far
as our existence upon this earth extends,— are both Intelligence
and matter. There can be no sound here without the reciprocal
action of these apparently distinct essences; a condition evi-
dently that is as broad as this phase of existence, whatever
other existences there may be. That is, it is only by the
6o'4 ELLEN OR THE
combination of the material with the spiritual that any per-
ceptible or intelligent existence can take place on earth."
" But the day is fine," I said, ** the waters of the rivers sweet,
and every cloud is beautiful."
** Ellen recognizes all of that," she replied, "that the material
universe as it appears to us, — and Ellen means by us the divine
instinct which can use all material things for its own pleasure
and progress, — is most beautiful. Indeed it is in this that
beauty, as we usually speak of it, is outlined. It all enters, too,
into, and makes, the sensation of sight, and indirectly those of
taste, and touch. It is the material upon which spirit feeds
and exists in present conditions. But what especially we are
considering now, are the laws governing sound.
"As Ellen has repeatedly said all material things are made
by a mixture of matter in its different conditions and propor-
tions. Then certainly it cannot make any difference who mixes
them. At least it would not if each party was equally
skilled. And therefore sound, infinitesimal particles of clectri>
cal matter, might be mixed b\' different forces? To illustrate
this principle from odors I^llen will cjuote again from the
noted French writer, Ferdinand Papillon : *
* Sueh is the chemical nature of most of the odorous principles of
vegetable origin. But chemistry has not sto|)i)ed short with ascertain-
ing the inmost composition of these substances ; it has succeeded in
rej^roducing quite a number of them artificially, and the compounds
thus manufactured, wholly from elements, in laboratories, are absolutely
identical with the products extracted from ])lants.'
* Sec pages 14-2J
WHISPERINGS OF AN OLD PINE
60s
** If all of this is true as to odors ; and if sounds like odors
are made from the mixture of different conditions of matter in
different proportions, it should be equally true that sounds
might be mixed or made by different forces.
'*Yet while Ellen admits nature's ability to reproduce by
other methods than those she generally uses, she is morally
certain that nature will not do this, in the same conditions,
because the methods she uses are the best possible for these
conditions. Of course they are, for why should nature use them
if they w^ere not; but whilst the mechanical contrivances, as a
whole, which man enjoys for the purposes of articulate speech,
do not occur elsewhere, so far as we know, and could not in
any graphophone record, because there is no space for them, it
is evident that the necessary machinery for making different
sounds could.
'* And it would appear that the indentation made by sound
is so shaped that when re-entered by a proper instrument the
original sound which made it will be reproduced. And this
means that similar particles of matter will be made as those
w^hich made the indentations. But if so» it is done in accord-
ance with the laws of sound and not in opposition to them.
Every law of sound which operated before the graphophone
was invented operates yet New laws may be discovered, but
they will not overthrow old ones. The truth is eternal that you
cannot gather grapes of thorns or figs of thistles; eternal as
the laws of righteousness upon wliich every part of creation
IS based.
'* And when any man in his astonishment at new discoveries
supposes that a diafram or any tiling else that was not made to
606 ELLEN OR THE
do it, talks, or repeats sounds under any possible circumstances,
he is mistaken.
**0r, if he thinks that any law of motion, — as that where
multiple motions act upon a body at the same time, the move-
ment accomplished is not that of either one but a resultant of
the whole, — is superceded — again he is mistaken. The trouble
isn't with nature's laws, but in man's ignorance. The old laws
stand. Once more, if he thinks that any body can be made to
vibrate with any other except the one with which it has the
same normal vibration ; he is still again mistaken. As Ellen
says, no newly discovered law will overthrow any old one but
instead must act in harmony with it. And if some theory
stands in its way, the theory must be abandoned.
" Take articulate speech ; for it is that which we are especially-
considering. We know, — that is, any one with good sense
does, — that like odor, or light, articulate speech consists of very
small particles of matter, which are manufactured by the organs
of speech, all of these being necessary for the complete result.
Thus a number of letters it is impossible to make with-
out closing the lips; M for example. Some use the tongue
more than others, all require the mouth, and are uttered from
it; so that with all the mouth must be open.
"We can sec the remarkable character of the machinery
by which articulate speech takes place, and the apparent
impossibility of its taking place without such machinery
when connected with a human body, and thus at man's com-
mand to use. Rut as has been found out that telegraphy
can be accomplished without wires ; that is, by an invisible
wire, so it is entirely possible that sound can be made by in-
WHISPERINGS OF AN OLD PINE
607
visible machiaery, as for instance in the brafn, as Ellen has
suggested^ for the purposes of memory.
** The electricity of the air may be used in telegraphy as well
as that in a wire, and Ellen supposes similar currents can be
used for floating sound. For she knows as she has repeatedly
told the old Pine that particles of sound in infinite number will
ascend the point of the finest needle. This anyone may find
out by experiment ; and that means they are small enough to
go in invisible wires» or be carried by invisible forces.
** Again, nothing happens throughout this wonderfully per-
fect universe not in harmony with all its conditions. That is,
no log will float in any stream unless the stream is big enough
to float it. Neither will any particle of sound. And it is just
as true that neither log or sound can exist without proper
conditions for producing them. So far as we know the logs are
grown in soil, and there is no other way that they can be pro-
duced ; and sounds are made by different instruments, and
there is no other way that they can be made.
*'But» as there is a marked difference in size between the logs
and sound so there might be between the machiner>' fashion-
ing them. The machinery which makes an>'thing must be
strong enough and large enough to make it. For instance,
that which shapes lumber, — a sawmill, — must be big enough to
do it, and therefore it would be impossible that machinery
capable of dressing lumber could be included in a grapho-
phone record. But it might be very different with machinery
to make sounds, any sounds. For we have seen that these
particles of sound are according to our standards infinitely
small Then the machinery necessary to make them according
6o8
ELLEN OR THE
to our standard, migTit be infinitely small, and therefore te in-
cluded in a graphophone recordt if there was anything to rnake
this machinery and place it there.
'* Very possibly those instruments which we recognize as
sound-producing instruments are fashioned large so that we
can use them ; that is, so that they will harmonize unth other
things which we use and generally be conveoient for our use;
and not at aU because such size is necessary to produce the
sounds which they make. In this view it would be possible
that every sound might produce, in miniature, the instrument
which could make it, and that this was included in the grapho-
phone record ; although as Ellen thinks, with these infinitesimal
sound instruments, diaframs and megaphones are necessary for
satisfactory results.
"But this is certain all sounds do produce miniature instru-
ments which will repeat the sounds producing them, so that
Ellen is obliged to accept the fact, and account for it the
best she can. And naturally she accounts for it in part because
the sounds themselves are of such infinitesimal character. It
is of course inconceivable that it should connect with any sup-
posed system of air waves. But it teaches Ellen that in that
region impervious to our vision conditions of matter exist,
governed by laws similar to those which we see operate; and
from this region are drawn forces and things without which
there could be no universe; and these include sound, light,
and heat, and doubtless a million other things whether more
or less important she does not know, — for she believes all to
be important, — than the stone that she sees, or the bird, or
the tree. And these infinitesimals, she can well imagine.
•V
WHiSrERlNGS OF AN OLD FINE
609
indeed with her mind's eye perceive, make up in quantity
what they may want in size; for where there is one stone, or
one bird, or one tree, there may be hundreds of millions of
these, to us infmitesimals, permeating infinite space.
** But beyond question they differ, as do those things which
we see, and from similar causes; that is, they differ chemi-
cally. Thus we have waters, milks, saps, liquors, all fluids, but
with differences between them; and thus we have electricity, a
fluid of a very different quality, but unquestionably belonging
to a class, and all a part of that element which we call matter,
and which though in its different phases governed by very
different laws, so that some things fall and others rise, yet as
a whole is subservient to certain universal laws controlling its
manner of formation, and the character of those forms.
'*In the long article from the Westminster Review is a very
excellent description of the action of the telegraph, for no
false theory fortified with thousands of years of talk and study,
and numerous text-books, interfered to mislead ; but, on account
of these, everything connected w^ith the telephone is far-fetched
and mythical, and much of it absurd and impossible.
** These two great systems of communication, like all things
in nature, are both exceedingly plain and simple. The tele-
graph depends upon the laws governing electricity and magne-
tism. And the telephone upon those governing electricity
and sound. Indirectly sound enters into the telegraph, but in
a very different way from what it docs into the telephone,
being practically a side issue. The telephone deals more
directly with sound, transferring it.
** One simple law that sound may be instantaneously trans-
6lO ELLEN OR THE
ferred by an electric current, answers eveiy purpose. The
vibration of the diafram, the different ways it is made to
vibrate, its repeating speech or other sounds, or its making
the graphophone records — all belong to the category of things
that the scientists treasure up, which are not so.
XLII
^^]^LLEN will- now quote to the old Pine various experi-
ments and facts given by Count Du Monccl, Membre de
L'Institut, in his book 'The Telephone, The Microphone and
The Phonograph,* translated and published by Harper Bro-
thers, 1879. These amount to a flood of demons^trations
that none of the explanations hitherto given in science of the
operation of the telephone explain, and also that Ellen's
explanation, that sound is an entity carried by the electric
current through the wire, does explain ever}' experiment and
all known conditions:
THE HISTORY OF THE TKLEPHOXE.
* Strictly Speaking, ihe telephone is merely an instrument adapted for
the transmission of sound to a distance, and this idea of transmitting
sound is a^old as the world itself. The Creeks made use of means
which might affect it, and there is no doubt that these means were
sometimes iLsed for the pagan oracles. But such transmission of sound
was within somewhat narrow limits, and certainly did not exceed those
of a speaking-tube. Mr. Freeze considers that the earliest document in
which this transmission of sound to a distance is distinctly formulated
dates from 1667 : he refers to a paper by one Robert Hooke, who
writes to this effect : *' It is not impossible to hear a whisper at a
rii^M&i
6t4
ELLEN OR THE
furlong's distance, it having been already done; and perhaps the
nature of the thing would not make it more hupossible, though that
furlong should be ten times multiply'd. Antl though some famotis
authors have affirmed it impossible to hear through the thinnest pbte
of mascovy glass, yet 1 know a way by which 'lis msy enough to hear
one speak through a wall a yard thick* It has Tiot yet l:>een thoroughly
examined how far olacousticons may be iniiiroved, nor what other
ways there may be of quickening our hearing, or conveying sound
through other bodies than the air ; for that is not the only medium, I
can assure the reader that I have, by the help 6f a distended wire
propagated the sound to a very considerable distance in an instant, or""
with aa seemingly quick a motion as that of light, at least incoaipa^bly
quicker than that which at the same time was propagated through the
air : and this not only in a straight line or direct, but in one bended in
many angles/'
' This plan for the transmission of sound is the principle of the
string telephones which have attracted attention for some years, and it
remained in the stage of simple experiment until 1819, when Sir
Charles VVheatstone applied it to the magic lyre. In this instrument
sounds were transmitted through a long strip of deal, with one end in
connection with a sounding board : one step more led to the use of
the membrane employed in string telephones. It would be difficult to
say with whom this idea originated, since it is claimed, as if beyond
dispute, by several telephone-makers. If we may believe some trav-
ellers, it has long been used in Spain for the correspondence of lovers.
However this may be, it was not to be found among the scientific
appliances of some years ago, and it was even supposed by many
persons that the cord consisted of an acoustic tube of slender diameter.
Although the instrument has become a child's toy, it has great scien-
tific importance, for it proves that vibrations capable of reproducing
speech may be extremely minute, since they can be mechanically
transmitted more than a hundred yards.
WHISPERINGS OF AN OLD PINE
615
■ From the telegraphic point of view, howex er, the problem of
transmitting sounds to a distance was far from being solved in
this way, and the idea of applying electricity to this mode of trans-
mission naturally arose as soon as the wonderful effects of electric
telegraphy were observed, that is, in the years subsequent to 1839. A
surprising discovery made in America by Mr* Page, in 1837, and after*
ward investigated by MM* Wertheim, de la Rive, and others, must also
have led up to it, for it was observed that a magnetic bar could emit
sounds when rapidly magnetized and demagnetised ; and these sounds
corresponded with the number of currents which produce them/ • *
'*In speaking of the box and string-wire telephone, which has
neither electric current or magnetism, this book says:
* Messrs. Heaviside and Nixon, in their experiments at Newcastle-
on-Tyne, have ascertained that the most effective wire was No. 4 of
the English gauge. They employed wootlen disks an eight of an inch
in thickness, and these may be placed in any part of the length of the
wire. When the wire was well stretched and motionless, it was possi-
ble to hear what was said at a distance of 690 feet, and it seems
that Mr. Huntley, by using very thin iron diaframs, and by insulating
the line on glass supports, was able to transmit speech for 2450 feet,
in spite of the ziz-zags made by the line on its supports/
**In other words sound went through the wire and was heard
over three times as far when the wire was insulated, which sus-
tains in the strongest possible manner Oersted and Kitter's
statements that sound was electrical.
• #•••»•
• Mr. Treece wrote on the subject in a paper entitled ** On some
Physical Points cotmected with the Telephone," which was published
in Aprils 1878, He observes that all the attempts to improve the tele-
phone have ended in disappointment and failure. One of the first
ELLEN OR THE
fipts of the kind was made by Mr, AMlmol, who expected to obtain
krable results by augmenting the number of diaframs, helices and
fnets, connecting the helices in 2. series^ und causing them to act
lultaneously, so as to increase the energy of the currents developed by
lence of the voice ; but experience showed thai when the instni-
nient acted directly, the vibratory effect of each of the diaframs
reased in proportion to their number, and the general effect
lined the same as with a single diafram. Mr, Wilmot's instnimeiit
made in the beginning of October, 1877, and that of M. Trouve
was only an imitation of it. * * * *
' Thus, for example, it appears that the vibrations of air caused in the
mouth-piece ought to be immediately directed on the surface of the
diaframs by means of distinct channels ; It is necessary that the empty
space around each diafram should be sufficiently limited to prevent
echoes and intermptions, unless the case is so large that there is no
danger of such effects^ Above all, it is necessary that the organs shottid
be fixed in some material unsusceptible of reverberation, and for this
reason a prefereTiLC is piven to iron or ebonite. It h certain fhal^
when the instrument is properly made, its effects are superior to those
of the Bell telephones; and it is asserted in the Telegraphic Journal
that experiments were made with one of these instruments before the
Royal Society, in London, May ist, 1878, and that the intensity of
sound was in proportion to the number of diaframs. This instrument
was designed by Mr. Cox Walker, of York, and possessed eight
diaframs. He considers that this is the arrangement which gives the
best results. * * * *
Experiments on the Part taken by the Different Telephonic Organs
in the Transmission of Speech,
* In order to introduce all the improvements of which a telephone is
capable, it is important to be quite decided as to the effects produced
in the several parts of which it is composed, and as to the part taken
WHlSPERi:Nu> uF
PTNE
617
by the several organs which arc at work. To attain this object several
men of science and engineers have undertaken a series of experiments
which have produced ver>' interesting results,
*One of the points on which it was most important to throw light
was that of ascertaining whether the vibrating plate, used in their tele-
phone receivers by Messrs. Bell and (Jray, is the only cause of the com-
plex vibrations which reproduce speech, or if the different parts of the
electro-magnetic system of the instrument all conduce to this effect*
The experiments made by Mr. Page in 1837 on the sounds produced
by the resonant electro-magnetic rods, and the researches pursued in
1846 by Messrs, de la Rive, Wertheim, Matteucci, etc., on this curious
phenomena, allow us to state the question, which is certainly more
complex than it first appears,
• In order to start from a fixed point, it must first be ascertained
whether a telephone can transmit speech without a vibrating plate.
Experiments made by Mr. Edison in November, 1877, with telephones
with copper diaframs, which produced sounds, make the hyp'^thesis
credible ; and it receives greater weight from the experimenis made by
Mr, Preece and Mr. Blylh. The fact was placed bevond a doubt by
Mr. Spottiswoode (see the TdegraphU Journal of March ist, 1878),
who assures us thai the vibrating plate of the telephone may be entirely
suppressed without preventing the transmission of speech, pro\nded that
the j>ol3r extremity of the magnet be |>lared quite close to the ear ;
and it was after this that I presented to the Acadt5mie ties .St.iences my
paper on the theory of the telephone, which led to an interesting dis-
cussion which I shall speak of presently. At first the authenticity of
these results was denied, and then an attempt was made to explain the
sounds heard by Mr. Sptittiswoo^le as a mechanical transmission of the
vibrations, eflfected aflcr the manner of string telephones; but the
numerous experiments which have subsequently been made by Messrs.
Warwick, Rossetti, Hughes, Millar, Moyd. Buchin, CanestrcUi, Wisen-
^IliMil^
iitfaki
'^"^ —^
6l8 ELLEN OR THE
danger, Varley, and many others, show that this is not the case, and
that a telephone without a diafram can transmit speech electrically.
' Colonel Navez himself, who had first denied the fact, now admits
that a telephone without a diafram can emit sounds, and even, under
certain exceptional conditions, can reproduce the human voice ; but he
still believes that it is impossible to distinguish articulate words.
'This uncertainty as to the results obtained by the different physicists
who have studied the matter shows that at any rate the sounds thus
reproduced are not clearly defined, and that in physical phenomena,
only appreciable to our senses, the appreciation of an effect so unde-
fined must depend on the perfection of our organs. We shall pres-
ently see that this very slight effect can be largely increased by the
arrangement adopted by Messrs. Bell and Gray, and we shall also see
that, by a certain mode of magnifying the vibrations, it has been
decisively proved that a telephone without a diafram can readily repro-
duce speech. I proceed to give the description of such a telephone
which was shown by Mr. Millar at the meeting of the British Association
at Dublin in August, 1878.
* This instrument consists of a small bar magnet, three inches in
length and five-sixteenths of an inch in width and thickness, and a
copper helix (No. 30) of al)oiit six metres in length is wound round
the bar. It is fixed in a box of rather thick pasteboard, fitted above
and below with two zinc plates, which render it very portable. With
a telephonic battery sender and single Leclanche cell, speech can be
perfectly transmitted ; the whistling of an air, a song, and even the
act of respiration becomes audible. It seems also that the instrument
can act without a magnet, merely witii a piece of iron surrounded hv
the helix ; but the sounds are then much fainter.
* Signer Ignace Canestrelli obtained the same results by making one
of the carbon telephonic seiulers react on a telephone without a dia-
fram, by means of an induction coil influenced by two Bunsen cells.
He writes as follows on the subject :
5PERINGS OF AN
PINE
*"\Vith this arrangement I was able to hear the sound of any musi-
cal instrument on a telephone without a diafram ; singing, sneaking,
and whistling were perfectly andible. Whistling could be heard even
when the telephone without a dialram was placed at some distance
from the ear. In some cases depending on the pitch of the voice, on
the distance of the sending station, and on the joint pressure exerted
by the carlx>ns, I could even distinguish words.
* ** I finally discharged the currents of the transmitter into the coils
of insulated copper wire with which the two poles of a magnet were
pro%^ided. This magnet was placed on a musical box, made of very
thin slips of wood, and on placing the ear at the opening of the box I
obtained the same results as with the ordinary telephones without a
diafram."
* I repeat finally the account of some experiments made by Mr.
Hughes and M. Taul Roy which are interesting from our present point
of view,
* I If an armature of soft iron is applied to the poles of an electro-
magnet, with its two branches firmly fixed on a board, and if pieces of
paper are inserted between this armature and the magnetic poles, so as
to obviate the effects of condensed magnetism ; if, finally, this electro-
magnet is connected with a speaking microphone [see Figure 21, page
399], it is pos.sible to hear the words spoken in the microphone on the
board which supports the electro- magnet.
' 2. If two electro- magnets are placed in communication with a
microphone, with their poles of contrary signs opposite to each other,
and if their poles are separated by pieces of paper, speech will be dis-
tinctly reproduced, without employing armature or diafram. These
experiments are, however, delicate, and demand a practised ear.
* 3. If, instead of causing the current produced by a microphone to
pass through the helbt of a receiving telephone, it is sent directly into
the bar magnet of this telephone in the direction of its axis — that is,
from one pule to another — the words pronounced in the microphone
— .■^. — 1:^- - L j^n^^ "Ajw -wi'm'
: : .:. ..dtt^TT. "^irtn ~:e-:i:* n"
.-■y .a;. :r.^ j. nr.jer on
'■•;/-' ..:■•'. . , ..yvever, snow th-it v::»rv
•■ 'i .fr.rji rr v.- rL-«.ci%-ing telephone: they
i.iMit, :,rit .Mr. li'.ake asserts that they are
WHtSPERINGS OF AN OLD liNE
621
enough to cause a very light index, resting on the diafram, to make
slight inflections on a line which it describes on a register. Vet this
small vibration of the diafram does not show that it is due to the effect
of attraction, for it may result from the act of magnetization itself in the
center of the diafram. An interesting experiment by Mr» Hughes,
rei>eated under different conditions by Mr. Millar, confirms the opinion.'
•'These accurate experiments in regard to the so-called vibra-
tions of diaframs practically show, as Ellen has said, that they
do not vibrate at all. The whole thing is a humbug.
' If the magnet of a receiving telephone consists of two magnetized
bars, perfectly equal, separated from each other by a magnetic insu-
lator, and they are so placed in the coil as to bring alternately the i>oles
of the same and of contrary signs opposite to the diafram, it is known
that the telephone will reproduce speech better in the latter case than
in the former. Now, if the effects were due to attraction, this would
not be the case ; for the actions are in disagreement when the poles of
contrary signs are subjected to the same electric influences, while ihey
are in agreement when these jioles are of like signs.
' On the other hand, it is known that if several iron plates are put
together in onkr to form the diafram of the receiver, the transmission
of soun<ls is much stronger than with a simple diafram ; and yet the
attraction, if it has anything to do with it, could only be exerted on
one of the diaframs.
* It further appears that it is not merely the magnetic core which
emits sounds, but that they are also produced with some distinct-
ness by the helices. Signor Rossetti had already ascertained this fact,
and had even remarked that they could be animated by a slight oscil-
latory movement along the bar magnet, when they were not fixed upon
it Several observers, among others, M- Paul Roy, Herr Wiesendanger,
622 ELLEN OR THE
and Signor Canestrelli, have since mentioned nmilar fuits, which arc
really interesting.
'"If," writes M. Paul Roy, "a coil of fine wire, which is at the
extremity of the bar magnet of a Bell telephone, receives the pulsatory
currents transmitted by a carbon telephone, it is only necessary to
bring the coil close to the ear in order to hear the sounds.
' " The sounds received in this way are very faint, but become mach
stronger if a piece of iron is introduced into the circuit coil. A mag-
net acts with still greater force, even when it consists of a simple Mag-
netized needle. Finally, the sound assumes its maximum intensity
when an iron disk is inserted between the ear and the coiL
' " By placing the end of the coil to the ear, and sending a current
through it from the bar magnet, it is ascertained that the sound is at
its minimum when the neutral line of the magnet is enclosed by the
coil, and that it increases until attaining its maximum, when the magnet
is moved until one of its poles corresponds to the coil.
' " lliis fact of the reproduction of sounds by a helix is universal.
Every induction coil and every electro-magnet are capable of reproduc-
ing s^nind wiicn the rurrents of the senler are of sufficient intensity."
* Signr)r Canestrelli writes as follows: "With the combination of a
carbon teiej>hone an<l one without diafram or magnet — that is, with
only a simple coil — I was able to hear whistling through the coil,
placed close to the ear. This coil was of very fine copper wire, and
the currents were pro luced through an induction coil by two Bunsen
elements. The contacts of the telephone were in carbon, and it was
inserted in the jjrimary circuit.
' ** I fastened the coil to the middle of a tightly-stretched membrane
which served as the base of a short metal cylintler. When a magnet
was j)laced near this part of the coil, the sounds were intensified, and
when I fixed the magnet in this ])osition, I could hear what was said.
*"I afterward substituted for the magnet a second coil, fastened to a
WnrsPERlNGS 0¥ AN (JLD PINE
623
wooden bar, and on causing the indnceil currents to pass into both
coils at once I was able to hear articulate speech, although not without
difficulty*
* *' Under these latter conditions I found it possible to construct a
telephone without a magnet^ but it required a strong current, and it
was necessary to speak into the sender in a special manner, so as to
produce strong and concentrated sounds/*
'Another very interesting experiment by M. A, Brc^guet shows that
all the constituent parts of the telephone — the handle, the copper
rims, and the case, as well as the diafram and the electro- magnet — can
transmit sounds. RL Br^guet ascertained this fact by the use of string
telephones, which he attached to different parts of the telephone on
which the experiment was made. In this way he was not only able to
establish a correspondence between the person who worked the electric
telephone and the one who was listening through the string telephone,
but he also made several string telephones act, which were attached to
different parts of the electric telephone.*
**The only possible explanation of this experiment is that
sound is an entity, carried first by the ekctriQ current, and then
making its way through the string telephone by its power of
movement, as it always does and will so long as it keeps its
life.
'Tiiese two series of experiments show that sounds may be obtained
from different parts of the telephone without any very appreciable
vibratory move men ts» But Stgnor Luvini wished for a further assur-
ance of the fact, by ascertaining whether the magnetization of any mag-
netic substance, followed by its demagnetization, would involve a vari-
ation in the form and dimensions of this substance* He consequently
caused a large tubular electro- magnet to be made^ which he filled with
.jm^
,;'■ - i.'.i ".. r.n '.W'.ra.. — '.r l:it IiTiLlW^ 1=rT IT tilt -StrL"^^-
'/' ", vi.'" ' ■:' -...•* I. -i'.i-.^ ■ .'' ^:.J ir-LiiKTiiia:: itt i^nii
- *- . .'.V:.- * ......^ •-* ;-. --.rr:-* — - •-.■ -**^--t ■r'.?.rTH--^T— «7^T>j. x^.;
* ','*.> "Ai" '.". *"".'.■''* "1 »''^T'^ " -ii " ~ '' '^'t --nil sirs- rc-s ^.-li ?-. •
jrOfj '.. K .ili'l \>.:' ':■
:'. ■: ''. •' : -.■..'';■ ; .- •:'. '.z^t. to the ear. the
-■■- ■; '. ■■■ ' ■ • -' '. -"-* r.-r:ire:. Aliho'-ij^h iron
'.:. ' '•■■: -.*:.*. ' :. '. =!<s are not absolutely
■.:...::.-•. -. <-:. '-- ^.-^o :xt penectly. I
:.-. .V-. V. :■ ' ^ ::.• ! >tan' e, ani conkl not heai
, ; ' -,:.*:.:. :-: r. - ' ■.'.• ':.x:'.jy.ri. I took away the
.':' .-';-.-, ih-- iintri.-iiciit a wiile iron bar an inch
WHISPERINGS OF AN OLD PINE
thick. On applying my ear to it, I could hear every sound distinctly,
but somewhat more faintly. A piece of copper, tliree inches square,
was substituted for it ; although the sound waii still distinct, it was
fainter than before. Thick pieces of lead, zinc and steel were alter-
nately tried. The steel acted in almost the same way as the iron, and,
as in the other cases, each word was heard faintly but distinctly*
Some of these metak are diamagnetic, and yet the action took place.
Some non-metallic substances were next tried : first, a piece of window
glass, which acted very well* The action was faint with a piece of wooden
match-box ; but on using nieces of gradually increasing thickness the
sound was sensibly increased, and with a piece of solid wood, one inch
and a half in thickness, the sound was perfectly distinct. I next
replaced it by an empty wooden box, which acted very well, A piece
of cork, half an inch thick, acted, but somewhat faintly. A block of
razor-stone, two Inches thick, was placed upon the instrument, and, on
applying the ear to it, it was quite easy to follow the speaker. I then
tried to hear without the insertion of any substance, and, on applying
my ear close to the coil and magnet, I heard a faint sound, and on
listening attentively I understoo<i all that was said. In all these
experiments the sounds were perceived, but the sounds transmitte<i or
attempted did not act precisely alike. The soimd of a tuning fork,
placed on the iron disk itself or on the case of the instrument, was
clearly heard ; thin iron disks were more ef!ective for articulate speech.
With other substances, stone, solid wood, glass, zinc, etc., the sound
of the tuning fork was heard, whether it rested upon them, or the
^^m vibrating fork was held above them. These substances were not
^^^ adapted for transmitting the soimd of the voice. These wxre all laid
^^^ aside, and the sounding instniment was held directly above the pole of
^^P the magnet ; the sound was clearly heard, although there was nothing
■ but air between the end of the magnet and the tuning-fork. The sound
^^L was perhaps less intense when the tuning-fork was held directly above
626 ELLEN O^. THE
the pole than when it was at the end of the magnet. I next tried if
my voice could be heard with this arrangement. The result was rather
doubtful, but I think that some action must have taken place, for the
tuning-fork was heard when it was simj)ly vibrated near the pole. The
effect of the voice can only have differed in the degree of intensity : it
was too faint to be heard at the otiier extremity. I repeated these
effects; I assured myself of them, and I succeeded in transmitting
distinctly on the \to\e without a disk, and, on the other hand, by apply-
ing my ear to the instrument, I was able to hear distinctly all that was
said, although there was no disk." * * * ♦
* Mr. Preece sought for the cause in the induced currents developed
in any conducting body when a magnet is moved before it, which give
rise to the phenomenon discovered by Arago, and known by the name
of magnetism by rotation. Vet these facts do not appear to us to be
sufficiently well established to make the theory worthy of serious con-
sideration, and it is possible that the effects observed resulted from
simple mechanical transmissions.
*To conclude the account of these experiments, we will add that Mr.
\V. F. r>arrett thinks it somewhat dit'ticult to dol'ine the mode of vibra-
tion of the (liafram, >in(0, while a certain amount of compression exerted
on the iron destroys the sounds resulting from the peculiar efTects of
ma^^neti/ation a still st^n^^er compression causes them to reappear. It
is ceitain that the «|uestion is full of obscurity, and demands great
researc'n : it is enough to have ^hown that the theory hitherto held is
insufficient.
' lux/'trifnrnfs on the rift'cts i^'hich result from ^f^^hafncai shock
CommuJiicatcJ to i/ifj'erent piirts of ti Tel'phonc, —
*lf a piece of iron is aj)i)lie(l to the screw whi(h holds the magnet of
an ordinary telephone, it is observed that the transmitted sounds are
more distinct, owing to the fon^e supj)lied to the active pole of the
magnet ; but at the moment when the i)icce of iron is applied to the
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WHISPERINGS OF AN OLD PIN!
screw a distinct noise is heard, which seems to be due lo the mechani-
cal vibrations caused in the magnet at the moment of the shock. M.
des Fortes, a lieutenant in the French navy, has lately made some in-
teresting experiments on this class of phenomena. He has observed
that if, in a telephonic circuit of ninety yards completed by the earth,
the sending telephone is reduced to a simple magnet, provided with
the coil which constituted its electro-magnetic organ, and if this mag-
net Is suspended vertically by a silken thread, with the coil above it,
a blow struck upon the magnet, either by a copper rod or a piece of
wood, will cause distinct sounds to be produced in the receiving tele-
phone— sounds which will increase in intensity when the blow is struck
close to the coil, and which will become still stronger, but less clear, if
a vibrating plate of soft iron is placed in t on tact with the upper jxile
of the magnet,
'When the striking instrument is made of iron, the sounds in ques*
tion are more strongly marked than if it is made of wood ; and when
the magnet has a vibrating disk applied to its active pole, a vibration
of the disk takes place at the moment when the shock is heard.
'If the striking body is a magnet, the sounds produced resemble
those obtained when it is of iron, if the effect is produced between
poles of the same nature ; but if the poles are of contrary natures, a
second noise is heard after each blow, which is produced by drawing
away the magnet, and which appears to be a blow struck with much
less force. The sound is of course increased if the magnet is provided
with its vibrating disk.
' If words are uttered on the vibrating disk of the sending telephone,
when it is applied to the pole of the magnet, various sounds are he^ird
on the receiving telephone, somewhat similar to those produced by
vibrating one of the strings of a violin, and the sound made in with-
drawing the disk from contact with the magnet is distinctly heard in
the receiver.
630 ELLEN OR THE
' The person wlio applies his ear to the vibrating disk of the sender
when it is arranged as above, may hear the voice of any one who speaks
into the receiver. • * *
* A coil is not necessary in order to perceive the IjIows stmck upon
the magnet with a rod of soft iron. It is enough to wind three turns
of naked conducting wire, which jicts as a line wire, round one end of
the magnet, and the sounds perceived cease, as in other experiments,
when the circuit is broken, plainly showing that they are not due to
mechanical transmission* It is a still more curious fact that if the mag-
net is placed in the circuit, so as to form an integral part of it, and if
the two etids of the conducting wire are wound round the ends of the
magnetj the blows struck upon the latter with the soft iron rod are per-
ceived in the telephone as soon as one pole of the magnet la provided
with a disk,
'I have myself repeated M. des Fortes' experiments by simply striking
on the screw which, in ordinary telephones, fastens the magnet to the
instrument, and I have ascertained that, w^henever the circuit was com*
pletCj the blows struck with an ivory knife w^ere repeated by the tele-
phone : they were, it is true, very faint when the vibrating disk was
removed, but very marked when the disk was in its place. On the
other hand, no sound was perceived when the circuit was broken.
These sounds were louder when the blows were struck upon the screw
than when they were struck on the pole of the magnet itself above the
coil.
' Mr. Thompson, of Bristol, has observed that if a piece of iron and a
tin rod placed perpendicularly on the iron are introduced into the cir-
cuit of an ordinary telephone, it is enough to strike the tin rod in order
to produce a loud sound in the telephone. He has also shown that if
the two ends of the bar magnet are enclosed by two induction coils
which are placed in connection with the circuit of a telephone, and if
the flame of a spirit lamp is moved below the magnet in the space
dividing the two coils, a distinct sound is heard as soon as the flame
d
WHISPERINGS OF AN OLD I'lNE
0»
exerts its influence on the bar magnet. This effect is undoubiedly due
to the weakening of the magnetic force of the bar which is produced by
the action of the heat. I have my^eU observed that a scratching sound
on one of the wires which connect the telephones is heard in both of
them, at whatever point in the circuit the scratch is made. The sounds
produre<l are indeed very faint, but they can be distinctly heard, and
they become more intense when the scratch is made on the binding-
screws of the telephone wires. These sounds cannot result from the
mechanical transmission of vibrations, since they are imperceplible
when the circuit is broken. From these experiments it appears that
some sounds which have been obsened in telephones tried on telegraph
stations may arise from the friction of the wires on their supports — a
friction which produces those very intense soimds which are sometimes
heard on telegraphic wires. * « ♦ *
* Theory of the Tekphone. — It appears from the several experiments
of which we have spoken that the explanation generally given of the
effects produced in the telephone is very imperfect, and that the trans-
mission of speech, instead of resulting from the repetition by the mem-
brane of the receiving telephone (influenced by electro-magnetism), of
vibrations caused by the voice on the membrane of the transmitting
telephone, is due to molecular vibrations produced in the whole elec-
tro-magnetic system, and especially on the magnetic core contained in
the helix. These vibrations must be of the same nature as those which
have been observed in resonant electro- magnetic rods by MM. Page,
de la Rive, Wertheim, Matteucci, etc., and these have been em-
ployed in telefihones by Reiss, by Cecil and Leonard ^Vray, anil by
Vanderweyde* ♦ ♦ ♦ •
* What is the nature of the vibrations sent into the receiving tele-
phone? This question is still obscure, and those who have studied it
are far from being in agreement : as early as 1846 it was the subject of
an interesting discussion betw^een M. M, Wertheim and de la Rive, and
632
ELLEN OR THE
the new discoveries render it still more complex, M. Wertheim con-
siders that these vibrations are at once longitudinal and transverse, and
arise from attractions exchanged between the spirals of the magnetising
helix and the magnetic particles of the core* M* dc la Rive holds that
in the case we are considering the vibrations are simply longitudinal,
and result from molecular contractions and expansions produced by the
different combinations assumed by the magnetic molecules under the
influence of magnetization and demagnetifation. » • *
' The difficulty of explaining the production of sounds in an electro-
magnetic organ destitute of armature cansetl the authenticity of the
experiments we have described to be at first denied, and Colonel
Navez started a controversy with us which Is not likely to be soon
terminated, yet one result of this controversy is that Colonel Navez was
obliged to admit that the s&und of the human v&ice may be reproduced
ty a teiepk&nic receiver without a disk. # * • »
' In order to show that the action of the diafram is less indispensable
than Colonel Nave^ seems to imaginep and that its vibTations are not
due to electro- magnetic attractions, it will be enough to refer to Mr,
Hughes* experiments we have mentioned above. It is certain that if
this was the effect produced, we should hear better when the two bar
magnets present their poles of the same nature before the diafram,
than when they present the poles of contrary natures, since the whole
action would then converge in the same direction. Again, the more
marked effects obtained with multiple diaframs in juxtaposition com-
pletely exclude this hypothesis.
«* ♦ ♦ \Vg are not now concerned with the discussion of mag-
netic effects; there has been an advance in science since Colonel
Navez started the controversy, and we must ask how his theory of the
movements of the telephone diafram by attraction will explain the
reproduction of speech by a receiving microphone destitute of any
electro-magnetic organ, and I can assert that my experiments show
WHISPERINGS OF AN OLD PINE
^33
that there can he no mechanical transmission of vibrations, sirce no
sound is heard when the circuit is broken or deprived of its battery.
Colonel Navez must, therefore, accept the molecular vibralions. This
certainly gives us a new field for study ; but it is because European
men of science persist in remaining bound by incomplete theories that
we have allowed the Americans who despise them to reap the glory of
the great discoveries by which we have lately been astonished.
' The experiments quoted above show that sounds may be reproduced
not only by simple helices without an electro- magnetic organ, but also
by the plates of a condenser, in spite of the pressure exerted upon
them.
* In conclusion, the theory of the telephone and microphone con-
sidered as reproductive organs of speech, is still far from being per-
fectly clear, and it would be imprudent to be too positive on questions
of such recent origin.
'The theory of the electric transmission of sounds in electro-mag-
netic telephones is somewhat complex. It has been seen that they
can be obtained from diaframs of non- magnetic substance, and even
from simple mechanical vibrations produced by shocks. The matter is
still very obscure. • • ♦ •
' Af, IViesendanger's Thermaphone, — M. Wiesendanger, in an article
inserted in the English Mer/ianic ami IFor/d of SdentCy September
13th, 1878, ascribes the reproduction of speech in certain telephones
to vibratory movements resulting from molecular expansions and con-
tractions produced by variations of temperature, and these variations
would follow from the currents of varying intensity which are trans-
mitted through the telephonic circuits. He was conscious of one
objectioD to this theory, namely, that the movements of expansion and
contraction due to heat are slowly produced, and consequently are not
capable of substantial action, rapid enough to produce vibrations ; but
he considers that molecular effects need not take place under the
634 ELLEN OR THE
same conditions as those which are displayed in the case of material
sutetances.
'M. Wiesendanger believes that tiiis hypothecs wiD explain ttte
reproduction of speech in the receiving microphones of Mr. Hn^ei^
and that it may even be applied to the theory of the electro mimetic
telephone if we consider that a magnetizing hdix, as well as a mag-
netic core, round which an electric current circulates, is more or less
heated, according to the intensity of the current whidi traverses it,
especially when the wire of the helix and the core are bad conductors
of electricity and of magnetism. Pursuing this idea, M. Wiesendanger
has sought to construct telephones in which calorific effects are more
fully developed, and with this object he used very fine wire of German
silver and platinum to make the coils. He ascertained tbaX these coils
could produce sounds themselves, and, to increase their intensity, he
put them between disks of iron, or on tin tubes, placed on rescmant
surfaces close to the disks. In this way he says that he was able to
make a good receiving telephone without employing magnets. He
afterward arranged the instrument in different ways, of which the
following two are the most noteworthy :
' In the first, the electro -magna tic system was simply formed by a
magnetic disk with a helix wound round it, of which the wire was
in connection with the circuit of a microphone and which was fastened
to the parchment membrane of an ordinary string telephone ; the disk
consisted of two plates separated by a carbon disk of smaller diameter,
and the whole was so compressed as to form a solid mass.
* In the second, the helix was wound on a tin tube, six inches long
and five-eighths of an inch in diameter, which was soldered by merely a
point to the center of the diafram of an ordinary telephone.
* The inventor asserts that the tube and diafram only act as reson-
ators, and that the sounds produced by this instrument are nearly the
same as those obtained from the ordinary string telephone : the tunes
WHISPERINGS OF AN t)l,D PINE
635
of a musical box were heard, and the reproduction of speech Wiis
perfect, both in intensity and in distinctness of sound ; it even appeared
that telephonic sounds were audible with the tin tube alone, surroimded
by the helk. M. Wiesendanger says that these *' different receiving
telephones show clearly that the diafram and magnet are not essential,
but merely accessory parts of a telephone." • • •
* It is true that the telephone can only reveal the variations of an
electric current, however faint they may be, but I have been able, by
the use of a very simple expedient, to reveal by its means the presence
of a continuous current, also of extreme faintness. I send the current
in question into the telephone, and to obtain its variations, I break
this current mechanically with a tuning-fork. If na current n trav-
frsing the trkphone, it remains silent. If, on the other hand, the
faintest current exists, the telephone vibrates in unison with the tuning-
fork. • • •
'Mr. Warren de la Rue, as we have seen, used Thomson's galvano-
meter, and compared the deviation produced on the scale of this
galvanometer with that caused by a Baniell cell traversing a circle
completed by a rheostat : he ascertained that the currents discharged
by an ordinary Bell telephone are equivalent to those of a Daniell cell
traversing loo megohms of resistance — that is, 6,200,000 miles of tele-
graphic wire. Mr. Brough, the Director of Indian telegraphs, considers
that the strongest current which at any given moment causes a Bell
telephone to work does not exceed, ^oAoaa *^^ ^^^ ""^^ ^^ current, that
is, one Weber, aijd the current transmitted to the stations on the Indian
telegraphic line is 400,000 times as strong. Finally Professor Peirce,
of Boston, compares the effects of the telephonic current with those
which would be produced by an electric source of which the electro-
moiive force should be ^^(nT^ P*^^^ ^^ ^ ^^^^* ^^ ^^^ Daniell cell Mr.
Peirce justly remarks that it is difficult to estimate the real value of
these kinds of currents at any precise sum, but it may be affirmed that
■'■'■^
636 ELLEN OR THE
it is less than the looiffoo P^^ ^^ ^^^ cprrent usually employed fo w(»k
the instrument on telegraphic lines. ♦ • • •
* Experiments by M. Zetsche. — There are always a few perverse minds
impelled by a spirit of contradiction, to deny evidence, and tiiiis
they attempt to depreciate a discovery of which the glory irritatses
them. The telephone and the phonograph have been the objects of
such unworthy criticism. It has been said that electric action had
nothing to do with the effects produced in the telephone, and that it
only acted imder the influence of mechanical vibrations transmitted by
the conducting wire, just as in a string telephcme. It was in vain
to demonstrate to these obstinate minds that no sound is produced
when the circuit is broken, and in order to convince them M. Zetsche
has made some experiments to show, from the mode in which sound is
propagated, that it is absurd to ascribe the sound produced in a tele-
phone to mechanical vibration. He wrote tp this effect in an article
inserted in the Journal T^Ugraphique, Berne, January 35th, 1878 :
*"The correspondence by telephone between Leipzig and Dresden
affords another proof that the sounds which reproduce words at the re-
ceiving station are due to electric currents, and not to mechanical
vibrations. The velocity with which sound is transmitted by vibrations
on the wire, in the case of longitudinal undulations, may be estimated
at three miles one furlong a second, so that the sound ought to traverse
the distance from Leipzig to Dresden in twenty-five seconds. The
same time ought to elapse before receiving the answer : consequently
there should be an interval of more than three-quarters of a minute
allowed for each exchange of communication, whicli is by no means
the case." * * *
^Experiments which may be made by any one, — We will conclude
this chapter devoted to the account of the different experiments made
with the telephone, by the mention of a singular experiment which,
although easily performed, has only been suggested a few months ago
WHISPERINGS OF
PINE
by a Pennsylvania newspaper. It consists in the transmission of
speech by a telephone simply laid on some part of the human body
adjacent lo the chest. It has been asserted that any part of the body
will produce this effect, but according to my experience, I could only
succeed when the telephone was firnaly applied to my chest Under
such conditions, and even through my clothes, 1 could make myself
heard when speaking in a very loud voice,
*Mr. Preece also made experiments on the subterranean telegraplis
between Manchester and Liverpool, a distance of thirty miles, and
found no difficulty in exchanging correspondence ; and it was the same
with the cable from Dublin to Holyhead, a distance of sixty-seven
miles. This cable had seven conducting wires, and when the telephone
was connected with one of them, the sound was repeated through all
the others, but in a fainter degree. Wlien the currents of the tele-
graphic instruments passed through the wires, the induction was appar-
ent, but not so great as to prevent telephonic communication, • •
•Since copper is relatively harder than lead, the copper plate on
which the vibrations are traced will afford an unlimited number of
reproductions. To obtain this result, a lead wire must be applied to
the plate* and due pressure must be exerted on it. The wire is flattened
and takes the impr^sion of all the traces, which then appear in relief.
If the edge of a card is passed through this impressed tracing, the same
sounds are produced as those which are obtained from the copper
plates. • • ♦
'As I said in the last chapter, there is a great difference between the
production and the reproduction of a sound, and a machine like the
phonograph, adapted for the reproduction of sound, may differ essen-
tially from a machine which really speaks. In fact, the reproduction
even of articulate sounds may be very simple ; but in order to produce
them, it is necessary to set in motion a number of special organs,
fulfilling more or less exactly the functions of the lar)'nx, the mouth.
638 ELLEN OR THE
the tongue, the lips, and even the nose. For tfiis Teaaoo, a 1
machine is necessarily very complicated^ and this is preckdy the cue
with the machine we are now considering. Such a machine is not now
made for the first time, and the Academy has lately been reminded
of a speaking-head which was in the possesnon of the phikMopher
Albertus Magnus in the Thirteenth century, and which was destroyed
by St. Thomas Aquinas as a diabolical invention. • • •
* Further Remarks on the Theory of ihe Teie^ane. — FoUowing tiie
example of a certain skeptic in the Acad^mie des Sciences, Colonel
Navez continues to maintain the theory first formed as to the nEX>de in
which the telephone acts, in spite of the clearest proofs of its insuf-
ficiency ; but most scientific men who consider the question have come
round to our opinion, and admit the concurrence of several causes
in the reproduction of speech by this remarkable instrument. Mr.
Fleeming Jenkin writes to this effect in the new edition of a treatise on
electricity and magnetism.
* Note on some fresh Experiments with Telephones wiihout am
Diaframs.
' In a paper published March 4th, 1878, I made some suggestions on
the theory of the sounds produced in the telephone, and on the contra-
dictory assertions of physicists as to the transmission of speech by
ordinary telephones when devoid of diafram. These remarks induced
M. Ader to undertake several experiments which not only demonstrate
the truth of my oi)inion, but bring to light some fresh facts which may
be of great importance to acoustic science.
* M. Ader has in fact not only succeeded in making a telephone
without a diafram speak, but he has made it speak more loudly, and
with less alteration of the voice than we find to be the case with a
small model of the ordinary telephone. No one, therefore, can now
mamtain that the sounds produced by the magnetic cores are so faint
that they cannot be taken into account among the effects produced
WHISPERINGS OF AN OLD TINE
639
and that it is at any rate impossible for them to reproduce articulate
sounds.
* To obtain this result, M. Ader reduced the size of the magnetic
core to that of a simple iron wire, one millimetre in diameter, and he
fastened it by one of its ends to a small wooden board. Under these
conditions^ it was enough to fasten a small helix of fine wire on this
iron wire, and to apply the board to the ear in order to hear speech
distinctly, with the aid of a microphonic speaker actuated by a voltaic
current. But the range of sotind was considerably increased if a mass
of metal was applied to the free end of the iron wire : in this case it
was possible to hear when the wooden board was removed to a distance
of ten or fifteen centimetres from the ear.
* If the wire is in contact with masses of melal at each end, the
effect is further increased j but the two masses must not be in metallic
communication with each other, and must be to some extent insulated
by a more or less clastic medium. H the metalic masses arc soldered
to the wire, the effects are still greater.
* M. Ader was able to reproduce speech by using a simple coil with-
out a magnetic core, but in this case the spirals must be open, and not
pressed together. If they are steeped in gum, no sound is heard, but
speech will become instantly audible if a wire or a magnetize*! needle
is inserted in the coil, ur even if a second metallic helix is placed in the
circuit : always provided that one of the ends of these magnetic organs
rests upon, or is fastened to, the board on which the coil is fixed.
* M. Ader has likewise obtained a very distinct reproduction of
speech at a distance of two or three yards from the instrument by in-
serting betk^'een the two stretched membranes of two tamlxnirines a
bent wire which acts as a spring and passes through an electro magnetic
coiL
* M. Ader has often had occasion to make one curious remark,
namely, that the timbre of the voice and its high or low key varies with
640 ELLEN OR THE
the degree of tenskm given to the wire; tmtif the luidaiaciitB] note
of the wire is deadened Iqr {veamig it between the fiiigen» tte
iqwoduced then becomes dnil and monoloDOos. They aie alsD i
what fainter.
'Mr.. Edison has abo now made a pfactical af^ilicatidi of the chemi-
cal tdei^ione we have mentioned before. The trials made witfi it hsve
been very satisfoctory, showing diat soonds transmitted in thfe way can
be heard in a large room.'
''The experiments quoted from this book fully demonstratie
that the scientific explanations of the action of sound at a tele-
phone are entirely fallacious, but all sustain the theory that
sound, consisting of infinitedmal particles of electrical matter,
is carried through the wire of a telephone by Ae electric
current"
■
THE J!KW TORK
PUBLIC LIBRART
WHISPERINGS OF AN OLD PINE
643
XUIL
^^ pLLEN has been very thorough in her discourse on the
'^^ telephone," I said, '* and it is very satisfactory, and she
has also thrown light upon the graphophone, but the o!d Pine
wishes that Ellen would still further illustrate the operation
of the graphophone, and the principles which govern its
action."
"Very well,'* she said, '*when Ellen makes her visits to the
old Pine she is always ready to tell him what she can, for she
knows that he is one of her best friends, and she thinks, too,
that he questions Ellen more to instruct her, than to be taught
himself.
**The graphophone when it first made its advent was
one of the most mysterious innovations. Ellen called it the
spook, and it seemed to be defiant of all law ; but of course
the laws under which it operates are as fixed and beneficent
as any. And now Ellen can see that instead of being outside
of law, it is wholly a creation of law, as it extends into the, to
us, unexplored realm of infinitesimals, those things which we
cannot see, but which are none the less a fact, and a most im-
portant part of the universe.
•*In considering these the scientists have made some very
uncalled for blunderSi and such as they could not have made
with a correct theory of sound.
644 ELLEN OR THE
"The explanation they have given of both telephone and
graphophone is an assumption, by those high in authority » of a
universe without law or order ; for a diafram and a thousand
other things, more or less, not made to talk, or repeat speech,
are announced as doing it; the necessities of the undulatory
theory of sound compelling such belief, or announcement.
But the corpuscular theoiy of sound accepted, aU difficulties
vanish.
" Sound, consisting of infinitesimal particles of electrical mat-
ter, can be manufactured in the miniature indentations of a
graphophone; always these indentations manufacturing the
same sounds which made them.
"For these indentations, because shaped by the peculiar
form and motion of sound, or sounds, re-create when struck
the particular particles of electrical matter which represent,
these sounds.
"The machinery acting in or through these indentations
is a small bead, or, in a disk record, a needle, and it is
important that this bead or needle should fully enter the
indentations.
** These particles, too, as Ellen demonstrated in the experi-
ments of the sounding^ board and needle are infinitesimals of
a pronounced type, just the tiniest little bits of things, so small
that it is almost impossible for Ellen to imagine them, but they
are made in vast quantities, and would appear to be of infinite
numbers, so that after thrown off by the sounding body they
fill the atmosphere in all directions. Smoke to a certain
extent, as the smoke of an engine, acts similarly, as also do
clouds."
WHISPERINGS OF AN OLD PINE
645
**And does Ellen think that such infinitesimal particles could
be the cause of any sensation?*'
** There is no question about the power of infinitesimals," she
replied, *' certainly when massed. The lightning is an illustra-
tion of that power.
*God moves in a mysterious way
His wonders to perform,
He plants his footsteps on the sea,
And rides ujx>n the storm/
**That the particles of sound manufactured in these records
enter the ears of all within reach, and coming in contact with
man, and by man Ellen means the souK produce in him the
sensation of hearing, is beyond any possible question. As Ellen
has said before, they do this as naturally as a peach, or
plum, or any other article of food creates the sensation of
taste. And it is only a question of good sense that all sensa-
tions are similarly created, that is, by the action of matter upon
spirit. Ellen thinks that we can all agree upon this, or will
before long.*'
**Thc old Pine thinks that Ellen makes everything very plain
after the particles of sound are created, but he would like to
understand better exactly how these particles are made. And
first, whether the sound of a graphophone record might not
be the same sound that was uttered into it, preserved by
some process in the indentations, — as fruit and vegetables
may be preserved if kept from the air, — and aftcnvards released
by the reproducer?"
** Ellen thought of that,'* she said, "and looked into it quite
646 ELLEN OR THE
carefully, and found that the disks upon which the records of
graphophones are now largely made are from a mold, taken
from a wax like disk upon which the original record is made by
the sounds, as follows :
"The wax like disk is coated with a suitable substance, such
as plumbago and copper plated by electricity. This copper
plate is then removed from the wax and backed up by some
aluminum or zinc alloy to make it strong. Into this negative
the blank material, out of which the commercial records are
composed, is pressed, while the material is hot The pressure
used is said to be about ten tons.
''From this it is certain that the sounds of the graphophone,
whether music, articulate speech, or other sounds, are made
in the indentures caused by sound, or in precisely similar
indentures made from them by ah electrotyping process?
"To a certain extent, then, it is a matter of form bf these in-
dentures. For as would appear to be certain, and as Ellen has
found by experiment, the same sound will always make a similar
indenture.'*
"In what way?" I asked.
*• Ellen will have to answer she does not know yet, but she
thinks, or at least hopes, that the old Pine and she will be able
to find out by reasoning or experiment, or both.
"As Ellen has said everything made by nature is the best
possible for its purpose, in the conditions in which it exists.
But if the conditions are different, there might be something
infinitely better to perform the same purpose. And indeed, a
thing which in certain conditions might be the best possible for
certain purposes, in other conditions could not be used at all.
WHISPERINGS OF AS OLD PINE
647
This must constantly happen* The lock which would answer
for a church door» wouldn't do at all for a delicate box in which
a lady kept her jewelry. Always the sizes of things should,
and, to a certain extent, will have to correspond. And from
this cause alone the machinery necessary to accomplish certain
things, and capable of doing it in perfection, might have to be
entirely reconstructed to perform the same purpose in other
conditions.
** Take articulate speech, The machinery of the vocal organs,
with the assistance of the mouth and its appurtenances, and
the lungs for an acting force, is unquestionably the best
arrangement possible to enable man to talk. It is inconceiv-
able that he could talk without the necessary machinery to do
it, but it is no less inconceivable that a diafram, or any other
tiling in the universe, could, unless supplied with such machin-
ery ; which we know that no diafram, or any other such thing
is. But it appears that a graphophone record has a certain
amount of such machinery; not indeed one complicated
machine capable of making all articulate speech, but an assort-
ment, more or less, of different machines, each one capable of
making a particular letter or word. And therefore it is evident
that the conditions required for the production of articulate
speech in man, and in a graphophone, are altogether different.
*'And from all this Ellen sees, first, that the graphophone
record has the machinery necessary to make certain sounds,
and that these may include parts of articulate speech, words
and letters. Second, that the direct cause of this record is
sound. And Ellen can perceive, or at least she thinks she
can, that the principle of reproduction of each thing after its
i^i.
648
ELLEN OR THE
kind, entors fnto this discussion. For when sound re-crcato
sound, there takes place the reproduction of a thing after ite
kind, and under such conditions as are suggestive of a fixed and
eternal law,
** Third, the graphophone record is nbundantly large to in-
clude the necessary machinery' (or making individual sounds
which, as we have seen, r- " •-— 'nfinitesimal according to
our standards of size.
•'Fourths as all sound consists of infinitesimal particles of
matter, in part at least electrical. — which must mean that it
composed entirely of a certain quality of matter in a certain
amount, or, far more probable, of different qualities combined j
in certain amounts, — very simple machinery, under certain con-
ditions, would suffice to produce it» each sound being produced
by its appropriate machinery. And, as all sounds are infinr-
tesimal, it would be possible, so far as we know, that the
machinery, necessary for producing all sound, might be
included in a graphophone record."
"But what may be the exact character of such machinery?"
I asked.
**This consists first," she answered, "'of indentures, which are
records of sound ; that is, represent its form. And second,
a small instrument of glass or metal which must enter these
indentures. Unquestionably the machinery consists of both
of these. If either was absent we would get no sound, except,
possibly, a similar but somewhat different instrument might
answer as a reproducer."
"And in what manner do these reproduce the sound?" I
asked.
WHISPERING*; OF AN OLD P!NE
649
"The indenture must act as an instrument/' she replied,
•*to produce certain sounds by separating or combining certain
particles of matter necessary to accomplish this.
'*That only sounds uttered into a graphophone will come
from it would demonstrate, if we did not know by other means>
that they are the seed of the sounds which it repeats.
But each sound records itself, that is, makes an indenture
corresponding to its size and action* completely if entering
alone, and as complete as possible* if entering with other sounds.
*'The instrument is made, and sound has made it with abso-
lute accuracy. In another sense it was made by man by whose
intelligence the different things necessary to make it were
brought together. But beyond all this the principle was made
by the highest Intelligence in the furnishment of the universe,
as Ellen thinks, to provide the soul with a record of sounds for
the purpose of memory. Nor as Ellen thinks, was it especially
intended, otherwise, for the use of man. but discovered by
him it becomes a thing of much interest and some use.*'
"And Ellen thinks the principle may be used to assist
memory?*'
"Yes," she answered, ''and therefore is it an important part
of creation. And an essential part in the creation of sound,
because a law of that creation. That is. every body which
vibrates at all, has a vibration of its own, and all bodies
having the same vibration emit the same sound, nor is it possi-
ble for any body to emit this sound, which does not have this
same vibration.
** And this vibration is made by sound, which itself is caused
by shock. And therefore takes place what is called sympathetic
6sO ELLEN OR THB
vibration. That is, sound from a tunings fork of a certnn
vibration will enter another fork, in the same room, having the
same vibration, and cause it to vibrate, when it will emit the
same sound." (See page i86).
" In this case sound makes more sound, does it not EIIe&T^
I asked.
" In this case, as Ellen thinks," she answered, " sound is hdd
up or accumulated, the same that water in rivers may be in
ponds along their paths, and this becomes a source of supply
being thrown off slowly in the usual manner by vibration.
"The sounds, then, emitted by the different indentures of
the graphophone are conducted by the reproducer into
the diafram, and by that reflected into the megaphone and
room, but the diafram has nothing else to do in the matter
than its double action, first, in conducting particles of sound to
make the record in the wax, and second conducting similar
particles made by that record into a megaphone and room.
•*That sound makes vibration explains sympathetic vibration.
And it explains more than anything else ever has the funda-
mental connection between vibration and sound. The cause
of vibration is sound. But the vibrating body decides, in
part at least, the character of sound ; fits it for the market,
and delivers it for distribution.
**That sound is an entity, created like all other entities by the
combination of matter in its different conditions and propor-
tions, Ellen has abundantly shown.
**It is noticeable that scientists confine their discussion of
waves to those supposed to be acting in the air, although sound
travels in wood and metals much faster, and in water about
WHISPERINGS OF ,\N OLD TINE 65 1
five, and fron sixteen times faster than in air, It would be
amusing to hear one of them describe the actions of waves in
solid bodies, supposed to be acting Hke those upon the surface
of a pond.
"But Ellen understands that there are many who arc still
teaching undulatory theories. The attention of these she
will again call to the fact that, it being impossible for the
diafrani or anything else to make any sound except the one
it was made to make, there is no possible explanation of the
action of sound at the telephone, except that it is carried
instantaneously through the wire to the place of its delivery by
the electric current,
'*The blow by the reproducer upon any indenture made by
sound, creates the sound normal to that instrument, or any
instrument of the same form, whether larger or smaller.
'* And as the different bodies or things of the world make all
its sounds, and every body, always, though struck repeatedly,
repeats the same particular sound, it must be true that some
bodies make the sounds of the different letters and words, that
is, make the sounds of articulate speech, and every possible
such body when struck will emit its particular part of articulate
speech,
** But the graphophone record demonstrates that the record
of any sound is the particular form which being struck emits
the sound, which made it/'
** And Ellen thinks,*' I said, **that sound is made by shock?"
*' Yes,** she answered, "with a broad meaning for shock —
blow or disturbance, Ganot uses the words, shock or friction*
This always precedes the vibration."
6S2 ELLEN OR THE
''And that the same body always emits the same sound?**
"Beyond question. Take a book and a stick. Strike the
book on the side, no matter how many times, you will get each
time subtantially the same sound. For each one is imdded by
the same conditions. Strike the book on its edges, there will be
a different sound, for conditions are different, atnd unquestion-^
ably vibrd.tions different, but struck constantly on same edge
the sounds will again be alike.
"The better class of graphophone records certainly suggest
that if the work is perfectly done, the same mold will emit in
every respect the same sound.
"Well, the lesson teaches us that sounds are manufactured
in molds, that is, in bodies of certain form, each sound by a
body of particular form. It shows us, too, that sound, all
sound, is as much a material thing as candy or snowflakes^
and that no matter where it is made whether in the vocal
organs, or a graphophone record, if of the same brand, it will
produce the same sensation in every person.
** Common sense will tell any one, who has it, that the five
sensations, sight, hearing, smell, taste, and touch, are' all caused
similarly by the effect of matter upon spirit.
"And without the possibility of anything emitting iden-
tical sounds with any other thing, unless it was made to,
that is, made with the same normal vibration, and then that
it, or any possible one thing, can only emit one sound ; — the
fact that sound consists of infinitesimal particles of matter
is demonstrated beyond any possible, question by the tele-
phone.
" Another principle is most fully demonstrated by the g^apho-
WHISr'ERINGS OF AN OLD PINE
653
phone and that is, that the laws governing infinitesimals are as
exact and rigorous as those operating with larger bodies.
**Sounds^ then, Ellen thinks the old Pine will see. maybe
sorted like apples, and any brand can be had if only the sources
can be found %vhrch yield it'*
'* And Ellen thinks the reproducer is the instrument that plays
upon this sound-producing instrument, bringing out its music,
as the bow will that of a violin, or the fingers that of a harpi*"
**Yes/* she said, "and the indentures are separate, and it
plays upon each one, its weight resting upon the cylinder, and
that turning rapidly, so that it gives the usual blow or shock
which in each case produces the normal vibration. And this
normal vibration is that which is appropriate to the particular
sound which made the indenture. And so each indenture
pours out a beautiful lot of the sounds it was made to make.'*
** Ellen has discovered the secret/' I said,
"Yes," she answered, "Ellen and the old Pine."
"But the old Pine didn't help any," I replied.
** Oh yes he did," she answered; "he was so tall, and then he'
was Ellen's friend/'
** Thank God," she continued, ** Ellen thought the old Pine
and she would think it out And He has enabled them to do it
** There is only the square where the four sides are alike;
and to every sound there is only one record, that can repeat it,
which it writes itself with the beautiful hand of TkUTit
' How anient I seixed it with hands that were glowing
And quick to the white pebbled bottom it fell ;
Then soon with the emblem of Truth overflowing
And dripping wiih coolness, it rose from the well.'
6S4
ELLEN OR THE
"And Ellen wants to say a word for Mr, Edison, who practP
cally worked out the problem, in the long days, and in the long
nights.
*' The old Pine will see, that everywhere throughout the
universe, always, law and order rule* Nowhere is there any
variableness or shadow of turning. The chimneys don't talk»
the curbstones don't talk, the nails don't talk; nothing talks
except what was made to talk. Nothing ever repeats a word
or a sound, that wasn't made to repeat it, that is, which doesn't
include the machinery to repeat it. No diafram ever talked
or ever repeated a word, for it was not made to, and couldn*!
do it any more than it could make a dictiona^>^ or build a
stone bridge. Everything, animate or inanimate, always obeys
the laws of its being. Included in this is the graphophone
record. And also all laws of sound are obeyed by sound,
wherever it is made.
** Echoes repeat sounds, but this would appear to come from
particles of sound rebounding. The only sound-producing in-
strument to make the record of a graphophone is the person,
or thing, which utters the sound into it. A graphophone
record, however short or long it may be, is, as Ellen has said,
an instrument for producing sound, like a piano, or violin, or
drum, and like them, or all other sound producing-instruments,
it will produce the sounds it was made to produce. And as the
different keys of the piano, or different strings of a violin, or
notes of a flute, will give forth every time the same note, and,
if in tune, would continue to when struck, forever, so will each
key or indenture of a graphophone; for these indentures act as
keys, or notes» made so as to produce certain sounds, and no
^Ma
^^
658 ELLEN OR THE
"That sound is made entirely and absolutely by the shape of
the instrument which makes it ; though, so far as Ellen knows*
it may be of any shape, but the same shaped thing will ghre the
same sound ; and this because of the character of its vibratioiL
For the vibration of any instrument is made by the passage
of sound to and fro in that instrumenti and the form, — and to
that extent the character, of the sound itself^ — ^is, at least may
be, molded by the nature of the interstices of the body in which
it is created, and through which it circulates. It would be
impossible in the nature of things for this not to be so. For
the machinery of nature always works precisely as that of man
would under the same circumstances. That is, whatever man,
or any other lesser intelligence, accomplishes, is done in accord-
ance with the great laws of nature, which govern all mechanical
forces. It's dreadfully simple."
"Yes," I said, "to Ellen."
" It is also evident," she continued :
"That this instrument is always a material thing, whether
situated within the body of man, as are the vocal organs, or
without.
"That for a certain part of articulate speech, what part she
doesn't know, there must be a mill, and for all articulate speech
many mills. For articulate speech is composed of many parts
like a house, and the different parts are manufactured by differ-
ent mills, and then put together. But it makes no difference
whatever where they are situated, only that it is where the
proper material to make sound may be had, for sound like
everything else in this material universe is made front certain
kinds of matter. There is no exception to this principle, and
WHISPERINGS OF AN OLD PINE
657
others. Thus take the indenture made by the letter A, and
therefore of the form to produce the letter A, it will turn A's
out in any quantity, whilst used to do it, until it is worn out
And so each indenture, the letter, word, or sound, which made
it For all are molds, as much fitted to make certain sounds,
in whatever way they may do it, as those of a furnace to make
certain forms ; nor will the one instrument fail to respond more
than the other.
*'But it w^ould appear to be also evident that the same sound
will have an indenture of different size according to its intensit>%
and this indenture in repeating will repeat the sound ahvays
with the same intensity that the sound had wiien it made it.
The intensity then comes from the size of the indenture, and
that comes from the size and, as Ellen thinks, motion, of
the sound which made it And so Ellen notices that the
enlarged photographs of the indentures representing the same
letters or words, whilst of different sizes, are always of similar
proportions. And this sound may be any sound, but the point
that Ellen wished to emphasize was that it may be any part
of articulate speech. And in such mills as these every part of
articulate speech can be manufactured, though Ellen hasn't
had the time to find out whether each letter or each word, or
parts of letters, or parts of words, make an indenture, and that
means the forms wiiich make any part of articulate speech, or
in which, as a whole articulate speech is made. But this cer-
tainly can be discovered. The scientists have made such bad
work of this whole theor>' of sound that Ellen doesn't dare to
tie to anything which they have said, but has to study it all out
herself. But it is evident from these conditions;
658 ELLEN OR THB
" That sound is made entirely and absolutely by tiie shape of
the instrument which makes it; though, so far as Ellen knows!,
it may be of any shape, but the same shaped thing will give the
same sound ; and this because of the character of its vibration.
For the vibration of any instrument is made by the passage
of sound to and fro in that instrument, and the form, — and to
that extent the character, of the sound itself, — is, at least may
be, molded by the nature of the interstices of the body in which
it is created, and through which it circulates. It would be
impossible in the nature of things for this not to be so. For
the machinery of nature always works precisely as that of man
would under the same circumstances. That is, whatever man»
or any other lesser intelligence, accomplishes, is done in accord-
ance with the great laws of nature, which govern all mechanical
forces. It's dreadfully simple."
"Yes," I said, "to Ellen."
**It is also evident," she continued:
"That this instrument is always a material thing, whether
situated within the body of man, as are the vocal organs, or
without.
"That for a certain part of articulate speech, what part she
doesn't know, there must be a mill, and for all articulate speech
many mills. For articulate speech is composed of many parts
like a house, and the different parts are manufactured by differ-
ent mills, and then put together. But it makes no difference
whatever where they are situated, only that it is where the
proper material to make sound may be had, for sound like
everything else in this material universe is made from certain
kinds of matter. There is no exception to this principle, and
WHISPERINGS OF AN OLD PINE
659
*no man competent to treat of such subjects would think
to make any. But this matter in a so-called vacuum, and prob-
ably in some other places, as cotton, or wool, isn't to be had. Or
this may mean simply that in the so-called vacuum sounds can-
not be made, which, in our present conditions, we can hear.
And this is. as Ellen thinks, for she believes that the music
of the spheres which plough their way with such wonderful
rapidity throupjh the ether, never missing a trip, is a beau t if 11 1
realit>% heard by beings of a higher order than we, such as the
Scripture calls angels. And these spheres move in a space
which perhaps we might call a vacuum, though » as Ellen
thinks, there is no such thing as a vacuum.
** Againi perhaps, when a bell is rung in a so-called vacuum
no sound is heard, because there is no proper medium to con-
vey it.
** Outside of the vacuum, or where the material to make
sound would appear to be wanting, the mills which make these
different sounds might as well be in the space of, and so com-
pose, a graphophone record, as an>^vhere else. They can be
anywhere, where there's room for them, and they need but an
awful little bit of room. But it would be very foolish to put
them anywhere where there wasn't material to make sound.
Like putting saw-mills, where there was no lumber.
•* It follows from all this that nearly eveiything in nature, at
least many things, will emit sound when struck. As EHen
has said, undoubtedly every sound in the world is thus made
by a particular instniment or thing; and that thing will always
make the same soumli or sounds, and can make no other,
**It is in this way that the world's supply of sounds is
660 ELU^N OR THE
obtained, everyone of them being made in a separlUe mold.
And the supply of sounds, like that of the sweet flowers which
deck our fields and woods, and gardens ; or the trees which
beautify the whole landscape; or the clouds that always
changing, and always lovely, adorn the heavens; and indeed
all things which furnish the Universe; is of infinite variety, no
two alike, and n6 two made by the same instrument, or part of
instrument. Nor is it possible that they should be, so perfect is
the order and system which pervades the universe. Thus a
diafram, if struck, can make a very plain sound and can mate
no other. Under no possible conditions can it make any other.
"Mr. Tyndall (On Sound, page no) says:
'When a body capable of emitting a musical sound — a tuning-fork,
for example — ^vibrates, it molds the surrounding air into sonorous wavei^
each of which consists of a condensation and a rarefaction.'
"These hypothetical sonorous waves are supposed to be
sound. Ellen has denied that there are any such waves. The
fork doesn't do any such molding, and instead of the vibration
making such sonorous waves, Ellen will prove that sound makes
vibration, not vibration sound.
"The experiments of Prof. J. Henry at Washington, *
proved that the vibration of a tuning-fork, when struck,
might vary from lO to 252 seconds. The foot of the tuning-
fork being placed successively on a marble slab, a solid brick
wall, and on a wall of lath and plaster, its vibrations lasted
respectively 115, 88, and 18 seconds; when suspended in the
air by a fine cambric thread the fork vibrated during 252
♦ See page 555.
WHISPERINGS OF AN OLD PINE
66 1
seconds. Placed on a large, thin pme board its vibrations lasted
about lO seconds. Professor Mayer saysi *In this the short-
ness of duration was compensated for by the greater intensity
of the effects produced.'
** And now Ellen wants anyone who would follow her argu-
ment, to take in one hand a small spruce or pine stick, about
one inch by one-half inch in thickness, or of any convenient
size, placing one end in the mouth, and with the other hand
make a tuning fork vibrate, and touch the further end of the
stick from the mouth with the bottom of the fork; the sound
will run up the stick into the mouth and into the head. If now
the same fork is struck again and held to the ear, or, if moved
quickly enough, without being struck again, the same sound,
that is, a precisely similar sound, will go direct from it into the
ear, but more slowly.
* The text-books teach that the vibrations of the fork make
this sound, which they call sonorous waves, in the air, each
consisting of a condensation and a rarefaction. This is not only
entirely false, but also monstrously stupid. The sound waa
in the fork before it was in the air, as is demonstrated by
its passage from the fork through the stick to the head, or into
the sounding board and thence into the air and into the ear,
or from any other outlet which may be given to it. There
doesn't live any person with ordinary intelligence who cannot
satisfy himself of the truth of this by the method proposed.
With the discovery, the undulatory theory of sound goes out of
existence.
•'Always the first thing necessary for the production of sound
is shock, Ellen uses this word in the broad sense, either a
662 ELLEN OR THE
blow or disturbance, and claims distinctly diat what Mlows
this shock is sound and vibration. If we say that vibrattcm
follows, the, question then is what makes the vibiatkm. Sooie^
thing must make it, and something more than tiie shock or
blow. For this vibration must be caused by something active
and powerful, that circulates back and forth, or to and £ro» m
the fork; and this something must have been made by the
shock. Ellen supposes the scientists will suggest ela^c force.
Well neither they nor Ellen know what elastic force is. It
may be sound. At any rate the most noticeable thing, and
the only known additional thing, that occurs after the blow,
which might make the vibration, is sound. And Ellen will prove
that it does make it Thus if the sound was the acting force
causing the vibration of the fork, that^ vibration should stop
proportionally as the sound which made it flowed away.
** But if the sound was not the cause of the vibration, directly
or indirectly, its flowing away would not affect the vibration.
** As a matter of fact the vibration does stop proportionally
to the sound's flowing away.
** Again, something operating in the fork made the vibration,
and there is not evidence or suggestion that anything else has
operated but sound. This is practically a demonstration that
the sound made the vibration.
"But Ellen will now clinch the demonstration. Ellen will
take two tuning-forks which sound the same note, that is, which
have the same normal vibration. Mr. Tyndall says:
*Two forks mounted on their resonant supports are placed upon the
table. I draw the bow vigorously across one of them, permitting the
WHISPERINGS OF AN OLD PINE
663
Other fork to remain untouched. On stopping the agitated fork, the
sound is enfeebled, but by no means quenched. Through the air and
through the wood the vibrations have been conveyed from fork to fork,
and the untouched fork is the one you now hear. When, by means of
a morsel of wax, a small coin is attached to one of the forks, its power
of influencing the other ceases; the change in the rate of vibration, if
not very small, so destroys the sympathy between the two forks as to
render a response impossible. On removing the coin the untouched
fork responds as before/
** Sound, whatever that is, from the first fork has gone into
the second, making it vibrate, because the second fork is of the
same tone, and has the same vibration as the first fork. It fol-
lows that before it left^ it must have made its own fork vibrate.
"This demonstrates that sound makes vibration, and also
that it is an entity, for that which makes vibration must be an
entity. But if sound makes vibration, as it does in every phase
of the phenomena, there are no undulatory theories. For the
undulatory theory of sound is that the vibrating fork makes
sound, — * molds the surrounding air into sonorous waves,' — that
is, that vibration makes sound.
•* And the above hypothetical sonorous waves are the sound
thrown off by the fork, which caused its vibration, and is still
continuing to make it vibrate.
' What fools we mortals l>e ! '
*' Ellen will repeat: These so-called sonorous waves, are
thrown off by the fork directly into the air, and are the same
sound that we can trace running from the fork into the sound-
ing board, and thence into the air; or running into a stick held
664 ELLEN OR THE
by the teeth, and thence to the head or brain; or if the stkk is
placed on the frontal bones, directly to the head ; as is easHy
and unquestionably traced by the sensation of hearing. For this
sensation is as accurate as sight in its tracings, so that a man
may know as certainly the course of a sound as that ai any
visible thing. As is well known blind pedple get their Imowl-
edge largely or mainly from the sensation of hearing, and do it
as certainly as they might from that of sight And therefore
does Ellen say that any statement that sonorous waves are
formed by the vibrations of the fork, is false, because she
knows, and any one may know, that these ^sonorous vibra-
tions' ate particles of sound caused by shock, which make
tiie fork vibrate, when they are thrown off into the air, or, if
given opportunity, pass far more rapidly into a sounding
board, and thence into the air, in either case to be gathered
by any listening ear, and by this, the main line, conducted to
the soul ; or, as we have seen, they may be conducted from
the fork to the teeth, or frontal bones and thence to the soul,
where by pre-arrangement, made possible by sound, and very
similar to that which takes place with the telegraph, informa-
tion of all kinds is delivered. Ellen thinks its an awfully nice
arrangement by which people are able to talk with one another,
and thus add very greatly to their knowledge, besides making
life very much more agreeable. Any one may see, that, which-
ever route these sounds follow from the sounding body to the
perceiving intelligence they are the same, — that is, precisely
similar sounds, — ^whose origin is with the sounding body.
"And therefore does she say again the statement that sound
is molded or made by the vibrations of a tuning fork, or any-
WHISPERINGS OF AN OLD PINE 66$
thing else, is not only false but shown to be impossible, and the
undulatory theories are ended."
"Ellen has got through?" I said.
**Yes," she said. "The case is taken out of court, and all
that is left for Ellen to do is to gather up the fragments of her
discourse, so that it will make a harmonious whole, and let the
old Pine publish it to the world with his whispering leaves."
606 ELLEN OR THE
XLIV.
^^ T^LLEN has described all of this very well/* I said, "and
^ shown conclusively that sound made vibration in the
instance cited, and if there the old Pine cannot see why it docs
not everywhere. That is, why always when there is shock, and
sound follows, the instrument or thing in which vibration takes
place is not thrown into vibration by the sound, which must be
particles of matter, aroused into action by the shock."
*'That is what happens,'* she said, **and then these particles*
an infinite number of them, composed about equally of matter
and motion, circulate back and forth within the body in which
they are formed, thus causing it to vibrate, and by the courses
which they pass through being themselves, as Ellen thinks,
partly fashioned. Somewhat similarly bullets get their form
by falling through the air from a high tower.
*' Hy such vibrations the sounds are fitted for the markets of
the world, and these are thrown off into the air, where they
circulate for whatever time their existence lasts.
"This is sound; and if, in a tuning-fork, a channel is opened
for it by contact of the handle with some other body, as KUcn
has shown, it rushes into this body, and, if this is of right char-
acter, is thrown off far more rapidly into the air, and thus
quickly the shower of sound is drained from the vibrating body,
which again becomes quiet.
**That the sounds are fashioned in the vibrating bodies Kllen
WHISPERINGS OF AN OLD FINE
669
makes no question. By the shock the material for making
them is formed* or loosened in the rough, and as the mills of
man manufacture different goods, a saw mill different kinds of
lumber made from logs, a woolen mill woolen goods, made
from wool, a cotton mill cotton goods, made from cotton* or
a silk, silk goods, made from silk, so these vibrating bodies,
acting as mills, form the different sounds made from sound, and
fitted for the markets of the world, perhaps of the universe. For
thus always the laws governing the production of natural and
artificial things are the same. This is the principle of the
universal it>' of natural law that Ellen has often referred to.
And it will be seen that with this principle, which, as Ellen has
shown, all science proclaims, the corpuscular theory of sound
fully accords.
'* Ellen has spoken of this before, but she cannot refer to it
too often, as this alone would be decisive as to the nature of
sound.
** There is no question in regard to the general accuracy
of this explanation, based upon the discovery of Oersted that
sound was electrical, and in its main features fully and repeated-
ly demonstrated. It is based^ too^ upon the common sense of
every intelligent person, that sound being electrical might pene-
trate the walls of houses and other impediments, but that air
waves, particles of air, couldn't possibly do this ; neither could
they possibly give impetus to any other particles of matter so
that they could do it, and then reappear again — on tlie other side
of the wall The whole conception is intensely ridiculous. It
may do to teach, if the principal object of teaching is the pay.
Or it mav do for those interested in the million of dollars of
670 ELLEN OR THE
text-books, already printed with this stuff in, but them's no
further use for it And, too, the forces perpetuating this error,
being organized, it may be able to continue its pourse a feir
months more, but Ellen does not believe it will long, for tfie
people are fast learning to understand the fraud. And as \soon
as any schools or colleges break away from it, they will be the
ones to be patronized.
"Mr. Newton in his Principia states, that although the
Ptolemaic system of Astronomy, — and this undulatofy theory
of sound is said to have come from the same source, — had been
universally taught for some 1800 years, through the whole time
the abler minds protested against it, saying it was erroneous.
'^The same is true now of these undulatory theories. Prof.
Thompson of Oxford University, England, one of the leading
ph)r5icists of the world, in an article in Harper's Magazine,
suggests that science will be obliged to return to the corpuscu-
lar theory of light, accepted by Newton, and taught in all the
schools for over a hundred years. But at the same time this
was taught, the undulatory or wave theory of sound, as handed
down ffom the Greeks, was also taught. Further discoveries
showed that the same laws which governed light governed
sound, and in getting them together, Newton being dead, and
there being no other such really great and safe leader living,
guided by Dr. Young, a fine scholar, but not at all a safe guide,
or especially able man, the mistake was made of shifting the
one that was right, and so making them both wrong.
"And thus the absurd and impossible, handed down from
the ignorance of 2000 years ago, has been adopted by modern
science. And this, too, although in direct antagonism to
WHISPERINGS OF AN OLD PINE
671
Newton, generally recognized as the greatest of English phi-
losophers.
*'Well, it wasn't Mr. Newton's fault, but illustrated the old
adage that a live dog is better than a dead lion. There is noth-
ing left now lor the physicists of the world but to go back to
Newton's corpuscular theory of light, and accepting the demon-
strated fact that the laws governing sound are the same as those
governing light, accept the corpuscular theory of sound,
"As the old Pine said, Ellen has proved that sound makes
vibration. She has shown also that sound is a compound of
matter and motion; that is, it contains within itself a power of
movement, and is an entity. Certain fire works do the same^
and will move while they last. So will sound; and for the dis-
tance it can be heard it is supposed to move at the uniform
rate, in air of a certain temperature, about 1 140 feet a second.
This movement, as we can tell by feeling when sound passes
through a stick, is of an irregular character, something like
that of water flowing on a decline over a pebbled bottom.
The text-books speak of this as vibration, but in no accurate
sense is it vibration. The sound makes vibration, the vibration
of the fork, but that is a very different thing from the sound
that makes it. Vibration is a movement to and fro. Sound
has a constant onward movement, besides permeating the air
like a cloud,"
"And will not vibration produce sound?" I asked. *'Make
It, not fashion it?"
"Not any more than a saw mill will make lumber,** she re-
plied; "or a woolen factory wool, or a cotton factory cotton,
or any factory the substance of which it makes its goods,"
672
"And how docs Ellen think that the graphophoae record is
made?"
"By sound/' she added. *'With Mr, Edison at the head to
arrange and manage the necessary machinery.
"And does the recorder make the record?"
- "Ellen docs not think it does."
"Then what can? '
"Sound/* she answered, *Hhc particles of sound. And iii-
deed when it is claimed that the diafram mains it, tfarotigh tlie
recorder, that is, using the recorder a» a tool, it is under-
stood that the action of the diafram depeiids entirely itp6n the
sound itself, the whole explanation being that sound moves the
diafram, and the diafram acting as agent, makes the recoid, or
in scientific language, the sound makes the diafram vibrate and
thus, by the stylus fastened to it, record the sound in the paraffin
and wax. The old Pine will notice that the scientists here
claim that sound makes vibration.
"This theory is naturally the first one that suggrests itself,
but there are several quite serious objections to it: First,
the question arises why it wouldn't be more feasible for the
particles of sound to make the impressions themselves, than to
cause something else to make them.
" Second, it is impossible for a diafram to vibrate to the sound
of any instrument except one in sympathy with, that is, having
the same vibration as, itself. * This as Ellen has shown is a
fundamental principle of physics. But there could only be
one kind, of the possible millions of instruments or sounds
which might make the graphophone record, that could do this,
• Sec page 721, Appendix.
WHISPERINGS OF AN OLD PINE
673
**Thirdt Ellen cannot see how, when there are two or more
sounds taking place at the same time, as when an orchestra
is playingi or a quartette or chorus singing, or both orchestra
and chorus, a diafram, supposed to be affected by the motions
of all the sounds, can act so as to make independent records
of each. In such conditions by the laws of mechanics a
record made by the diafram would be that of a resultant
motion, which could not possibly be a separate record of all
the sounds which made the resultant. Yet when such record
is reproduced the different sounds are distinctly heard» in the
same manner as they would be when performing, each sound
made by a different sound- producing instrument, and there-
fore by numerous different motions instead of, — as they would
have to be if made by a resultant, — all made by one.
"Ellen knows that the scientists get along with a little diffi-
culty of this kind b}' jumping or ignoring it, thereby fooling
the millions who look to them for knowledge of such matters,
and adding to their large fund of knowledge of things which
are not so.
**And fourth, it is impossible to detect that such diaframs
vibrate at all, the best evidence showing that the} do not, (See
pages 405, 407).
•*It follows that the diaframs have nothing whatever to do
with making the indentures of the graph op hone, excepting as
they may help to collect and reflect the sounds which make
them ; but that these are made by the sounds themselves, con-
ducted first into the diafram. and then by the metal recorder
into the paraffin and wax prepared for such purposes by the
stylus,
674
"In this case the sounds are sown very much as seed would
be, and through the proper forms or molds which they in»*
press upon the paraffin and wax, provide itistrumcnts lor that
own renewal. Thus made the Vecord when reproduced woaU
respond precisely as It does/*
"But I said," ** would it be possible for sound to make tlie
impression necessary for a record?''
"Ellen thinks it would," le answered. "For as Ellen has
shown sound is electrical, that is, it is compounded in part of
electricity, and certainly tlie power that can rend a tree should
be able to make a record,"
"But why haven*t the scientists supposed it to have been
made this way?" I asked.
"Because with their theor>' of sound it would be impossible
that it should be. All the phenomena of sound can be accom-
plished, and arc, by the entity sounds in which is contained for
motion the beautiful and wonderful electrical power, so that
every sound starts off in confidence on its path, whether that
be a humble one or one of glory and fame. The folly of man
or the exigencies of teachers, and thrift of book makers, would
destroy the whole business, but luckily all they can do is to
deceive those who trust in them, and possibly themselves • but
the sounds of the world, and of the universe, for Ellen thinks
that in some form they are a part of universal existence rise
above all this and independently with power, skill and beauty
perform their parts."
WHISPERINGS OF AN OLD PINE
^77
XLV.
^^PLLEN has referred several times/* I said, ''to nature's
^ great system of Sensations, by which men, and other
animals as well, living upon this earth, derive the knowledge
which they have, and the old Pine wishes that she would
describe more fully this system, and its method of operation/'
"It is a system of Universal Telegraphy," she replied, "for
the delivery of universal information to all sentient beings,
which live in material conditions. These conditions the soul of
man enters completely ignorant of them/*
"But where does this soul come from?'* I asked,
** Ellen cannot say/* she answered, "nor why it comes, nor
how. It would appear to be beginning a new life, when
all the past has been erased. Certainly it comes without
possessions, and immediately its education begins, which is
accomplished entirely by sensations/'
"And how many of these sensations are there?*" I asked.
"Five,'* she replied; "touch, taste^ smelling, hearing, 'and
sight, and the conditions are these: matter surrounds us, and
in it live myriads of animals and plants. How many scnsa*
tions trees have, the old Pine will have to explain, but man
and other animals have the ones Ellen has named, of which,
perhaps, the most useful are sight and hearing/*
68o
ELLEN OR THE
of the body. The thing to be studied, that is, the cause ol
any particular sensation, is usually entirely independent of the
person learning. The method of operation, as Klicn has said
is a system of universal telegraphy. And it is the system pro
vided by the Power that created this universe, for the educa
tion of the intelligent beings inhabiting it.
** There is a thinking substance capable of knowledge. Thi
thinking substance, or principle of intelligence, is providec
with a body, which makes for it, while the body lasts, i
habitation, and, as Ellen has said, furnishes it with th<
necessary means of using its faculties, and accumulating infor-
mation.
** And this soul has a faculty of learning. And it has a facult>
of feeling which perhaps answers to that called instinct, stronger
than that of learning, and from which, too, the superstructure
of knowledge ijiay be built. That is, the intuitive feeling may
be used for the beginning of thought.
•'Thus the ^irl Helen Keller, who was both deaf and bh'nd
and lived, till seven years old, entirely ii^norant, was first tau.q;ht
the word water by pcnirini^ it upon her hand, and at same time
tracin<j^ the word on her arm, until she had learned that what
caused this sensation of touch was called water. The names
of thin<i[s or words she i^ot from holding her fingers on the lips
of one repeating them. With a few preliminary steps of this
kind her education went on rapidly.
"And I^llen wants the old Pine to remember that existence,
the existence of a soul, consists in a power of acquiring knowl-
edge, not necessarily, as l^llen thinks, in that of retaining and
thus accumulating 't, although certain provisions are made for
WHISPERINGS OF AN OLD PINE
68 1
this» and perhaps ultimately, with any soul sufficiently developed
in all its powers, these become permanent Thus the power of
accumulating property is one thing, and that of retaining it
quite a different thing.
** Ellen thinks now that the old Pine can see that a system of
signals, from small beginnings, and by the aid of feeling, or
instinct, which is active in the soul, whatever be its change of
location, could soon be established, from which commences
the accumulation of knowledge by each individual soul. And
Ellen feels sure that this is what takes place.
** But there has to be a sign for every outside thing that we
become acquainted with. And now we may realize the neces-
sity of the machinery of the body* For it is evident that the
soul cannot directly recognize material things. Apparently it
lives in another, that is, belongs to another sphere, where, as
Ellen thinks, they don't have material things ; but, howcv^er that
may be, a representation of each material thing has to be
brought into the immediate presence of the souU in order that
it may perceive it,
'* Here is introduced the principle so well known in material
philosophy that things affect each other only by contact/
• In a letter to Mr. Benlley, Mr. Newton sayst
It is inconceivable that inanimate brute matter should, without the
mediation of something else which is not material, operate upon and
affect other matter without mutual contact, as it must do if gravitation
in the sense of Epicurus be essential and inherent in it. • • •
That gravity should be innate, inherent, and essential to matter, so that
one body can act upon another at a distance, through a vacuum with-
out the mediation of anything else, by and through which their action
1
And this, as Ellen thinks, is true in regard to the soul. It per
ceives things only as directly, or indirectly, they are broui^hft
into intimate relation with it. And this is accomplished vvitW
all material things, whether the furthest fixed star, or the ncari
pebble, by the sensations. That is what they are for,
•*The old Pine and Ellen can sec when they examine into ii
what a wonderful universe this is, how complete in all its partsJ
and how infinitely removed those parts would appear to be. ]
"These things, that is, every^ material thing, cannot be;
brought up as a whole to every personality, or indeed to any of
them. And therefore did it become essential to arrange i^
system which would accomplish this in all cases- Hence that?
of sensations; which, like the quality of mercy, Is not strained^
but falls equally upon the just and the unjust.**
"The old Pine sees," I said, "that this system brings certain'
knowledge to myriads of beings, thus enabling them to live
intelligently in material conditions, and he can imagine thall
this may be accomplished by a system of signals similar to
telegraphy^ but he would much like to know exactly how each
of the sensations acts.*' ,
"As Ellen has told the old Pine/' she replied, "the great
law of action between all material things is contact, and we see
that this machinery of the body, which is made entirely to assist
the soul in its material life, is sustained and only sustained by
the introduction of sustenance, and that means material, whether
food or water, into the body, and by its assimilation. In all of
and force may be conveyed from one to another, is to me so great an
absurdity, that 1 believe no man, who has in philosojihicai matters a.
competent faculty for thinfcingj can ever fall into it.
rHISPEF^lXGS OF AN OLD VINE
683
this the fundamental character of the soul's susccptibHity to feel-
ing is shown by the effect which this sustenance produces on it.
**Aiid this soul, as we know, is also very receptive to knowl-
edge. But all the sensations come from the introduction of mat-
ter into the body. Thus that of sight is the result of particles of
light mixing chemically with other matter in the eye, and making
the pictures by which the whole outside universe is instantan-
eously brought into intimate relation with all intelligent beings.
Light operates similarly in a camera, which, as Ellen thinks, is
a demonstration that light is composed of matter For she can*
not imagine how any thing can produce chemical changes,
except matter." •
• Ganot says: **The choroid is a membrane between the retina and
the sclerotic. It is highly vascubr^ and supplies the nourishment for the
chemical and physiological processes in vision. On its inner surface,
and in close contact with the ends of the rods and cones, is a layer of
densely black pigment cells, which secrete a peculiar yellowish purple
pigment called the visual purple^ and which is rapidly bleached by light.
It is evidently connected with the act of vision, but its precise use is
uncertain.**
The Kncyclopcedia Britannica in article on the Eye s;iys :
''Recent researches of lioll and Kuhne have shown that light pro-
duces chemical changes in I he retina. I fan animal be killed in the dark,
and if its retina be exposed only to »r/^7*:' rays, the retina has a pecu-
liar purple color, which is at once destroyed by exposure to ordinary
light. The purple matter apparently is decomposed by light. Ktihne
has also shown that an image may actually ht fixed on the retina by
plunging it into a solution of alum immediately after death. Thus it
would appear that light affects the purple matter of the retina^ and the
result of this chemical change is to stimulate the optic filaments ; if the
action be arrested we may have a picture on the retina, but if it be not
arrested, the picture is evanescent ; the purple matter is used up, anj
684
** These pictures In the eye are very evanescent, are tfiey
aot?" I asked.
"Yes," she replied^ '*but a copy of them, by aid o! the optic
nerve, is instantaneously made in the archives of the brain, for
the future use of the soul, that is, in the interests of memory.
For, as Ellen has told ^he old Pine, memor>^ is a record, and
the record of all such things as these is made by nature in the
•gray matter of the brain.
''The instruction is then given to the child, by parents, or at
school, or elsewhere, that such a picture is that of an oak, or
maple, or shell, or rock. That is, every material thing which
reflects light may make a picture, always a similar one, and
language is used to designate it
" Sounds enter the bodily system by the ear, and are thus
conducted to the soul. They may also enter by the teeth or by
the bones of the head or body. Their number is infinite, and
it being understood that a particular sound or word means a
particular thing, — that is, by the use of language, — the soul
may be instructed in all knowledge."
"But how," I asked, **do sounds affect the soul to impart
knowledge to it?"
** This is but another illustration," she replied, ** of the soul's
great sensitiveness to matter, when brought in contact with it.
For the sounds act as signals, each particular sound, and the
soul recognizes their difference, as it does that of a plum,
cherry, or peach, or any other combination of matter ; only the
new matter of a similar kind is formed to take its place. The retina
might, therefore, be compared to a sensitive plate having the sensitive
matter quickly removed and replaced by chemical changes."
WHISPERINGS OF AN OLD I'INE
685
plum, cherry or peach, help sustain the body, besides produc-
ing the pleasurable sensations of taste, but light and sound act
in the interest of knowledge.
'*And thus material is collected with which the soul may
use its power of construction, or action » \n which consists its
essential nature. Material it cannot invent, but it can use it,
and, as Ellen thinks, if not brought to it in the usual manner it
strives for it* proclaiming by exhibition of feeling both its wants
and its existence, as in tlie case of Helen Keller But nature
in her designs, recognizing the conditions, provides that the
nccessar\^ material for the performance of the souTs action is
furnished to every sentient being,*'
"But some souls," I said»**are much more proficient than
others?**
"Yes," she rephed, *'and comparatively few very proficient,
and yet all can learn enough to live with tolerable comfort in
their new conditions."
**Then Kllen thinks that the power of action with the soul to
use material for the construction of thought within^ or things
without, is innate?**
*'This is beyond question," she replied. ** Hut for tliis innate
power of mind a creation would be impossible. This is the
power from which all else conies. The mind of man is limited,
but in it is the power of growth, so that if it uses its oppor-
tunity it may rise to high position in this life, and be born to
nobler opportunities in another.
**And thus the creation of both matter and spirit is most
abundantly explained, and why they are so intimately related
to each other As Ellen has repeatedly said* matter is made
by Spirit for the use of spirit. There could be no universe
witiaout it; no opportunity for God to use His infinite power of
construction* But now:
^ Deep in unfathomable mines
Of never ending skilly
He treasures tip His vast designs
And wor^ "' sovereign will.'
- '*But matter is not any more indispensable to spirit than
spirit is to matter. If it was not that there is such a thing as
intelligence, with the power to construct, thierc could never
have beeii any material for the purposes of construction^ whether
©f a thought, or of a planet
" Then Ellen thinks that the soul begins its work at birth?"
'* Unquestionably,, if not before. When concepts are intro-
duced by the sensations, the soul is in command, although not
yet accustomed to the body's machinery, which in itself is
immature."
"But why," I said "Ellen, should sentient beings in this world
be so dependent upon material conditions for their apparent
existence?"
'*It*savery small world," she answered; "and it's nothing
strange that its opportunities should be limited. That it is
inhabited by many beings, learning certain things, and some of
them quite inferior beings, isn't at all strange to Ellen, for with
Eternity for improvement, and Infinity for abode, infinite
improvement is possible."
"Well, " I said, "the old Pine can see that Ellen is right, that,
of necessity, to make a universe there must be matter."
WHISPERINGS OF AN OLD I'lN'E
687
**Yes/' she continued, **eke there wouldn't be any moun-
tains, or any houses ; just folks, with nothing for them to do, or
anything for them to live In* These things and many more
are necessary to make a universe. Indeed, Ellen isn't sure it is
possible to have too great a variety. For we wouldn't want
to spare the gloss upon the highest mountains, or the beauty
gathered in the smallest valley. Not a flower, of all the myriads
that adorn the earth, nor any tree, or any bush.
** But whilst all of these must be maintained, and the laws
which govern them given the broadest scope of operation,
even at times to the apparent shutting off of the spiritual, this
last will fully assert itself, guiding and controlling, and alone
using.
"Nature's arrangement is one of education, and the system
used is the introduction to the soul or spiritual part of existence,
of different combinations of matter, which affect it differ-
ently, and all in such a way as to impart to it knowledge;
each combination acting as a new word in nature's dictionary.
There is no other way. The old Pine, perhaps, would have
made ali this very different?"
•*No," I said, ** the old Pine has no faculty for making universes
or explaining how they are made. He couldn't have made it
at all ; but he thinks everything of Ellen, and he thinks with her
vocabularies, and dictionaries, and signals, telegraphic or other-
wise, she has got the chart of material existence veiy plainly
marked out, so that the old Pine can see how it is made,
though he could not have made it. Nature's great system of
education is as plain as that of a school. As Ellen says, it is a
system of universal telegraphy and telephone communication^
688
extending from both planets and fixed stars to this little world
of ours, and from this little world to the planets and the stars,
And the old Pine is already thinking of sending a message to
Venus some nighti when she is shining so gorgeously in the
heavens. It will travel to her at the rate of 184,000 miles per
second, which is quite a fair pace, though one may have to
wait a little for the answer.
"And then there will be all the fixed stars left for further J
communications. The old Pine thinks electricity is the begin*
ning and the end of universal existence.'^
*< And Ellen thinks that he is dreadfully mistaken. It may
be the beginning, but the end God only knows« The end, as
Ellen thinks, is a land fairer than day, where all these changing
scenes vanish, trouble has no foothold, and death no further
use. But universal love, universal beauty, and universal knowl-
edge reign instead — ^The Good, the Beautiful and the True.
"Ellen has especially considered the sensations of seeing
and hearing. Odor, as is well known, consists of infinitesimal
particles of matter thrown off by odoriferous bodies, and these
find their way, too, into the bodily organism of all sentient
beings, where like food and drink they affect the spirit, or soul,
causing the pleasurable sensation of smell."
**And Touch?" I said.
** Touch has to do with outside bodies directly by contact.
And as pressure may arouse motion which, as Ellen has shown,
must be moving matter, that, entering, will move a train of cars ;
so touch, which of necessity implies pressure, must arouse or
create moving matter, which entering the body follows the nerves
to the seat of the soul, and delivers the appropriate message.
WIirsrERINGS OF AN OLD PINE
689
** And thus the old Pine can see» and all can see, that infor-
mation is conveyed to the soul by the introduction of matter
into the body, and in no otlier way, It is the result of the
effect of matter upon spirit, but this effect can only be reached
when matter is brought in contact with the thinking substance,
or into its immediate presence. So that this great law of the
combination of matter not only makes ever\' possible thing in
the material universe, but also is used as the medium for im-
parting all knowledge of material things to every sentient being
in material conditions/*
*' Ellen has triumphed gloriously/* I said, "for she has un-
folded the principle of Sensation — showing the processes by
which it works, and thus opening a new chapter in the world's
history.
**The old Pine has never loved her so much as he does now
*She walks in beauty like the night,
Of cloudless climes and starry skies/ "
*' Ellen thinks the old Pine is especially unhappy in his
poetry/' she replied. 'VFor Ellen's eyes are blucg and her hair
is golden, so that it would be impossible for
' All ihat*s best of dark or bright
To meet in her aspect and her eyes/
*'But she accepts the compliment for her explanation of the
Sensations/*
tf90
((
BUT
of
XLVI
what is the history, Ellenp'* T asked, '* of the theo
souad? Has this tindulatory theon^ been univer-
sally accepted since Mr, Ne\\ton*s day?''
"Not at all," she replied. * A nymber of eminent men have*
questioned it, but the old Pine knows that after such a theorjr
has been intrenched behind vested property interests in text-
books and teaching/it becomes doubly difficult to get rid of it.
"Shortly after its announcement by Mr. Newton the theory
was questioned. In 1799 the French naturalist and scientist,
Lamarky read a memoir on sound of perhaps a hundred pagesa
at a meeting of noted scientists in Parist in which he claimed *
that since sound passed through solid bodies as well as through
gases, and since it was impossible for air to enter such solid
bodies, sound was made by the peculiar jostle or thrust of an
exceedingly subtle substance which readily permeates all or
nearly all substances.
** Reese's Encyclopaedia thus defines sound :
' Sound originates in the percussion and vibration of the parts of an
elastic substance and is transmitted by means of the elasticity of the
air, or of some other more subtle medium of a similar kind.*
"Paroletti, in 'Inquiries Concerning Sound,' says:
* Soimd is propagated by infinitely small vibrations, according to the
theory of M. De la Grance. and it is probable that this takes place
WHISPERUJGS OF AN OLD PLNE
693
in the particles of a very light, elastic fluid of a peculiar natiire and
which should not be confounded with the gases that compose what we
know as the atmosphere.*
** About 1825 the present theory was again questioned by
Sir G* S. McKcnzie* Vice-President of the Royal Society of
Edinburgh. In the paper read Mr. McKenzie expressed the
opinion that sound is an entity, as follows:
'It is a groundless expectation that man is ever to arrive in the
progress of discovery at the nature or essence of anything. With
respect to sound, therefore^ we ran do nn more than attend to the
immediate causes of its production, and to the laws which it obeys in
its diffusion. In the present state of our knowledge concerning it,
philosophers appear to have entirely rejected the idea of its being a
thing sni generis^ as light anil heat, and to have become content with
the rather unsatisfactory conclusion of its being mere mechanical
action. Such a conclusion, however, does not afford sufficient ground
for altogether ceasing to observe the phenomena of sound, and the cir-
cumstances Hurler which it is made known to the sense of hearing*
*The analogy between sound and light has been noted as remarkable,
and as light and heat have been admitted to be distinct entities, and as
they have distinct organs of sense (the eye and the skin), appointed to
them ; and as taste and smell are also made known by motion, and
contact with distinct organs ; and as there is a distinct organ appro-
priated to sound, there is no reason why it should not be regarded also
as a distinct entity, although hitherto our observation has not been
extended far enough to show thai it is such,'
*' Numerous other writers have since questioned the undula-
tory theory, prominent among them the Rev. A* W. Hall of New
York, a Methodist clergyman and a man of unusual natural
694 n^^^ ELLEN OR THE
abilities* Mr, Hall, in *Th<* Problem o( Human Life,' abund-
antly disproved the correctness of such a theory, and. like Mr*
McKenziCt considered sound an entity. Ellen will close thi«
part of the discission with several quotations, and first from
an excellent article entitled * On the Identity^ of Light, Heat,
Electricity, Magnetism, and Gravitation/ by J. Goodman* M.D,p
M,R, C. Sm published in the * Memoirs of the Literary and
Philosophical Society iter' (1852):
* From the difference of temperature of bodies, — the facility with
which we can increase the temperature of a cold body hy the oppositioo
of one already heated, and of cooirng the latter also by the same coo-
tact, — and from the laws of transmission, diffusion, radiation^ ignition
coctioD, fusion, and volatilization, by this force ; — I cannot in spite of
all modern theories upon the subject 341 d the teaching of the schools
draw any other conclusion than that this force is a land Jit/f imfi^^ndtr'
abk txuitmt^ possessing the ordinary qualities of matttr^ hHatity^ txUn-
aiti n^ impt'n etni f^r/'f 1 , /^ . ■■■ f'l '' r,- , fi firactio n , m&tio n : and, as I I > r ! i r * c: i >
shown in the following experiments, momentum also — a property hith-
erto applied alone to ponderable matter. That heat possesses the three
former properties is not objected to by philosophers, inasmuch as it is not
contended that it enters into the substance of the atoms or elementary
particles of matter^ and occupies with matter the same space at the
same time, but simply is described as filling the interstices between
these elementary particles. It is also as capable of transmission from
one substance to another, as water when poured from vessel to vessel.
It is to a certain extent capable of accumulation and retention^ w^ithout
renewal, like other fluids in nature ; we find that the retention of these
latter is of very short duration if left to evaporate, uncovered and unpro-
tected, or in contact with leaky or porous substances.
* There is therefore reasonable ground for concluding, that, as every
WHISPERINGS OF AN OLI
095
mown substance in nature is more or less porous to the calorific fluid,
if caloric could ,he as effectually surrounded l>y substances incapable of
its transmission as the liquitls in daily use can be, we shoukl be able lo
pieser\ie it at any degree of intensity, and that without addition, lor any
protracted period* y
* But it is manifest that whatever may be the teaching of the schools
with regard to the nature of caloric — ^they all practically denominate it
Dot as a mere mode of action or the result of motion among the par-
ticles of matter — but as a hond fiih and genuine substance and as
endowed with all the powers and qualities usually attributed to real
material existences,
' The facts that appear lo me especially unanswerable, bearing against
modem theory, arc, that if one were to admit for the sake of argument
that caloric \% generated by friction, why does not the effect cease when
the causae is discontinue*! ? Why does it not cease to exist when friction
ceases? Or else, why is not caloric daily and hourly accumulating?
How is it that when by snch heat generated we have kindled a fire,
which might also be admitted to ilepend for its development on motion
of a chemical nalore occurring among its own particles, — how is it Uiat
by this same fire, once produced, we c^tn communicate a certain degree
of redness or white heat to a piece of iron or other substance, without
producing any motion among its particles, and with this heated metal
we can communicate warmth to the air, ignite a second fire, or boil
water, which shall absorb just the e^act amount of heat lost by the
heated iron, and shall ultimately be able to retain this communicated
caloric for a considerable period?
* I think that heat is shown, by these and other facts, to have an inde-
pendent existence, so far :is our present ideas of entity and non-entity
extend.
* Again, if caloric were admitted to be the mere creation of nutter,
iiow is it that the other imponderable forces, which ar« by many phi-
losopliers admitted as convertible into calortCp and viVe versd^ are nat '
them also assignetl to the same origin and the same mode of existence ?
' It has already been shown by the bbors of Dr, Wollastoiij Dr. Far-
aday, and the author of this paper, that the ordinary electric and voltaic
forces are identical ; and many years ago the analogy o! aerial electricity^
or lightning, was sufficiently demonstrated by the experiments of Dr>
Franklin,
P'lTie reciprocal infti nutual dependence of these forces
along w-ith magnetism, ana ine onedience of electricity to some of the
laws of magnetism, and vife versd^ as well as the analogy of the phe-
nomena manifested by all these forces, evince their Identity. In ilius-
tralion of the identity of electricity with magnetism, I read a paper
before the British Association in 1843J in which it was shown that a
plate of glass maintained in a constant polar condition by the simple
current from the ordinary electrical machine, sustained the weight of
5 ounces and 20 grains ; showing that frictional electricity itself^ when
placed in a condition resembling magnetism ^ — or rather electro-mag-
netism—will produce with them an equivalent effect proportionate to
its inferior quantity and powers.
'With regard to the identity of light and heat — forces which I hold
to be so far identical as to be in their common acceptation simply the
essential qualities of the one subtle force imder investigation — I refer
to the experimental labors of M. Melloni and Prof. Draper.
* We have therefore deficient only one link in the chain of identity
among all these imponderable forces, and that link is the identity of the
force light or heat, with electricity. I have already shown that there
are many points of analogy between voltaic electricity and the caloric
force. Each of these forces is found occupying the interior or so-called
interstitial space of the elements of bodies, they are the admitted agents
which operate upon the elementary particles or atoms of matter,*
* This is not true of the other forces. See report of British Association, 1842.
WHISPERINGS OF AN OLD PINE
697
and are possessed of essential qualities common to both, which are
exhibited in all their liiminiferous and calorific phenomena.
'It is this link which I believe is discovered and supplied by the fol-
lowing experiments [with the galvanometer],'
** Ellen will omit the experiments, as now the substantial
identity of light, heat, and electricity is admitted.
*The results of these experiments evince to ray mind more than ever
the unity of force. On every hand experimental evidence appears to
justify the conclusion that there is one universal force in nature, which
is modified by the accidental and varied conditions to which it is sub-
ject, but that its essential nature and characteristics are at all times the
same, and evince in every modification constantly the same unchang-
able qualities, which are discoverable by man under the denomination
of sensations, as well as luminous and calorific properties,
* I believe that these experiments indicate and indeed prove the
identity of caloric and voltaic force and that now the last required link
for the completion of the entire chain of identity of these imponderable
forces is obtained/
** Mn Herbert in his work, * Modern Realism Examined,* says:
'And all the evidence accumulated tends to extricate us from the
unintelligible and baffling conceptions of imponderable agents, subtle
fluids, and occult principles working in ways wholly unfamiliar to us,
and to substitute for them the movements of infinitesimal particles or
molecules, regulateti by the same laws of mechanical action which
masses of matter appreciable by our senses obey.'
**So Mr. Justice Grove teaches:
'I believe the day is approaching when the two fundamental con-
ceptions of matter and motion will be (ouud sufficient to explain
physical phenomena.*
698 ELLEN OR THE
XLVII.
^^ FALLEN will now recapitulate in part. It has been shown
-■— ' that the undulatory theory of sound never had any
foundation, being built upon an unproven hypothesis. And it
has been demonstrated to be impossible in these respects :
*' First. Mathematically.
" Second. Such a system of air waves as those supposed
could not exist, because of the mobility of the air. Therefore
the material representation of sound would be impossible,
without which there can be no sensation. •
*' Third. Echoes would be impossible.
** Fourth. The action of the megaphone or ear trumpet is
uncxplainablc and would be impossible.
" Fifth. The uniform speed of sound cannot be explained.
For by the theory, as tested by experiment, all sounds should
have different speed and vary constantly in their speed.
•'Sixth. Waves of air or particles of air, however moved,
are altogether insufficient to explain the record of a grapho-
phone or the action of a telephone.
"Seventh. It would be impossible for sounds to pass each
other.
•' Eighth. The undulatory part explains nothing, and
teaches nothing.
"These are among the objections to the theory, and any
one of them is fatal. But above them all is the fundamental
f
THr ITEW TORK
PUBLIC LIBRARY
^«T»«, tIMAJt ANO
« t
WHISPERINGS OF AN OLD PINI
701
bjectton that the theory is subversive of the greatest of nature^
physical laws, that by which things are made,
** Conversely, Ellen has shown that sound is composed of
infinitesimal particles of electrical matter, which can enter many
if not all bodies. It is caused by shock or friction in an elastic
body, in the interstices of which it circulates to and fro, causing
vibration, which helps decide the character of the sound and then
throws it into tlic air. The particles of sound because of their
infinite numbers, and innate tendency to move, spread in all
directions, and are thus enabled easily to perform the purposes
for which they were made.
*'In this way sound continues until the measure of its life
is finished, thus causing it to exist in every part of the air as
well as in the whole air, which Lord Bacon thought one of the
'strangest secrets in sounds' and which again would be entirely
impossible under the undulatory theory; for this supposes the
character belonging to every voice to consist of the motions of
the air particles of the hypothetical waves, some of which are
over seventy feet fn length.
** Ellen will repeat again Mr. Huxley's criticism upon
hypotheses.
'Every hypothesis is bound to explain, or at any rale not to be incon-
sistent with, the whole of the facts it professes to account for; and if
there is a single one of these facts which can be shown to be incon-
sistent with the hypothesis, such hypothesis fiills to the ground — it is
worth nothing. One fact with which it is positively inconsistent is worth
as much, and is as powerful in negativing the hypothesis, as five hundred,*
"This undulatory theory explains none of the facts and is
inconsistent with all, whilst, on the contrary, the entity theory
70Si ELLEK OR THE
txplatiis all and is inconsistent with none. Forliie entity tfaecny
explains echoes by the usual laws of the reflection of bodies.
The correlative of sound is complete as a tree is complete,
because it is made so. The action of the megaphone and ear
trumpet is precisely what it must be with sound an entity per*
vading the air, for the megaphone gathers it and conducts it as
it would rain drops or any other substance. The speed of
sound is inherent and varies with the substance it is passing
through ; just as a stone falling in water and air moves with
different speed. And this, indeed, is a very general law of
nature. The record of a graphophone and the action of a
telephone are both intelligently and fuUy explained. The
enigma of sounds passing each other is fully explained ; for
they pass each other as all other things in nature, because
there is room, or when there is room.
" It follows that the whole undulatory theory of sound has
been entirely discredited. And with it of course fall all undu-
latory theories, and we see that by one system only, and that
a substantial one, all things are made.
"This is what common sense and our experience tell us must
be true. For the universality of nature's laws, that is, the prin-
ciple of order, alone makes possible nature's wonderful works.
Without it there could be no creation. Without it all success-
ful result is impossible. Ellen can see that scientists under
bad leadership might blunder into the idea that there was no
system, and tongue-tied by authority, for some time wander in
the paths of ignorance, but so mistaken a conception cannot
last. The clouds will surely break and the magnificent
splendor of the creation, in whose system there is no variable-
WHISPERINGS OF AN OLD PINE
703
ness or shadow of turning, be made manifest to all, proclaiming
the infinite wisdom and love; the infinite wisdom and" power of
Him who has both designed and created the whole, and
without whose knowledge not a sparrow falls to the ground.
"Ellen will close this visit with quotations from 'Life and
Letters of Faraday/ vol. i, page 308, and an article on * Radiant
Matter/ by William Crookes, inventor of the Crookes radiom-
eters. In this last Ellen will not vouch for the counting, but
written from a scientific standpoint it suggests the infinite num-
ber of molecules that are supposed to be hidden from our
sight. But the entity sound is smaller than these, for it passes
readily through those bodies which particles of air cannot
enter. Mr. Faraday says;
*1 may now notice a curious progression in physical properties
accompanying changes of form, and which is perhaps sufficient to
induce, in the inventive and sanguine philosopher^ a considerable
degree of belief in the association of the radiant form with the others
in the set of changes I have mentioned,
* As we ascend from the solid to the iluid and gaseous states, physi-
cal properties diminish in number and variety, each state losing some
of those which belonged lo the preceding state. When solids are con-
verted into fiuids, all the varieties of hardness and softness are neces-
sarily lost. Crystalline and other shapes are destroyed. Opacity and
color frequently give way to a colorless transparency, and a general
mobility of particles is conferred.
'Passing onward to the gaseous state, still more of the evident char-
acters of bodies are annihilated^ The immense differences in their
weight almost disappear; the remains of difference in color that were
left are lost» Transparency becomes universal, and they are all elastic.
They now form but one set of substances, and the varieties of density,
704
ELLEK OR nm
haxfixkO^s, opacity^, ^olor, -elastlei^, and fdnpai,. which i
o^ solids and fluids >ahnost in&^te, are now viaggi^
'mm^ons m wejght, and some:unmiKWc;ta]|t^s|^^^
*To^tho»e, tl\trc^9tp»:wbp a^^tt^p W^ ^
ciilty exist^ m tii^ simpJicity of the properties it^ pc
an arguxnent in t^eir favo];. T^ese persons show you
tion of properties in the mattet we can appredl
asK:ends In the scale b! fohns, ahd ffie]!^ woiild 1>e su^
Were to cease at the i^eons state? iTli^'pb&f Mt
tions ^ch nature mak^ at each step of the^'diiai^
consistently, it dught to W gkatei^'Jn^ €ieP pte^tf
td the tadiant form/ --'i- "''-' -•*:";:•.:% v'if-;
.:C-
iJiC'.J
"This is in very refreshing contrast;. to. tiae_
talk of scientists on these subjects. Mr. Crool
;•.,.-. ; • -i. -^ ; .r ,. ;.. ...r^irj r. ;..,!;
. ^ It may- be objected that it i^ hardly consistent
importance to the presence of jxMr/^, when I have t
pains to remove as much matter as possible from the
tubes, and have succeeded so far as to leave only a
lionth of an atmosphere in them. At its ordinary p
phere is not very dense, and its recognition as a
world of matter is quite a modern notion. It woul
divided by a million, so little matter will necessari
may justifiably neglect the trifling residue, and apply
to space from ivhich the air has been so nearly ren
however, would be a great error, attributable to oi
being unable to grasp high numbers. It is generally
that when a number is divided by a million the qt«
sarily be small, whereas it may happen that the ori
large that its division by a million seems to make li
it. According to the best authorities, a bulb of tl
WHISPERINGS OF AN OLD PINE
705
before you (13-5 centimetres in diameter) con tains more than 1,000000,-
000000,000000,000000 (a quadrillion) raolecules. Now, when exhausted
to a milUonth of an atmosphere we shall still have a trillion molecules
left in the bulb — a number quite sufficient to justify me in speaking of
the residue as matUr,
' To suggest some idea of this vast number, 1 take the exhausted
bulb, and perforate it by a spark from the indiiction*coil* The spark
produces a hole of microscopical fineness, yet sufficient to allow mole-
cules to penetrate and to destroy the vacuum. The inrush of air
impinges against the vanes and sets them rotating after the manner of
a windmill. Let us suppose the raolecules to be of such a size that, at
every second of lime, a hundred million could enter. How long, think
you, would it take for this small vessel to get full of air? An hour?
A day? A year? A century? Kay, almost an eternity I — a time so
enormous that imagination itself can not grasp the reality. Supposing
this exhausted glass bulb^ indued with indestnictibilit)^, had been
pierced at the birth of the solar system ; supposing it to have been
present when the earth was without form and void ; supposing it to
have borne witness to all the stupendous changes evolved during the
full cycles of geologic time, to have seen the first living creature appear
and the !ast man disappear; supposing it to sur\Mve until the fulfdl-
ment of the mathematicians' prediction that the sun, the source of
energy, four million centuries from its formation will ultimately become
di burned out cinder ;* supposing all this — at the rate of filling I have
just described, one hundred million molecules a second — this little bulb
even then would scarcely have admitted its full quadrillion of raolecules.t
•The possible duration of ihe sun from formation to extinclion has been variously
estimated by different authoriliea at from eighteen million years to four hundred mil-
lion years. For the purpose of this lUustratiori I have taken the highest estimate.
t According to Mr, Juhiistonc Stoney (** Philosophical Magazine," vol, jtxxTi,,, p,
141), I c. c. of air contains about iooo,oooooo,oooooo,oocxxxi molecules. There-
fore* A bulk IJ.5 ccntims, diameter contains 13.5^ X 0.5236 X iooo,oooooopooooo,-
000000 or 1,288252,350000,000000^000000 molecules of air at the ordina:ry pressure.
7o6
ELLEN OR THB
'Bat what will you saj if I tdl y&x that all these molecitleK, this
quadrinioQ of moleculesy will enter tfaiou^ the uiicroscopjc hole before
yoa leave this room? The hole being unaltered in si^e^ the number of
moleculea undiminished^ tihis appaxent pazadoiE can only be expkuned
by again supposing the size off the molecules 1o be diinirtishe<i ahxiosl
infinitely — so that^ instead of entering at the rate of one hundred
millions every second, they troop in at a rate ot someihing like three
hundred trillions a second I I have done the rnxm^ but figures ivheu
they mount so high cease to have any meaning, and such calcubtions
are as futile as trying to count the drops in the ocean.
' In studying this fourth state of matter, or tadtant matter» we have
seen that, in some of its properties it is as materia! as this table* while
in other properties it almost assumes the chamctcr of radiant energy.
We have actually touched the border-land where matter and forre seem
to merge into one another, the shadowy realm between known- wmd
imknown, which for me has always had peculiar tcmptatiaos« I
ture to think that the greatest scientific pioblems of the fiiton wiU -
their solution in this border-land, and even beyond ; here^ it
me, lie ultimate realities, subtile, far-reaching, wonderfuL
' " Yet all these were, when no man did them know.
Yet have from wisest ages hidden beene ;
And later times thinges more unknowne shall show.
Why then should witlesse man so much misweene.
That nothing is, but that which he hath seene ? " » "
Therefore the bulk, when exhausted to the millionth of an atmosphere, contains
1,28825 2,350000,ooocxx) molecules, leaving 1,28825 1,061 747,650000/xx)0oo mole-
cules to enter through the perforation. At the rate of 100,000000 molecules m
second, the time required for them all to enter will be —
12882,510617476500 seconds, or
214,708510,291275 minutes, or
3»578475»i7«52i hours, or
149103,132147 days, or
408,501731 years.
WHISPERINGS OF AN OLD PINE
She arose as she finished.
707
•*Ellea has more than fulfilled her promises/* she said, *' in
discussing with the old Pine this undulatorj' theory^ of sound.
The undulatory theory of light is, if possible, more intolerably
stupid than that of sound ; but it will not be necessary for
Ellen to consider that with the old Pine* For all the undula*
tory theories will fall together, and the great physical truths
of nature be finally established on a firm and consistent basis*
So that when Ellen comes again she can talk upon subjects far
more interesting and instructive.**
She raised her eyes to me, filled with love.
'*The beautiful Ellen,'* I said, *^ whose whole life is a mission
for good. The old Pine hopes that every part of it may abound
in happiness,"
"The old Pine is one of Ellen*s best friends/* she answ*ered;
*' and then he has lots of common sense. That's why she likes to
talk to him. But Ellen now must hurry home ; for Gertrude may
want assistance, or to be released. And the pretty Edith
will run to meet Ellen, and tumble all over her/*
•* And the beautiful Ellen?"
•*Will bid the old Pine good-bye.*'
The look of decision and power again reigned in her eye j
that look which all the trees and plants and stones and rocks of
our mountain have learned both to respect and to love. And
with a smile for all, she sprang into the forest and disappeared.
"Always/* I said, **rt is the same sweet Ellen — fearless, un-
sparing, hating error and loving Truth.'*
APPENDIX.
APPENDIX.
The following article is from the Middlebury (Vt.), Register*
December 27, 1901.
CATHODE IL-WS,
A REVIEW OF THE ARTICLE OF PROF. J. J. THOMSON, OF OXFORD UNI-
VERSrrV, ENGLAND, ON CATHODE RAYS, IS HARPER*S >UGAZ1N£ FOR SEP-
TEMBER, 1901, BY JOSEPH BArrELL, AUTHOR OF "ELLEN, OR WHISPER-
INGS OF AN OLD PINE/*
A few weeks since we sent a copy of "Ellen" to Prof* J* J, Thom
son of Oxford University, Englantl, saying in a letter, that we perceived
from his article in Harper*s Magazine of September, 1901, that he had
abandoned the undulatory theories. We received very courteous
acknowledgement of the book, with no denial as to his abandonment of
the undulatory theories.
It is entirely evident to any one who reads Mr. Thomson's article
on cathode rays which appeared in the September number of Harper's
Magazine, that Prof. Thomson has abandoned the undulatory theory of
light, and therefore of necessity must soon abandon, if he has not
already, the undulatory theory of sound, and all other undulatory theo-
ries. For every intelligent physicist knows that, whatever the laws may
be, the same laws govern both light and sound*
714 APPENDIX
Prof. Thomson^ in the article lefeired to^ sqfi : " Allboiigh in ooii*
seqaence of the universal acceptance ci the andnlatoff tfaeoiy of l^t
a raj is generally associated in the minds of pigpsicists with an undiilft-
tory motion in the ether, this araodation is OBiy aoddental and there is
no necessary coimection between a ray and andalatory motioii" ; wliidi
could only be true when the. uiidulatpnr. theory of Ug^t was tintnie.
That is to say Mr. Thomsoni slakes here a mstinct statemen^-^^-and we
believe that this was done deliberately and not aoddentally/^that the
nndulatory theory of light is not true.
As this article of Prof. Thomson's is both a very aUe and important
one, unquestionably foreshadowing tibe great revctetion now taking
place in the ph3rsics of tibe world, we will examine imne care6i%
what he says. The first sentence is revolutionary. It is this :
''The study of the eSects which occur when a current of electricity
passes through gas at a very tow pressure lufi recent^ led to results
having a very direct bearing on our ideas of matter and electricity."
If our ideas in regard to these subjects had undergone or were under-
going no change, why this sentence ?
Mr. Thomson goes on to show that the cathode rays are composed
of material particles, which move in straight lines, like all other light,
as follows :
" Newton uses the term, * ray,' in connection with his corpuscular
theory of light, and the cathode rays, as we shall see, have an extraor-
dinary resemblance to the conditions postulated in that theory for a
ray of light."
Prof. Thomson then shows, that cathode rays, like the ordinary
rays of light, heat bodies on which they fall, may be focused so
as to raise a piece of platinum foil to a white heat, and even char a
diamond.
He also states that, "The rays when they strike an object tend to
A r rex D IX
7»S
push it away, the object behav^ing just as if! t was struck by a stream of
particles coming from the catho<ie. This is prettily shown in the experi-
ment due to Sir William Crookes, when the impact o! the ray makes
the little carriage move from one end to the other of the rails.*'
This, too, is illustrated In the Crookes radiometers where small discs,
fastened to an axis, are made to revolve slowly or with great rapidity
according to the size of the stream of particles intluencing them. And
the effect is almost instantaneous, coming from sunlight, or a lamp or
heat rays of a stove. Of course in all these cases the stream of parti-
cles must enter the vacuum through the glass.
But the interstellar space is a vast region into which the air does not
enter, and therefore similar to what we call a vacuum. It would appear
to follow with absolute certainty that the vast stream of corpuscles of
light and heat, constantly emitted from the sun, with their marvelous
velocity of iS6,ooo miles per second, must move all bodies in their path,
which means especially the earth and the planets, or what we call the
solar system.
As light rays move in straight lines the result of this would be to push
the planets away from the sun. This is the force of repulsion so-called.
But Prof. Thomson shows that magnetism, which is unijuestionably a
stream of particles, but from another source, deflects the coqmscles of
light from a straight to a curvetl course* Let, then, these two forces of
light and magnetism be ]>roperly adjusted, and the revolution of planets
about their central sun is accounted for.
Another very remarkable thing referred to by Prof. Thomson is that
these rays affect the color of substances, and this appears in such a way
as certainly to suggest that they have the |K>wer of imparting color ;
that is that they are the color giving substances. It is indeed an
interesting thought that these inTmitely small particles, which Prof,
'ITiomson says are not over one one- thousandth of an atom of hydrogen
in size, are the pigment or jmit of the pigment that gives the beautiful
colors of the universe, those which hover upon the border of the clauds,
or those which nestle In the exquisitely sweet petals of a rose- There
certainly are such pigments, or as many of them as may be wanteiif
and that they are of the character of these particles Is now most
highly probable.
Prof. Thomson says, ** That some substance such as salt experience
a pecuUat change in color when exposed to these rays ; crystals of rock
become a pretty violet blue, lookmg almost like gems — the color is
unfortimately somewhat fugitive if the cr)'stals are exposed to a raolst
atmosphere. Some, however, in my possession, which have been kept
dry, are still blue, although they are now nearly four years old.*'
Prof. Thomson dwells further upon this color-producing quality and
then says : "that the cathode and Roentgen rays have many points of
resemblance, they both affect a photographic plate, they both cause
substances against which they strike to phosphoresce, and they both
make gas through which they pass a conductor of electricity. The
cathode rays, too, as we shall see, have some power of penetrating
opaque solids, though this is small compared with that possessed by the
Roentgen rays ; the essential differences between the two rays are that
the Roentgen rays are not affected by a magnet, nor by an electric
force, nor do they carry with them a charge of electricity,"
Mn Thomson states that physicists until three or four years ago were
very much divided in opinion as to cathode rays ; the German physi-
cists, with very few exceptions, holding thai they were waves of eiher»
but the English physicists almost unanimously regard mg them as
particles of gas projected with great velocity. In 1892 Hertz showed
that solids were not absolutely impenetrable by these rays. Lenard
made a tube which had in it a small window of very thin aluminum
foil, and shooting the cathode rays against this window they penetrated
it so as to be investigated on the outside.
After this time, Mr, Thomson says, all the evidence was in ^vor of
APrENDIX
717
the particle theory, and *' showed that the pajticles of the cathode rays
are not ordinary atoms or iwolecules at all, 1-»ut something very much
smaller, for the mass of each particle is only about one thousandth part
of that of the atom of hydrogen, the smallest mass hitherto recognized."
Mr, Thomson fyrther says that this extreme smallness is not the only
remarkable feature about these particles; "for it was found that what-
ever might be the form of the gas in the tube, or whatever metal was
used for the cathode, the mass of the particles remained the same.
Ilmt thus in these particles we have something possessing the proper-
lies of ordinary matter, having a definite mass, which is yet exceedingly
small compared with the mass of any known element ; the particles of
this new kind of matter thus correspond to a very much finer state of
subdivision than that of ordinary matter into its molecules,"
He then refers to their speed as being enormous, and says: **The
only velocity with which we can compare these particles js the velocity
of light, which is about 186,000 miles per second." And these parti-
cles, be it remembered, are light. He then adds : "Thus in the tube
near the cathode we have bodies smaller than atoms moving with pro-
digious velocities, a state of things which recalls Newlun's corpuscular
theory of light, according to which light consists of very small particles
(corpuscles) moving at the rate of 186,000 miles per second. Although
this theory of light has since been abandoned, Newton's conception is
realized in the cathode rays; and I have ventured to call the small
particles which constitute these rays, corpuscles." One must be
exceedingly stupid or ignorant, or both, who in reading this article has
not by this time perceived that Mr. Thomson has abandoned the
undulatory theories and knmvs that Newton's corpuscular theor)^ of
light is correct. This is what has been demonstrated by the experi-
ments. Certainly he has abandoned the undulatory theory of light, and
it won't take him long to abandon the others, if he has not already.
Prof. Thomson now calls attention to the fact that matter in the
7l8 AWENDIX
.ccnpnscular state is not confined to tiie cathode twfu in an eiiiaiisted
tabe* fot he says whoi a metal wire is asade fed hot in a good Taamniy
matter in this state is given off. He also says that it is given off wlieQ
fbs metaiy instead of being, red hot, is exposed to aWg^ light. He
then refers to the fact that in these cases we get n^ative dectridty in
thfs gas around the wirej and in ibct that whenever we have nq^tive
electricity in a gas at a very low. {Krewose, where there- is veiy Httle
matter in the ordinary state for it tD stick to» wetiind the electricity is
carried by the corpuscles.. ^ He shows that when the preasiue d the gas
is not low, that is, when the air particles have not bees tbcmMighl j
exhausted, that the corpuscles adhere to die molecules of gas. And
therefore, he says, if we wish to get.matter in this ecnrpoacuki state we
must remove, as much oi the g^s as possible; and thaLtiien we find
that the negative electricity^ is . always carried by these corpuscles.
With positive electricity this is different;, for this is always found on
matter in the ordinary state, while negative dectriqity . js. found on
corpuscles. ...r,..;
Prof. Thomson adds that this difference between the two dectricities
is just that which ought to exist on the one fluid theory of electricity due
to Benjamin Franklin. That according to that theory electricity was
supposed to be a fluid ; that when matter in the ordinary state con-
tained a certain quantity of this fluid, it was said to be saturated, and
not electrified ; that if some of the fluid left it so that it contained less
than the normal quantity, it was charged with electricity of one sign ;
that if some came into it so that it contained more than the nonpal
quantity, it was charged with electricity of the opposite sign. And he
then says :
" Now if we suppose that the electric fluid consists of a collection of
our corpuscles, the results of our experiments will be exactly expressed
by Franklin's one-fluid theory, and it would thus seem that there is
Gome warrant for the somewhat discredited electric. fluid.
APPENDIX
7ig
"If the material of the cathode rays forms negative electricity, it is
evident that it must be very widely spread ; we have seen that it occurs
free near white hot metals and metals exposed to the light. We may
suppose that it forms a part of all kinds of matter in the normal state,
and tltat the heat and light which have to be applied to metals are only
required to get the corpuscles out of the metal, and that in the metal
itself, even under normal conditions, there are corpuscles moving freely
about, and able to carry heat as well as electricity from one part of the
metal to the other."
Prof, Thomson then shows that there are some substances which
constantly emit cathode rays without the aid of heat or light. Me
especially mentions uranium and a new substance called radium obtained
from the mineral pitchblende. Radium, he says, has been shown to
emit corpuscles at about tvvo^thirds the velocity of light. And he adds :
"Since corpuscles are emitted by hot metals, it seems not improbable
that that very hot body, the sun, may be emitting corpuscles, some of
which would strike the earth, where, stopped by the earth's atmosphere,
and deflected by the earth's magnetic force, they would produce
luminosity in the upper region of the earth's atmosphere, which they
would make a conductor of electricity."
And he adds that the consequences of such an emission of corpuscles
by the sun have been investigated by several eminent physicists who
have shown that very many of the properties of the aurora borealis can
be thus explained.
In conclusion he says :
' " Jf this view is sustained by future investigations, we shall have to
regard the corpuscles as playing an important part in cosmical as well
as in terrestrial physics. The possibility of such a widespread scope
for their action lends increased interest and importance to the investi-
gation of their properties*
"It is a striking instance of the unity of physical phenomena on the
jma largest scale that an occurrence apparently so exceptional
g of the glass in a small tube should be closely connected
M the most widespread phenomena in nature, and give the
their explanation--*
have thus given a synopsis of this veT>^ remarkable and most
aely article of Prof. Thomson, which, like a great guide board, points
way to the physics of the future, suggesting the explanation of every
1 element or so-'^^ii^'i frtr^#. Sn tki* r^hysics of the past, and from
! standpoint of exp( ng that all things in the uni-
erse are made by one law, the combination of what we call matter m
s different conditions and proportions.
This indeed is a self-evident proposition, for it is simply the canying
mt of the fundamental principle of science, the universality of natural
a principle as we have before had occasion to say sustained by
ty known fact. The only wonder is that science should ha%*e
so slow to perceive the logic of its own teaching. We may
well thank God and take courage that we are emerging from this
dark age of science^ and coming upon that great and broad ocean
of Truth, where religion and science will be exactly blended, teachin|
MS they should, precisely the same thing, and what the Bible and ail true
religion has always taught, that all things are created by an infinite and
personal God ; that the order and nature of their creation is the
same that we see carried out in the things made by man, who is
created after the image of God, and therefore must work, if he works
at all, in accordance with the laws of God.
And these great truths will assuredly lead to a better understanding
of the laws which control our moral and religious being, which also are
unfolded in the Bible, and show that there is a connection between this
and another life, as concise and as definitely marked out as are the
boundaries of these various physical elements which we have been
considering.
APPENDIX
;2i
SYMPATHETIC VIBRATIONS.
Mr, Tyndall refers to this subject as follows :
" But to grasp, in all its fullness, the new theory of musical consonance
some preliminary studies will be necessary. And here I would ask you
to call to mind the experiments (in Chapter III.) by which the division
of a string into its harmonic segments was illustrated. This was done
by means of little paper riders^ which were unhorsed, or not, according
as they occupied a ventral segment or a node ii|X)n the string. Before
you at present is the sonometer, employed in the experiments just
referred to. Along it, instead of one, are stretched two strings, alx)ut
three inches asunder. By means of a key these strings are brought into
unison. And now I place a little paper rider upon the middle of one
of them, and agitate the other* What occurs? The vibrations of the
sounding string are communicated to the bridges on which it rests, and
through the bridges to the other string. The individual impulses are
very feeble, but because the two strings are in unison, the impulses can
so accumulate as finally to toss the rider off the untouched string.
" Every experiment executed with the riders and a single string may
be repeated with these two unisonant strings. Damping, for instance,
one of the strings, at a point one- fourth of its length from one of its
ends, and placing the red and blue riders formerly employed, not on
the nodes and ventral segments of the damped stringi but at points up-
on the secoml string exactly opposite to those nodes and segments,
when the bow is passed across the shorter segment of the damped
string, the five red riders on the adjacent string are unhorsed, while the
four blue ones remain tranquilly in their places. By relaxing one of the
722 APlASNDIX
Strings, it is tiirown out of unison with the olber, and Aem alf eforit
to unhorse the riders are unavailing. That accusiulatioa of imputaes,
whieh unison a/one renders possible^ cannot here take phce, and the
consequence is, that however great the agitation of the one string may
be, it fails to produce any sensible effect upon the odi».
'^The influence of synchronism may be illustrated in a still more strik-
ing manner, by means of two tuning-forks which sound the same note.
Two such forks mounted on their resonant suf^ports are placeed upon
Uie table. I draw die bow vigorously across one of them, permitting the
other fork to remain imtouched. On stopping the agitated fork, die
sound is enfeebled, but by no means quenched. Through the air and
through the wood the vibrations have been omveyed from fork ,to fork,
and the untouched fork is the one you now hear. When, by means of
a morsel of wax, a small coin is attached to one of die forka^ its powv
of influencii^ the other ceases ; the change in the rate of vibration, if
not very small, so destroys the sympathy between the two foiks as to
render a response impossible. On removing the coin the untouched
fork responds as before.
"This communication of vibrations through wood and air may be
obtained when the forks, mounted on their cases, stand several feet
apart. But the vibrations may also be communicated through the
air alone. Holding the resonant case of a vigorously vibrating fork in
my hand, I bring one of its prongs near an unvibrating one, placing
the prongs back to back, but allowing a space of air to exist between
them. Light as is the vehicle, the accumulation of impulses, secured
by the perfect unison of the two forks, enables the one to set the other
in vibration. Extinguishing the sound of the agitated fork, that which
a moment ago was silent continues sounding, having taken up the vibra-
tions of its neighbor. Removing one of the forks from its resonant
case, and striking it against a p?id, it is thrown into strong vibration.
Held free in the air, its sound is audible. But, on bringing it close to
APPENDIX
723
the silent mounted fork, out of the silence rises a full mellow sound,
which is due, not to the fork originally agitated, but lo its sympathetic
neighbor,
"Various other examples of the influence of synchronism, already
brought forward, will occur to you here ; and cases of the kind might
be indefinitely multiplied. If two clocks, for example, with pendulums
of the same period of vibration, be placed against the same wall, and
if one of the clocks is set going and the other not, the ticks of the mov-
ing clock, transmitted through the wall, will act upon its neighbor. The
quiescent pendulum, moved by a single tick, swings through an extreme-
ly minute arc ; but it returns lo the limit of its ssving just in time to
receive another impulse. By the continuance of this process, the im-
pulses so add themselves together as finally to set the c\ock a-going. It
is by this timing of impulses that a pro]>erIy pitched voice can cause a
glass to ring, and that the sound of an organ can break a particular
window-pane,'^
In the above the facts of synchronous vibrations arc correctly
stated, but the cause given entirely erroneous. The air because
of its mobility would accomplish nothing of the kind, but the
sound which we both hear, and, when passing through wood
feel. — infinitesimal particles of matter, — under such circum-
stances will cause to vibrate any body which has the same nor-
mal vibration as the body in which the sound is produced. And
it will so affect no other body. The effect is caused by the
internal stnicture of the body, which will permit these infini-
tesimal particles of sound, to enter it and throw it into vibration.
is a delicate tightiy stretched membrane or skin which separates the
outer ear from the middle ear or tympanic cavity^ which is a cavity in
the temporal bone in which are several small bones whose dimensions
are considerably exaggerated in the figure. One of these, the hammer^
//, is attached at one end to the druniy and at the other is jointed to
the anvily e\ the latter is connected by means of the stirrup bone,yi to
the aval window, an aperture closed by a fine membrane, which sepa-
rates the tympanic cavity from the labyrinth. The tympanic cavity is
also connected by the Eustachian tube, b, with the cavity of the mouth,
so that the air in it is always under the same pressure.
APPENDIX
725
"The labyrinth is a complicated structure filled with fluid; it is en-
tirely of bone, with the exception of the oval window already mentioned
and the raund window ^ o. The labyrinlh consists of three parts : the
Xfiitibule^ which is closed by the oval window * the three semi-circular
canals, k ; and the spiral-shaped cochlea^ or snail shell, x. This is sepa-
rated throughout its entire length by a division partly of bony projec-
tion and partly of membrane ; the upper part of this division is con-
nected with the vestibule, and therefore with the oval window, while the
lower part is connected with the round window. In the labyrinthine
fluid of this part the termination of the auditory nerve is spread, the
other end leading to the brain.
"The membranous part of this diafram is lined with about 3,000
extremely minute fibres, which are the terminations of the acoustic nerve,
w. Elach of these, which are called Cord's fibns^ seems to be tuned for
a particular note as if it was a small resonator. Thus when the vibrations
of any particular note reach these fibres, through the intervention of the
stirrup bone and the fluid of the labyrinth one fibre or set of fibres only
vibrates in unison with this note, and is deaf for all others. Hence
each simple note causes only one fibre to vibrate, while compound
notes cause several ; just as when we sing with a piano only the funda-
mental note and its harmonics vibrate. Thus, however complex exter-
nal sounds may be, these microscopic fibres can anal>^e them and
reveal the constituents of which they are formed.*'
The following instances of unison vibration are from Ganot:
"There are numerous instances in which solid bodies are set in vibra-
tion by the vibrations of the air. The condition most favorable for the
yjrodurtion of this phenomenon is, that the body to be set in vibration
is under such conditions that it can readily produce vibrations of the
same duration as those transmitted to it by the air. The following are
some of these phenomena :
** If two violoncello strings tuned in unison are stretched on the same
726 APPENDIX
sound-box, aa soon as one d.ibem is sonnde^- the lather is aet in vftim-
tion. Thisisalso thecaseif.theinterraloftbjestrinpjsan or
a perfect fifths A violin^string may abo be madi^ to irRxattt tqr.aovnd:
ing a tuning-fork. ..^ . •:
*^ Two large glasses are taken of tiie same diape> and as neatfy m
possible of the same dimensions and ureigbty anii^arei brpoi^ia unison
by pouring into them proper quantities of w»tef«* .M pxm-.otkt of theqi
is soimdedy the other begina to vibrate^ even if* it last some dtstancej
bat if water be added to the^tter, it ceases to yibimte^
''Brq^etfound.thaJt two ckicka^ whose time was. not very different,
fixed on the same metallic support, soon attained cmctly tiie same time*?
We add Ganot's description' of Edison's original phonograph :
'^ Edison has devised-an apparatus for reproducing sounds triiich h
equally remarkable for the simplicity of-its constructions, and tos the
striking character of the result^ whidh It fnxxiuces.
" A mouthpiece is closed by a thin elastic itietal disc By means of
a spring a small steel point, rounded at the end, is fixed, on the back
of the disc ; this point gently presses against the ^riace of tinfoil, to
which it transforms the vibrations of the disc by the intervention of
small pieces of india-rubber tubing. Another small piece of tubing
helps to deaden the vibrations of the spring itself.
" The tinfoil is placed on the circumference of a long cylinder on
the surface of which is a very accurately constructed spiral groove,
the threads being about -^j^ of an inch apart The cylinder works on a
screw the thread of which is the same as that on the cylinder ; it is
turned by a handle, the motion being regulated by a large fly-wheel.
" When the disc is made to vibrate, by speaking or singing into the
mouthpiece, while at the same time, the cylinder is turned with a uni-
form motion, a series of dots or indentations are produced upon the
tinfoil, which, being a nonelastic substance, retains them.
" If now the part which the mouthpiece plays be reversed, the
APPENDIX
727
indented tinfoil can be used to reprcxluce the sound. This is best
effected by having a special mouthpiece of larger size, with a diafram
of similar construction. This is so adjusted that the point is made to
work along the indentions in the groove.
** In this way sound has been reproduced so as to be audible to
a large audience ; the articulation is distinct though feeble ; it repro-
duces the quality of a person's voice who speaks into it, but with a
nasal intonation. Speech may thus be treasured up on a sheet of tin-
foil and kept for an indefinite period ; the sound may be reproduced
more than once by means of its tiufoil register, but after the second
reproduction the strength is greatly diminished.
**U the velocity of rotation is greater than before, the pitch of
the speech is altered ; and if it is not uniform, then, in tlie case of a
song, the reproduction is incorrect.
*' There is great difference in the distinctness with which the various
consonants and vowels are reproduced ; the s, for instance, is very dif-
ficult. If the phonograph be rotated in the reverse direction, the indi-
vidual letters retain their character, but the words as well as all the let-
ters are reproduced in the reverse order.
" If the instrmnent be reset to the starting-point of the phonographic
record of a song, and be again sung into, it will reproduce both series
of sounds, as if two persons were singing at the same time ; and by
repeating the same process, a third or fourth part may be added, or one
or more instrumental parts*
"The impressions on the tinfoil appear at first sight as a series of suc-
cessive points or dots, but when examined under a microscope they are
seen to have a distinct form of their own. U'hcn a cast is taken by
means of fusible metal, and a longitudinal section made, the outline
closely resembles the jagged edge of a Konig's flame.
" According to Edison's statement, as many as 40,000 words can be
registered on a space not exceeding ten square inches."
Figure 50*
Adcr's telepbone without membrane
and nvagnct.
Figure SI.
Ader's telephone without magnetic
INDEX.
INDEX.
PART I.
GEOMETRY AND TRIGONOMETRY.
ANGLE, degree oU 4.
Angle, diedral, definition of, 6i*
** MM measure ol, 61.
** how made, 5.
** measure of, 133.
** po^redralt definition of, 6i.
•• spherical, " « 85.
« triedral, " "62.
Angles, acute, of right trian^es, functions
* o^ 135, 136.
« complementary, functions of^ 135.
•* curved, 93.
" of triangle, determined from its
" sides, 170.
" spherical, discussion of, 93,
** supplementary, functions of, 135.
Apothem, definition of, 53.
" equal to what, 53.
Arc, definition of, 3.
" degree of, 4.
Area of a surface, 47.
Authors (and books), quotations from:
" Burns, 142.
" Euclid, 13, 17, 114.
" Goethe, 131.
" Loomis, Elias, 147.
" Shakespeare, 132, 141.
" White, Henry Kirke, 179.
Axiomatic mathematical truths, 46.
BASE of system of logarithms, 181.
Briggs system of logarithms, 181.
Beauty, perception of, 140.
CAVAUERI'S conoepckm of liiie%
surfaces and solids, 'i47*
Chord, connecting two arcs, 6.
** definltioiiof, 3*
Chords, and aics, rdatbiQr o^ 6b
Circles, and cifcumfereno^ reviled ocfini*
tionof, 3.
•• aieao^ 53.
** concentric, 4.
•« definition of* a.
^ generation o^ 4* $.
** great, definitioa of, 85*
** nature of, 17.
** polar distance of, 85.
« poles of, 85.
" principles upon which constructed,
I.
" small, definition of, 85.
•* tangent to each other, 4.
Qrcumference, nature of, 7.
" of circle, divisions of, 133.
" ratio of, to diameter, 53.
Circumsciibed polygon, definition of, 4.
Commensurate quantities, definition of, 14.
Complement of arc or angle, 133.
Concentric circles, definition of, 4.
Cone, altitude of, 84.
'* axis of, 84.
" convex surface of, 107.
" definition of, 84.
" how generated, 84.
** slant height of, 84.
INDEX
;3i
Cone, truncated, definition of, 85.
" volume of, 108, 112.
G)nes, similar, 85.
Constant quantity, definition of, 14.
Continuous movement between limits, 137,
175-
Cosecant defined, 135.
Cosine defined, 134.
Cosines, differences between, 142.
Cosines of two arcs, sum and difference of,
proportional to cotangent of half
simi and tangent of half difference,
167, 178.
Cosines, table of, 142.
Coversed sine defined, 135.
Cotangent defined, 135.
Creation, order of, in.
Cylinder, convex surface of, io6.
" definition of, 84.
" how generated, 84.
" volume of, 106.
Cylinders, similar, 84.
Cube, definition of, 73.
DEGREES of arc or angle, 133.
Diagonal of a polygon, 25.
Diameter, definition of, 3.
Diameter, how divided, 6, 33.
Difference of two quantities, square of, 45.
EUCLID*!
43.
S demonstrations, character of,
FIGURES, equivalent, 47, 74.
Figures, similar, 24, 25.
Fluctions, 147.
Fluents, 147.
Frustum of pyramid, altitude of, 74.
GEOMETRY, Davies' Legendre's, re-
view of, 62, 96.
Geometry, Yale College, review of, 8, loi,
105.
INACCURACIES of trigonometric tables,
146.
Incentives to study, 162.
Increments, 142.
Infinitely small, 56.
Inscribed angle, definition of, 3.
Inscribed polygon, " " 3.
Instruction, methods of, 160.
KNOWLEDGE, acquisition of, should
be made ea^, 163.
LAWS governing the universe may be
understood,. 132.
Limit, definition of, 14.
" of a variable, 14.
Line, curved, definition of, 84.
** definition of, 116,
" perpendicular, definition of, 92.
" projection of, 6.
** straight, area of a surface generated
by, 108.
" straight, divided^ 25.
Lines, Cavalicri's conception of, 147.
" divided externally, 25.
** ** harmonically, 26,
" ** internally, 25.
" how generated, 147.
" Ne>»'ton's conception of, 147.
" straight, how divided proportionally,
25-
Logarithms, 133.
" base of, 181.
" Briggs' system of, 181.
'* discussion of, 1 79.
MAGNITUDE, relative, 117.
Mathematical truths of the kind
called axioms, 46.
Minutes, 133.
NEITHER, or, instead of
nor, 35.
neither.
732
INDEX
OBUQUE-ANGLED trini^ |MitB
required for the tolatioii o^ 157.
JPARALLEL0GRAM» altkode of, 15,
PsualMopipedf definition o^ 73*
** rectangnlar, defiaitioii o^ 73.
** Ti^bltf defiaitioii of, 73*
<< Tolnme of, 78; 79.
iPendnliim, osdUatiiig, 123.
Perimeter of polygon, 25.
Plane, definition of, 61.
Planes, when parallel, 61.
Point, definition of, iifi.
Polyedron, definition o^ 72.
** diagonal o^ 74.
« Yoiiimeof, 74.
Polyedrons, similar, 74.
Polygon, perimeter of , 25.
** r^[iilar, centre of, 53.
" ** definition o^ 53.
" spherical, 8^.
M M diagonal of, 86.
Polygons, similar, 24, 53.
Pony, use of, 161,
Principle of rewards and punishments, 162,
Prism, altitude of, 73.
'' circumscribed about a cylinder, S4.
" deBnition of, 72.
" how named, 72.
" inscribed in cylinder, 84.
" oblique, definition of, 73.
" right. " " 73.
" triangular, volume of, 83.
Projection of straight line, 36.
Proportion, definition of, 13.
" proved by definition, 88.
" treated unintelligibly, 25.
Proposition, converse of, true, 27.
Pyramid, altitude of, 73.
" axis of, 74.
" circumscribed about a cone, 85.
•* definition of, 67.
Pyrainid,
ioscfibM
lateiala
128.
** danthd
** trancate
Pyramids^ hoir iHu
/^UADRAKT,
RADIUS^defia
Ratio, aiei
two and tin
Ration Endid^i del
" of dfamctei
Rectangle, area d
Rdationship of sic
stteant^
Rewardythe hig^
Ri^t-anf^ tria:
151.
SECANT, dcfin
relat
Seconds, 133.
Sector, definition <
Segment, definitio:
Similar arcs, secto
" polyedrom
Sine and cosine oi
" defined, 134
" of difference
of cosine!
ence of
radius, i
Sines and cosines,
" law of, 152.
" of sum and
INDEX
733
proportional to sum and difference
of tangents of arcs, 168, 176.
of two arcs, sum and difference of,
proportional to tangent of half sum
and difference, 166.
** of two arcs, sum of and sine of their
sum proportional to cosines of half
their difference and sum, 167, 178.
Size, relative, 140.
Sphere, area of, 118.
•* definition of, 85.
" diameter of, 85.
** how generated, 85.
•• radius of, 85.
•* volume of, 118, 125.
Spherical excess, 86.
Standards of measure, 116.
Straight line, projection of, 36.
Sum and difference of sines of two arcs
compared with tangent of half sum
and difference, 166.
Sum of two quantities, square of, 44.
Superficies, definition of, 116.
Supplement of arc or angle, 134.
Surface, area of, 25, 47.
" " plane, 120.
Symbols, manipulation of, 44.
TABLES of sines, cosines etc. inaccu-
rate, 139.
Tangent, definition of, 3, 135.
'' of sum and difference of two arcs,
169.
Tangents, law of, 154.
Trapezoid, altitude of, 25, 47.
Triangle, altitude of, 25.
** area of, 49.
** oblique-angled, solution of, 152.
** polar, definition of, 86, 95, 96.
" sides of mutually proportional, 28.
" spherical, definition of, 86.
" ** spherical excess of» 86.
Triangles, similar when, 28.
Trigonometrical formulas, 158.
" •* two methods of
deriving, 173.
Trigonometric functions, expressions for,
136.
** " how related, 136,
137. 139-
" •* values of, 137.
Trigonometry, plane, defined, 1 33.
Truth, mathematical, made self-evident by
study, 46.
" of paramount importance, 24.
VALUE of TT, 53.
Variable quantity, definition of, 14.
Variables, dependent upon the same varia-
ble if proportional at beginning and
end, always proportional, 175.
Variables, law of variation of, 51.
Versed sine, defined, 135.
Vision has to do with the agent which
perceives, as well as with the thing
perceived, 140.
Volume, definition of, 79.
" measured by, 80.
734
INDEX
PART II.
THE UNDULATORY THEORIES.
ACX>RN9 the nucleus of an <Mk» 500,
5>7.
Aconsdc GgareB, 507.
Action wtthont contact nnthinkable, 47.
Aggregation, in nature, lesnkt o^ 202, .
** law of, ao2.
Air, confinable, aoi, ai6.
** hypothetical rarefactions o^ trayel
faster than condensations, 357.
** in a tube, action o^ different from
that of unconfined air, 348.
*• mobility of, 38a, 387.
** movement of, 238.
** specific heat of, at constant pressure
and constant volume, 242.
*' vibration of, 238, 30a
« waves, hypothelical, 238, 276, 385.
" " hypothetical, plane or spheri-
cal, impossible, 360.
" " incapable of penetrating solid
walls, 669.
Annealing, 64.
Articulate speech, machinery of, 647.
Authority, power of, 601.
Authors (and books), quotations from:
" Abbott, Jacob, 351.
" Airy, 145, 196, 213,311.
" Alexander, James B., $56.
" American Journal of Science, 307.
" American Telephone Practice, 426,
445-
" Bacon, 204.
" Bell, James, 539.
" Berreuil, 89.
" Bible, 272, 519, 572.
Authors^ Blasema, PSetro^ 199U
« B^rthe, Jame% 5491
" Bourseid, Cbaiies, 444.
•« Biyant, Wm. C, 51^
** Bflchner, 75.
" Byron,(»39.
** Caiwstrem, Ignace^ 619^ 622.
*• Csrty,J.J.,4a6.
" ChaSis, Rev. Jas^ lajp 249^ 274,
- Channliig^ Wm. IL, 530.
** Grde of Sciences, 321.
•* Comdins, &, 44.
** Corrdation of Fh^cal Fofoe% 3794
" Cowper, William, 64$, 68&
** Crookes, William, 704.
" Deschenel, 198.
" Dynamic Theory, by Jas. B. Alex-
ander, 556.
" Dubois-Raymond, 43.
" Du Moncel, 613.
" DuPrel, 75.
** Earnshaw, Rev. Samuel, 247.
" Economy of Nature, 316.
" Electricity in the Service of Man,
191.
" Elegy, Gray's, 505.
" Encyclopccdia Britannica, 13, 53^
66, 308, 401, 446, 447, 683.
" Encyclopaedia, Chambers*, 53, 140,
189, 318.
" Encyclopaedia Metropolitana, 162,
219, 312.
" Encyclopaedia, Reese's, 690.
** Encyclopaedic Dictionary, 30.
i^^^^^^^
1
^^^ 73S H
^^^H Authurs Faraday, 35a, 439.
Auth ors, M ayer, A., 44. ^^|
^^^^^B
Faraday^ IcttL'rs of, 52t» 524.
tt
Mayer, ProL A. M., 555, ^H
^^^^^^^^^^^_
Faraday, Michflel, His Life and
M
Mccanique Celeste, 3S2, ^^M
Work, 520.
U
Mcikle, Henry, 252, 264. ^^M
^^^^^^^^^^
Fisher, Rev. George, 309,
u
Memoirs of the Literary and Phil- ^^|
^^^^^^^H
Force, 351.
o^uphical Society of Manchester, ^^M
^^^^^B
Force and Matter, 75.
694< ■
^^^^^■^^
Canut, 5, 8, 9, 35, 55, 65, lo6,
u
Meyer, 0. E., 150, ^^M
lo§, 148, 197, 225, 284, 302,
*l
Millar. W. J., 534. ^1
337. 355. 358» 365. 391. 683. 724.
II
Miikr, Kcmpatcr B*, 426, 445. ^^H
^^^^^H
('•oldingham, John* 316,
u
Modem Applications of Elcclricity ^^|
^^^^^^^H
Gggdman, J., 694.
472. 490, 578. ^M
^^^^^H
Good Works, 506, 507, 516, 518.
II
McHleni Realism Examined, 697, ^^U
^^^^^^^B
Gregory, D. U, 316,
1*
Mohr, F., 44. ^^1
^^^^B
Grove, Justice, 697.
It
Moleschott, 43. ^^M
^^^^H
Grove, W. R., 379.
II
Moon, Robert, 357. ^^|
^^^B
Guyut, 45,
tl
Mother Gcwjse, 231, ^^|
^^^H
Hacckcl, 44.
*«
Munchausen, Baron, 292. ^^M
^^^^^^K
lialU A. Wilford, 541, 694.
••
Nature, 533. ^H
^^^^^^B
Ilassenfraiz, 286,
II
Newton, 99, 113, 117. 119, 123, ^H
^^^^^"
HclmhoUz, 321.
125, 131, 145,490,681, ^M
^^^^^^^B
licrl>crt, (.97.
«(
New Vurk Sun, 114. ^^|
^^^^^H
Ilersclitl, J. F., 162, 219, 312.
li
Nicholson's Jimrnal, 2S6, ^^|
^^^^^H
lliggins, \\\ M., 311,
"
Oersted, Professor, ]88. ^^M
^^^^^H
Hobbcs, Thus., 24-30, 1
.1
Olmltcd, Professor, 9. ^^H
^^^^^L
Hook, Robert, 613,
II
On the LI entity of IJght, lieat, ^H
^^^^^B
iiutton^s MalhematLcal Diction*
Electricity, Magnetism and Gravi- ^^|
ar). 192, 315,
tation, 694. ^^M
^^^^^H^
Huxley, 404.
"
Papilion, Ferdinand, 13-23,604, ^^H
^^^H
luf) Ulrica Concerning Sound, 690.
u
Paroletti, 690. ^H
^^^H
Kelvin, Lord, 53.
fl
Parry's Second Voyage, 309, ^^M
^^^B
Laplace, 382.
tl
Philosophical Magazine, 151, 1 88, ^^M
^^^B
LcCuntc, J.. 312, 369.
247, 285, 360, 534. ^H
^^^^^^^B
Lef£vrv% A., 44,
(tf
Pie%se, 19. ^H
^^^H
Life and Letters of F'araday, 703.
"
Plato, 341, ^^M
^^^H,
LittcPs Living Age, 575, 578.
"
Poisson, 245. ^^B
^^^^^R
Locke, 94,
»»
Popular Science Monthly, 30, 530. ^^M
^^^^H
LoiJgc, 47.
"
Potter, Professor, 2^)4, ^^H
^^^^^^^^^^^H
London, Edinburgh and Dublin
0
Practical Telephony by James ^^H
rhiiosuphical Magazine, 154, 190,
BeU, 539. ^1
191, 196. 312, 369, 372,
H
Preston, S, F\, 151, ^^M
^^^^^^V
Maief, Julius^ 472.
•*
Princtpia, 490. ^^H
McKenzic, G. S>, 693,
Problem of Human life, 541 ,694. ^^M
Aotbois. Proceedings ol Royal S^Utf of j Box tekphooif^ 4|
Lontion, 310, 316, 557.
(^)tmrterly Journal, 352, 264.
Rafliani Matter, 704.
Royal Transactions, $li^
Roy, Puul, 622.
Sctitt, Sir \Yaker» 556,
Sensation of Tone, jat,
SiUi«ian, Prof. 460.
SBliman'^ JuurnBLl, 55$.
SpeiaccT, 706 »
SpUlef , 44* So.
rioyl*'^ law, io6bt
Brain, r«.*a>rila ofp^
CARTYMJJ
Cathode Si
Choroi.l, 6Sj. \
CifcuSatory mc^
Ctoudsf bow fai3|
Coefiicientj Poisil
Comets, elemciili
" 1eleph<me, iUcrophoHc and Pho* 1 Conflagration, dc
ougraph, 613,
The Kinetic llie(*fy of Gaae», 150.
Thompaon, David, 6<i, JoS*
lliotnpaun, t^yWanus P,, 4?0t S^^'
Tboiiisoti, Pr<if, J. J., 713.
Tmilt: de MetanUjutT, 245,
Contain, the law
thingii, 6S
C^jpemicati sj'Stei
Coftelative of soi
Cfeatiors, contint
Cfcatian, the ma
•• Trmn»ai-lii>n^ of the Royal Si^eiety, Cr^s-talk io td«
Edifihurnh, Jjo.
** Transmiasbn of Sound bf Loose
Klcctrical Qjntact, 549,
** Tyiidall, 6,90, 170-184* 19^,209,
»ao, 2aa, 232, 2JS, 242, 270, 375,
282, 296, J23, ssSi 660, 662, 721.
*' VignoH, F„ 44.
•• Walker, 31a
** Warwick^ 624.
" Watersioti, 153.
'* Wekj 44.
" Westminster Review, $75* 5^*'
" Woodworth, 65 J,
" Young, Thomas, 341.
*• Zeteche, 636,
BALLS, ivory, movement of, 174.
Bell telephone, 470.
Blythe, James, experiments by, 550,
Bodie^j bavmj5f same normal vibration,
actio ti uf, 4oS,
*• normal vibration oU 293,
Cancnt, eletAric,
443-
Currents, intermi
** Iclepho
Dl\fram; 1
for makir
Diafram, in telej
hrarf
" in telepi
" of recei
" of reiie
449i
** of tran:
fram
" sappoa
resul
" suppos
635-
" ^uppos
to <
6^%
^^^^^^p
^^^^^^^^^^^^^^^^^^^^^B^^ ^^^^^^^1
^^m
^^^H Diaframs, cannot be made to Utk» 505*
Electrotonic state of matter, 525, 326* ^^^^^^
^^^H cannoL repeat sounds, 4JS.
Elements, combination of, the law of crea- ^^^^^1
^^^^B DifTerences in nature, 43.
^^^^1
^^^H Distance sound may be heard, 460.
Etlen^s Mountain, views from, 3. fl^^^|
^^^H DbtributiuQr naLurt^ uf» 564,
Energ)% indestructible, 345. ^^^1
^^^^^ DyMuncd, expcnnicntB by* 5401 613,
Krith, explosion near, 209. ^^|
^^^^^^^ tbetjry of, regarding the telc-
Essences, artificial, 23. ^^^^1
^^^^y 579.
Ether, wholly imaginary, 22S. ^^^^^|
Eulcr, crittcistng existing mathematical ^^|
^^^H r^ AR adapted to lathering sound, 417,
^^^H JL^ Ear, the human, 585, 724.
methods, 142, ^^M
Existence, spiritual, 484,
^^^H Ear used to gather sound, 204.
** universal, end of, 6S7,
^^^H Echoes, 567, 654.
Expansion, cause of, 67.
^^^H Eddies, causes of, 294.
Experiments by Antoine Breguet, 620.
^^^H Edith, 707.
•* " Hughes and Paul Roy, 619,
^^^H Education, nature's method of developing
*« Zetsche, 636. ^^HI
^^^H the mind, 686«
** I'rof. J. Henry, 660. ^^^H
^^^1 Effect only by contact, 68i.
of sound conducted by wire, ^^^^^|
^^^H Effects have appropriate causes, 603.
549- ^^H
^^^H Effects, projioriiunal to amuunts, 202.
with a telephone, 545, 548. ^^^^^|
^^^H Elastic t>aJlSf collision of, 344*
sounding board, 558. ^^^^^^|
^^^H force, 39, 67.
Explosions, mtture of, 117, 170. ^^^^^
^^^^^^^ ma Iter in mottuti, 6S,
^^^H
^^^^^f foi, 148.
r^ARADAY, 519. ^M
I " experiments by, 521.
^ Elasticity, 50-^36^ 67, 211.
^^^^^^^ coetlicient of, 57*
Fmii, 707.
^^^^^ft
Fire, character uf, 492,
^^^^^^B flexure, 60.
Force, 35«.354^
^^^^^^^B 59.
*• nature of, 46, 352.
^^^^^V of traction, 55
Forces, natural, identity of, 694.
^^^^^H
" " known only by effects, 5.
^ Electric figures, 507,
^^^^L Electricity, a phase of matter, 442,
/"^ASES, free path uf, 149,
VJ Gas, ideal ^ 227, '
^^^^^^L ** connected with sound, 18S, 19a
^^^^^^^B discoveries in, 191, 192.
Gertrude, 707.
^^^^^^B Franklin's theory of, 71S.
Graphopbone, 643.
^^^^^^m from magnetism, 525.
*• a sound producing instru-
^^V nature of, 337, 71S.
ment, 493,
^^H Electric spark, 337.
*• indentures, photograph of.
^^^B Electro-magnet, 443.
657.
^^^^^^H gives forth sound, 619,
" record, 407-44S,
^^^^^^H volume of, not changed
** record, how made, 4161 427« '
^^^^^^H by mftgnctbation, 624.
43o» ^^H
738
INDESt
GraphoplMMie, record, how made and repfo*
dacedt4846o3.
** record, indentures of, act
like piano keys, 654.
^ record, made by paxtidef of
iovnd, 54S, 672.
" records, how formed, 646.
** ** how reproduce
tomid,€49.
** reprodnction of soimd in,
when dufram is removed
from reproducer, 5'*^
" nse and action of diaframo^
546.
OnnHatioD, 5,40^ 75, 396.
•* limited in its action, 295.
Goesses, the cause of falnndeis, 439.
HAWKSB£1^ Francis, eiqperiments l^,
aid.
Hearii^ ampacity of, varies, 35.
" range of, 284.
Heat, an entity, 694.
** another form of light, 79.
' a substance, 224.
•* discussion of, 694.
** generated or made manifest by com-
pression, 222, 224.
" hypotheses of, 225.
" laws of, 79.
** undulatory theory of, similar to that
of sound, 6, 7.
Helix of telephone emits sound, 621.
Henry, Prof. J. experiments by, with tuning
forks, 555, 660.
Huxley's remark on hypotheses, 479.
liuyghens, views of, regarding light, 7.
Hydrogen gas a poor conductor of sound,
177-
Hypotheses an undesirable foundation for
science, 165.
" Huxley's criticism upon, 701.
" Huxley's remark about, 479.
** of science, 422.
IDEALISTS^ sappoiiUoii <A, 72.
Impo«ible, the, never mdeitaken hy
Nature, 459.
Indvctkm, Electipatatic and Electroaii^
netic,423. ^
Inertia, 543.
Inertia of matter, an erroi^ 45.
Infinitely small, without limte, 465.
Infinitesimals, a STStem used iD Nature, 431.
Infinitesimals, power o^ 645.
IntfiKgenc«% different orders o^ 572.
I AOQUES^ eiqierhneniB by, 309.
KELLER, Hden, Education oi 68(X
Kinetic theoiy of gasei^ 101^ 14S;
Kinneisley^ thermometer, 337.
LAMARCK, 69a
Laplace, formula of, for wpetd of
sound, 221, 233, 234, 235, ajS;
243, 244, 248, 249, 250b 252.
liigeois, eicperiments in odors by, 17.
light, corpuscular theory of, ably discussed
by Prof. J. J. Thomson, 713.
** large distance between particles of,
though tilling the air, 466.
" laws of, 78.
" theories of, 7, 8.
" undulatory theory of, similar to
that of sound, 6.
" velocity of, 688, 717.
Like produces like, 448.
MACHINERY, 287, 288, 353.
Magneto>electric induction, 525.
Mariotte's law, 107.
Material creation, the, 564.
Mathematicians, 369-371.
Mathematics, how related to physics, 169.
'* inaccuracies of, 130.
'' plural in form and meaning,
367.
INDEX
739
Matter, discussion of, 42, 43.
" effect of upon spirit, 432.
** elements of, combined, the uni-
versal law of material creation, |
41.
*• fourth state of, 706.
** infinite division of, 705.
" man cannot make, 505.
** radient, 706.
** solid, liquid and gaseous state of,
226. I
** sufficient for all material purposes,
353-
Maxwell, James, 370.
Medium, a, necessary to the existence of
other things, 216.
Megaphone, 203.
*' in fog signaling, 1 14.
Membrane in telephone assists in gathering
and delivering sound, 498.
Memory, a record, 683.
Mercury Telephone, Brcguet's, 478.
Metaphor, use of, 10.
Meteorites, 79, 80.
Meteors, 219.
Microphone, 396, 540.
Blythc's, 478.
" illustration of, 399.
" magnifies sound, 35.
Mills, different kinds of, 487.
Mind and matter, distinctions between,
354.
Mind, laws of, universal, 83.
Mind the creative power, 234.
Mobility of fluids, 178, 195.
" principle of, 382.
Mode of motion, odor a, 24.
Modes of motion, 33.
Modulus of elasticity, 57.
Modulus, Young's, 57.
Molecules, extraordinary motions of, 152.
" motions of, 226.
Moment of a force, 64.
Momentum, 343, 348.
Motion, 343.
" a characteristic of various forms
of matter, 569.
" a property of matter, 43-46, 344.
" caused by pressure, 39.
" fundamental law of, 345.
" how produced, 39.
" how propagated through a fluid,
102.
" in elastic bodies, 344.
" inseparable from matter, 41-46,
345-
" laws of, discussed, 112.
" laws of, not changed, 606.
" modes of, 3;^, 93, 224.
" nature of, 342.
" of rotation, 343.
" of translation, 343.
" oscillatory, 343.
" rectilinear, 345.
" the result of contact, 47.
" the result of pressure, 345.
NATURE, circulatory methods of, 42.
Nature, forces of, 5.
Nature, forces of, interchangeable, 346.
" " intimately related, 79.
" laws of, universal, 75-84, 92, 287,
354.
Nature's laws fixed, 605.
Nerves of sensation, function of, 91.
Nerve stimulus, 72.
Newton's main proposition on sound
founded on an hypothesis, 145.
Newton's main propostion on sound, re-
view of, by J. J. Waterston, 153.
Newton's propositions, errors of, 140, 141.
" propositions relating to sound,
99-139.
" theory of light, 7.
" theory of sound, objections
to, 160.
740
INDI^
^m^
Nomud vibratioiis of bodiei» i86w
ODOR, 13.
Odor a mode of md&yo, 24* 30^ 31.
Odor and aoiiiidv analogr belweeiw I9>
** nature and a^km o^ 687.
" nature o^ 465.
Odors* artifidally produced, 32.
** carried hy oxygen, i^
** conqxwttion o^ 2i.
** diffittion o^ 17.
** discosiion o^ i4-'3<
" hajanonyof, 19.
** haying power of motion, 16.
" liow formed, 490.
" operations o^ similar to lonnd, 19U
Oersted, Dr. H. C, 1S9.
Opinions, bad, all, 354.
PAFILLON on odors, 14-23.
Phenomena, interdependent parts of
one whole, 14.
Phenomena of ^sensation similar, 429.
Philosophical magazine, 247.
Philosophy of sound, 311.
Phonautograph, 585.
Phonograph, $12, 726.
Photographing by electricity, 413.
Photophone, 472.
Physical forces, nature of, 5.
Pitch determined by rate of vibration, 283,
291.
Pressure, propagation of, in a fluid, 99.
Probabilities, theory of, 149.
Pulse in a tube, 340, 342, 355, 376, 386.
Pulse in a tube, action of, foundation of
undulatory theory of sound, 354-356,
372-381-
Pulse in a tube, speed of, different from
that of sound, 366.
Pulse in a tube, velocity of, varies, 341.
Pulses, distances of, 137.
" in an elastic fluid, velocity of, 131.
** propagation of, in a fluid, 125.
RADIANT matter, 214.
*" <« not pefceptib^ al-
fected by gravitatioai, 995*
RadBnm, 7'9*
Req^ntidation, 69&**7^«
Red^irocal of a nmnber, 64.
Records of the brain, 434.
Reflection of sound, 6b
Regnanit, ei^eriments by, 37^
Reis, PhiHp^ 53a
Resistance, posnUe to tdq)hoaic cnirentt
581.
Retina, 683.
Retina, pictures on, 683.
Ritter, views of regarcBng aomd, 189.
Roentgen rays, 716^
Room for phenomena of nature, abandairi^
388,389.
SCIENTISTS, superstitions of, 347.
Sensation, described by Locke^ 94.
Sensation, nerves o^ 70.
" result of contact and assiniila-
tion, 91-93.
** result of material conditions,
353.
Sensations, accomplished through agency
of matter, 432.
" action of, 682.
" all have similar cause, 652.
** analogy between, 19.
<• cause and use of, 571.
" caused by matter, 453.
" dependent upon matter, 488.
" dependent upon quality as well
as form of matter, 57a
" exist first materially, 88.
** five, 677.
** material, forms of, 569.
" nature's great system of, 677.
Senses, the five, 13.
Shock, mechanical effect of, on parts of tele-
phone, 626.
^^^^^^V ^^^F
^^^^^^ 741
^^^B Sixe, reUttvity of^ 346.
Sound, correlative of, 195, 197, 270-274.
^^^B SmcU, dc6mtion of, 30.
" criticism of the theory of, 5.
^^^B u(, 14,
•* dehnttions of, 8, 9.
^^^B sense of| higbly developed, ao.
•* destructiunof, 301.
^^^B Sonorous figures, 506.
" differences in, how made, 286»
^^^B wftves entirely mythical, 515.
•* different theories of, 690.
^^H tcHj^'th of, 463.
*' distance heard, 460.
^^^B Soul, activities of, begin when, 685.
" distribution of, 295.
^^^^1 and budy, connection uf, 67$.
" clcctricab 1 88, 189.
^^^^^^H cannot directly recognize material
** entirely material, 500,
^^^^^B
" entity theory of, demonstrated by
^^^^^^^ esiaential nature uf, 684.
Du Moncel's experiments, 613,
^^H *' faculties oi, 6S0.
" experiments in, by Prof. I lenry, 555.
^^^H ** how instructed, 6^7.
" experiments in, conducted by wire,
^^^^B *' knowledge oF, must be acquired, 679 »
449;
^^^^B origin ol^ 679.
** experiments in the conduction of,
^^^H " power of, 501.
562.
^^^H " power of construction ot, innate, 6S4.
" from the graphophune, considered
^^^H Sound, action of upon the soul* 6S4.
BS reproduction of the original
^^^B aggregation of, 202, 228*
sound, 518,
^^^^ft air wave theory of, 41 S.
" great secret of, 556.
^^^^H a medium necessary to convey, 659.
" heard at different points succes-
^^^^H *' and electricity, similarity of, 190.
sively, 418.
^^^^1 and hearing, distinction between^ 9.
** heard in a telephone made by the
^^^^H and vibraiion, relation of, 36.
initial sounthng hudy, 405, 440*
^^^^^^^ an entity, 207, 693.
•• history of undulatory theory of, 690.
^^^^^^H a substance capalile of spreading in ,
" how gathered, 458.
^^^^^^V all directions, 40^.
" inriniteaimal particles of matter, 453,
^^^^T " a subtle form of matter, 216.
** in rarefied air, 219.
^^^^^^H can make an instniment that will
•' in Keis' Ick phone, 446,
^^^^^^H reproduce itseU, 4S3,
*' instruments made in different ways.
^^^^^^H ** carried by the electric current like
494.
^^^^^^ logs in a
** in telephone and graphophone,
^^^^^^ ** caused by shuck, 68, 71, 89, 207.
operation of, 391.
^^^^^^^ character of, deilncd by vibration,
•' intensity of, 175, 279, 284.
^^^H ^^^*
** intensity of. depends upon density
^^^^^^B " collected by sail of ship, 203, 458.
of air where generated, 401, 404,
^^^^F ** collection and rejection of, by the
" intensity of, in high mountainous
^^^^^K ciir, 204«
regions, 404.
^^^^^H conducted through copper wire»,
** intensity of, laws of, 172, 1801
^^B
" ** of, not dependent upon
^^^^^^P ** consists of electrical matter, 4^7.
quantity of matter imping-
^^^^B ** correlates thought, 504^
ing on the ear, 405.
742
JNBEX
Somid, inteii^ of, mries how,4os«
" ** of, Tsries with diftsoce
from soundiiig body, 401,
*' interferance of, 298, 30a
^ in ak spreads in all ejections, 405.
** laws oU similar to tli08« of light, 6.
** machinery for prodadi^ may be
infinitesimal, 607.
, " made by appropriate imtnunents,
491.
** made hy shock, 469.
** made by sound prodncing instm-
ments, 45a*
** made on the eaztii heaid at a great
elevation, 402.
** makes vibration, 4xa
** makes vibration, not vibration
soond, 660^ 662.
^ may be gathered, 466^
' '* memory of, a record inthe brain,
4«5-
^, motion of, one of its properties, 568
" movement of, 071*
** nature 0^69^
" Newton's main propositions on*
founded on hypothesis, 145.
" Newton's propositions concerning,
99-139.
" Newton's propositions of, criticised
by Herschel, 163.
" Newton's propositions of, criticised
by Lagrange, 164.
" Newton's propositions of, criticised
by Waterston, 153.
" not controlled by gravitation, 295.
" not like a conflagration, 407.
" not made by vibrations of tuning
fork, 665.
" not transmitted in a vacuum, 218.
" objective, 10.
" of electrical character, 90, 420.
" of tuning fork conducted away by
a stick, 661.
Soond, partidea o^ how made in the
graphophaoe^ 6|4.
'* partidea c^ teifinltesfanid, 4S7» 607.
** paitldeao^wyndBafce^4|7,
« pamqg from oae wsre to
near it, 419,
'* permeates in afl Snd&ouit 41^
^ phenomena o^ eaqilaiaed by^
theory, 702.
** phenomena of ^ poorible by eati^
theory, 674.
^ pitch o^ detemdned by vibfaHoo^
291.
** prodooed by caqrfGiioii ol melcsoi%
2X9, 220.
' '< produced by contact^ 55»
« produced by step of a iy» 35*
" produced m rarefied air» JU9*
•• propagaUon of, 70^ 190^ JS5, 39^
« qmdity or Hm6r£ of, an attenqited
explanation o^ 59a
** readfly enters the wire of a tde-
]^hoiie,6o2.
** reflected like lifi^t, 7.
" reflection of, 567.
" reproduction of, from graphophone
record, 430.
" reproduction of, in' graphophone
when diafram is removed from
reproducer, 518.
" resemblance of, to electricity, 220,
284.
" secret of, 653.
" shaped and distributed by vibration,
" strangest secret in, 701,
" taken up and transmitted by a wire,
533.
" tenuity of, 185.
" theory of, by Lamarck, 690.
" the whole in all the air, 204.
" timbre^ or quality of, 1 97, 1 98, 200,
339.
^^ 743 ^^^B
^^^ Sonndt transference of, 558.
Sun, elements of, 81. ^^^^|
^^^fe triLnsmisaioti of^ 535,
Superstitions of science, 231* ^^^^H
^^H ** traosmission of, by loose electrical
Symbols, use of, 93. ^^^^|
^^H contact, 449.
S>in pathetic vibration, 294, 721, 725. ^^^^|
^^H ** tianimission uf, through solids, 282.
^^^B
^^^H " tnmsmittcfi better by itisulated than
T^ASTE aided by odors, 16. ^^^B
1 Telegraph instruments, 576W ^^^^M
^^^H uninsulated wirCf 61 5«
^^^H Tyndall on reBeclion of, 6.
Tclcgrapbonc, 455. ^^^^H
^^H Tyndall's book on, review of, 170-
Telegraph, 447. ^^^|
^H ^^^*
Telegrapby, 444. ^^^|
^^H ** under water, 405,
Telephone, 391-400, 410-455, 530-640. ^^^^1
^^H undulatory theory of, discussion of.
Ader's, 580. ^^^H
^H
all parts of, can transmit sound, ^^^^^1
^^H 1 ** undulatoiy theory of, fatal inconsis-
^H
^^^H tcncies off 276.
^^^H
^^H ** undulatory theory of, fatal objec-
Breguet^s Mercury, 478, ^^^^1
^^^H Lions to, pointed out by Henry
common explanation of, untrue, ^^^^|
^^H Mtikle, 264, 267*
^^H
^^^H '* undulatoiy theory of, impossible^
current continuous, 446, 454. ^^^^H
^m
•" currents infinilcsimalt 635. ^H
^^^H ** tmdnlatory theory of, inconsistent,
description of, 582. ^^^^H
^^H
development of, 584* ^^^^1
^^H ** velocity of, 9.
diafram of, su^ested by mem- ^^^^H
^^^H ** velocity uf» experiments concerning,
brane of ear 515. ^^^^H
^H
** discs of various substances, 539. ^^^^B
^^H vetucity of, inherent^ 56S.
** evolution of, 50S. ^H
^^^H velocity of, in water, 32S*
" experiments wilb, 405. ^H
^^^K ** velocity of, not due to elastic force
** expenments with, by Hughes ^f
^^^H of the air, 292*
and Paul Roy, 619, ^H
^^^H ** velocity of, uniform, 569.
*' explanation of, 410, 41 4^ ^H
^^H ** waves, attempted photographs of.
** held against the chest transmits ^H
^^ 337-
sound, 63 7 » ^^^^1
K^ Sotmdiiif boards, 293.
helix of, emits sound* 631. ^^^|i
^^K *" action of, 467, 55S.
history i>f, 613* ^^^^B
^^H experiments with, 561*
illustration of, 392. ^^M
^^m Spectral analysis, 80-82.
** invented by Graham Bell, 470, ^^M
^^V Speech, articulate, 606.
mechanical, 533. ^H
■ *« articulate, machinery of, 647.
" operated by induced currents, ^H
■ Spirit affected by matter, 432.
■
H " and matter, connection between, 678*
** ori^nal experiments with, 545, ^H
H Spiritual and material independent, 501.
H
■ String telephone, 583*
Rcis»,445, 530. ^M
H Substantial* all things, 42.
replaced by music box, 619. ^^M
744
l|)9iX
Td^pbonei bost month uid fltn^^ooii-^
537.
^ . "t^i^ itticiwd to jnffefeiift
pttts of dbpctric tdl^ihoii^
" . ttrias-iiirey 615.
** * wppoied ▼fimtioii ol dhfniin
0U620,
*• tfaeofy of» 631.
** unial explanadoii of, inconect,
596.
*• Yihratkm of ditct o^ 54a
<« wirdeu, predicted* 483.
** with a nmnber of dlaframi, 616.
* <* * . with doable magnett 621.
** without diafram, 617, 638.
** without receiTer, 47S.
** without vibcatii^ plate, aiag-
net or coil, 475.
Telephones, tpedal, 47a.
Telephonic currents, 578.
Telephonic current, strength of, 579.
Thennaphone, M^esendanger's, 633.
Things cannot pertorm any important
function, they were not made to per-
form, 48a
Things made in various mills, 567.
Things, manner in which they pass each
other, 390.
Things useful for what they were designed,
437-
Thought, how formed, 353.
Torsion, angle of, $9.
Torsion balance, 59.
Toruon, force of, 59.
Touch, 688.
Touch, action of, 687.
Transmitter must make sound if receiver
does, 549.
Tremor of a rod or a sounding board, 293.
Tremulous bodies in elastic and non-elastic
Trope^ia
IVnth, tbow wiia teem SiS*
Tub^ lyii^llA esperinienl ifi^ l«4-
Tuning Focfc, action o^ 90f.
Tuninff iOlk. ^utaamA n|- flilBiluftiill lEwav faw
aatMK»66i.
U'
NDUUiTORY theories, 2^
Undolatofy theofiet 1^ nm^oe wiA
common iciise, 4*
Undulatory dieoriet like Ptokmafc wptiem,
of astioiioiny, 67a
Undulatory theory of aound imponible^ S7.
Universe, materia], moit beautiful, 604*
Uranium, 719.
VACUUM, lound in a, ii6b
Variable reditanoe tranmitter, 454.
Variety a univeiial law of nature^ 987.
Variety, how produced, 388L
Vibration, aoy, 556.
** anoqplitude o^ aff^,
** cause o^ 68.
', caused by coDirion, y^
^ definition oi^ 39^
** prepares sound for the market,
666.
*' made by sound, explanation o^
39. 89, 556, 557.
*« relation of, to sound, 36.
** sympathetic, 186, 294, 649.
Vibrations, number, necessary to sound, 291.
Visual purple, 683.
Vis viva, 201.
Vocal chords may be artificial, 512.
Voice does not cause diafram to vibrate,
413.
Volta-Electric induction, 525.
w
ATER waves, illusion of, 330.
Water waves propagated by ^mvity.
Waves, as such cannot bia se^ecle^ of
gathered, <9Si
INDEX
745
Waves, description of, 318, 321, 330.
** how formed, 331.
" in air similar to water waves, im-
possible, 339.
•* reflection of, 196, 568.
waves, velocity of, 123.
Wheatstone, experiments by, 558.
Y
OUNG, Thomas, views of, regarding
light, 8.
CRITICISMS AND PRESS REVIEWS
OF VOLUME I.
James M. Ingalls, Lieutenant-Colonel, United States Army,
one of the most eminent mathematicians in the world, and
recognized as the highest authority on balistics, or the science
of projectiles, writes :
"My Dear Mr. Battell :
" I thank you very much for the copy of your great work * Ellen or
Whisperings of an Old Pine,' which I received a few days ago. Of
course I have not had time to read the 800 closely printed pages, but
1 have looked it over very carefully, and I think I can say positively that
it is the best argument against the present accepted theory of sound
that has ever been presented to the public.
Sincerely yours,
James M. Ingalls."
We have received the following courteous letter from Prof.
George F. Barker, of the University of Pennsylvania, one of
the most eminent physicists of America, to whom we sent a
copy of "Ellen":
Joseph Battell Esq.,
My Dear Sir : — I beg to express to you my thanks for the first vol-
ume of the second edition of your remarkable book, " Ellen ". Obvious-
ly there has been much thought spent upon the reasoning contained in
it and the criticisms it contains must, I think, tend to modify some of
■; !!i
■I-
•I .
1 bJ
I'lf
PRESS REVIEWS
749
Of the second edition, but eighteen copies were sent to the
press. In addition to the criticisms already quoted is the
following review by Reed Moyer, editor, New Haven, Conn.,
which appeared in a syndicate of papers, including the Mobile,
Ala., Times:
" A book that presents some rather interesting problems is entitled
'Ellen, or Whisperings of an Old Pine/ by Joseph BaltelL The
book is really a scientific discussion, but it takes the form of fiction^ in
which the chief characters are Ellen and an old Vermont Pine. A
second edition has just been issued, and in the preface to this etlition,
the author mentions with pride the fact that its revolutionary scientific
theories have been accepted by leading scientists. Such questions as
the nature of matter, and the phenomena of sound, light, heat and
electricity are considered in a searching manner. In particular the
book demonstrates the absurdity of the undutatory theories taught in
every text book of physics* A great many mathematical statements,
that are universally accepted, are exposed in such a way that the candid
reader must confess that the author is correct. The book is not above
the knowledge of the student of plane geometry and elementary
physics. The f|uestion3 discussed concern the basic principles of
mathematics and science and cannot fail to be of interest to every
educated person. The book is finely printed and Iwund and is pub-
lished by the American Publishing Company, Middlebury, Vermonl.*'
Mr. H. L. Hind ley, editor of the Ludlow (Vt.), Tribune, and
one of the abler reviewers of Vermont, after saying that the
book is ** iconoclasm, idol-breaking," continues:
"It won't do to dismiss Ellen and ner conversations with an impa-
tient shrug for the very simple and sufficient reason that there's abun-
dant food for thought in them. There's a whole lot of rot about mod-
7$0 CRmCISMS AND
em science, and the Colonel has certainly attacked it where its ^tmat
is a Little thin — to say nothing about the sheathing underneath. It b
impossible to even outline the arguments of the book — ^read it yonr-
selfp if you have time*"
Hon. H, H, Powers, formerly a judge of the Supreme Court
of Vermont, writes :
"Your work, * Ellen/ \% too profound for hasty judgment, but I have
e.:amined it far enough to discover that you have bestowed most care-
ful thought tipoa your reasoningp and I think have evolved theories that
stand OQ a logical basis, and are worthy the attention of our b^i
scholars,''
Hon. C. S. Emery, one of Vernionts most prominent citi-
zens, and member of the State Senate, writes :
Chelsea, Vt., May 14, 1904-
Hon. Joseph Battell:
My Dear SrR : — I am in receipt of the beautiful volume, " Hllen/*
from your pen, nn^l ^IitU nUvays prize it on that account and must thank
you for your though tfulness.
The amount of labor bestowed upon this work, the thought and study
required in mastering the subjects treated, would seem to me to be
enough for a lifetime,
Very sincerely yours,
C. S. Emery.
Of the first edition Mr. Bryan in The Commoner says: "A
very interesting book."
The Louisville Journal, edited by Henry M. Watterson, says:
'* A book with much ingenious construction of the most vital
truths."
I
PRESS REVIEWS
751
Mr. Thomas H. McLeod, Middlebur>% Vt, formerly a con*
tributor of the Silliman Scientific Journal, published at New
Haven, Conn., writes:
We have received from the American Publishing Company, Middle-
bury, Vt., a copy of Volume L, second edition, of "Ellen or V^liisper-
ings of an Old Pine."
The book is well printed, handsomely bound, and illustrated with
many views, presenting both individual subjects and a panorama of large
extent and great historic interest, as seen from one of the highest sum-
mits of the Green Mountain range in Vermont.
The work itself, in its entirety, relates to man and his surroundings in
the several aspects of his existence, and to the phenomena in the
physical world. In treating of these subjects no work in its conception
so radical and original has come to the knowledge of the public for
many years, nor one that will engage the attention of the thoughtful
for so long a period of time. If the attainment of the true reason of
things is philosophy, to that extent the work before us may justly be
termed the Battellian Philosophy, being an independent consideration
of the true knowledge of things by direct investigation, which, while it
is carried on Platonically in free conversations or dialogues, i^ pursued
with a Socratic simplicity and certainty that would do credit to the
great Athenian — the Master mind of the ages.
It is also a credit to the work ihat some of the deductions of the
Author in res[iert to the transmission of light, heat, etc., which were
antagonistic to the doctrines taught in the schools, have been by entire-
ly independent investigation and discovery fully verified by eminent
scientists both in Europe and America; which suggests that in the
future the other tenets of the Author's philosophy will be equally
verified.
A strong moral lone pervades the whole discussion.
PUBLISHED BY
THE AMERICAN PUBLISHING COMPANY
MIDDLEBURY, VERMONT.
Tbe Motgan Hone and Begisler* Tols. I* and H. By
Joseph BattelL Eleven handled and seven hundred pages respectively.
Handsomely illustrated. Price of VoL 1. 1^5.009 VoL IL $$.$$9 ^^ ^^oo
for both volumes, postage prepaid.
The Morgan Horse and Register, Vol. III., is well under way.
It will consist largely of registered horses of both sexes.
OPINIONS OF THE TRESS ON VOL. I.
VOL. I. of Battell's Morgan Horse and Register has at last been issued. It is a
volume of more than a thousand pages, and no more beautiful press work has ever
been seen. The volume shows a vast amount of research and personal investigation.
It contains a great deal which has never before been published, and will probably
lead to endless discussion. * * * The portraits of Denning Alien, the Fear-
naughts, Lord Ginton and others are gems of art and beauty.
But pictures do not make books, and Mr. Battell's Register is one of the most
valuable of recent acquisitions to equine literature, one that should be in the library
of every horseman and every student of the breeding problem. No one before has
attempted a work of such magnitude, nor has endeavored to get at the evidence on
which is based the many beliefs as to the ancestry of many famous ones, and while
it may surprise some to find in the first volume the claim that Seely*s American
Star and old Pacing Pilot are direct descendants of Justin Morgan, it must be
admitted the evidence given is quite as conclusive as that upon which is based the
claim that their ancestry is in other lines. — [Clark's Horse Review.
The Morgan Horse and Register is the latest and one of tbe most valuable
contributions to horse literature that wc have had the pleasure of examining. • • ♦
It has generally been conceded by those who have studied the subject carefully
that the family of horses founded by Justin Morgan has never been equalled as road-
ster* and for general pmposea where animals of heavy weight were not required, • • ♦
The most surprising pedigree in the work is that of Seely's American Star. It
has long been claimed by those who had investigated the matter carefully that be
could not have been by Stockholm's American Star, which appeared as his sire in the
earlier volumes of Waltace^s Trolting Register. Probably Mr. Battell spent more
time and money carefully investigating this pedigree and Cijllecting facts in regard to
it, than any other in the work, and he has been amply rewarded. After giving the
facts fully upon which he bases the pedigree^ Mr. Battell gives the breeding of this
renowned brood-mare sire as follows :
AMERICAN STAR (SEELY'S),
Chestnut or sorrel, with star, hind feet white, 15 ig hands, TO^O pounds; foaled
1837; bred by Henry II* llcrr>\ Fompton riains, N, J.; got by Cuburn's American
Star, son of Cock of the Rock, by Sherman Morgan : dam bay, stripe in facCt about
16 hands, a used-up sta^e marc purchased in New York city by Mt. Berry at ft
amall price to work in team, breeding entirely unknown.
The chapters on Justin Morgan and Sccly's American Star arc alone worth twice
the cost of the book. There is also a very interesting chapter on Pilot, sire of Pilot
Jr. Mr. Battell traced this horse through all the hands he passed until he located
him in Montreal, and there is little doubt that he traced him from that point to hia
breeder. We are glad to learn from the author that the work is selling rapidly. —
[Amencan Horse Breeder.
Lexington, Mass.
JosKTH Battell, Esq.,
Afy Dear Sir : — Your valued favor is received ; also Vol, I. of the Morgan
Horse and Register. As the liook was received this morning, I have had little time
to read it* It ik very handsome and I was particularly pleased with the chaptcis
on the Stars, Pilot, the pacers and the breeding of the original Morgan. I do not
•ee but your claim is admirably sustained.
Very truly yours, Edward S, Payson.
No publication upon the bone of recent years has awakened so great a public
interest as this volume bearing the authorship of Mr, Battell of Vermont. — [Mirror
and Farmer, Manchester, N, If,
We have received from .Mr. Jotcph Battell of Middlebury, Vt., the first volume
of his new work. The Morgan Home and Register. It is, mechanically, a very fine
job : line paper, elegant binding and ill uslrat inns, many of them half-tones from
photographs, and on fine plate paper, all go to make it an ornament, in tbe book
line, ht (or the parlor table. It contains 1000 pages. Whatever adds to the sum
qI htimaii kiiQwlrtigc ti^ any spedal tiiie is ifiv&lii»S>le and to the BpecisJi^t iiiiit»»
l^etisablef ajad Mr, Battell's book sboukl contain within its cover* very much Uul h\
not only new i>ut Important. • • » iVubibly tic* mau livings in a whuk tliplimr,
ever trairekd the dkiance ia piiMuit o( inftirmaijon^ wrote the letters, ot tpent th«
ttum^ in historical rest^rch that the ixulhof iif this work bos (iane In the: iasf tcna
yesLrs^ and the result Is embodied id tjii» vuluipe;. ♦ # ♦ Xnily ** Truth ll^i af the
bottom ut the well/* juid Mr. Bait«Jl has gone deeper after it, itayed imrlcr longer*
ftntl Ciniie to the surface with more iacts in bii gras^ than any other writer on the
tttbject* It IH a ijrrat work, and we have bad no time as yet to master its coctcnttp^
but AS time occurs shall rclcr tw i% again and a^jain, • • * [J. W% Thonapsoiip I
a»thor uf Maine Bred llon^. '
The Horseman, Qiicagq, Iu«
Mk. JosKnt Battels I
Afy I.^i'tjr Sir ,■ — »The complimentary copy of The Morgan Horse and RegiitCC
which you are go<id enough Co bend me came safely to hand. It h by long odcb the
Bioat complete and comprehensive work of the kind cv«r is»ued, and a\\ the Irkndi
^otX breeders of the Morgan horse owe you a Itfe-long ilebt O'f gratitudr fi.>7 youf
|Maiistakit>g labor In the fiekl of your choice* It is noi only uf special v^^t to
Morgan horse breeders, but to all others engaged in the light harness horse in-
dostTy, ^rhe illustrations ser\'e a very good purpose and the makeup of the liook
ivodefs it an ornament to any library. I wiU give it careful public rc%ncw at the first
^Mm^e. Meantime^ with bctt wkheih I am
Youm sincerely, E. C. Walker^ ** Veritas,'*
THE HOME LIBRARY.
ILLUSTRATED with 125 very superior half tones, consisting of
American and foreign scenerj', portraits of distinguished authors,
and copies of celebrated paintings. Volume L, consists of 439 pages
besides iDustrations.
This is one of the most elegant books of the kind ever published,
com prising 13S selections from Goethe, Schiller, Cervantes, Burns,
Irving, Scott, Campbell, Plato, Cicero, Farkman, Lowell, Bryanl^
Addison, and 75 other standard Authors,
Price, cloth J2.00; Morocco, full gilt, I4.00,
Volume IL, will be largely compo&dd of the choicest &eleciions
from Shakespeare.
ANNOUNCEMENT.
\1 /E take this opportunity lo announce that an exhaustive history
of the more prominent stallions of America, from the earUest
times to the present, which we have been engaged upon now for some
20 years, is rapidly approaching completion. This work is the result
of the most thorough, independent investigation, and when finished will
inchide all the more imi>ortaiit stallions which have contributed to the
formation of the American roadster, both trotter and pacer.
In this work a very large number of errors, which have crept into
preceding works on the Horse, will be corrected, and the evidence
given upon which these corrections are made. We are happy to say
also that we have been able to trace out many pedigrees hitherto
obscure or unknown, and some of them of vtry great importance,
among which is that of the dam of Black Hawk ; also new information
regarding Belle of Wabash, more complete than, and antedating,
any hitherto published.
This work, to a certain extent, will be a companion piece of the
Morgan Register, the rating of Morgan blood in the different stallions
being given so far as known. But it will also be complete in itself,
includiug the principal stallions of all families, and by far the most
convenient and valuable work of reference upon American stallions
which has yet been ptibltshed. It will consist of at least four and
perhaps five volumes of 1000 pages each, and will be extensively
illustrated and firmly bound in three-quarter leather. Volume L we
hope to publish by July i, 1908.
JOSEPH BATTELL,
Jan, I, 1908.
!kl
JAN 2t 1969